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Evening Concert Series 2017–2018 Season Helen M. Hosmer Hall Wednesday, February 28, 7:30 PM Concert and Symphonic Bands Concert Band Dr. Michael P. Schaff, conductor Pacific Celebration Suite (1979) Roger Nixon I. Parade (1921–2009) II. Prayer III. Pageant Toccata for Organ (1890) Eugene Gigout (1844–1925) arr. Keith Ziemba Shakata “Singing the World into Existence” (1989) Dana Wilson (b. 1946) Symphonic Band Brian K. Doyle, conductor Masque (2001) Kenneth Hesketh (b. 1968) Serial Music (1970) Elliot Del Borgo (1938–2013) Riften Wed (2013) Julie Giroux (b. 1961) Symphonic Songs for Band (1957) Robert Russell Bennett Serenade (1894–1981) Spiritual Celebration L’Inglesina (1871) Davide Delle Cese (1856–1938) Crane Concert Band Personnel Piccolo Bass Clarinet Trombone Gabrielle Caviglia Darrell Holovach Elias Assimakopoulos Jared Gonzales Flute ContraBass Clarinet John Corsetti Ashley Slapo Tyler Mazone Christian Castro Mabel Burgos Robert Rice Daniel Marro Alto Saxophone Jake Barrett Aaron Leach Joseph Winslow Sofia Tufariello Olivia Phaneuf Euphonium Michael Smith Stephen Mirandi Andrew Clifford Jacob DePalma Sophia Wright Oboe Samantha Twing Beverly Gard Tenor Saxophone Courtnee Waldref Adara Hoyne Tuba Griffin Shenkel Abigail Neyerlin Baritone Saxophone Seamus O’Brien Bassoon Jacob LaBate Ezgi Cakirca String Bass Jerry Wilke Trumpet Christina Morris Alexander Malin Jacob Ali Peter Schneider Percussion Contra Bassoon Samuel Taylor Philip Kronenberg Alexander Malin Cailin Cienki Sean Tierson Elira Mavraj Lauren Polansky Eb Clarinet Rachel Schwartz Dominic Alifano Matthew Stroinski Charlotte LaBonte Horn Katelyn Martin Clarinet Henry Crocker Hannah Prevenau Danielle DeMarco Isaac Newman Catherine Smith Laurel Zimlinghaus Emily Quinn Rebecca Poole James Schell Band Librarian Jason Rahner Madeline Derouchie Olivia Phaneuf Ashley Calhoun Lili DeGraw Christian Amano Natalia Buitrago Tyler Mazone The Crane Symphonic Band Personnel Piccolo Bass Clarinets Euphonium Elizabeth Collins Tara Allen Benjamin Quiñones Tyler Mazone Zachary Coldren Flute Victoria Rosales Alto Saxophone Tuba Victoria Vespucci Emma Karp Ryan Halson Kerry Ramirez William Morocho Kenneth Conrow Jessica Orr Alex Malin Leanne Rossano Double Bass Myah Harrington Tenor Saxophone Ryan Parry Emily Sinnott Ethan Wetzel Justin Kehati Oboe Baritone Saxophone Percussion Skye Hamilton-Carranza Matthew Innamorato Kevin Gorry Courtnee Waldref Emma Nicoletti Jamie DellaBartolomea Horn Zack Cohen Mya Hollins Phil Vona English Horn Sam Branion Jack Smith Courtnee Waldref Jessica Sokol Sofia Coyle Caroline Strub Nick Haines Bassoon Joseph Johnson Aliciana LoTemple Organ Jessica Stolecki Trumpet Joshua Barkley Benjamin Moore E-flat Clarinet Tristan Hayes Harp Brianna Linhardt James Millen Shannon Boyle Brian Brancato B-flat Clarinet Elenor Burns Librarian Emma Sainsbury Marianthi Stakos Kerry Ramirez Laurel Zimlinghaus Emily Benware Trombone Head Librarian Vienna Durao Sam Brown Kerry Ramirez Amy Gonzales Anthony Bokina Solomon Elyaho Dan O’Herien Rebecca Poole Shea Callahan Maddie Till Jamie Cox Bass Trombone Natalia Buitrago Nate Gunter Matthew Levine Andromeda Elliott .

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James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P
James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P. Bolstad, conductor Symphony Band – Stephen P. Bolstad, conductor Concert Band – Scott D. Rikkers, conductor Wind Symphony, Stephen P. Bolstad, conductor October 7, 2007 Wiener Philharmoniker Fanfare (1924) – Richard Strauss Serenade in E flat major, Op. 7 (1881) – Richard Strauss Dance of the Jesters (1868) – Tchaikovsky/Cramer Prelude in E flat minor, Op. 34, No. 14 (1933) – Shostakovich/Reynolds Redline Tango (2004) – John Mackey Fantasia in G Major (ca. 1705) – Bach/Goldman & Leist Bells for Stokowski (2003) – Michael Daugherty Symphonic Band & Concert Band Stephen P. Bolstad & Scott Rikkers, conductors October 11, 2007 Concert Band Alleluia! Laudamus Te (1973) – Alfred Reed Be Thou My Vision (1998) – David Gillingham Rakes of Mallow (1947) – Leroy Anderson Symphonic Band Esprit De Corps (1985) – Robert Jager A Movement for Rosa (1992) – Mark Camphouse Illyrian Dances (1986) – Guy Woolfenden Russian Sailor’s Dance (1927) – Gliere/ Leidzen Wind Symphony, Stephen P. Bolstad, conductor JMU Chorale, Patrick M. Walders, conductor & JMU Symphony Orchestra Strings, Robert D. McCashin, conductor October 26, 2007 Portraits in Bluestone (2007) – Brian Balmages World Premiere Wind Symphony, Stephen P. Bolstad, conductor November 11, 2007 (Veteran’s Day) The Star Spangled Banner – Arr. by Luigi Zaninelli Profanation from “Jeremiah, Symphony No. 1” (1942) – Bernstein/Bencriscutto The Leaves Are Falling (1964) – Warren Benson Lincolnshire Posy (1937) – Percy Grainger J’ai été au bal (1999) – Donald Grantham Battle Hymn of the Republic – Arr. by Luigi Zaninelli All-Bands Concert, Stephen P. Bolstad, Scott Rikkers, conductors December 9, 2007 Concert Band Marche Des Parachutistes Belges (1945) – Leemans/Wiley Blessed Are They from “German Requiem” (1865) – Brahms/Buehlman Escape from “Plato’s Cave!” (1993) – Stephen Melillo Symphonic Band Second Suite in F for Military Band (1911) – Gustav Holst La Fiesta Mexicana (1949) – H.
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Report and Via Email to Those Who Have Email Addresses Listed in the Association’S Directory
RReeppoorrtt Douglas Stotter, editor Summer 2001 From the Podium Dear CBDNA Colleagues, In my opinion the “band” culture in the 20th century has been primarily entertainment oriented. This is true from the professional I hope this finds you well and enjoying the change of pace sum- bands of the early century to school bands of today including mer brings. For me, summer means an opportunity to “catch up” marching and concert organizations. What was revolutionary about on stacks of reading materials and the time to look seriously at the the Wind Ensemble as conceived by Fred Fennell was not the size many new scores that arrived during the academic year. During of the ensemble but the awakening to the reality that a band should this period of “rehabilitation” I also review each concert tape from and could consider the quality of the music to be performed be- the previous year and begin to make programming decisions for fore all other aspects of the organization. The number of people the upcoming year. As Dickens said, “these are the best of times on the stage was simply a bi-product of selecting quality music. and the worst of times”. It is often difficult to be brutally honest Instrumentation, names (Wind Ensemble, Symphony Band, Wind with myself (have you seen the recent commercials on this sub- Symphony), and numbers are perpetual arguments that cloud the ject?) regarding the quality of my own performances. However, real issue: quality of music. The Wind Ensemble movement as this annual ritual has been a real catalyst for growth as I try to begun by the Eastman Wind Ensemble, and practiced by many determine what I need to labor over before Labor Day.
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RReeppoorrtt Douglas Stotter, editor Summer 2000 From the Podium Now that the region conferences, which were a tremendous suc- University of Calgary Wind Ensemble cess, are completed, we can begin to turn our attention towards Glenn Price, conductor st the first National Conference of the 21 century. University of North Texas Wind Symphony The 2001 Conference will be held in conjunction with a week Eugene Migliaro Corporon, conductor long celebration of wind music sponsored by the College of Mu- The National Intercollegiate Symphonic Band sic, the Denton Arts Council, and the University Fine Arts Series. Allan McMurray, conductor All events will be held at the new state-of-the art Murchison Per- formance Center on the campus of the University of North Texas Following up on a number of good suggestions, we have in- in Denton, Texas. For those of you who are unfamiliar with the vited the following people to spend some time with us at the con- Metroplex area, Denton is located about 30 miles north of Dallas ference. and is a short drive from the Dallas/Ft. Worth International Air- James Jordan – noted conductor from Westminster Choir College port. While the festivities begin on Monday evening, the actual and author of the wonderful book, The Musician’s Soul. conference runs from Wednesday, February 21 through Saturday, David Neumeyer – noted Hindemith scholar from Indiana Uni- February 24. The University of North Texas College of Music versity speaking on the Symphony in B-flat on the occasion of its th and hosts Dennis Fisher and Bradley Genevro are looking for- 50 anniversary.
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Robert Russell Bennett Page 24 Kirk Muspratt Wayne Abercrombie Lawrence J
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