Media Nations 2020: Northern Ireland Report
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JNLR Dublin Weekday Questionnaire 2016
1 JNLR - JOINT NATIONAL LISTENERSHIP RESEARCH 2 Ipsos MRBI /15-080947/16 3 DUBLIN 4 5 6 Assignment No. 7 8 Questionnaire No. 9 10 11 Good morning/afternoon/evening, I am from Ipsos MRBI - an Irish Market Research Company and we are conducting a survey. Firstly, we will be discussing radio listening, and then I will be asking you some questions about other types of media. Let me assure you first that your opinions will be held by us in the strictest confidence. Yes No DK Q.1 Firstly, which of the following types of radio are there in your household Any AM/FM radio in your home ........................ 1 1 1 or do you own yourself? Any car radio ..................................................... 3 3 3 Any radio that receives long-wave ................... 4 4 4 READ OUT LIST Any radio on your TV set ................................... 5 5 5 13 Any radio on your PC/internet ........................... 6 6 6 Any radio on your mobile phone ....................... 7 7 7 Any radio on your MP3 player/iPod device 8 8 8 Any radio that has D.A.B. digital radio technology as a choice of band ........................ 9 9 9 14 INTERVIEWER: IT IS VITAL THAT YOU READ OUT THIS STATEMENT I am going to ask you now about listening to the radio. By listening we mean all types of listening - on a radio at home or in the car, on a computer or laptop, a mobile phone or tablet, a radio APP or on a TV. It also means listening anywhere – at home, in the car, at work or in some other place, to any part of any programme, no matter how long or short a time you listen. -
JNLR Dublin Weekend Questionnaire 2016
1 JNLR - JOINT NATIONAL LISTENERSHIP RESEARCH 2 Ipsos MRBI /15-080947/16 3 WEEKEND - DUBLIN 4 5 6 Assignment No. 7 8 Questionnaire No. 9 10 11 Good morning/afternoon/evening, I am from Ipsos MRBI - an Irish Market Research Company and we are conducting a survey. Firstly, we will be discussing radio listening, and then I will be asking you some questions about other types of media. Let me assure you first that your opinions will be held by us in the strictest confidence. Yes No DK Q.1 Firstly, which of the following types of radio are there in your household Any AM/FM radio in your home ....................... 1 1 1 or do you own yourself? Any car radio ..................................................... 3 3 3 Any radio that receives long-wave ................... 4 4 4 READ OUT LIST Any radio on your TV set ................................... 5 5 5 13 Any radio on your PC/internet ........................... 6 6 6 Any radio on your mobile phone ....................... 7 7 7 Any radio on your MP3 player/iPod device 8 8 8 Any radio that has D.A.B. digital radio technology as a choice of band ....................... 9 9 9 14 INTERVIEWER: IT IS VITAL THAT YOU READ OUT THIS STATEMENT I am going to ask you now about listening to the radio. By listening we mean all types of listening - on a radio at home or in the car, on a computer or laptop, a mobile phone or tablet, a radio APP or on a TV. It also means listening anywhere – at home, in the car, at work or in some other place, to any part of any programme, no matter how long or short a time you listen. -
PUBLIC BROADCASTING: a MEDIUM in SEARCH of SOLUTIONS John W
PUBLIC BROADCASTING: A MEDIUM IN SEARCH OF SOLUTIONS JoHN W. MACY, JR.* INTRODUCTION In its simplest and most comprehensive definition, a communications system is a process in which creative communicators become aware of the expressed and some- times unexpressed needs of the users of the system and responsively collect and provide information, entertainment, and other resources toward the satisfaction of these needs. Despite the often quoted and now popular belief that in electronic com- munications systems "the medium is the message,"' the design of a system in which the message is itself the message-and the medium is merely a means of delivering a diversity of messages of intrinsic value to the users-is a mandate for radio and television in the decade of the 1970s. This is one of the basic philosophies behind the approach of the Corporation for Public Broadcasting (CPB) as it builds and develops the public sector of broadcasting. Some time ago Robert Oppenheimer was quoted as saying, "What is new is new not because it has never been there before, but because it has changed in quality."2 This is surely what is new about the Corporation for Public Broadcasting. But to understand the nature and direction of the qualitative changes brought about by its creation and activities, it is necessary to look first at what was there before and how the Corporation came into being. I BACKGROUND OF PUBLIC BROADCASTING Over the past fifty years, the American public, through its elected representatives and otherwise, has made a series of choices to encourage the development of a public alternative in the field of communications. -
Exploring Informal and Colloquial Language Through Netflix's Derry Girls
Exploring informal and colloquial language through Netflix’s Derry Girls. Bàrbara Pilar Serra Ballester Master’s Thesis Master’s Degree in Teacher Training (With a speciality in English and German) at the UNIVERSITAT DE LES ILLES BALEARS Academic year 2018-2019 Date: June 2019 UIB Master’s Thesis Supervisor: Dra. Yolanda Joy Calvo Benzies Abstract The presence of colloquial and informal language is rather neglected in today’s EFL classrooms. The following study aims to demonstrate that this vocabulary, part of a genuine, real-world English, can be incorporated into the lesson in a unique way; by using authentic audio-visual materials like television sitcoms. For this dissertation, several fields have been explored in depth, such as the value of those genuine products as a teaching tool, that goes hand in hand with students’ motivation, the relevance of the cultural competence and further aspects like the purpose of working with informal and colloquial word-forms, the irrefutable role of captions and an analysis of the incidental vocabulary acquisition phenomenon in the language learning experience. Moreover, this MA dissertation includes an empirical study conducted with 4th of ESO students which aimed at analysing whether using the Northern Irish TV show Derry Girls is a beneficial tool to gain new vocabulary like idioms and phrasal verbs. The results obtained indicate that students were more motivated when learning English this way; moreover, it in fact helped most of them learn new vocabulary. Keywords: informal language, colloquial language, EFL, TV sitcom, Derry Girls. 2 Table of Contents Abstract ............................................................................................................. 2 1. Introduction ................................................................................................. 4 2. Literature review ........................................................................................ -
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 Th 2020
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations "Please note that the information contained within this quarterly data release has yet to be announced or otherwise made public and as such could constitute relevant information for the purposes of section 118 of FSMA and non-public price sensitive information for the purposes of the Criminal Justice Act 1993. Failure to comply with this embargo could result in prosecution’’. Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 NATIONAL STATIONS STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q1 19 Q4 19 Q1 20 Q1 20 vs. Q1 19 Q1 20 vs. Q4 19 Q1 19 Q4 19 Q1 20 ALL RADIO Q 48945 48136 48894 -0.1% 1.6% 100.0 100.0 100.0 ALL BBC Q 34436 33584 33535 -2.6% -0.1% 51.4 51.0 49.7 15-44 Q 13295 13048 13180 -0.9% 1.0% 35.2 35.5 34.4 45+ Q 21142 20535 20355 -3.7% -0.9% 60.2 59.4 57.9 ALL BBC NETWORK RADIO Q 31846 31081 30835 -3.2% -0.8% 44.8 45.0 43.4 BBC RADIO 1 Q 9303 8790 8915 -4.2% 1.4% 5.7 5.6 5.6 BBC RADIO 2 Q 15356 14438 14362 -6.5% -0.5% 17.4 17.0 16.3 BBC RADIO 3 Q 2040 2126 1980 -2.9% -6.9% 1.2 1.4 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 11459 11416 11105 -3.1% -2.7% 13.1 13.4 12.9 BBC RADIO 4 Q 11010 10977 10754 -2.3% -2.0% 11.9 12.0 11.7 BBC RADIO 4 EXTRA Q 2238 2271 1983 -11.4% -12.7% 1.3 1.4 1.2 BBC RADIO 5 LIVE (INC. -
Guest Information
Guest Guest InformationDirectory Welcome to Maldron Hotel South Mall We would like to thank you for choosing to stay with us and wish you a pleasant stay with us and in Cork and enjoy your visit to Cork. It is our goal to ensure that your time with us is an enjoyable and memorable experience. With this in mind, we have prepared the information below to assist you in becoming acquainted with our hotel. Accommodation Services Dial 0 Our accommodation service department will be pleased to assist you with requests for additional toiletries, towels or pillows. Adaptors Dial 0 Adaptors are available for purchase in the vending machines located on the ground floor beside the lift. Voltage in your room is 220V. Baby cots Dial 0 Baby cots are available free of charge upon request. Banking/ATM Dial 0 Banking facilities are within a short distance of the hotel. Please contact reception for directions and opening times. Bar Resident bar available until late. Bus Schedule Dial 0 Schedule with times and rates are available from reception. Check In 3 p.m. Check Out Until 12.00 noon Doctors and Hospitals Dial 0 Information available at reception. Fire In the event of an evacuation (continuous ringing bells) follow the fire evacuation route on the back of your bedroom door, leaving the hotel by the nearest exit. The assembly point is located outside the hotel on South Mall to the right of the entrance. Periodically the hotel management run a fire evacuation drill, notice of which will be displayed in the public areas. -
CMR NI Radio Charts
Radio and audio content Figure 3.1 Number of community radio stations on air, 2006-2012 2006 2007 2008 2009 2010 2011 2012 England 29 72 95 126 146 160 159 UK 36 90 123 163 184 199 197 Wales Northern Ireland Scotland 20 18 18 18 18 15 12 12 12 11 11 9 9 10 8 8 8 8 7 6 4 5 3 3 1 0 2006 2007 2008 2009 2010 2011 2012 Source: Ofcom, April 2012 36 Figure 3.2 Availability of radio stations in Northern Ireland Digital Analogue 14 12 10 8 13 6 12 10 4 8 5 2 4 3 0 BBC local/national National commercial Local commercial Community licences Source: Ofcom, April 2012 Note: This chart shows the maximum number of stations available in each area; local variations along with reception issues mean that listeners may not be able to access all of these 37 Figure 3.3 Ownership of DAB digital radios Figure above bar shows % point change in Percentage of respondents DAB sets in household from Q1 2011 +1 -6 +1 -2 +2 -5 -6 45% 30% 38 40 15% 29 29 28 22 25 22 22 18 19 19 0% UK 2012 N Ireland England Scotland Wales NI urban NI rural N Ireland N Ireland N Ireland N Ireland N Ireland 2012 2012 2012 2012 2012 2012 2008 2009 2010 2011 2012 Q4. You said earlier that you have (NUMBER) radio sets in your home that someone in the household listens to in most weeks. How many of these radio sets are digital radios? Source: Ofcom research, Quarter 1 2012 Base: Adults aged 16+ who listen to radio (n = 2963 UK, 405 Wales, 1790 England, 364 Scotland, 404 Northern Ireland, 191 Wales urban, 214 Wales rural, 638 Wales 2008, 848 Wales 2009, 854 Wales 2010, 397 Wales 2011, 405 Wales 2012) Note: Remaining percentages are Don’t know responses. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Section 355 Reviews of Output: U105
Section 355 Reviews of Output: U105 When a local commercial radio licence undergoes a change of control (this includes licence transfer), Ofcom is required, under section 355 of the Communications Act 2003 (the Act), to undertake a review of the effects or likely effects of the change of control in relation to: • the quality and range of programmes included in the service; • the character of the service, and; • the extent to which Ofcom’s duty under section 314 of the Act is performed in relation to the service. Ofcom’s duty under section 314 of the Act relates to securing the inclusion of an appropriate amount of local material, and a suitable proportion of locally-made programmes in the service. Under section 356 of the Act, where it appears to Ofcom from its review that the change of control would be prejudicial to any of the three matters listed above, then it must vary the licence, by including such conditions as it considers appropriate, with a view to ensuring that the relevant change of control is not so prejudicial. In doing so, any new or varied conditions must be such that the licence holder would have satisfied them throughout the three months immediately before the change of control. Ofcom is required to publish a report of its review, setting out its conclusions and any steps it proposes to take under section 356. Where Ofcom proposes to vary the licence, it is required to give the licence holder a reasonable opportunity to make representations about the variation. On 23 November 2016, a change of control took place at the Wireless Group plc, as a result of all of the company’s share capital being acquired by News Corp UK & Ireland Limited. -
Domain Stationid Station UDC Performance Date
Number of days Amount Amount Performance Total Per Domain StationId Station UDC processed for from from Public Date Minute Rate distribution Broadcast Reception RADIO BR ONE BBC RADIO 1 NON PEAK BRA01 CENSUS 92 7.8347 4.2881 3.5466 RADIO BR ONE BBC RADIO 1 LOW PEAK BRB01 CENSUS 92 10.7078 7.1612 3.5466 RADIO BR ONE BBC RADIO 1 HIGH PEAK BRC01 CENSUS 92 13.5380 9.9913 3.5466 RADIO BR TWO BBC RADIO 2 NON PEAK BRA02 CENSUS 92 17.4596 11.2373 6.2223 RADIO BR TWO BBC RADIO 2 LOW PEAK BRB02 CENSUS 92 24.9887 18.7663 6.2223 RADIO BR TWO BBC RADIO 2 HIGH PEAK BRC02 CENSUS 92 32.4053 26.1830 6.2223 RADIO BR1EXT BBC RADIO 1XTRA NON PEAK BRA10 CENSUS 92 1.4814 1.4075 0.0739 RADIO BR1EXT BBC RADIO 1XTRA LOW PEAK BRB10 CENSUS 92 2.4245 2.3506 0.0739 RADIO BR1EXT BBC RADIO 1XTRA HIGH PEAK BRC10 CENSUS 92 3.3534 3.2795 0.0739 RADIO BRASIA BBC ASIAN NETWORK NON PEAK BRA65 CENSUS 92 1.4691 1.4593 0.0098 RADIO BRASIA BBC ASIAN NETWORK LOW PEAK BRB65 CENSUS 92 2.4468 2.4371 0.0098 RADIO BRASIA BBC ASIAN NETWORK HIGH PEAK BRC65 CENSUS 92 3.4100 3.4003 0.0098 RADIO BRBEDS BBC THREE COUNTIES RADIO NON PEAK BRA62 CENSUS 92 0.1516 0.1104 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO LOW PEAK BRB62 CENSUS 92 0.2256 0.1844 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO HIGH PEAK BRC62 CENSUS 92 0.2985 0.2573 0.0411 RADIO BRBERK BBC RADIO BERKSHIRE NON PEAK BRA64 CENSUS 92 0.0803 0.0569 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE LOW PEAK BRB64 CENSUS 92 0.1184 0.0951 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE HIGH PEAK BRC64 CENSUS 92 0.1560 0.1327 0.0233 RADIO BRBRIS BBC -
Trivago and Derry Girls
BLOG Trivago and Derry Girls EDINBURGH PARTNERSHIP TELEVISION NICOLA CLARK - MARKETING COORDINATOR 12 MAR 2019 Trivago, the hotel search comparison specialist, is currently sponsoring Channel 4’s hit coming-of-age comedy, Derry Girls, for its second series. Created and written by Lisa McGee, Derry Girls candidly follows the lives of five teenagers as they navigate life in Derry during The Troubles. Series one of Derry Girls was the most watched series in Northern Ireland since modern records began in 2002 and won both Best Comedy and Best Writer at the 2018 IFTA Gala Television Awards as well as the 2018 Radio Times Comedy Champion award. Across the UK, consolidated viewing figures revealed that the first series was watched by an average on 2.5 million viewers making it Channel 4’s biggest comedy launch since 2004. Negotiated by MediaCom Edinburgh, Trivago features sponsorship bumpers throughout the show. They also feature on all the on-air promos as well as on All4. New creative has been developed for the partnership which features a Northern Irish voiceover to link it to the programme. Maud Cant, Head of AV at MediaCom Edinburgh, said “Derry Girls has been one of the best performing programmes against 16-34adults on its first series last year, so it was a great opportunity for us to help Trivago reach the younger end of their target audience. After a lot of back and forth we managed to get a deal agreed and we are delighted that Trivago made sure they are maximising the partnership with the creation of new bumpers”. -
Radio 4 Listings for 29 February – 6 March 2020 Page 1 of 14
Radio 4 Listings for 29 February – 6 March 2020 Page 1 of 14 SATURDAY 29 FEBRUARY 2020 Series 41 SAT 10:30 The Patch (m000fwj9) Torry, Aberdeen SAT 00:00 Midnight News (m000fq5n) The Wilberforce Way with Inderjit Bhogal National and international news from BBC Radio 4 The random postcode takes us to an extraordinary pet shop Clare Balding walks with Sikh-turned-Methodist, Inderjit where something terrible has been happening to customers. Bhogal, along part of the Wilberforce Way in East Yorkshire. SAT 00:30 The Crying Book, by Heather Christle Inderjit created this long distance walking route to honour Torry is a deprived area of Aberdeen, known for addiction (m000fq5q) Wilberforce who led the campaign against the slave trade. They issues. It's also full of dog owners. In the local pet shop we Episode 5 start at Pocklington School, where Wilberforce studied, and discover Anna who says that a number of her customers have ramble canal-side to Melbourne Ings. Inderjit Bhogal has an died recently from a fake prescription drug. We wait for her Shedding tears is a universal human experience, but why and extraordinary personal story: Born in Kenya he and his family most regular customer, Stuart, to help us get to the bottom of it how do we cry? fled, via Tanzania, to Dudley in the West Midlands in the early - but where is he? 1960s. He couldn’t find anywhere to practice his Sikh faith so American poet Heather Christle has lost a dear friend to suicide started attending his local Methodist chapel where he became Producer/presenter: Polly Weston and must now reckon with her own depression.