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The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
A Search and Retrieval Based Approach to Music Score Metadata Analysis
A Search and Retrieval Based Approach to Music Score Metadata Analysis Jamie Gabriel FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY OF TECHNOLOGY SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy April 2018 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as part of the collaborative doctoral degree and/or fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by the Australian Government Research Training Program. Production Note: Signature: Signature removed prior to publication. _________________________________________ Date: 1/10/2018 _________________________________________ i ACKNOWLEGEMENT Undertaking a dissertation that spans such different disciplines has been a hugely challenging endeavour, but I have had the great fortune of meeting some amazing people along the way, who have been so generous with their time and expertise. Thanks especially to Arun Neelakandan and Tony Demitriou for spending hours talking software and web application architecture. Also, thanks to Professor Dominic Verity for his deep insights on mathematics and computer science and helping me understand how to think about this topic in new ways, and to Professor Kelsie Dadd for providing me with some amazing opportunities over the last decade. -
Charles Ruggiero's "Tenor Attitudes": an Analytical Approach to Jazz
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences Nicholas Vincent DiSalvio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation DiSalvio, Nicholas Vincent, "Charles Ruggiero's "Tenor Attitudes": An Analytical Approach to Jazz Styles and Influences" (2016). LSU Doctoral Dissertations. 1. https://digitalcommons.lsu.edu/gradschool_dissertations/1 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CHARLES RUGGIERO’S “TENOR ATTITUDES”: AN ANALYTICAL APPROACH TO JAZZ STYLES AND INFLUENCES A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Nicholas Vincent DiSalvio B.M., Rowan University, 2009 M.M., Illinois State University, 2013 May 2016 For my wife Pagean: without you, I could not be where I am today. ii ACKNOWLEDGEMENTS I would first like to thank my committee for their patience, wisdom, and guidance throughout the writing and revising of this document. I extend my heartfelt thanks to Dr. Griffin Campbell and Dr. Willis Delony for their tireless work with and belief in me over the past three years, as well as past professors Dr. -
Temple University Magazine Winter 2015
WINTER 2015 UNIVERSITY MAGAZINE TOXIC SHOCK A Temple researcher solves Naples’ cancer riddle. Joseph Labolito V. 22 STUDENTS BROTHERLY LOVE Temple students mentor college-age adults with intellectual disabilities through the Academy for Adult Learning. On campus, in Philadelphia and around the world, Owls spark change that matters. In this issue, students mentor adults with intellectual disabilities; the university offers a new admissions option; a dental program provides care to children in North Philadelphia; and a researcher exposes cancer rates in Italy. TEMPLETEMPLE 2 Letters 3 From the President 4 Campus Voice 5 News 14 Alumni News 37 Class Notes 52 The Last Word 72 143 73 144 74 145 75 146 76 147 77 148 78 149 79 150 80 151 81 152 82 153 83 154 84 155 85 156 86 157 87 158 88 159 89 160 90 161 91 162 92 163 93 164 94 165 95 166 96 167 97 168 98 169 99 170 100 171 16 10126 172 32 RESEARCH ALUMNI COMMUNITY IN THE LAND OF POISON AND FIRE TEST CASE FILLING A NEED A Temple cancer researcher from Naples, Temple now offers an admissions option A program of the Kornberg School of Italy, fights the disease in his lab and in that doesn’t require standardized-test results. Dentistry links low-income children in North his hometown. Philadelphia with preventive dental care. 10 Innovation Dedication: In the new Science Education and Research Center, scientists and students pioneer groundbreaking research. ON THE COVER: Illustration by Eleanor Grosch WINTER 2015 LETTERS During WWII, I was assigned to the 142nd General Hospital in Kolkata, India, from 1945 to 1946. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
The Music of Antonio Carlos Jobim
FACULTY ARTIST FACULTY ARTIST SERIES PRESENTS SERIES PRESENTS THE MUSIC OF ANTONIO THE MUSIC OF ANTONIO CARLOS JOBIM (1927-1994) CARLOS JOBIM (1927-1994) Samba Jazz Syndicate Samba Jazz Syndicate Phil DeGreg, piano Phil DeGreg, piano Kim Pensyl, bass Kim Pensyl, bass Rusty Burge, vibraphone Rusty Burge, vibraphone Aaron Jacobs, bass* Aaron Jacobs, bass* John Taylor, drums^ John Taylor, drums^ Monday, February 13, 2012 Monday, February 13, 2012 Robert J. Werner Recital Hall Robert J. Werner Recital Hall 8:00 p.m. 8:00 p.m. *CCM Student *CCM Student ^Guest Artist ^Guest Artist CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. in making this a reality. PROGRAMSelections to be chosen from the following: PROGRAMSelections to be chosen from the following: A Felicidade Falando de Amor A Felicidade Falando de Amor Bonita The Girl from Ipanema Bonita The Girl from Ipanema Brigas Nunca Mais One Note Samba Brigas Nunca Mais One Note Samba Caminos Cruzados Photograph Caminos Cruzados Photograph Chega de Saudade So Tinha Se Con Voce Chega de Saudade So Tinha Se Con Voce Corcovado Triste Corcovado Triste Desafinado Wave Desafinado Wave Double Rainbow Zingaro Double Rainbow Zingaro Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to cultured parents. -
Lucky Drummer from NYC Jazz to Johnny Carson
Lucky Drummer From NYC Jazz to Johnny Carson by Ed Shaughnessy with Robyn Flans © 2012 Ed Shaughnessy ISBN 978-1-888408-16-4 REBEATS PUBLICATIONS 219 Prospect, Alma, Michigan 48801 www.Rebeats.com Cover design, index, gear diagrams by Rob Cook Discography typing by Nancy Stringer Printed in the United States of America All rights for publication and distribution are reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retreival systems without publisher’s written consent. Where it’s at.... MY CHILDHOOD 1 Growing up in Jersey THE GOOD OL’ DAYS—THE STAGE-SHOW ERA 5 The Paramount, Strand, Capital, and Loew’s State theaters SUNDAY JAMS 7 Big name theater musicians jamming in small ballrooms THE TEEN YEARS 9 Timpani in the school orchestra, getting hooked up with frst teachers BILL WEST 11 More than a great teacher, a way to make the New York scene ANOTHER MENTOR 13 Mo Goldenberg and the mallets POST-HIGH SCHOOL 14 Getting a NYC room to establish residency DIDN’T MAKE THE CUT 14 Fired from my frst professional job– not for musical reasons BOBBY BYRNE AND THE BIG EASY 14 Working with the trombonist in New Orleans BACK HOME 15 Back to NYC with Jack Teagarden and George Shearing THE ’50s 16 Experimental music with Teddy Charles, Miles Davis WATCHING FROM THE BALCONY—WATCHA GONNA BRING? 16 Coming of age in New York City CHARLIE VENTURA 17 Introduction to touring by the bop saxmaster, zoot suit pants A STAR IS BORN 19 My frst endorsement deal THE TIME I DIDN’T 20 -
Sonny Clark: Melody and Melancholy
ESSAY Ss SONNY CLARK: MELODY AND MELANCHOLY Sam Stephenson Drugs and Jazz I first heard Sonny Clark’s piano in the floating, hornlike style, but it was Clark’s winter of 1999 in a coffee shop in Raleigh, piano playing that cast a spell. There was a North Carolina. The house stereo was natural, effortless quality to Clark’s right- playing a jazz record that featured gui- handed solo runs—the hypnotic trickle tar, piano, bass, and drums. I am a seri- of a mountain spring—yet his calm, light ous jazz fan, but I’d never heard anything touch was haunted by melancholy blues. quite like this, a remarkable blend of deep I began devouring all of Clark’s record- blues and relaxed, ventilated swing. The ings, some of which are available only in tattooed and pierced barista showed me Japan. From 1957 to 1962, he was docu- the two-CD set, Grant Green: The Com- mented on thirty-one studio recordings, plete Quartets with Sonny Clark, recorded by twenty-one as a sideman and ten as a leader, Blue Note Records in December 1961 and before dying of a heroin overdose in Janu- January 1962. I knew Green was a guitar- ary 1963 at the age of thirty-one. Most of ist from St. Louis, Missouri, who had a Clark’s recorded work is as singular as the 169 sessions with Green; his presence on piano his two surviving sisters, a number of his creates not only the sound of one instru- childhood friends, and many musicians, as ment but also an atmosphere. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 12/07/2011 02:48 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/30/2011 to 12/06/2011 Last Period (TP) = 11/23/2011 to 11/29/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Freddy Cole Talk To Me HighNote 2011 12 9 3 2 20 Bill O'Connell Triple Play Plus Three Zoho 2011 11 4 7 3 41 Rene Marie Black Lace Freudian Slip Motema 2011 10 2 8 3 78 Mary Louise Knutson In The Bubble Meridian Jazz 2011 10 1 9 5 11 Joey DeFrancesco 40 HighNote 2011 9 5 4 5 284 Takuya Kuroda Edge Self-Released 2011 9 0 9 7 28 Vanguard Jazz Orchestra Forever Lasting - Live in Planet Arts 2011 8 3 5 Tokyo 7 284 Sophie Milman In The Moonlight eOne 2011 8 0 8 9 5 Dr. Michael White Adventures In New Basin Street 2011 7 7 0 Orleans Jazz Pt. 1 9 7 Jeff McLaughlin Quartet Blocks Owl Studios 2011 7 6 1 9 284 Ken Fowser & Behn DuoTone Posi-Tone 2011 7 0 7 Gillece 9 284 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 7 0 7 13 1 Pat Martino Undeniable: Live At Blues HighNote 2011 6 10 -4 Alley 13 5 Alan Leatherman Detour Ahead AJL 2011 6 7 -1 13 11 Ron Carter Ron Carter's Great Big Sunnyside 2011 6 5 1 Band 13 11 Stefon Harris, David Ninety Miles Concord Picante 2011 6 5 1 Sanchez, Christian Scott 13 28 Cedar Walton The Bouncer High Note 2011 6 3 3 13 41 John Stein Hi Fly Whaling City Sound 2011 6 2 4 13 78 Lenora Zenzalai Helm I Love Myself When I'm Zenzalai 2011 6 1 5 Laughing 13 284 Ernest Stuart Solitary -
Spanish Verbs and Essential Grammar Review
Spanish Verbs and Essential Grammar Review Prepared by: Professor Carmen L. Torres-Robles Department of Foreign Languages & Literatures Purdue University Calumet Revised: 1 /2003 Layout by: Nancy J. Tilka CONTENTS Spanish Verbs Introduction 4 Indicative Mood 5 ® simple & compound tenses: present, past, future, conditional Subjunctive Mood 12 ® simple & compound tenses: present, past Ser / Estar 16 Essential Grammar Pronouns 20 Possesive Adjectives and Pronouns 23 Prepositional Pronouns 25 Por versus Para 27 Comparisons / Superlatives 31 Preterite / Imperfect 34 Subjunctive Mood 37 Commands 42 Passive Voice 46 2 Spanish Verbs 3 INTRODUCTION VERBS (VERBOS) MOODS (MODOS) There are three moods or ways to express verbs (actions) in Spanish. 1. Indicative Mood (objective) 2. Subjunctive Mood (subjective) 3. Imperative Mood (commands) INFINITIVES (INFINITIVOS) A verb in the purest form (without a noun or subject pronoun to perform the action) is called an infinitive. The infinitives in English are characterized by the prefix “to” + “verb form”, the Spanish infinitives are identified by the “r” ending. Example estudiar, comer, dormir to study, to eat, to sleep CONJUGATIONS (CONJUGACIONES) Spanish verbs are grouped in three categories or conjugations. 1. Infinitives ending in –ar belong to the first conjugation. (estudiar) 2. Infinitives ending in –er belong to the second conjugation. (comer) 3. Infinitives ending in –ir belong to the third conjugation. (dormir) VERB STRUCTURE (ESTRUCTURA VERBAL) Spanish verbs are divided into three parts. (infinitive: estudiar) 1. Stem or Root (estudi-) 2. Theme Vowel (-a-) 3. "R" Ending (-r) CONJUGATED VERBS (VERBOS CONJUGADOS) To conjugate a verb, a verb must have an explicit subject noun (ex: María), a subject pronoun (yo, tú, usted, él, ella, nosotros(as), vosotros(as), ustedes, ellos, ellas), or an implicit subject, to indicate the performer of the action. -
O Imaginêrio De Antonio Carlos Jobim
O IMAGINÁRIO DE ANTONIO CARLOS JOBIM: REPRESENTAÇÕES E DISCURSOS Patrícia Helena Fuentes Lima A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages (Portuguese). Chapel Hill 2008 Approved by: Advisor: Monica Rector Reader: Teresa Chapa Reader: John Chasteen Reader: Fred Clark Reader: Richard Vernon © 2008 Patrícia Helena Fuentes Lima ALL RIGHTS RESERVED ii ABSTRACT PATRÍCIA HELENA FUENTES LIMA: Antonio Carlos Jobim: representações e discursos (Under the direction of Monica Rector) My aim with the present work is to describe the personal and creative trajectory of this artist that became known to his audience and people as a hero in the mythological sense—an individual that constructs a series of victories and defeats that continues until death, after which he is glorified by his community. Therefore, I approach the narratives that made him famous: the ones produced by the print press as well as those texts that negotiate meaning, memory, domain and identity created by his fans. I will place special emphasis on the fact that his public produced a definitive narrative about his figure, an account imbued with devotion, familiarity and creativity following his death. More specifically, I identify intertwined relations between the Brazilian audience and the media involved with creating the image of Antonio Carlos Jobim. My hypothesis is that Antonio Carlos Jobim’s image was exhaustively associated with the Brazilian musical movement Bossa Nova for ideological reasons. Specially, during a particular moment in Brazilian history—the Juscelino Kubitschek’s years (1955-1961).