Going Platinum : Kiss, Donna Summer, and How Neil Bogart Built Casablanca Records Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Going Platinum : Kiss, Donna Summer, and How Neil Bogart Built Casablanca Records Pdf, Epub, Ebook GOING PLATINUM : KISS, DONNA SUMMER, AND HOW NEIL BOGART BUILT CASABLANCA RECORDS PDF, EPUB, EBOOK Brett Ermilio | 224 pages | 04 Nov 2014 | ROWMAN & LITTLEFIELD | 9780762791330 | English | Guilford, United States Going Platinum : KISS, Donna Summer, and How Neil Bogart Built Casablanca Records PDF Book I remember pulling two bales of the Kiss "Blood" Comics out of the trash. And I think he's so big right now, a lot of people are going to be curious to see if he can pull it off. None of them sold well. LH: Which caused a backlash as well. Upon completion, a record was pressed and came out of the slot for you to take. Kiss released seven consecutive platinum albums and sold 50 million albums between 80; within one year , Summer had three, consecutive double-albums achieve platinum status and charted 4 consecutive 1 singles; the Village People sold 20 million albums in Really good. LH: I don't think any fans cared about the solo albums from any of them. Then Bogart had an idea. So that would have meant taking their makeup off, and that wasn't happening yet. Hours of Play:. It needed a cheap hit just to survive. He wound up on "Circus" magazine's poll. But Chapin died at age 38 in a auto accident in July Buy Online. Or would Ace stomp around the stage and fall over by himself? None of them had a great song on it. February 4, I wanted to thank you for the invaluable information you posted about Neil Bogart as Neil Scott. With Alive! It wouldn't make any sense if Peter did a video with him in his cat makeup. Kiss were now a platinum-selling act, but neither Parliament nor Angel were doing that sort of business. But we took a huge hit with KISS. And it started PolyGram looking at us much more carefully than they were and checking our books closer than they used to. On Order at:. This is going to be a serious role for him. And Ace's hit, it wasn't even written by Ace. But we had built this image of this group, of Ace being a great guitar player. But Bogart had a plan. People Magazine. Where at one point, this band could do no wrong, all of a sudden it was, "Woah. And the other thing with KISS was it was the magic of the show. Barry Shapiro says:. She had high expectations of her Neil and his baby sister, Bonnie. It peaked nationally on the Billboard Hot at She keeps asking Bobby to come back to her. LH: Yes, the originals eventually did break up. In , the label merged with a Hollywood production company to become Casablanca Records And Filmworks. Bruno Republic , Jul 10, We were still selling a lot of records. I don't remember that saying that in the contract, or do I remember memorizing the contract 40 years ago laughs. Thank you. You know, like we made them do "Kissin' Time," or [we'd] kick it back in the studio and say, "No, change this. At that point in time, we had no say in what their albums sounded like. Location: Sterling, VA. Phillips Oppenheim. But aside from that, I'm not involved in any major way. Going Platinum : KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Writer None of them had a great song on it. The man at the heart of it all was label head Neil Bogart above, centre. ByEdwin Arnold. Your name or email address: Do you already have an account? Furthermore, their blend of operatic rock and power-pop was a hard sell. Brett received the Sherill C. See this in the app Show more. But that's the way the orders came in when we went to some of the big distributors and told them about the advertising that we were doing and how we were backing it up. In your view, what is the ultimate legacy of the solo albums? LH: Well, we never thought that every fan would buy every album. So, it makes the readersto be a good person in the future. This online book can be downloaded in our website. Bogart died of cancer in , but his influence on music reverberates to this day. LH: I don't think any fans cared about the solo albums from any of them. Both would be woken when their promotions manager struck a large gong to celebrate another Casablanca record being added to a radio station playlist. He wound up on "Circus" magazine's poll. Jackson Timothy Scott Bogart. In , The Tonight Show drew 14 million viewers a night. What was I going to do, was I going to fight him on it? Courtesy of Tim Bogart Production will begin July 16 in Montreal on Spinning Gold , a film written and to be directed by Timothy Scott Bogart , son of the late musical idolmaker who died in of cancer and lymphoma at age It never failed to impress. So it seems the solo albums really started a snowball effect for the band, because from that point they inched downward until they finally took off the makeup in The man who would become a mega music mogul came from the projects of Brooklyn, New York and an abusive home. Simon and Schuster. The sisters, aged 22 and 15 years, had made their acting debuts earlier that year together in Lipstick dir. He succumbed in part to the excesses of his triumphs. Aside from the fact, although each band member was pretty well-known to their fans, they weren't the greatest musicians in the world, even though we made people believe they were. Bogart''s is a story of redemption, of making it big, and ultimately, of a dream come true. All they needed now was a band. Location: Horse Shoe, NC. This book is also rich of knowledge. The man who would become a mega music mogul came from the projects of Brooklyn, New York and an abusive home. In he joined his cousin Neil Bogart in founding Casablanca Records, ultimately ascending to executive vice president and managing director in Resourceful as always, Simmons had Summer sing backing vocals on his solo album. But the music just wasn't there. Shortly before his death, he founded Boardwalk Records and jumped on the new wave bandwagon , as disco was in decline. And we wanted to make a lot of noise on the level of "this is the biggest initial shipment of records ever. About The Author. Margaux and Mariel Hemingway photographed by Francesco Scavullo in Bogart was willing to sign Kiss on the strength of their demo tape alone. He also knew that his record company, Casablanca, had become a byword for excess. We weren't that scientific. Then Bogart had an idea. Tell Us Where You Are:. Marquis-Who's Who. So, you must read this book carefully from the beginning to the end of this book toknow the real and mean of the content of this online book. KF: Interestingly, each album was backed by one single each, except for "Peter Criss. Going Platinum : KISS, Donna Summer, and How Neil Bogart Built Casablanca Records Reviews His family was Jewish. LH: No, I thought it was doomed once I heard the albums. On the strength of these types of hits, Neil was crowned the Bubblegum King of America by others in the music industry and the press. I don't think that ever entered our consciousness. Format: Paperback. Search this site. ICM Partners is repping worldwide distribution rights on the picture and the soundtrack is being released through Boardwalk Records. We were still selling a lot of records. Appropriate for ages: All ages. When we are young we anticipate a long life ahead of us. He knew this was his last chance. If there was dancing on the TV screen, Neil tried to do the dance steps. KF: And here's another angle to the previous question: In reconsidering the idea of solo albums, was it really practical to expect fans to buy four KISS solo albums? Simon and Schuster. LH: They weren't selling. Upon completion, a record was pressed and came out of the slot for you to take. LH: I worked with them a little bit on the script. This account, the first complete Bogart biography, is full of exclusive information and interviews about Neil''s life along with family archives and photos. Hit and Run. But you have to keep in mind that the movie is a Neil Bogart bio pic and it starts at Buddah Records. He was a singer in the s, using the name Neil Scott, prior to running the Michigan offices of Cameo-Parkway Records. KF: Yes, you mention that Bill Aucoin implied that the band would break up if the label refused to release four solo albums. Recently Viewed. The doctors said she seemed to lack the will to live. But this was this accomplished unbeknownst to Casablanca or the band? Bob Seger and the Silver Bullet Band were superstars selling-out arena shows and receiving heavy airplay in their native city of Detroit, but were virtually unknown everywhere else. Hightechnology in this modern era makes many people can easy to get many books that they want and love in online book. To see if pickup is available, select a store. Harris left the label in In , Morali assembled a disco group called Village People. Tell Us Where You Are:. It has a certain life. Clint Ballard Jr.
Recommended publications
  • J2P and P2J Ver 1
    3 `- General News Labels, RIAA Protest Total LP Airings 'VFW YORK - lo oirrualts Un- Ing ffte rimas tu enable fans tu set Up lease *kohl, and ',sea schedule the. stones of radio', inn programming l hryatt. Records; Ahnw4 Erregun, pnvaskrrad show cd sotidarits, the their taping aquipmenl. programs free of c erclal Utter and ahllils to attract audiences and Allantic Records; Gil Friesen, A &M heads of all the mar. branch and in Lottko SUIS Indlsklual record rupi lens, cunmurcial adse1114et . Record.; Kenneth (;amble, Phila- dependent record .companies hate is- companies hale contacted radio +la- -Some gib a step further will, paid ' 1 hl+ Is an alhwal f record es- delphia inlarnallonal Records; Stun. sued a tatement condemning nwarm Iluns dhol the praclke, but he sass newspaper ads listing all lilies e11111 es lo radl l eseculives lu stop ley Gurlikos, RIAA; BS. !towel! Jr., practice to radio Malins in Mooed hsowl this ..peal, RIAA Is retsina and falladea l hours, again with the fostering the h taping of record- Navhb ro Records; Alan Livingston, casting complete I Ps without inter on the radio stations lu teary 11 Is In promise of ram cnnllnarcials. ings ... In hall the eonnlerelal free 211th Century-Fos Records: Bruce ruplla.l which allows Im ea.) Mom their own Interest 10 discourage broadcasting of new release records I.undrrll, CBS Records, lapina. home lapina. Ile sass his Irganita RKO Stops- See p,6 as ball for hume -toper Ilsteni- r.IIlp. Also: JYrrell McCracken. Word The statement, released Ihr gh tiny at this Ilnw has no plans to fol.
    [Show full text]
  • Gladys Knight
    Contact: Caitlyn Baker [email protected] (805) 944-7780 (c) (805) 350-7913 (o) R&B LEGEND GLADYS KNIGHT TO PERFORM AT CHUMASH CASINO RESORT SANTA YNEZ, CA – August 12, 2019 – Gladys Knight, the “Empress of Soul” who has won seven Grammy Awards throughout the span of her iconic career, is coming to the Chumash Casino Resort’s Samala Showroom at 8 p.m. on Friday, September 6, 2019. Tickets for the show are $79, $89, $99, $109 & $119. Knight has recorded two No. 1 Billboard Hot 100 singles, 11 No. 1 R&B singles and six No. 1 R&B albums. Knight was born in Atlanta, Georgia. In 1952 at the age of 7, she won Ted Mac’s The Original Amateur Hour TV show contest. This event marked her first encounter with fame. Later that year, she formed a musical group named “the Pips” with her brother, sister and cousins. By the end of the decade, the act had begun to tour and eventually her sister and one of her cousins were replaced. By 1961, the group released a single on the tiny Atlanta Huntom label called “Every Beat of My Heart.” In 1966, Gladys Night and the Pips signed on with Motown Records with whom they scored several major hit singles, including “I Heard It Through the Grapevine,” “Take Me in Your Arms and Love Me,” and “If I Were Your Woman.” In 1973, they left Motown for a better deal with Buddah Records. Here they achieved significant success with hits such as the Grammy Award-winning track “Midnight Train to Georgia,” “I’ve Got to Use My Imagination” and “Best Thing That Ever Happened to Me.” The group continued to have hits until the late 1970s when they were forced to record separately due to legal issues, resulting in Knight’s first solo LP recordings – “Miss Gladys Knight” on Buddah Records in 1978 and “Gladys Knight” on Columbia Records in 1979.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Donna Summer, Giorgio Moroder, and “I Feel Love”
    Thamyris/Intersecting No. 26 (2013) 43–54 Turning the Machine into a Slovenly Machine: Donna Summer, Giorgio Moroder, and “I Feel Love” Tilman Baumgärtel The track “I Feel Love” by Donna Summer still seems to come out of another world. Even though the song was produced three decades ago, it still sounds alien and futurist. And the world, out of which “I Feel Love” came, has been built out of loops, nothing but loops. The song rattles on and on like a machine gun. The loops appear deceptively simple at first. “I Feel Love” is based on the electronic throb of a pattern out of a few synthesizer notes the sequencer repeats over and over and occasionally transposes. But in the framework of these minimalist preconditions the track develops a field of rhythmic differences, deviations, and shifts. The blunt, mechanical thumping of a machine turns into complex polyrhythms, strict rule turns into confusing diversity, and eventually becomes an organism out of repetitions. Even Donna Summer herself eventually got lost in the confusing labyrinth of rhythms in “I Feel Love.” In this essay I want to show how producer Giorgio Moroder succeeded in trans- forming the clatter of the synthesizer loops of “I Feel Love” into an organic pulse with the help of a relatively simple production trick. Then, I want to discuss how “I Feel Love” systematically dissolves and collapses antithetical oppositions. This pro- duction trick not only lends an organic quality to the mechanical loops, but, in the process, amalgamates nature and technology on a musical level.
    [Show full text]
  • Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
    DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
    [Show full text]
  • The Inside Story of Casablanca Records Larry Harris, Curt Gooch, Jeff Suhs - Book Free
    [pdf] And Party Every Day: The Inside Story Of Casablanca Records Larry Harris, Curt Gooch, Jeff Suhs - book free Download PDF And Party Every Day: The Inside Story Of Casablanca Records Free Online, Download And Party Every Day: The Inside Story Of Casablanca Records E-Books, Read Best Book Online And Party Every Day: The Inside Story Of Casablanca Records, And Party Every Day: The Inside Story Of Casablanca Records Free Read Online, And Party Every Day: The Inside Story Of Casablanca Records Free Download, PDF And Party Every Day: The Inside Story Of Casablanca Records Popular Download, And Party Every Day: The Inside Story Of Casablanca Records Free Download, by Larry Harris, Curt Gooch, Jeff Suhs And Party Every Day: The Inside Story Of Casablanca Records, free online And Party Every Day: The Inside Story Of Casablanca Records, And Party Every Day: The Inside Story Of Casablanca Records Free PDF Online, And Party Every Day: The Inside Story Of Casablanca Records Ebook Download, And Party Every Day: The Inside Story Of Casablanca Records Book Download, Download And Party Every Day: The Inside Story Of Casablanca Records PDF, I Was So Mad And Party Every Day: The Inside Story Of Casablanca Records Larry Harris, Curt Gooch, Jeff Suhs Ebook Download, Read And Party Every Day: The Inside Story Of Casablanca Records Online Free, full book And Party Every Day: The Inside Story Of Casablanca Records, PDF And Party Every Day: The Inside Story Of Casablanca Records Free Download, And Party Every Day: The Inside Story Of Casablanca Records Ebooks, And Party Every Day: The Inside Story Of Casablanca Records Full Download, Read And Party Every Day: The Inside Story Of Casablanca Records Books Online Free, DOWNLOAD CLICK HERE kindle, mobi, azw, pdf Description: A fascinating read, one-off series by Richard Bower on how we have evolved from a humble start at Oxford University's School of Economics.
    [Show full text]
  • Discourse on Disco
    Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture.
    [Show full text]
  • LIT2013000004 - Andy Gibb.Pdf
    •, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Kiss Alive! Mp3, Flac, Wma
    Kiss Alive! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Alive! Country: US Released: 1975 Style: Hard Rock, Glam MP3 version RAR size: 1843 mb FLAC version RAR size: 1360 mb WMA version RAR size: 1451 mb Rating: 4.8 Votes: 356 Other Formats: XM MMF RA XM WAV VOX AU Tracklist Hide Credits Deuce A1 3:32 Written-By – Simmons* Strutter A2 3:12 Written-By – Simmons*, Stanley* Got To Choose A3 3:35 Written-By – Stanley* Hotter Than Hell A4 3:11 Written-By – Stanley* Firehouse A5 3:42 Written-By – Stanley* Nothin' To Lose B1 3:23 Written-By – Simmons* C'mon And Love Me B2 2:52 Written-By – Stanley* Parasite B3 3:21 Written-By – Frehley* She B4 6:42 Written-By – Simmons*, Coronel* Watchin' You C1 3:37 Written-By – Simmons* 100,000 Years C2 11:52 Written-By – Simmons*, Stanley* Black Diamond C3 5:21 Written-By – Stanley* Rock Bottom D1 3:08 Written-By – Frehley*, Stanley* Cold Gin D2 5:21 Written-By – Frehley* Rock And Roll All Nite D3 3:37 Written-By – Simmons*, Stanley* Let Me Go, Rock 'N Roll D4 5:09 Written-By – Simmons*, Stanley* Companies, etc. Phonographic Copyright (p) – Casablanca Record And Filmworks, Inc. Copyright (c) – Casablanca Records, Inc. Published By – Phonogram Printed By – Polygram Industries Messageries Mixed At – Electric Lady Studios Credits Design – Dennis Woloch Performer [Kiss] – Ace Frehley, Gene Simmons, Paul Stanley, Peter Criss Photography By – David Spindel, Fin Costello, John Kelly , Mike Martineau, Phillipe Morgan, Stephen Levy Producer, Engineer, Mixed By – Eddie Kramer Notes Recorded live during the Dressed To Kill tour.
    [Show full text]
  • Issue 431 Decent Exposure: Too Much TV? If It Seems Like Every Time You Turn on the TV There’S Another Awards Show, You’Re Right
    January 20, 2015, Issue 431 Decent Exposure: Too Much TV? If it seems like every time you turn on the TV there’s another awards show, you’re right. A quick, unofficial count reveals nearly 20 opportunities a year for artists to get valuable screen time on either country or all-genre shows. Add to that the myriad of daytime and late night talk shows and the number jumps to nearly 40. When is enough enough ... or even too much? Country Aircheck asked Sony/Nashville Chairman/CEO Gary Overton, Warner Music Nashville’s SVP/Publicity Wes Vause, Spalding Entertainment’s Clarence Spalding (Jason Aldean, Rascal Flatts) and The Green Room Owner/Publicist Mary Hilliard Harrington (Aldean, Lady Antebellum) to find out how they create “must see TV” while protecting their artists from overexposure. “Carrie Underwood, Miranda Lambert, Kenny Chesney and Brad Paisley get asked to All Saints: Mercury’s Canaan Smith (c) celebrates a day do everything under the sun,” says Overton. well spent at the Country Cares for St. Jude seminar with “I speak with their managers at least once a (l-r) The Country Club with Dee Jay Silver’s Keith Kaufman, Gary Overton week. So many times whether it’s the timing WGH/Norfolk’s Dave Paulus, Curb’s Mike Rogers, Campbell Entertainment’s Craig Campbell, WGH/Norfolk’s John Shomby or another reason, the answer has to be, ‘We and Mercury’s Jack Christopher. can’t do it.’ We’re very calculated about what makes sense.” It All Begins With A Song: For top artists, the channel to television clicks on with an artist’s album cycle.
    [Show full text]
  • Buddah Aims to Make Its Mark on Album Scene ... Sly's Stone Flower
    Buddah Aims To Make Its Mark On Album Scene . Sly's Stone Flower To Atlantic For Distribution. .NARIV1 Convention Message See Editorial 'An End September 6, 1969 To Fear' ... R IAA Gold Hits High For Half Year ash 75(t CRI Confab Credits Promo For Sales Jump $34 Cash Box . Peirce Heads UIC's Record Co . Polydor Stages First Sales Convention In Canada LAWRENCE WELK: PLAYING IN THE 70 s Int' Section Begins on Pg. 59 The Cats It's a beautiful day. The Buckinghams are up with a new single on the horizon. "It's a Beautiful Day (For Lovin V4-44923 The lyrics focus on part of today's young life style — Peace and Love. "It's a beautiful day ... for lovin', dreamin'. The shadows are gone, I've reached the dawn." Definitely a listen-to single. And a watch single —for another great day for The Buckingham!. THE BUCKIN GHA MS "IT'S A BEAUTIFUL DAY (FOR LOV1N1" ON COLUMBIA RECORDS.- tOlu MA MSIARCA% 14..(1) k S. 4 THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 6/September 6, 1969 Publication Office / 1780 Broadway, New York, New York 10019, Telephone JUdson b 2640: Cable Address Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTRO W Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising An End To Fear ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood W OODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM General Manager CAMILLE COMPASIO, Chicago The upcoming gathering of NARM should point to the start of clear-head- LISSA MORRO W, Hollywood members for their 1969 Tape Con- ed, honest business in an above-board thrust toward industry cohesiveness.
    [Show full text]