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Indie Mixtape
Indie Mixtape :: View email as a web page :: Arcade Fire apparently is in the midst of working on a new album, with writing having “intensified” during the pandemic. In spite of ourselves, we are interested in hearing this quarantine opus, even though we openly disliked their previous album, 2017’s Everything Now. Arcade Fire is also on our brains lately because the 10th anniversary of their third ( and we would argue greatest) album, The Suburbs, was this past weekend. That album, like all Arcade Fire LPs, is a mix of breathtaking musical moments and grandiose, eyeroll-inducing thematic gestures. And yet we wouldn’t want Arcade Fire to be any other way. Sometimes they miss in embarrassing fashion, and other times they absolutely crush it. But they always swing big. For this list of our 20 favorite Arcade Fire songs, we took stock of the crushes while also attempting to understand how and why they miss. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century PS: Was this email forwarded to you? Join our band here. In case you missed it... The first episode of our new podcast hosted by Steven Hyden and Ian Cohen is available now, wherever you listen to podcasts. Our YouTube channel now has a collection of playlists to satisfy all of your nostalgic needs. http://view.e.indiemixtape.com/...87aedf71565468329f8ac26ca254edfeee4d9b01f2c806081f3940ed3e1e6a08ac7da1357718730d50f8fc139fe23[8/6/20, 11:09:25 AM] Indie Mixtape There is an alternate universe where Phoebe Bridgers sings over trap beats. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) JAN CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 16 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 12, 17 JUSTIN BIEBER A40 2, 18, 19, 31; AC 8, 13; OLIVIA COLMAN CL 7 FLEETWOOD MAC B200 36, 109; BL 6; INT 17; I PREVAIL RKA 20 LIL DURK B200 2, 116; RBA 1; RLP 1; A40 37; 21 SAVAGE B200 40; RBA 20; RLP 20; H100 55; DA 33, 39; H100 4, 6, 18, 36; HA 4, 11, 50; HD JOHN COLTRANE JZ 14 PCA 2, 39; HD 47 THE IRISH CHAMBER ORCHESTRA CL 9 DA 26; H100 8, 59, 74, 84, -
Meet Warner's Matt Signore Bandtwango Funds The
February 13, 2017, Issue 536 Meet Warner’s Matt Signore Named as incoming Warner Music Nashville COO as far back as July, Matt Signore brings 25 years of record busi- ness experience, a long history with WMN Chairman/CEO John Esposito and a few other Nashville connections to the role he started Jan. 1. CA: How did you end up in the music business? MS: I worked as a CPA in New York for a big accounting firm. Back in that day with those jobs, you hoped one of your clients would hire you. I had a friend who worked on the acquisition of Island Records by Polygram, went there and basically had a job for me. I was 26 years old, got a $3,000 raise and I could wear jeans to work. I came home and said, “I think I want to do this.” I wasn’t a musician and didn’t want to be in the music business, necessarily. But I went to work for Matt Signore Island and ultimately Island/Def Jam on the business side. How did you meet Espo? Exclusive Club: AT&T Pebble Beach Pro-Am tournament winner In 1994, he was the head of catalog sales at Polygram. He was Jordan Spieth (l) and partner Jake Owen celebrate a big the guy trying to get labels to clear things for catalog work, and my weekend on the links. In addition to the pair placing third in boss was a pain in the ass. His first memory of me was as the fi- the Pro-Am, Owen was honored with the Arnie Award, which nance guy at Island who helped him get stuff done. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Edition 2017
YEAR-END EDITION 2017 HHHHH # OVERALL LABEL TOP 40 LABEL RHYTHM LABEL REPUBLIC RECORDS HHHHH 2017 2016 2015 2014 GLOBAL HEADQUARTERS REPUBLIC RECORDS 1755 BROADWAY, NEW YORK CITY 10019 REPUBLIC #1 FOR 4TH STRAIGHT YEAR Atlantic (#7 to #2), Interscope (#5 to #3), Capitol Doubles Share Republic continues its #1 run as the overall label leader in Mediabase chart share for a fourth consecutive year. The 2017 chart year is based on the time period from November 13, 2016 through November 11, 2017. In a very unique year, superstar artists began to collaborate with each other thus sharing chart spins and label share for individual songs. As a result, it brought some of 2017’s most notable hits including: • “Stay” by Zedd & Alessia Cara (Def Jam-Interscope) • “It Ain’t Me” by Kygo x Selena Gomez (Ultra/RCA-Interscope) • “Unforgettable” by French Montana f/Swae Lee (Eardrum/BB/Interscope-Epic) • “I Don’t Wanna Live Forever” by ZAYN & Taylor Swift (UStudios/BMR/RCA-Republic) • “Bad Things” by MGK x Camila Cabello (Bad Boy/Epic-Interscope) • “Let Me Love You” by DJ Snake f/Justin Bieber (Def Jam-Interscope) • “I’m The One” by DJ Khaled f/Justin Bieber, Quavo, Chance The Rapper & Lil Wayne (WTB/Def Jam-Epic) All of these songs were major hits and many crossed multiple formats in 2017. Of the 10 Mediabase formats that comprise overall rankings, Republic garnered the #1 spot at two formats: Top 40 and Rhythmic, was #2 at Hot AC, and #4 at AC. Republic had a total overall chart share of 15.6%, a 23.0% Top 40 chart share, and an 18.3% Rhythmic chart share. -
Some Notes on John Zorn's Cobra
Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come. -
Open Systems in Dialogue OPEN SYSTEMS 2005 Festival for Avant
Open Systems in Dialogue OPEN SYSTEMS 2005 Festival for avant-garde music, performance and sound art 17 - 20 November 2005 · Bochum I Dortmund I Essen I Herne New approaches, new goals, extension of the artistic space: From 17 – 20 November 2005 interdisciplinary integration of musical encounters will set the tone in the German cities Bochum, Dortmund, Essen and Herne. OPEN SYSTEMS, the festival for avant-garde music, performance and sound art in Germany’s Ruhr-area, promotes encounters between artists from different fields with the aim of developing and realizing ideas in a creative environment. Amongst the highlights of the fifteen concerts are performances by ARTO LINDSAY, the ARDITTI QUARTET, the pioneers of net music THE HUB, Tortoise guitarist JEFF PARKER, as well as world premières of works by the blind composer MOONDOG. Dance performances, video installations, lectures, the club lounge and a school project round off the programme. OPEN SYSTEMS stands for stylistic enrichment as well as exciting musical encounters. Collaboration with NOVEMBER MUSIC, the Belgian-Dutch festival for currently happening music, which contributes to five of the concerts on the programme, the Luxemburg Society for Contemporary Music (LGNM) and the WDR Studio Acoustic Art will intensify international networking of artists. The OPEN SYSTEMS festival acts as an artistic laboratory, as a platform for new ideas and approaches: OPEN SYSTEMS – the name refers to systems which interact with others. “Whether acoustic or electronic, improvised or composed, classical or popular, Western or non-European – the festival shows us music which is thriving and very now, and presents it using dialogue and contrast. -
HACKING Cyber Activist CORY DOCTOROW’S HEAD
foursquare’s JON CROWLEY | LARP-apalooza | quarter-eating BOXES O’ FUN the guidebook to modern geek culture exclusive interview HACKING cyber activist CORY DOCTOROW’S HEAD WOMEN WORTH 25 YOUR WONDER inside the secret world of CHINESE GAMBLING how to fight a CYBORGS and LEGO MASTERS BEAR September 2010 VIOLENT US $5.95 | Canada $7.95 GAMING PUZZLES and COMIX POWER of POO SEPT 2010 • PREMIERE ISSUE • handshakemag.com 64 71 78 85 64 71 78 85 CORY DOCTOROW WONDER WOMEN PAI GOW STICK JOCKEYS The co-editor of BoingBoing Jane McGonigal aims to save The casino game attracts a Somewhere between historical takes on commercial Goliaths the world with gaming. Jill following among superstitious reenactment and live action role- with blogs, embraces fatherhood, Thompson captivates comic cults Chinese gamblers but playing, the men and women of and remembers Alice in with Wonder Woman. Summer overwhelms newcomers. Ragnarok turn a Pennsylvania Wonderland. Glau attends casting calls for sci- Singaporean sports gambler Ali campground into an epic fi shows. These 25 gals rule with Kasim went to Foxwoods Casino battlefield. keyboards, comics, and brains. to take on the veterans. WOMAN: YO MOSTRO HANDSHAKE SEPT 2010 3 93 52 44 xx 100 58 36 ANORAK DEPARTMENTS ETC. essay level up beaker duct tape / page 100 .Com-patibility / page 31 Supreme Censorship / page 41 Saved by Shit / page 52 Ponzi Scheme Why finding love online is Violent video games head to Dependence on foreign oil, Bernie made off like a bandit. more common – and more the Supreme Court in October. global warming, and agricultural Now you can too. -
DANNY WATTS Black Boy Meets World
DANNY WATTS Black Boy Meets World LP COMING SOON KEY SELLING POINTS • Entirely produced by Jonwayne • Guest contributions and features include Ray Wright of Warm Brew, DIBIA$E, Leaving Records’ Kiefer, Dr. Octagon collaborator Juan Alderete de la Pena, Zeroh, and many others • The release of Black Boy Meets World will coincide with the Jonwyne’s Rap Album Two US Tour, beginning in October and running for an extended stretch of over 40 dates from coast to coast DESCRIPTION ARTIST: Danny Watts This fall, Danny Watts will release his debut album Black Boy Meets World TITLE: Black Boy Meets World on Jonwayne’s imprint Authors Recording Company. Beats were supplied CATALOG: cd-ARC003 in full by Jonwayne, creating the environments that mesh to Danny Watts’ LABEL: Authors Recording Company introspective lyricism and soulful cadences on the mic. The Houston based GENRE: Hip-Hop/Rap rapper has created a body of work that details his life experiences with an BARCODE: 669158533466 honest and uncompromising lens, jumping out of the Authors Recording FORMAT: CD Company gates as the first release after the critically acclaimed Rap Album HOME MARKET: Texas / Los Angeles Two. Before the release of Black Boy Meets World, Danny Watts is offering RELEASE: 10/6/2017 up the album’s lead single “Young & Reckless” feat. Aye Mitch! today. LIST PRICE: $11.98 / AK Danny Watts and Jonwayne recently captured Black Boy Meets World TRACKLISTING (Click Tracks In Blue To Preview Audio) in the span of only a week, recording the 11-track LP at the Los Angeles recording facility Cosmic Zoo. -
Visionvpm Clients Module User Guide
VisionVPM Clients Module User Guide Copyright Notice Copyright © 1997-20012 Provet I.T. Pty Ltd ("Provet IT") All rights reserved The software contains proprietary information of Provet IT; it is provided under a license agreement containing restrictions on use and disclosure and s also protected by copyright law. Reverse engineering of the software is prohibited. Due to continued product development this information may change without notice. The information and intellectual property contained herein is confidential between Provet IT and the client and remains the exclusive property of Provet IT. If you find any problems in the documentation, please report them to us in writing. Provet IT does not warrant that this document is error-free. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of Provet IT. This document is version 344 compliant. Provet IT PO Box 6026 BHBC Baulkham Hills NSW 2153 Australia 1300 650 468 Website: www.provet.com.au http://www.provet.com.au/ Contents Copyright Notice 4 Client Module 4 Client Details ................................................................................................................................................... 4 Search for Client ........................................................................................................................................ 4 Client Details window ............................................................................................................................. -
February 13, 1981 H* No
Bid*.: KM "-'W .'?< ' FEB 13 1981 \©I.5H James Madison University Friday. February 13, 1981 H* No. 14 { Housing lottery suggested, to affect seniors, juniors By CHRIS WARD One group may run from 0-499, another from James Madison University may eventually 500-999, and so on. adopt a lottery system for housing, but it "The 20 groups would then be put into a hat probably won't come next fall. and we would draw out the numbers of as The Residential Life Committee has been many groups that we had room for," he con- studying "various alternatives" to alleviate tinued, adding that those students whose JMU's housing problem and has made some groups are called would be the ones guaran- recommendations, according to Lin Rose, teed housing, and the rest would be put on director of Residence Halls and Commuting waiting lists. Student Services. "Of course, the first option is to maintain the "WE MAY try to encourage people, current situation, the second is a random especially juniors and seniors, to seek off selection system," Rose said. campus housing," he added. "It would cer- If any lottery was adopted by the university, tainly be a voluntary effort. We would not it would be a limited one including only juniors require people to move on campus. and seniors, according to Rose. "The housing office is in agreement that (Continued on Page 8) there is a preference for guaranteeing housing for freshman and sophomores," he said. UNDER THE lottery system, juniors and side. seniors interested in living on campus the —Although he played a pleasant, mellow following semester would fill out cards in- brand of music almost flawlessly in dicating that interest.