Celebrating 100 Years New York State Education Department Building
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PHLF News Publication
Protecting the Places that Make Pittsburgh Home Pittsburgh History & Landmarks Foundation Nonprofit Org. 1 Station Square, Suite 450 U. S. Postage Pittsburgh, PA 15219-1134 PAID www.phlf.org Pittsburgh, PA Address Service Requested Permit No. 598 PHLF News Published for the members of the Pittsburgh History & Landmarks Foundation No. 160 April 2001 Landmarks Launches Rural In this issue: 4 Preservation Program Landmarks Announces Its Gift Annuity Program Farms in Allegheny County—some Lucille C. Tooke Donates vent non-agricultural development. with historic houses, barns, and scenic Any loss in market value incurred by 10 views—are rapidly disappearing. In Historic Farm Landmarks in the resale of the property their place is urban sprawl: malls, Through a charitable could be offset by the eventual proceeds The Lives of Two North Side tract housing, golf courses, and high- remainder unitrust of the CRUT. Landmarks ways. According to information from (CRUT), long-time On December 21, 2000, Landmarks the U. S. Department of Agriculture, member Lucille C. succeeded in buying the 64-acre Hidden only 116 full-time farms remained in Tooke has made it Valley Farm from the CRUT. Mrs. Tooke 12 Allegheny County in 1997. possible for Landmarks is enjoying her retirement in Chambers- Revisiting Thornburg to acquire its first farm burg, PA and her three daughters are property, the 64-acre Hidden Valley excited about having saved the family Farm on Old State Road in Pine homestead. Landmarks is now in the 19 Township. The property includes a process of selling the protected property. Variety is the Spice of Streets house of 1835 that was awarded a “I believe Landmarks was the answer Or, Be Careful of Single-Minded Planning Historic Landmark plaque in 1979. -
The Arch and Colonnade of the Manhattan Bridge Approach and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission November 25, 1975, Number 3 LP-0899 THE ARCH AND COLONNAD E OF THE MANHATTAN BRIDGE APPROACH, Manhattan Bridge Plaza at Canal Street, Borough of Manhattan. Built 1912-15; architects Carr~re & Hastings. Landmark Site: Borough o£Manhattan Tax Map Block 290, Lot 1 in part consisting of the land on which the described improvement is situated. On September 23, 1975, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Arch and Colonnade of the Manhattan Bridge Approach and the proposed designation of the related Landmark Site (Item No . 3). The hearing had been duly ad vertised in accordance with . the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Manhattan Bridge Approach, a monumental gateway to the bridge, occupies a gently sloping elliptical plaza bounded by Canal, Forsyth and Bayard Streets and the Bowery. Originally designed to accommodate the flow of traffic, it employed traditional forms of arch and colonnade in a monument al Beaux-Arts style gateway. The triumphal arch was modeled after the 17th-century Porte St. Denis in Paris and the colonnade was inspired by Bernini's monumental colonnade enframing St. Peter's Square in Rome. Carr~re &Hastings, whose designs for monumental civic architecture include the New York Public Library and Grand Army Plaza, in Manhattan, were the architects of the approaches to the Manhattan Bridge and designed both its Brooklyn and Manhattan approaches. The design of the Manhattan Bridge , the the third bridge to cross the East River, aroused a good deal of controversy. -
National Register of Historic Places Inventory - Nomination Form
Form No. 10-300 , •\0/I tfW UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Emory University District AND/OR COMMON LOCATION STREET & NUMBER North Decatur Road _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Atlanta VICINITY OF 4th - Elliott H. Levitas STATE CODE COUNTY CODE Georgia ("IRQ CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE JS.DISTRICT —PUBLIC ^OCCUPIED _AGRICULTURE —MUSEUM _BUILDING(S) JSLPRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS 2LEDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _IN PROCESS .X-YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED —YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Emory University STREET & NUMBER North Decatur Road CITY. TOWN STATE Atlanta VICINITY OF Georgia LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC DeKalb County Courthouse STREET & NUMBER CITY. TOWN STATE Decatur Georgia [1 REPRESENTATION IN EXISTING SURVEYS TITLE None DATE FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE CONDITION CHECK ONE CHECK ONE —EXCELLENT _DETERIORATED —UNALTERED X.ORIGINALSITE KGOOD _RUINS X.ALTERED —MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Emory University, founded in 1915 in Atlanta as an outgrowth of Emory College at Oxford, was designed in plan by Henry Hornbostel, who also designed the original buildings. Although several other architects including the New York library specialist, Edward Tilton and the Atlanta firm of Hentz-Adler-Shulze contributed in later years to the building designs of the Emory Campus, it is the Hornbostel Emory campus plan, dis- criminately set in the Olmsted-influenced Druid Hills area landscape that had and still has a predominating effect on the Emory campus environment. -
History and Organization Table of Contents
History and Organization Table of Contents History and Organization Carnegie Mellon University History Carnegie Mellon Colleges, Branch Campuses, and Institute Carnegie Mellon University in Qatar Carnegie Mellon Silicon Valley Software Engineering Institute Research Centers and Institutes Accreditations by College and Department Carnegie Mellon University History Introduction The story of Carnegie Mellon University is unique and remarkable. After its founding in 1900 as the Carnegie Technical Schools, serving workers and young men and women of the Pittsburgh area, it became the degree-granting Carnegie Institute of Technology in 1912. “Carnegie Tech,” as it was known, merged with the Mellon Institute to become Carnegie Mellon University in 1967. Carnegie Mellon has since soared to national and international leadership in higher education—and it continues to be known for solving real-world problems, interdisciplinary collaboration, and innovation. The story of the university’s famous founder—Andrew Carnegie—is also remarkable. A self-described “working-boy” with an “intense longing” for books, Andrew Carnegie emigrated from Scotland with his family in 1848 and settled in Pittsburgh, Pennsylvania. He became a self-educated entrepreneur, whose Carnegie Steel Company grew to be the world’s largest producer of steel by the end of the nineteenth century. On November 15, 1900, Andrew Carnegie formally announced: “For many years I have nursed the pleasing thought that I might be the fortunate giver of a Technical Institute to our City, fashioned upon the best models, for I know of no institution which Pittsburgh, as an industrial centre, so much needs.” He concluded with the words “My heart is in the work,” which would become the university’s official motto. -
Western Pennsylvania Historical Magazine
THE WESTERN PENNSYLVANIA HISTORICAL MAGAZINE Volume 52 April 1969 Number 2 A HERITAGE OF DREAMS Some Aspects of the History of the Architecture and Planning of the University of Pittsburgh, 1787-1969 James D.Van Trump architectural history of any human institution is no incon- siderable part of that organization, whether it is a church or Thelibrary, bank or governmental agency; its building or buildings are its flesh by which in all phases of its development its essential image is presented to the world. Nowadays, as site and area planning come increasingly to the fore, the relation of groups of buildings to the land is receiving more attention from historians. Institutions of higher learning with their campuses and their interaction with larger social, architectural, and planning especially amenable to this patterns are' type of study. 1 An exhibition of the history of the architecture and planning of the University of Pittsburgh from 1787 to 1969 was held recently in Mr. Van Trump who is Vice-President and Director of Research of the Pittsburgh History & Landmarks Foundation and the editor of Chorette, the Pennsylvania Journal of Architecture, is well-known as an authority on the building history of Western Pennsylvania and as a frequent contributor to this magazine. He is currently working on a book dealing with the architecture of the Allegheny County Court House and Jail and he hopes to publish inbook form his researches into the architectural history of the University of Pitts- burgh.—Editor 1 Such studies are not exactly new as evidenced by the series of articles on American college campuses published in the Architectural Record from 1909-1912 by the well known architectural critic and journalist, Montgomery Schuyler (1843-1914). -
The American Legion Monthly Is the Official Publication of the American Legion and the American Legion Auxiliary and Is Owned Exclusively
QlfieMERI25 Cents CAN EGION OHonthlj/ Meredith Nicholson - Lorado Taft Arthur Somers Roche — Who wants to live on a poorly lighted street? Nobody who knows the advantages of modern lighting—the safety for drivers and pedestrians the protection against crime—the evidence of a desirable residential area. The service of General Electric's street-lighting To-day, no street need be dark, for good specialists are always at the command of communities street lighting costs as little as two dollars a year interested in better light- per capita; and for that two dollars there is a ing. In cooperation with your local power company, substantial increment in property value they will suggest appropri- ate installations, and give you the benefit of their It isn't a question whether you can afford long experience in the de- sign and operation of street- good street lighting, but— can you afford not lighting and electric traffic- control systems. to have it? GENERAL ELECTRIC S. F. ROTHAFEL— the famous Roxy—of Roxy and His Gang — builder of the world's finest theatre—known and loved by hundreds of thousands—not only for his splendid enter- tainments but for his work in bringing joy and sunshine into the lives of so many in hos- pitals and institutions. Never too busy to help—Roxy keeps himself in good physical con- dition by proper rest—on a Simmons Beautyrest Mattress and Ace Spring Anyone who has to take his rest in concentrated doses is mighty particular " about how he beds himself down doesn't know "Roxy"— his says springy wire coils and its soft mattress * ^ voice on the air has cheered millions layers is the result. -
Nomination Form
VLR Accepted: 6/19/1996 NRHP Accepted: 5/16/1997 NPS Form 10-900-b 0MB No. 1024-0018 (June 1991) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is used for documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items. X New Submission Amended Submission A. Name of Multiple Property Listing Four Monumental Figurative Outdoor Sculptures donated by Paul Goodloe McIntire to the city of Charlottesville, Virginia, and to the University of Virginia. B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each.) Monumental Figurative Outdoor Sculpture by members of the National Sculpture Society donated by Paul Goodloe McIntire to the city of Charlottesville, Virginia, and the University of Virginia during the late City Beautiful movement fran 1919-1924. C. Form Prepared by name/title Betsy Gohdes-Baten organization date April 13, 1996 street & number 2737 Circle Drive telephone (919) 489-6368 city or town ___Du_rha_m ________ state _N_C _________ zip code --=-2--'77;_;:;0_z..5 _____ D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. -
Charles L. Rosenblum, Ph.D. 3934 California Ave., #2 [email protected] Pittsburgh, PA 15212 412 979 3477
Charles L. Rosenblum, Ph.D. 3934 California Ave., #2 [email protected] Pittsburgh, PA 15212 412 979 3477 Education 2009 Ph.D. in Architectural History, University of Virginia, Charlottesville, VA Dissertation: The Architecture of Henry Hornbostel Concentrations: American architecture; Modern European, and Renaissance/Baroque 1997 Master of Architectural History, University of Virginia Thesis Topic: "Frank Lloyd Wright's San Francisco Office" 1987 Bachelor of Arts major in art history, Yale University, New Haven, CT Employment (Academic) Fall 2009- Assistant Teaching Professor, School of Architecture, School of Art, Carnegie Mellon University, Spring 2012 Pittsburgh, PA Fall 2000 - Adjunct Assistant Professor, School of Architecture, Carnegie Mellon University, Pittsburgh, PA Spring 2009 Fall 2006 - Adjunct Assistant Professor, School of Art, Carnegie Mellon University, Pittsburgh, PA Spring 2000 Courses at CMU: Critical Histories of the Arts: Spring 2010, 2011, 2012 Modern Visual Culture, Fall 2007-11 Contemporary Visual Culture, Spring 2008 Synergistic Space, Fall 2006 Contemporary Architectural Theory I, Fall 2007, 2008, 2011 Contemporary Architectural Theory II, Spring 2008 History of Sustainable Architecture, Fall 2004, 2010 Spring 2006 Renaissance and Baroque Architecture, Spring 2003-5 “Buzzwords,” Contemporary Architectural Speech, Spring 2002 Architecture of Henry Hornbostel, Fall 2000 – Fall 2003, 2007 Fall 1999 - Adjunct Assistant Professor, Indiana University of Pennsylvania, Indiana, Pennsylvania Spring 2001 Courses at IUP Introduction to Art, Fall 1999 – Spring 2000 Arts of the Twentieth Century, Fall 2000 Modern Art, Spring, Spring 2001 Senior Seminar in Art, Fall 2000 Employment (Professional) 1999 – Architecture Critic, Pittsburgh City Paper. Pittsburgh, PA. Regular column, “Writing on the present Walls,” as well as additional news stories, reviews. -
Curriculum Vitæ
CURRICULUM VITÆ October 1, 2020 Christopher Drew Armstrong employer University of Pittsburgh (since 2005) positions Associate Professor of History of Art & Architecture (primary appointment) Associate Professor of French & Italian (seconDary appointment) Director of Architectural StuDies (since May 2006) address Department of History of Art anD Architecture 104 Henry Clay Frick Fine Arts BuilDing University of Pittsburgh Pittsburgh, Pennsylvania 15260 email [email protected] Education Columbia University, Department of Art History & Archaeology: Ph.D. (May 2003) • advisors: Robin Middleton and Barry Bergdoll • Dissertation: Progress in the Age of Navigation. The Voyage Philosophique of Julien-David Leroy University of Toronto, GraDuate Department of History of Art: M.A. (May 1994) University of Toronto, Faculty of Architecture & LanDscape Architecture: B.Arch. (May 1992) Previous University Positions Université De Nantes – Department of History of Art • Visiting Associate Professor (November-December 2015) Massachusetts Institute of Technology – Department of Architecture • Visiting Associate Professor in the History, Theory, Criticism Program (Fall 2012) University of Toronto • Adjunct Assistant Professor in the Department of Fine Art (2004-05) • Adjunct Assistant Professor in the Faculty of Architecture, Landscape & Design (2002-03) University Service | University of Pittsburgh • Mascaro Center for Sustainable Innovation – member of TasK Force (since 2013) • Chancellor’s Sustainability Council – member (since 2016) • Dietrich School of -
Spring/Summer
friends OF THE SAINT-GAUDENS MEMORIAL CORNISH I NEW HAMPSHIRE I SUMMER 2007 (Right Augustus Saint-Gaudens in his Paris Studio, 1898. Sketch of the Amor Caritas IN THIS ISSUE SAINT-GAUDENS’ in the background. Saint-Gaudens’ Numismatic Legacy I 1 NUMISMATIC LEGACY (Below) Obverse of the high relief The Model for the 1907 Double Eagle I 4 The precedent that President 1907 Twenty Dollar A Little Known Treasure I 5 Gold Coin. Saint-Gaudens Film & Symposium I 6 Theodore Roosevelt established, Concerts and Exhibits I 7 of having academically trained Coin Exhibition I 8 sculptors design U.S. coinage, resulted in a series of remarkable coins. Many of these were created FROM THE MEMORIAL by five artists who trained under AND THE SITE Augustus Saint-Gaudens. Archival photo DEAR FRIENDS AND ANS MEMBERS, Bela Pratt (1867-1917) This Friends Newsletter from Connecticut, first studied with Saint-Gaudens In 1907, Pratt was encouraged by is dedicated to the centennial at the Art Students League Dr. William Sturgis Bigelow (185 0-1926), of Saint-Gaudens’ Ten and in New York City. He then a prominent collector of Oriental art and Twenty Dollar Gold Coins moved to Paris, where he an acquaintance of President Theodore studied under Jean Falguière (1831-1900) Roosevelt, to redesign the Two and a Half and his numismatic legacy. and Henri-Michel-Antoine Chapu (183 3- and Five Dollar Gold Coins. Pratt’s designs Augustus Saint-Gaudens, at the request 1891) at the École des Beaux-Arts. Saint- were the first American coins to have an of President Theodore Roosevelt, was the Gaudens was the first American accepted incused design, which is a relief in reverse . -
Guastavino Structural Tile Vaulting in Pittsburgh Spring Semester 2021
The Osher Lifelong Learning Institute University of Pittsburgh, College of General Studies Guastavino Structural Tile Vaulting in Pittsburgh Spring Semester 2021 Instructor: Matthew Schlueb Program Format: Five week course, 90 minute academic lectures and guided tour, with time for questions. Course Objective: To offer a master level survey of the Pittsburgh architectural works by Rafael Guastavino and his son, drawn from their Catalan traditions in masonry vaulting, as interpreted by a practicing architect and author of architecture. Course Description: Architect Rafael Guastavino and his son Rafael Jr. emigrated to the United States in 1881, bringing the traditional construction method of structural tile vaulting from their Catalan homeland, thereby transforming the architectural landscape from Boston to San Francisco. This course will examine their works in Pittsburgh, illustrating the vaults and domes made with structural tiles, innovations in thin shell construction, fire-proofing, metal reinforcing, herringbone patterns, skylighting, acoustical and polychromatic tiles. Lectures supplemented with a guided tour of these local structures, provided logistics and health safety measures permit. Course Outline: Lecture 1: From Valencia to New York [Tuesday, March 16, 2021 3pm-4:30pm] Convent of Santo Domingo Refectory (arches and vaults; Mudéjar style; Zaragoza, Spain; 1283) Monastery of Santo Domingo Refectory (bóveda tabicadas / maó de pla; Juan Franch; Valencia, Spain; 1382) Batlló Textile Factory (vaulted arcade atop metal columns; Rafael Guastavino; Barcelona, Spain; 1868) La Massa Theater (shallow dome vault; Rafael Guastavino; Vilassar de Dalt, Spain; 1880) Boston Public Library (structural tile vaults; Charles McKim; Boston, Massachusetts; 1889-1895) St. Paul’s Chapel (dome; Isaac Newton Phelps Stokes; Columbia University, New York; 1907) Lecture 2: Material Innovations in Building Science [Tuesday, March 23, 2021 3pm-4:30pm] Cathedral of St. -
Summary 1 1. INTRODUCTION A. the City of Worcester Issues This RFQ
1. INTRODUCTION A. The City of Worcester issues this RFQ for the purposes of engaging the services of a qualified professional sculpture conservator or art conservation studio (hereafter identified as the “Conservator” or the “Vendor”) to perform cleaning and conservation of twelve historic objects and monuments within the City of Worcester. B. The following sculptures and monuments are to be conserved/repaired: Wheaton Square (1898) (bronze) Celtic Cross (stone) City Hall Armor (2, metal) City Hall, Deedy Plaque (bronze) City Hall Marble Eagle (2) City Hall Mastrototoro Plaque (bronze) City Hall USS Maine Plaque (bronze) City Hall Norcross Plaque (bronze) City Hall Order of Construction Plaque (bronze) City Hall Ship Bell (bronze) Elm Park Fisher Boy (bronze and stone) Elm Park Winslow Gate (Lincoln Gate) (bronze and natural boulders) C. The Conservator will provide all supplies and materials, site safety materials including signs, caution tape, safety cones, and plastic sheeting. D. The Conservator will provide weekly updates to the project manager. E. Schedule for Work: all work must begin and be completed by dates agreed upon by the selected Conservator and the City of Worcester. F. The Conservator will be responsible for erecting scaffold as needed, and providing ladders as needed, except for historic objects within Worcester City Hall, where the Facilities Department will provide access. 2. REQUIRED SERVICES: PROFESSIONAL ART CONSERVATION TREATMENT A. The Conservator shall implement all conservation services according to the treatments to be carried out according to the Standards for Practice outlined by the American Institute for Conservation of Historic and Artistic Works, including: surface cleaning of sculptures and monuments, removal of previous coatings as specified, repatination of bronze to correct historic color, removal of old or Summary 1 inappropriate coatings or over paint, structural repairs as specified, restoration of missing elements as specified in individual reports and with consultation with the project manager.