Michael Jackson Interviews
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
NO ME WITHOUT YOU Thesis Submitted to the College of Arts
NO ME WITHOUT YOU Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Sandra E. Riley, M.Ed UNIVERSITY OF DAYTON Dayton, Ohio August 2017 NO ME WITHOUT YOU Name: Riley, Sandra Elizabeth APPROVED BY: ____________________________________ PJ Carlisle, Ph.D Advisor, H.W. Martin Post Doc Fellow ____________________________________ Andrew Slade, Ph.D Department Chair, Reader #1 ____________________________________ Bryan Bardine, Ph.D Associate Professor of English, Reader #2 ii ABSTRACT NO ME WITHOUT YOU Name: Riley, Sandra Elizabeth University of Dayton Advisor: Dr. PJ Carlisle This novel is an exploration of the narrator‟s grief as she undertakes a quest to understand the reasons for her sister‟s suicide. Through this grieving process, the heroine must confront old family traumas and negotiate ways of coping with these ugly truths. It is a novel about family secrets, trauma, addiction, mental illness, and ultimately, resilience. iii Dedicated to JLH iv ACKNOWLEDGMENTS Thank you to my earliest reader at the University of Dayton—Dr. Meredith Doench, whose encouragement compelled me to keep writing, despite early frustrations in the drafting process. Thank you to Professor Al Carrillo—our initial conversations gave me the courage to keep writing, and convinced me that I did in fact have the makings of a novel. Thank you to Dr. Andy Slade, who has been gracious and accommodating throughout my journey to the MA, and to Dr. PJ Carlisle, who not only agreed to be my thesis advisor her last semester at UD, but gave me the direction and input I needed while understanding my vision for No Me Without You. -
Deutsche Nationalbibliografie 2014 T 05
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 05 Stand: 21. Mai 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2014-2 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Pm-The Breeders-09.01.2018.Pdf
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 09.01.2018 The Breeders für zwei Konzerte in Deutschland „Good Morning!“ Mit dieser freundlichen Begrüßung beginnt „Wait In The Car“, die erste Single von den Breeders seit 2009. In der gleichen Besetzung der Mitt-90er, die auch „Last Splash“ eingespielt hat, haben sich die Zwillingsschwestern Kim und Kelley Deal, Josephine Wiggs und Jim Macpherson wieder zusammengetan und arbeiten weiter an neuen Tracks für ein neues Album. 2013 feierte das Quartett seine Reunion zum 20-jährigen Jubiläum des Platin-Albums und verkaufte auf der Tour acht Monate lang alle Auftritte aus. Auch für die exklusive und ziemlich großartige und gefeierte Show, die The Breeders im Oktober in Berlin gespielt haben, gab es selbstverständlich keine Tickets mehr. Eigentlich war die Band einst als Seitenprojekt von vier sehr energischen Frauen gedacht: Kim Deal von den Pixies, Tanya Donelly von den Throwing Muses, Josephine Wiggs von The Perfect Disaster und Britt Walford von Slint veröffentlichten ihr Debütalbum „Pod“, produziert von Steve Albini, und spielten ein paar Gigs. Ende der Geschichte, könnte man denken. Doch der Sound blieb den Damen im Kopf, und der Einfluss der Frauen stieg immer weiter. 1992 brachte Kim ihrer Schwester Kelley das Gitarrespielen bei, holte Jim Macpherson als Schlagzeuger dazu und nahm zusammen mit Josephine „Last Splash“ auf. Man supportete Nirvana, spielte in Glastonbury und hatte mit „Cannonball“ sogar einen Hit. Ende der Geschichte? Weit gefehlt. The Breeders blieben in den Köpfen und Herzen. Ihr Einfluss nahm immer weiter zu, einzelne Auftritte wurden verklärt, die Coolness und Souveränität der Musik hervorgehoben. -
Pdf, 179.43 KB
00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. My first guest this week is indie rock Thorn legend Kim Deal. Born and raised in Dayton, Ohio, she started in music by playing guitar with her sister, Kelly. But unlike a lot of kids with guitars that age, she never really had a real band. They never played shows, never toured. In the mid-‘80s, she got married. She moved to Boston. [Music fades in.] And after she got settled in, she replied to a classified ad looking for a bassist. Before long, she was in the band the Pixies. 00:00:52 Music Music “Where is My Mind” from the album Surfer Rosa by the Pixies. [Volume decreases and continues under the dialogue then fades out.] 00:01:00 Jesse Host Later, when the band was on hiatus, Kim started to record her own music again. She formed The Breeders in 1989 and the band put out Pod, their first record, in 1990. 00:01:11 Music Music “Fortunately Gone” from the album Pod by The Breeders. I wait for you in heaven On this perfect string of love [Volume decreases and continues under the dialogue then fades out.] 00:01:19 Jesse Host In the 28 years that have passed since, The Breeders have broken up and reformed a handful of times. -
Proms 2014 Page 1 of 7
Proms 2014 Page 1 of 7 Prom 1: First Night of the Proms Proms Chamber Music 1: Les Arts Florissants Prom 9: Brahms & Janáček Friday 18 July Monday 21 July Thursday 24 July 7.30pm ± c9.10pm 1.00pm ± c2.00pm 7.30pm ± c9.45pm Royal Albert Hall Cadogan Hall Royal Albert Hall Elgar Rameau Brahms The Kingdom, Op. 51 (90 mins) Pièces de clavecin en concerts (53 mins): Piano Concerto No. 1 in D minor (49 mins) Erin Wall soprano (Blessed Virgin) Premier concert : La Coulicam, La Livri - Rondeau gracieux, Le INTERVAL Catherine Wyn-Rogers mezzo-soprano (Mary Magdalene) Vézinet Janáček Andrew Staples tenor (St John) Deuxième concert : La Laborde, La Boucon, L©Agaçante, Premier Glagolitic Mass (original version, reconstructed P. Wingfield) (43 Christopher Purves baritone (St Peter) Menuet et Deuxième Menuet mins) BBC National Chorus of Wales Troisième concert : La Lapoplinière, La Timide, Premier Barry Douglas piano BBC Symphony Chorus Tambourin et Deuxième Tambourin en Rondeau Mlada Khudoley soprano BBC Symphony Orchestra Quatrième concert : La Pantomime, L©Indiscrète, La Rameau Yulia Matochkina mezzo-soprano Sir Andrew Davis conductor Cinquième concert : La Forqueray, La Cupis, La Marais Mikhail Vekua tenor Les Arts Florissants Yuri Vorobiev bass Paolo Zanzu harpsichord/director London Symphony Chorus Prom 2: Elgar, Tchaikovsky, Mussorgsky & Liszt London Symphony Orchestra Saturday 19 July Valery Gergiev conductor 7.30pm ± c10.25pm Prom 5: Beethoven, Dvořák & R.Strauss Royal Albert Hall Monday 21 July 7.30pm ± c9.50pm Prom 10: Elgar, Walton, Moeran & David Horne Elgar Royal Albert Hall Friday 25 July Military March, ©Pomp and Circumstance© in G major, Op 39.4 (6 7.30pm ± c9.50pm mins) Richard Strauss Royal Albert Hall Tchaikovsky Till Eulenspiegels lustige Streiche (18 mins) Fantasy-Overture ©Romeo and Juliet© (20 mins) Dvořák Walton Liszt Concerto for Violin in A minor, Op. -
North Current the MAY 2014 | VOLUME 55 | ISSUE 5
North Current The MAY 2014 | VOLUME 55 | ISSUE 5 where in the world are seniors going? see pages 14-15 rampant commercialism! pages 22-25 mascots unmasked! see pages 12-13 2 TABLE OF CONTENTS EDITORIAL 3 table of contents high fives 2 Table of Contents 3 Editorial 4 Stu’pinions 5-7 Opinion 8-10 Current Events 11 News Briefs 12-13 Features 14-15 Double Truck 16-17 News 18 Sports 1. Chris Allison eating celery with Mitt Romney: He was a nice 19-20 Entertainment guy. 21-23 Health and Fitness 2. Zonkeys: Zebra + donkey = 2 cute 23-25 Advertisements 4 us 3. Last issue: Woohoo! Mission Ac- complished! editorial board 4. Challenge Day: Sending you Chelsea Hammersmith | Co-Editor-in-Chief photo credit: john de leon, ’14 peace and love. Joe Simkus | Co-Editor-in-Chief Nice weather? Blam! Chris Anders | Entertainment Editor 5. Spring: Joe Simkus | Sports Editor Marisa DiPaolo | Features Editor the North CurrentMAY 2014 | VOLUME 55 | ISSUE 5 deep sixes Sydnee Gee | Opinion Editor EDITORIAL POLICY Karina Gandhi | Health & Fitness Editor The is an open forum with no prior review or restraint. It is produced five times Anisha Monga | News Briefs Editor North Current SK ANY HIGH SCHOOL GRAD- of people, they are all gone by the time a year by staff members as an extracurricular activity. The editorial board has determined an Breanna Wishnow | Current Events Editor uate about their high school you graduate. Your fond memories are editorial policy to maintain a responsible, ethical student newspaper. The following guidelines Nirav Virani | News Editor experience, and you are met just that: memories. -
The Lost Songs of Somerville
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2012 The Lost Songs of Somerville Scott Cerreta CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/510 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 The Lost Songs of Somerville By Scott Cerreta 2 I And a one, a two, a one, two, three, four. Remember me? I used to be the face of America, at least according to the painted cover of a once famous magazine. You’ll remember the picture if I show it to you: I’m the kid in the middle with the chipped tooth, a small flag planted in one young fist and a dying sparkler in the other; I’m sitting on a grassy hill with my family and some neighbors and the picture’s perspective is that of being just downhill looking up at us; our faces, still glowing with wonder, are all staring up into a darkening evening sky filled with fireworks which are, at that moment, in exact full neon blossom. Can’t find the likeness? Well, it was a long time ago and though some of us do, I guess most of us don’t, as children, much resemble our eventual adult selves. Anyway, the face of America wasn’t really me, it was our town, Somerville, they were referring to, back when this country was still knowable enough that one could imagine its true essence being found in such a small and simple space. -
Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright
TRUE LOVES, DARK NIGHTS: QUEER PERFORMATIVITY AND GRIEVING THROUGH MUSIC IN THE WORK OF RUFUS WAINWRIGHT Stephanie Salerno A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2016 Committee: Jeremy Wallach, Advisor Christian Coons Graduate Faculty Representative Kimberly Coates Katherine Meizel © 2016 Stephanie Salerno All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This dissertation studies the cultural significance of Canadian-American singer/songwriter Rufus Wainwright’s (b. 1973) album All Days Are Nights: Songs for Lulu (Decca, 2010). Lulu was written, recorded, and toured in the years surrounding the illness and eventual death of his mother, beloved Québécoise singer/songwriter Kate McGarrigle. The album, performed as a classical song cycle, stands out amongst Wainwright’s musical catalogue as a hybrid composition that mixes classical and popular musical forms and styles. More than merely a collection of songs about death, loss, and personal suffering, Lulu is a vehicle that enabled him to grieve through music. I argue that Wainwright’s performativity, as well as the music itself, can be understood as queer, or as that which transgresses traditional or expected boundaries. In this sense, Wainwright’s artistic identity and musical trajectory resemble a rhizome, extending in multiple directions and continually expanding to create new paths and outcomes. Instances of queerness reveal themselves in the genre hybridity of the Lulu song cycle, the emotional vulnerability of Wainwright’s vocal performance, the deconstruction of gender norms in live performance, and the circulation of affect within the performance space. -
Media Kit Kabarett Haus
MEDIA KIT KABARETT HAUS PERTH CONCERT HALL, CITY OF LIGHTS THURS 20 FEB – SAT 22 FEB TICKETS: $39 -$89 Click here for images KABARETT HAUS International siren and comedienne extraordinaire Meow Meow opens the Kabarett Haus accompanied by the full force of West Australian Symphony Orchestra. Join the spectacular queen of song for an unforgettable evening of exquisite music and much mayhem. Prepare for Piazzolla tangos, Weill, Brecht, Brel – even Radiohead – alongside original chansons by Meow Meow, Iain Grandage and Pink Martini’s Thomas M Lauderdale as this post-post-modern diva showcases her glorious brand of subversive and sublime entertainment. PERFORMANCES: MEOW MEOW PANDEMONIUM (WITH THOMAS M LAUDERDALE) | THU 20 FEB RUFUS WAINWRIGHT DOWN SOLO WAINWRIGHT | FRI 21 FEB AMANDA PALMER, THERE WILL BE NO INTERMISSION | SAT 22 FEB MEOW MEOW Post-post-modern diva Meow Meow has hypnotised, inspired, and terrified audiences globally with unique creations and sell-out seasons from New York’s Lincoln Center and Berlin’s Bar Jeder Vernunft to London’s West End and the Sydney Opera House. Named One of the Top Performers of the Year by The New Yorker, the spectacular crowd-surfing tragi-comedienne has been called “Sensational” (TheTimes), “diva of the highest order” (New York Post), “The Queen of Chanson” by the Berliner Zeitung, and “a phenomenon” by the Australian press. Her award-winning solo works have been curated by David Bowie, Pina Bausch, and Mikhail Baryshnikov and numerous international arts festivals . As well as being a prolific music and theatre creator she specialises in the Weimar repertoire and French chanson, and recently appeared as Titania in Emma Rice's revolutionary A Midsummer Night's Dream season at Shakespeare's Globe. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson Permalink https://escholarship.org/uc/item/3kx5461s Author Tozer, Meghan Joyce Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Meghan Joyce Tozer Committee in charge: Professor Stefanie Tcharos, Chair Professor Robynn Stilwell Professor David Paul Professor Derek Katz September 2016 The dissertation of Meghan Joyce Tozer is approved. __________________________________________ Robynn Stilwell __________________________________________ Derek Katz __________________________________________ David Paul __________________________________________ Stefanie Tcharos (Committee Chair) June 2016 Music as a Procedural Motive in the Filmmaking of Darren Aronofsky, Sofia Coppola, and Paul Thomas Anderson Copyright © 2016 by Meghan Joyce Tozer iii ACKNOWLEDGEMENTS There are a great many people whose time, expertise, and support made this dissertation possible. First, I would like to thank my advisor, Dr. Stefanie Tcharos. The impact of your patience and knowledge was only outweighed, in the process of writing this dissertation, by the examples you have set for me in the work you do and, frankly, the life you lead. My life will be forever improved because I have had you as a mentor and role model. Dr. Robynn Stilwell, thank you for taking the time to participate in this project so wholeheartedly, for giving me your valuable advice, and for blazing the proverbial trail for women film music scholars everywhere. -
NICK WATERHOUSE Herausgeber 04 Kylie Minogue | Sean Paul Aktiv Musik Marketing Gmbh & Co
GRATIS | MÄRZ 2014 Ausgabe 6 KYLIE MINOGUE SEAN PAUL MIMI & THE MAD NOiSE FACTORY MIGHTY OAKS MARIA GADÚ AMI UNHEILIG NICK PHARRELL WILLIAMS WATERHOUSE INHALT InHALT EDITION – Impressum 03 NICK WATERHOUSE HERAUSGEBER 04 KYLIE MINOGUE | SEAN PAUL AKTIV MUSIK MARKETING GMBH & CO. KG 05 BOB DYLAN | GEORGE MICHAEL | ROD STEWART Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 MIGHTY OAKS | MIMI & THE MNF PERSÖnlICH HAFTende GESellSCHAFTERIN: 07 MADELINE JUNO | JULIAN LE PLAY AKTIV MUSIK MARKETING DAS GEZEICHNETE ICH VERWALTUNGS GMBH & CO. KG 08 MARIA GADÚ | AMI Steintorweg 8, 20099 Hamburg 09 UNHEILIG | LUXUSLÄRM SITZ: Hamburg, HR B 100122 10 PHARRELL WILLIAMS | THE NOTWIST GESCHÄFTSFÜHRER Jörg Hottas JOAN AS POLICE WOMAN Fon: 040/468 99 28-0 Fax: 040/468 99 28-15 11 GARY BARLOW | ELBOW | ZEDD E-MaiL: [email protected] 12 NEUHEITEN 15 PETER KRAUS | MICHELLE | HÖHNER NEUHEITEN REDAKTIONS- UND ANZEIGENLEITUNG 16 Daniel Ahrweiler (verantwortlich für den Inhalt) 21 ROCK UND METAL 22 JAZZ 24 PLATTENLÄDEN MITARBEITER DIESER AUSGABE Marcel Anders (ma), Kai Florian Becker (kfb), Helmut Blecher (hb), Dagmar Leischow (dl), Nadine Lischick (nli), AuF TOUR Ilka Mamero, Patrick Niemeier (nie), Henning Richter (hr), Steffen Rüth (sr) FOTOGRAFEN DIESER AUSGABE Innovative Leisure (1, 3 Nick Waterhouse), Tony Mot- tram (2 The Brew), William Baker (4 Kylie Minogue), Warner Music (4 Sean Paul), Universal Music (5 George Michael, 6 Mighty Oaks, 7 Madeline Juno, 9 Luxuslärm, 11 Gary Barlow, 13 Mike Oldfield), Tom Beard (6 MiMi & The MAD NOiSE FACTORY), Kidizin Sane (7 Julian Le THE BREW (UK) Play), Bella Lieberberg (7 Das Gezeichnete Ich), Marcos Die Jungs von The Brew (UK) begeistern mit Siebziger- Hermes (8 Maria Gadú), Konrad Fersterer (8 Ami), Erik Jahre-Blues und modernem Rock. -
Oh What a World: Constructing a Reparative
“Oh What a World”: Queer Masculinities, the Musical Construction of a Reparative Cultural Historiography, and the Music of Rufus Wainwright A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kevin C. Schwandt IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kelley Harness November 2010 © 2010 Kevin C. Schwandt Acknowledgements Most importantly, I must thank my advisor, Dr. Kelley Harness. My transformation from passionate musician to passionate scholar has been, at times, frenetic and unwieldy. I am deeply grateful to have had a mentor who encouraged my energy while carefully directing it and insisting that I channel it in productive ways. Similarly, my committee, Dr. Peter Mercer-Taylor, Dr. Elaine Tyler May, and Dr. Sumanth Gopinath challenged me in ways that were provocative but, ultimately, deeply valuable. Dr. Anna Schultz, Dr. Gary Thomas, and the late Drs. Mirjana Lausevic and Donna Cardamone Jackson have all taught me the value of scholarship in pursuing both joy and justice. I have been blessed with a remarkable cohort of colleagues during my doctoral studies. Throughout the process, friends who understand the craziness, doubt, pride, and frustration of graduate education have surrounded me. I wish all graduate students could have such a quality support network. My dissertation came to being during a period of extreme personal tumult and I am exceptionally grateful for the support of my family and friends, who refused to allow things to fall apart and always put me back together when I became unhinged. Finally, I will never fully understand the grace with which Kareem has held me up during the emotionally exhausting culminating years of this process.