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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Yesterday (Beatles Song)
Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
WORLD ARCHAEOLOGICAL CONGRESS E-Newsletter No 35
WORLD ARCHAEOLOGICAL CONGRESS e-Newsletter No 35: November 2010 ____________________________________________________________ ____________________________________________________________ Editors: Shoshaunna Parks and Marisol Rodriguez Miranda [email protected]; [email protected] _______________________________________________________________ _________________________________________________________ Contents: 1. Executive News Skype Meeting of the Executive The WAC Executive held a Skype meeting on 5th October, 2010. The topics of discussion included the Regional Council meeting for African members of the WAC Council, planned for Dakar, Senegal in early November, 2010; formalising submissions for WAC‘s small grants program; the revitalisation and rationalisation of WAC‘s standing committees; the development of a Memorandum of Understanding concerning the planned organisation of WAC-7 in Jordan in 2012; and plans for WAC‘s 25th Anniversary celebrations in 2011. Global Libraries Anastasia Tsimourtous, of Flinders University, organized a major mail out for the WAC Global Libraries Program. Libraries involved in the program should have received their books at this point, or will receive them in the near future. The WAC Executive would like to thank Anastasia for all the work she has done on this program. Human Skull for Sale at Etsy WAC acted on requests concerning the sale of a human skull at etsy: (http://www.etsy.com/listing/57877817/real-human-skull?ref=cat2_gallery_20). The human skull was subsequently removed from sale. WAC Inter-Congress in Beijing, China: Heritage Management in East and South East Asia This is a reminder that WAC is calling for expressions of interest in presenting a paper at the Heritage Management in East and South East Asia Inter-Congress, which will be held at the Institute of Archaeology, Chinese Academy of Social Sciences, Beijing, China, 5-8 July, 2011. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Wikipedia Beetles Dung Beetles Are Beetles That Feed on Feces
Wikipedia beetles Dung beetles are beetles that feed on feces. Some species of dung beetles can bury dung times their own mass in one night. Many dung beetles, known as rollers , roll dung into round balls, which are used as a food source or breeding chambers. Others, known as tunnelers , bury the dung wherever they find it. A third group, the dwellers , neither roll nor burrow: they simply live in manure. They are often attracted by the dung collected by burrowing owls. There are dung beetle species of different colours and sizes, and some functional traits such as body mass or biomass and leg length can have high levels of variability. All the species belong to the superfamily Scarabaeoidea , most of them to the subfamilies Scarabaeinae and Aphodiinae of the family Scarabaeidae scarab beetles. As most species of Scarabaeinae feed exclusively on feces, that subfamily is often dubbed true dung beetles. There are dung-feeding beetles which belong to other families, such as the Geotrupidae the earth-boring dung beetle. The Scarabaeinae alone comprises more than 5, species. The nocturnal African dung beetle Scarabaeus satyrus is one of the few known non-vertebrate animals that navigate and orient themselves using the Milky Way. Dung beetles are not a single taxonomic group; dung feeding is found in a number of families of beetles, so the behaviour cannot be assumed to have evolved only once. Dung beetles live in many habitats , including desert, grasslands and savannas , [9] farmlands , and native and planted forests. They are found on all continents except Antarctica. They eat the dung of herbivores and omnivores , and prefer that produced by the latter. -
The Beatles BC
Last Updated: 29 Jn 20 If you have a copy of Introducing the Beatles that you are trying to identify ... search on this page for 1062. Beatles records in the United States are typically found on the Capitol or Apple label. But people often ask about records, such as Introducing the Beatles, which were released by companies other than Capitol/Apple. In these articles, I will attempt to discuss the history of Beatles recordings in the US which predate their Capitol contract. Known variations of those records will be listed, along with their approximate values. The first Beatles record released anywhere was "My Bonnie" and "The Saints," with the Beatles backing Tony Sheridan. This German record (Polydor NH 24-673) was issued in two forms (with a German intro or an English intro) and with a picture sleeve. [More information can be found in this article about the Beatles' association with Tony Sheridan.] "My Bonnie" was Tony's first record and his break into the record industry. As many people know, the word "Beatles" was considered difficult to interpret by Germans, so Polydor billed the artist as Tony Sheridan and the Beat Brothers (October 1961). From that point on, Tony's band was known as the Beat Brothers, which caused some confusion to later Beatles fans. In January of 1962, Beatles manager Brian Epstein began negotiating with Polydor to release "My Bonnie" in England. Because of his negotiations, the UK "My Bonnie" release (Polydor NH 66-833) showed the artist as "Tony Sheridan and the Beatles." The record sold modestly, apparently well enough to consider releasing it in America. -
BBC 4 Listings for 5 – 11 January 2008 Page 1 of 3 SATURDAY 05 JANUARY 2008 Starting out on Their Careers
BBC 4 Listings for 5 – 11 January 2008 Page 1 of 3 SATURDAY 05 JANUARY 2008 starting out on their careers. Dr Nick Hollings has devoted half MON 21:00 Top of the Pops (b008njrq) of his life to the NHS, from an ambitious 18-year-old seeking a Classic edition of Top of the Pops from 1968, presented by SAT 19:00 The Life and Adventures of Nicholas Nickleby place at St Mary's Medical School, through 100 hour weeks as a Jimmy Savile and Dave Cash. Artists featured include The (b008njlp) junior doctor and 14 years of exams to become a consultant. Foundations, The Alan Price Set, Brenton Wood, Hermans Episode 8 Now an established consultant radiologist, Nick faces a Hermits, Status Quo, The Move and Amen Corner. worrying future. With long waiting lists for scans, the Adaptation of the RSC's acclaimed 1980s stage production of Department of Health is making tough decisions in the name of the epic Dickens tale. Sir Mulberry Hawk returns to society. efficiency. MON 21:30 Juke Box Jury (b008njrr) Madeline is promised to Arthur Gride. Smike is taken ill and Classic 1950s and 60s pop music show in which a panel votes Nicholas and Kate take him to their home in Devon. hit or miss on the new releases they are played. David Jacobs SUN 19:30 BBC Proms (b007xljj) presents, with Nina and Frederick, Jill Ireland and David 2007 McCallum on the panel. SAT 20:00 The Life and Adventures of Nicholas Nickleby (b008njlq) Simon Bolivar National Youth Orchestra of Venezuela Episode 9 MON 22:00 Story of Light Entertainment (b0074tnd) Katie Derham introduces another extraordinary Prom from the Pop and Easy Listening Adaptation of the RSC's acclaimed 1980s stage production of BBC archive. -
To View Project
Start page displays most visited websites Interface streamlined to only most needed Reading view extracts text content and and new items from user’s favorite websites functions. displays it into a readable format 11:55 PM 11:55 PM 11:55Notices PM 11:55 PM Search or Type URL… Conventional W… Read Conventional W… Back Most Visited The New York Times AARP Youtube Medicare.gov Recent Updates Bob Dylan’s Secret Archive www.nytimes.com Foods to Avoid Before Bed www.aarp.org How to Make Applesauce www.youtube.com Back Tabs More Less frequent settings tucked away Simple and quick acess to tabs 11:55Notices PM 11:55 PM 11:55Notices PM 11:55 PM The New York Times Read The New York Times Read Tabs Ta b Back Back The New York Times Forward Refresh History www.nytimes.com Share this page AARP - Bringing Real… Bookmark this page www.aarp.org Add to homescreen Medicare.gov www.medicare.gov Advanced Settings Back Tabs Close Back Close More Combines modern functionality with Complete removal of scientific functions. Operators changes color on tap. traditional layout. 11:55 PM 11:55 PM 11:55 PM 1,234 1,517.5 1,234 567 / 2 + 1,234 567 / 2 + 1,234 = 1517.5 567 / 2 + 1,234 ce + - % ans ce + - % ans ce + - % ans 7 8 9 / 7 8 9 / 7 8 9 / 4 5 6 x 4 5 6 x 4 5 6 x 1 2 3 - 1 2 3 - 1 2 3 - 0 . = + 0 . = + 0 . = + Operators changes color on tap. Maintain similar color scheme to the Braun ET 66 Calculator. -
KLOS Nov 11Th VINYL ONLY
1 1 2 YER PLAYLIST SUNDAY NOV. 11th 2012 BEATLES VINYL ONLY SHOW!!! Featuring the new 180 gram pressings just in time for yer holidays! 2 3 9AM The Beatles w/ Tony Sheridan My Bonnie - SINGLE Oct. 1961 GERMANY Ain’t She Sweet Cry For A Shadow Anthony Esmond Sheridan McGinnity The Beatles first time on vinyl recorded way back in 1961…before running water! 9.10 BREAK 3 4 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland.