Summer Intensive SPECIAL GUEST INSTRUCTORS GUEST SPECIAL Adam Sklute Adam Ceo & Artistic Ballet West Ballet Director of Information Is Available At

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Summer Intensive SPECIAL GUEST INSTRUCTORS GUEST SPECIAL Adam Sklute Adam Ceo & Artistic Ballet West Ballet Director of Information Is Available At

summer intensive june 19–july 28, 2017 audition information is available at adam sklute, ceo & artistic director balletwest.org/academy peter lebreton merz, academy director Classes will be offered six days a week in technique, partnering, pointe, and men’s. AUDITION TOUR Supplemental classes include contemporary, repertory, and stretch. missoula, mt january 11, 2017 University of Montana atlanta, ga january 13, 2017 Atlanta Ballet detroit, mi january 14, 2017 Academy of Russian Classical Ballet miami, fl january 14, 2017 Miami Youth Ballet cleveland, oh january 15, 2017 Playhouse Square orlando, fl january 15, 2017 Orlando Ballet seattle, wa january 20, 2017 Pacific Northwest Ballet san francisco, ca january 21, 2017 San Francisco Ballet houston, tx january 21, 2017 The Payne Academy los angeles, ca january 22, 2017 Orange County Dance Center dallas, tx january 22, 2017 Ballet Academy of Texas chicago, il january 22, 2017 Ballet Chicago cary, nc january 28, 2017 International Ballet Academy SPECIAL GUEST INSTRUCTORS new york, ny january 29, 2017 School of American Ballet washington, dc january 29, 2017 Washington Ballet School phoenix, az february 5, 2017 Ballet Arizona adam sklute karin averty sascha radetsky additional opportunity salt lake city, ut february 11, 2017 ceo & artistic former principal former principal 2-week choreographic workshop with director of dancer with the dancer with dutch artémotion artistic directors Ballet West ballet west paris opera ballet national ballet allison debona & rex tilton ballet west first soloist adrian fry and ballet west academy student kenedy kallas | photo by beau pearson by beau kallas | photo kenedy student academy and ballet west fry adrian soloist first ballet west.

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An Exciting Year Ahead How Your Generosity Gives Ballet Arizona the Ability to Strive for Continued Excellence
BALLET ARIZONA DONOR IMPACT Corporate Spotlight: Donor Spotlight: Letter From the Q&A: Wells Fargo Mary and David Patino Executive Director: Artistic Director REPORT Samantha Turner Ib Andersen TURNING POINTE An Exciting Year Ahead How your generosity gives Ballet Arizona the ability to strive for continued excellence Ballet Arizona dancers Nayon Iovino and Jillian Barrell in Romeo & Juliet. Choreography by Ib Andersen. Photo by Rosalie O’Connor. WINTER 2017 I thank you for your continued generosity, support and passion ... Happy New Year! Welcome to 2017. On behalf of everyone at Ballet Arizona, I wish you good health and happiness coupled BEHIND THE SCENES with some spectacular ballet performances. I hope you’ll join with Ib Andersen us this February as we celebrate the return of Romeo & Juliet. Accompanied by The Phoenix Symphony, you have a unique opportunity to hear the Prokofiev score performed in its entirety. Q: What is your experience and history with In this issue, Executive Director Samantha Turner shares the Romeo & Juliet? news about an incredible legacy gift endowed to us by the A: I danced Romeo in Romeo & Juliet at the Royal Danish Ballet with late Hazel A. S. Hare. This gift is the largest one-time gift ever Mette-Ida Kirk. We were about 20 years old. It was choreographer received in the history of Ballet Arizona. We are deeply honored John Neumeier's premiere and it became such a huge success, to be the beneficiaries of such a transformational gift and to they are still doing that version today. This ballet was very crucial be among the few beneficiaries of such a generous woman.
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The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
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The Portland Ballet Dances a Fairytale Holiday
Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience.
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Roberto Muñoz
Roberto Muñoz Mr. Munoz has been teaching and coaching young dancers for over 30 years, both in the USA and abroad. Mr. Munoz served as Director of the Conservatory of Dance and Music Point Park College (now University) from 1983-1995. There, he created two successful programs for young aspiring dancers, The Pre-Professional Division and the International Summer Dance Program. During this time, he assembled an impressive faculty of world-renowned Master Teachers, including Laura Alonso, Barbara Sandonato, Karen Brown, Magda Aunon, Eva Evdokimova, Willy Burmann, Michael Uthoff, John McFall and Jose Molina. In the summer of 1993, Mr. Munoz, was invited to be part of the faculty at Pro Danza in Havana Cuba, where he taught classes at the Historical Theater Garcia Lorca. In the year 1995, was invited to teach at The Baltimore High School for the Performing Arts. From 1997-2005, Mr. Munoz was Ballet Master/Coach for both Pittsburgh Ballet Theater’s Company and its school. In 2005, he became Executive Director and Ballet Master at Gulfshore Ballet in Florida. Mr. Munoz’s former students are recognized for their high level of professionalism and their artistic and technical achievements. Most have gone on to successful careers with major companies across the US and Europe. Mr. Munoz has been a guest Master Teacher at a number of Ballet Companies, including Atlanta Ballet, Ballet Arizona, Ballet Met, Boston Ballet, Houston Ballet, Pittsburgh Ballet Theater and Colorado Ballet, among others. He has also taught master classes at Central Pennsylvania Youth Ballet, Magda Aunon Classical Ballet School, Wexford Dance Academy, Ballet Academy of Pittsburgh, Dmitri Kulev Classical Ballet Academy, Colorado Conservatory of Dance, Aspen Santa Fe Ballet School, both in Aspen and Santa Fe, Vail Valley Dance Academy, Ballet Conservatory of South Texas, Dance Conservatory of Maryland, Takeuchi Ballet Studio in Japan and the Kenny Wang Ballet School in Taiwan..
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Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
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The Portland Ballet Presents 'The Enchanted Toyshop' and 'Tourbillon
FOR IMMEDIATE RELEASE CONTACT: Laura Grimes, [email protected], 971.322.9452 The Portland Ballet presents ‘The Enchanted Toyshop’ and ‘Tourbillon,’ a new work by Anne Mueller with Portland State University Orchestra, Ken Selden, music director PROGRAM DETAILS John Clifford’s The Enchanted Toyshop (2003) Anne Mueller’s Tourbillon (2017), a world premiere Both performed with the PSU Orchestra, under the direction of Ken Selden Dates: Nov. 24-26, 2017 Times: 2:30 & 7:30 p.m. Friday-Saturday, Nov. 24-25; 1 & 5 p.m. Sunday, Nov. 26 Where: Lincoln Performance Hall at PSU, 1620 SW Park at Market, Portland, OR Tickets: $5-$35, on sale beginning Oct. 20 Runtime: One hour 45 minutes (including one 20-minute intermission) Information: theportlandballet.org or 503-750-3157 Discounts: • First-Show Friday: Tickets for the 2:30 p.m. show on Friday, Nov. 24, will be only $5 youth/student, $10 adult • Family Package: For TIER 1 pricing, when purchasing two adult and two or more youth tickets, all youth tickets will be $5 off • Group Discount: 10 or more tickets will receive 10% off • Good deals: Limited Arts Card and Arts for All tickets Special Opportunities: • Swag bags: Young people will receive special gift bags. • Activities: The fun starts in the lobby with photo opportunities and activities for kids. • Meet the cast: Audience members are invited to stay after every performance to meet the cast, take photos with them, and have their programs signed. PORTLAND, Ore. – After last year’s sold-out shows, The Portland Ballet is reviving its holiday hit, The Enchanted Toyshop, Thanksgiving weekend in a double bill that will also feature a new ballet, Tourbillon, by co-artistic director Anne Mueller.
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Student Matinee Study Guide Ballet History, Trivia and Test Your Knowledge
Student Matinee Study Guide BALLET HISTORY, TRIVIA AND TEST YOUR KNOWLEDGE BALLET TIME LINE Renaissance Period This era was all about also included a solo for each of them and a coda (a short, entertainment. The ballet de court was performed by quick finale). The classic tutu (stiff skirt) became popular; aristocrats from the royal courts of Europe. Ballet was many ballets were choreographed such as Swan Lake, brought in from Italy to France in the 1530’s when Italian The Sleeping Beauty, and The Nutcracker, which are still Catherine Medici married Henry II of France. In 1661, performed today. Baroque Period: 1710 – 1770 Maria Camargo the first ballet school opened in France. It was begun by In 1909, a Russian impresario Louis XIV and called Académie de Royale Danse. The five The Ballet Russes (a person who produces ballets, operas, and basic foot positions were named and are the basis for all concerts) named Sergei Diaghilev created the Ballet classical ballet steps. At first, only men were allowed to Russes and brought them to Paris. They traveled all dance. Women were allowed in 1681 but had to wear full throughout Europe, bringing with them innovative length gowns. new choreography, costumes, and scenery designed by Baroque Period In this era, it was common to master artists. combine opera, ballet, and music into one performance Ballet continued to grow throughout to tell a story. Ballet in Europe Europe, and today we have the Royal Ballet in London Romantic Ballet: 1831 – 1848 Classical Period This era occurred during the late and the Royal Danish Ballet in Copenhagen.
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2018 Alumni Performance 45Th Anniversary Show Program
A Message from Josefa Villanueva-Reyes, Artistic Director and Founder: I welcome you with great joy and happiness to celebrate the Santa Clara Ballet’s 45th Anniversary of the Nutcracker Ballet. The Santa Clara Ballet continues the legacy left to us by our late Director and choreographer, Benjamin Reyes, by sharing this favorite family Christmas Ballet with our community, our student and professional dancers and our loyal supporters. The Company’s roots started right here in Santa Clara, and has continued despite the usual problems of obtaining funding and support. We can continue because of all of you who are present in our performances, and through your generous donations and volunteer work. The Company continues its work in spreading the awareness and the love of dance to warm families and contribute to the quality of life of the community. For this Sunday’s performance of our 45th Annual Nutcracker, the stage will be graced by our Alumni who serve as a testament to the success of the company’s influence to the community and the world beyond. Thank you for your presence today and please continue to join us on our journey. Josefa Reyes JOSEFA VILLANUEVA-REYES started her training in the Philippines with Roberta and Ricardo Cassell (a student of Vincenzo Celli). She was formerly a member of the San Francisco Ballet Company and the San Francisco Opera Ballet. Previous to that, she performed as a principal dancer with the San Francisco Ballet Celeste for four years. Her performing experience included multiple lead roles from the classical repertory. Villanueva-Reyes taught at the San Francisco Conservatory of Ballet and Theatre Arts as well as San Jose City College.
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Nashville's Nutcracker Program
Nashville’s Nutcracker was filmed for television at The Martin Center for Nashville Ballet in October 2020. Nashville Ballet is grateful to be partnering with CBS affiliate NewsChannel 5 to present the televised premiere of Nashville’s Nutcracker to the greater Nashville community. LIVE AT TPAC IN 2021 An exclusive holiday pre-sale just for you. Tickets on sale now through January 3. We can’t wait to see you back in the theater! PURCHASE TICKETS HERE: nashvilleballet.com/nashvilles-nutcracker-2021-presale Paul Vasterling, Artistic Director Lisa Dixon French, Executive Director An exclusive holiday pre-sale just for you. Tickets on sale now through January 3. Written, Choreographed, and Directed By Paul Vasterling We can’t wait to see you Music By Pyotr Ilyich Tchaikovsky back in the theater! Narration By Eddie George Act II Grand Pas de Deux Choreography after Lev Ivanov Costumes Designed By Campbell Baird Scenery Design By Shigeru Yaji Lighting Design By Scott Leathers Presenting Sponsor: Intermission Sponsor: Act Sponsors: Music Recorded By: Russian National Orchestra Vesna Children’s Choir Mikhail Pletnev, Conductor (p) 2011 Ondine ODE 1180-2D PURCHASE TICKETS HERE: nashvilleballet.com/nashvilles-nutcracker-2021-presale Children’s Division A G E S 2 – 7 Register with confidence andjoin us your way. Virtual options are available as a supplement or alternative to in-studio training. Spring Semester Enrollment is Open. Register at NASHVILLEBALLET.COM/SNBCLASSES ACT I AT THE 1897 TENNESSEE CENTENNIAL EXPOSITION Clara Mollie Sansone Russian
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Christensen Brothers by Sheryl Flatow
Christensen Brothers by Sheryl Flatow “Ballet west of the Mississippi is pretty much By the time he was in his early twenties, Willam the creation of the Christensen brothers – was a highly regarded teacher at the school in Willam, Harold, and Lew,” wrote Arlene Croce Ogden. He really wanted to dance ballet, not in 1980 (“Going to the Dance,” p. 311). teach it, but in the early part of the twentieth Separately and together, with passion and century there were no professional ballet ingenuity, tenacity and perseverance, companies in the United States. So, in 1927, he imagination and talent, the Christensen and Lew hit the vaudeville circuit, and a year brothers helped ballet take root in this country, later they were in New York. They swiftly made and their influence reverberates today. it to the prestigious Orpheum circuit with an act for two couples; one of the women, Mignon Willam (1902-2001), as artistic director, Lee, would become Willam’s wife. Despite the choreographer, and teacher, transformed the inclusion of women, the act was really a fledgling San Francisco Ballet from an showcase for male dancing. “Lew and I had to appendage of San Francisco Opera to an be virtuosos,” Willam said. “We had to turn and independent company, and introduced leap like sons-of-guns, and dance fast to keep countless numbers to classical dance in San audiences interested. Because at that time not Francisco and beyond. He then went on to many people knew what we were doing. Were found the ballet department at the University of we gymnasts? Were we acrobats? But Utah – the first of its kind in the country – and 1 audiences liked us.” to establish Ballet West.
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September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.
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New Year. New Horizons. How Your Donations Provide Opportunity for Growth and New Perspective
BALLET ARIZONA DONOR IMPACT Corporate Spotlight: Donor Spotlight: Letter From the Q&A: The Stockyards Rose Harry Papp Executive Director: Artistic Director REPORT Samantha Turner Ib Andersen TURNING POINTE New Year. New Horizons. How your donations provide opportunity for growth and new perspective. Ballet Arizona dancers in Cinderella. Photo by Alexander Iziliaev. WINTER Thank you so much for your constant support which makes everything we do possible. Happy New Year and welcome to 2018! I hope you’ll join BEHIND THE SCENES us this February as we celebrate the return of Cinderella with with Ib Andersen one of Prokoﬁev’s most melodious scores played by The Phoenix Symphony. Q: Tell us a little bit about Cinderella We have so many things happening in our organization lately, new works being choreographed, new acquisitions A: We premiered our version of Cinderella in 2011. This ballet is my being staged in the rehearsal studios and even new outreach choreography and we are renting the sets and costumes from programs being planned for our community members. I invite Houston Ballet which is based on the Royal Ballet’s version by you to join us and take a peek into our process by taking a Frederick Ashton. (That version might actually be considered the tour, viewing a rehearsal or watching our seamstresses work most famous.) The entire ballet is 3.5 hours. I’m not using the entire in our costume shop. It is during those moments where you score so ours is under 2.5 hours. truly feel how signiﬁcant the impact of your support is on our company and for so many in our community.
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