DOCSLIB.ORG

Preservation Matters Fall 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Preservation Matters Fall 2013 PRESERVATION Preservation Alliance for greater philadelphia MATTERS THE NEWSLETTER OF THE PRESERVATION ALLIANCE FOR GREATER PHILADELPHIA FALL 2013 Area Organizations Working to Preserve Historic Resources EXECUTIVE DIRECTOR’S he Philadelphia region is fortunate to have many organizations dedicated MESSAGE to the preservation, restoration and adaptive reuse of historic buildings, T sites and landscapes. The Preservation Alliance is pleased to highlight the he Preservation Alliance recently held an event for our Cornerstone Society important work of these organizations. In this issue we focus on three organiza- members at the Reading Terminal Market—one of the quintessential places in T Philadelphia where historic preservation and daily life come together. It was a won- tions that are recipients of the Alliance’s Pride of Place grants. derful opportunity for me to meet some of our most committed members and supporters. Since the event, I have been pondering the thought that the buildings I remember most are the ones where my senses have been engaged. Beautiful buildings. Peculiar buildings. Buildings where there was music, or food or things to learn. Buildings where we carry out the activities of our daily lives, interacting with other people. Even buildings where bad things happened. I have been thinking about that as I think about the future of the historic preservation movement. It opens up new avenues for historic preservation to be connected to a broader audience. What is the building you have the earliest memory of? My earliest memory is the place my great grandmother lived. It was a simple c.1920 brick farmhouse with a Tudor revival flair with its diamond casement windows. Located in Fulmer Dell, Buckinghamshire, England, the house was the family gathering place. I remember it because it touched all of my senses. The house was in the country. It was a feast for the eyes. Horses next door. Woods, streams, grass to run on. The house smelled of my great grandmother’s cooking, which overpowered a pervasive mildew odor, no doubt from the cold and damp of England. In fact, it was exceedingly cold there at times. The coldest place being the toilets, which were accessed from the outside. I remember the sound of the television. Television was new to me, and their little black and white box occupied a sacred spot in an upstairs room; the only reason I remember the room. My first memory of eating candy was at Fulmer Dell. My great grandmother would pass out handfuls of Smarties in the kitchen (the British version of M & Ms) if we had been good; I remember that kitchen well. Decades later, I still think about that house. It wasn’t particularly historic, but I loved Cover of new book about the South of South neighborhood. that place and was crushed to learn that it is now the site of a housing development. My experience there makes me think about how important it is to connect people and their lives to historic buildings and places. People become historic preservationists without even South of South Neighborhood Association realizing it. Some call it Graduate Hospital. Others call neighborhood history project to inventory I have the same kinds of memories when I think about my schools, my church, the it Southwest Center City, G-Ho or South the area’s many historic assets—both existent stores we went to. I hold those places close to me because of the interweaving of the place of South. It is the neighborhood with many and demolished—and trace its development and the experiences that occurred there. names and no name simultaneously. Ask resi- from Colonial times to the present. Using Memorable experiences are powerful. They don’t have to come from places we have dents who have lived here for years, and they the archives of the Philadelphia Historical been multiple times. They can be associated with places we have only been once or twice. might call it simply “South Philly.” Ask others Commission, the Charles L. Blockson Afro- One of my favorites is Coventry Cathedral (1956-1962, Basil Spence architect), also in raised west of Grays Ferry Avenue, and they’ll American Collection at Temple University, England. An extraordinary complex integrating the ruins of a 14th century cathedral, refer only to Devil’s Pocket or Schuylkill. the Philadelphia City Archives, the Free which was bombed in WW II, with a new cathedral. Built with an uplifting spirit of rec- onciliation, the cathedral is not only interesting architecturally and philosophically, but it Regardless of what one calls it, the area Library’s Map Collection and more, SOSNA is filled with music and beautiful contemporary art giving you a complete experience. I bounded by South Street, Broad Street, catalogued nearly 50 items. have only been there once, but it still stands in my mind as one of the most memorable Washington Avenue and the Schuylkill River The history of this and any neighborhood buildings I have ever been in. houses a rich history that contributes greatly is much more than the buildings. It is also the Philadelphia is filled with places that connect to people’s lives. I look forward to my to Philadelphia’s cultural heritage. In the stories of the people who resided and worked future with the Alliance. I will be very cognizant of the importance of connecting peoples’ face of, and in reaction to, immense changes here over the centuries. Their stories are the lives and activities to the special places here. Thank you, Reading Terminal Market, for to the neighborhood’s demographics and mortar that binds the bricks of history. In reminding me of this important connection. the built environment in the last decade, an attempt to record some of these stories, it is the challenge and opportunity of the SOSNA convened a series of roundtable dis- CAROLINE E. BOY C E Executive Director South of South Neighborhood Association cussions with long time residents, funded by (SOSNA) to document this legacy and pre- a Pride of Place grant from the Preservation serve it for posterity. Alliance. These oral histories, preserved unfil- With guidance and support of the tered and unedited, add integral context and by hosting monthly History Happy Hours hood, SOSNA will also partner with Young Preservation Alliance, SOSNA has enthu- color to the neighborhood’s story. (the first of which was held on July 26) at the Involved Philadelphia and Mt. Airy Learning siastically attacked this challenge head on. This work culminated in 2013 with the Bainbridge Club, whose proprietor, Michael Tree for walking tours on September 14 and The stakes are high. Churches are razed. Old publication of Evergreens: A Neighborhood Jones, authored the foreword to Evergreens. 28 respectively. residents move. If we do not save the stories History. The Alliance’s Pride of Place grant Each month residents and historians alike A primary goal of this project is to pro- and buildings of our neighborhood’s ances- provided the funds to redesign the book and will share stories about specific places or voke and trigger reactions—agreements and try, they will be lost forever. the seed money to publish it. The book’s events such as the Crosstown Expressway, disagreements—from residents about the In 2008, thanks to grants from the Claneil goal is to start a larger conversation among Washington Avenue or Graduate Hospital. neighborhood’s history. Recently, a gentle- Foundation and the Philadelphia Foundation, all residents—old and new—in the com- In addition to the Preservation Alliance’s man named Frank Doyle, raised at 25th and SOSNA embarked on a comprehensive munity. SOSNA is cultivating this dialogue existing guided walking tour of the neighbor- continued on page 2 WWW.PRESERVATIONALLIANCE.COM continued from page 1 Grays Ferry Avenue in the 1930s, stopped City, is rich in history and culture. With East by SOSNA to drop off not only wonder- Fairmount Park as its border, the neighbor- ful historic images of the neighborhood hood has historically attracted generations and a 1940s St. Anthony’s basketball jer- of residents who are proud of its proximity sey, but also a five-page “reaction” to the to a variety of residential, commercial and book. Mr. Doyle had gone picture-by-pic- recreational options. ture, figure-by-figure through the book and Once bustling with factories and commer- shared memories provoked by Evergreens. cial strips, Strawberry Mansion housed some His stories are available online at south- of Philadelphia’s premiere attractions like ofsouth.org/news/continuing-conversation- Pat’s Steaks, Pflaumers Ice Cream Parlor, the about-evergreens-frank-doyle. The hope is Park Movie Theater, Woodside Amusement that other readers will also offer their feed- Park and the Trolley Barn Turnaround. This back. Evergreens is only “a” neighborhood inventory of historic sites and buildings history. Only collectively, with the help of provides SMCDC and SMNAC a variety of folks like Michael Jones and Frank Doyle, preservation opportunities. can “the” neighborhood history be writ- In the early 2000’s, the two organiza- ten. Read more about SOSNA’s work at tions explored the opportunity to restore southofsouth.org. SEPTA’s dilapidated bus depot, formerly the historic Trolley Barn, located at 33rd Strawberry Mansion Community & Dauphin Streets. They enlisted the help of the Preservation Alliance in develop- The former Eastern factory at 30th Street and Cecil B. Moore Avenue that SMCDC and SMNAC are working on Development Corporation getting redeveloped. ing a renovation plan with SEPTA for the Strawberry Mansion depot, one of the last of its kind. The The CDC and NAC’s neighborhood pres- and internet access, and hosts educational Neighborhood Action Center groups worked diligently for several years to ervation efforts have also taken them to workshops on home energy conservation, ensure the depot’s new design maintained the closed East Park Reservoir which is personal finance and budgeting, and home- What do a dilapidated bus depot, the the integrity and look of the former Trolley targeted to become an ecological sanctu- buying readiness.
Load more

Recommended publications
  • Temple University Magazine Winter 2015
    WINTER 2015 UNIVERSITY MAGAZINE TOXIC SHOCK A Temple researcher solves Naples’ cancer riddle. Joseph Labolito V. 22 STUDENTS BROTHERLY LOVE Temple students mentor college-age adults with intellectual disabilities through the Academy for Adult Learning. On campus, in Philadelphia and around the world, Owls spark change that matters. In this issue, students mentor adults with intellectual disabilities; the university offers a new admissions option; a dental program provides care to children in North Philadelphia; and a researcher exposes cancer rates in Italy. TEMPLETEMPLE 2 Letters 3 From the President 4 Campus Voice 5 News 14 Alumni News 37 Class Notes 52 The Last Word 72 143 73 144 74 145 75 146 76 147 77 148 78 149 79 150 80 151 81 152 82 153 83 154 84 155 85 156 86 157 87 158 88 159 89 160 90 161 91 162 92 163 93 164 94 165 95 166 96 167 97 168 98 169 99 170 100 171 16 10126 172 32 RESEARCH ALUMNI COMMUNITY IN THE LAND OF POISON AND FIRE TEST CASE FILLING A NEED A Temple cancer researcher from Naples, Temple now offers an admissions option A program of the Kornberg School of Italy, fights the disease in his lab and in that doesn’t require standardized-test results. Dentistry links low-income children in North his hometown. Philadelphia with preventive dental care. 10 Innovation Dedication: In the new Science Education and Research Center, scientists and students pioneer groundbreaking research. ON THE COVER: Illustration by Eleanor Grosch WINTER 2015 LETTERS During WWII, I was assigned to the 142nd General Hospital in Kolkata, India, from 1945 to 1946.
    [Show full text]
  • The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
    Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H.
    [Show full text]
  • December 1984
    MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D.
    [Show full text]
  • Tenth Annual Endangered Properties List
    SP PRESERVATION ECIAL ISSU MATTERS E The Newsletter of The Preservation Alliance for Greater Philadelphia Tenth Annual Endangered Properties List Logan Square u Police Administration Building u District Health Center No. 1 u Philadelphia Breweries Carver Court u Federal Historic Tax Credits Logan Square EXECUTIVE DIRECTOR’S Philadelphia MESSAGE SIGNIFICANCE Logan Square is home to the greatest concentration of civic architecture in Phila- delphia. Among its grandest buildings are the Free Library of Philadelphia (Horace Trumbauer, 1925) and the Family Court Building (John T. Windrim, 1941), twin Beaux Arts palaces modeled after the or the last ten years, the Preservation Place de la Concorde in Paris. The symmetry of these buildings opposite Swann Fountain is one of Alliance has published a year-end the most picturesque and character-defining elements of the Benjamin Franklin Parkway. Flist of endangered properties found across Philadelphia and the region. This year, THREAT With construction of a new Family Court facility now underway, the City of Philadelphia for the first time, we’re also featuring an endan- will be inviting proposals from private developers to repurpose the Family Court Building. The most gered policy: the Federal Historic Tax Credit. likely new use is a hotel. The parcel’s zoning allows for developments up to 150 in height, which could The tax credit program is probably the most invite proposals to build on top of the existing building. Though Family Court and its interiors are important financial tool for preserving historic protected by listing on the Philadelphia Register of Historic Places, designation alone is not likely to buildings in the country.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]
  • The New Fairmount Park
    THE NEW FAIRMOUNT PARK GO! HOME WHY EAST AND WEST FAIRMOUNT PARK THE BIG VISION FIRST STEPS FOCUS AREAS This improvement plan is the culmination of a Clean, safe and well-managed park year-long research, engagement and planning develop new stewardship, a united community voice process that aims to give all Philadelphians easier RT. 1 FALLS BR. access to East and West Fairmount Park—ensuring Redesign I-76 that it will thrive for generations to come. East and RIDGE AVE Resident access bring the park under the highway develop safe, attractive West Park is the heart of our park system, and its entrances to the park health is a reflection of our health. Seven million New grandstands and footbridge people use the park each year, and 1.1 million people offer better access to Peter’s Island receive water from the park, while neighborhoods Well-connected trail system from Wynnefield to Brewerytown struggle every day offer complete access for walkers with issues of park access. Signature Horticultural Center E V and bikers A offer a botanical garden in R PennPraxis based the recommendations in this E West Fairmount Park E V D I I R Improvement Plan on input from over 1,000 citizens, S L K IL R K A L with particular emphasis on park users and residents P Y U MLK DR H Overlooks Reroute Belmont Avenue C from nearby communities. An 86-organization S provide incomparable create a quieter, safer views of the park Advisory Group of park and community leaders park experience I-76 KELLY DR provided leadership and guidance throughout the process.
    [Show full text]
  • Jeff Rupert Saxophone Master Class
    Jeff Rupert Saxophone Master Class I Saxophone Assembly and maintenance Holding the instrument. The neck and mouthpiece assembly. Checking key mechanisms. Checking for leaks, and clogged vents. Maintaining the lacquer. Setting the instrument down. II Posture The Back and neck. Legs and knees. III Breathing and Breath flow Inhaling. Exhaling. Breath solfège IV The Oral Cavity and the Larynx. V Embouchures for playing the saxophone. Variance in embouchure technique. The embouchure and breathing. VI Daily Routines for practicing the saxophone. Daily routines and rituals. Playing the mouthpiece. Playing the mouthpiece with the neck. Overtone exercises. VII Articulation Single tonguing. Doodle tonguing. Alternate articulations specific to jazz. Double tonguing. VIII Practice patterns for scales. Scales and Arpeggios Major, minor (dorian, natural minor, ascending jazz melodic minor, harmonic minor) and diminished. Resources for jazz scales. IX Equipment Different horns. Mouthpieces. Reeds. Ligatures. Neckstraps. X Resources for saxophonists Recordings. Web resources. Books and educational CD's and DVD's. Saxophonists in jazz and pop music. XI Conclusion. ©2009 Rupe Music Publishing 001 saxophone master class, Jeff Rupert pg2 I Saxophone Assembly and maintenance Neck and mouthpiece assembly: Putting the saxophone together is something we've all been doing since day one. It may seem trite to even address assembly of the instrument, but its been a common flaw not to develop good habits. I've seen broken mouthpieces, bent rods and necks several times from seasoned professionals who should have known better! This is precisely why its important to develop good habits when putting your instrument together. Prior to putting the mouthpiece on the neck, make certain that the cork is lubricated.
    [Show full text]
  • Postal Customer
    NONPROFIT ORG US POSTAGE PAID HUNTINGTON NY 11743 WINTER/SPRING 2019 (FEB - MAY) • VOL IX • ISSUE 4 PERMIT NO. 275 *************ECRWSS POSTAL CUSTOMER FREE From the Executive Director Arts Cultural News Sometimes we the Regional Economic Development professional and technical development take things for Council (REDC) Initiative to hire a Director workshops to assist artists and arts WINTER/SPRING 2019 granted. As I deal of Development. This additional staff organizations (See pg 12). We begin a with colleagues person will help us to meet our ever series of Conversations in the Arts in April Table of Contents from around increasing need for unearned income. featuring discussions by noted women the state, I am Please see our website for information on in the performing and visual arts. Please 10 Calendar of Events reminded how the position. join us for a look at the roles of women in 11 Arts In Education fortunate we are the arts. (See pg 12). 12 Gallery Events that the Town Our Main Street Gallery features a variety 14 Grants MARC COURTADE of Huntington of exhibits. Objects Found, Juror, Tara Of course, plans are already under way 21 Summer Arts Festival Executive Director and Long Island Leale Porter begins February 15, and for the 2019 Huntington Summer Arts Huntington Arts Council have a wealth of Bright Colors Bold Strokes: Creations of Festival. Our next issue will showcase the Cover Art Clockwise From Top Left arts and cultural Lowbrow Art, Benjamin Owens, Juror, Festival. In the meantime, the Huntington Malia Kaiser - Northport HS activities. The arts are alive with a opens on March 29th.
    [Show full text]
  • Julyissuesingle.Pdf
    The Independent Journal ofCreative Improvised Music cadence Vol 38 No3 JUL AUG SEP 2012 The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING: [email protected] SUBSCRIPTIONS AND GENERAL INFO: [email protected] FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com Cadence The Independent Journal of Creative Improvised Music July - August - September 2012 ABBREVIATIONS USED Vol. 38 No. 3 (401) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editors: Kara D. Rusch, Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC.
    [Show full text]
  • FINAL POSTER -Michael Jean
    The Preservation of Historic Sounds, Community Efforts to Restore and Maintain the Paul Robeson and John Coltrane Houses Michael Jean, with Professor Molly McGlone Penn Undergraduate Urban Research Colloquium Spring 2017 Paul Robeson House Timeline of Preservation John Coltrane House Timeline of Preservation Research Objective 1984 John W. Coltrane Cultural Society(JWCCS) Formed by Mary L. 1984 Frances Aulston, former research librarian This project looks at the preservation of places of artistic significance, specifically the John Coltrane House and the Paul Robeson House. Both houses posses immense Alexander (Coltrane’s first cousin) and group of Trane Stop of The Free Library of Philadelphia, community leader, and cultural and historic value and were designated as National Historic Landmarks. This study will discover why the Paul Robeson House has seen more success in historic Resource Institute Board of Directors. activist, formally founded the West Philadelphia preservation than the John Coltrane House and how the two houses affect the cultural state of the surrounding neighborhoods in which they reside. This study will also Cultural Alliance to stimulate community participation in the ask questions of how community organizations, city government, and city planners choose the cultural landmarks that they invest in. 1989 JWCCS begins Backyard Concert series in house, and arts after the MOVE bombing tragedy. invites Philly jazz artists Kahn, Jamal, Alfie Pollitt, Bayard Lancaster, Barbara Walker. JWCCS also organizes children’s Frances Aulston 1994 WPCA works with Professor Charles Blockson of music workshops, where lessons in African drumming are Temple University, begins discussion concerning murals and Research Question: Methods given in the backyard.
    [Show full text]
  • 2011 Preservation Matters 1 Chinese Cultural and Community Center 125 N
    SPECIAL ISSUE PRESERVATION MATTERS The Newsletter of The Preservation Alliance for Greater Philadelphia Ninth Annual Endangered Properties List John Coltrane House ◆ Chinese Cultural and Community Center ◆ Joe Frazier’s Gym ◆ Kensington Soup Society New Frankford Y ◆ Royal Theater ◆ Spring Garden Post Office Mural ◆ Stiffel Senior Center ◆ Dox Thrash House ach year, the Preservation Alliance highlights important historic places in and around Philadelphia that are threat- ened by development pressures, disuse, or neglect. Often these places are selected for their architectural significance, Ebut historic preservation is about much more than just saving important architecture. Preservation is also about cul- tural conservation and saving the “everyday” buildings that tell extraordinary stories about Philadelphia and its people. Philadelphia’s preservation ordinance recognizes this; buildings can be designated historic solely because they exemplify the cultural or social heritage of the community. For this, our ninth annual Endangered Properties List, we have identified nine places that languish today in relative obscu- rity and are in danger of being lost, but whose histories reflect the richness and diversity of our shared cultural legacy. By high- lighting these places and the challenges they face, we also hope to help inspire a renewed vision for their future and a broader understanding of the purposes of historic preservation. To learn more about these properties and those from past years’ lists, and what you can do to help protect their future, visit our website at www.PreservationAlliance.com/Endangered. John Coltrane House 1511 N. 33rd Street, Philadelphia SIGNIFICANCE One of the most influential musicians in American his- tory, saxophonist John Coltrane called Philadelphia home during the most formative and transformational period of his career.
    [Show full text]
  • Nr. 178 14 Mei 2012
    1 10 de JAARGANG, NR. 178 14 MEI 2012 IN DIT NUMMER: 1 NIEUWSBERICHTEN 6 BOEKBESPREKING 7 PLATENRECENSIES Hans Kwakkernaat, Michiel Borstlap, Andy Sheppard, Denise Jannah, e.s.t., Cactus Truck, Boi Akih, Organic Three, Al Cohn e.a. 15 CONCERTVERSLAGEN Ploctones, Han Bennink, Aka Moon, Kyteman Orchestra e.a. EN VERDER: 20 15 jaar Dox Records (H. Fluitman) 22 I.M. Rob v.d. Broeck (Stormvogel) JAZZ FLITS 179 staat 28 mei op http://www.jazzflits.nl JAZZ FLITS IS EEN ONAFHANKELIJK JAZZMAGAZINE NIEUWSSELECTIE PROGRAMMA NORTH SEA JAZZ 2012 BEKEND MCN COMPOSITIEOPDRACHT VOOR BRAM STADHOUDERS De MCN Compositieopdracht North Sea Jazz 2012 is verstrekt aan gita- rist Bram Stadhouders. Stadhouders schrijft een stuk voor gitaar, toet- sen, drums en acht zangers van het Nederlands Kamerkoor. De première vindt plaats op vrijdag 6 juli tijdens het North Sea Jazz Festival. Stadhouders werd gekozen door een jury bestaande uit Michelle Kuypers (pro- grammeur North Sea Jazz), Mischa An- driessen (muziekjournalist Telegraaf) en Marc Hoogma (programmeur Stichting Jazz in Nijmegen). De jury: “De compo- nist put hoorbaar uit uiteenlopende tra- dities en weet die invloeden te verwer- ken tot muziek die ontegenzeggelijk In de Rotterdamse jazzclub Bird werd op 27 april het program- ‘van nu’ is. De jury is onder de indruk ma van het North Sea Jazz Festival (NSJ) 2012 bekend ge- van de bijzondere sfeer die uit de com- maakt. NPS presentatrice Sylvana Simons interviewde de vier posities spreekt als ook van de met mi- NSJ-programmeurs (v.l.n.r.) Frank Bolder, Michelle Kuypers, nimale middelen volgehouden span- Kim Bloem en Sander Grande.
    [Show full text]