DOCSLIB.ORG

Report and Via Email to Those Who Have Email Addresses Listed in the Association’S Directory

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Report and Via Email to Those Who Have Email Addresses Listed in the Association’S Directory RReeppoorrtt Douglas Stotter, editor Summer 2001 From the Podium Dear CBDNA Colleagues, In my opinion the “band” culture in the 20th century has been primarily entertainment oriented. This is true from the professional I hope this finds you well and enjoying the change of pace sum- bands of the early century to school bands of today including mer brings. For me, summer means an opportunity to “catch up” marching and concert organizations. What was revolutionary about on stacks of reading materials and the time to look seriously at the the Wind Ensemble as conceived by Fred Fennell was not the size many new scores that arrived during the academic year. During of the ensemble but the awakening to the reality that a band should this period of “rehabilitation” I also review each concert tape from and could consider the quality of the music to be performed be- the previous year and begin to make programming decisions for fore all other aspects of the organization. The number of people the upcoming year. As Dickens said, “these are the best of times on the stage was simply a bi-product of selecting quality music. and the worst of times”. It is often difficult to be brutally honest Instrumentation, names (Wind Ensemble, Symphony Band, Wind with myself (have you seen the recent commercials on this sub- Symphony), and numbers are perpetual arguments that cloud the ject?) regarding the quality of my own performances. However, real issue: quality of music. The Wind Ensemble movement as this annual ritual has been a real catalyst for growth as I try to begun by the Eastman Wind Ensemble, and practiced by many determine what I need to labor over before Labor Day. The job others, is a cultural revolution within the wind band medium. Those does not end there. The intensive task of making programming who are willing to be revolutionaries will perhaps always be the decisions can be exhaustive also! If I examine the repertoire I am minority in the total band conducting profession. However, it is perusing with the same standard that I hope for in my perfor- the revolutionaries in our profession who lead the repertoire to- mances, Dickens famous quote once again rings true. Today’s wind ward its ultimate potential, as has been the case throughout the conductor has more music available to choose from than at any history of music. point in history, a profound change since I joined CBDNA twenty years ago. I find a quandary in having so many titles available As you prepare for next year, be brutally honest with yourself since much of the music appears to me to be “skin deep” and and your students in programming music of the highest quality strikingly similar in its construction and orchestration. This “best within the grasp of your players potential. of times” (amount of music) and “worst of times” (quality versus Who knows, a revolution may occur within your sphere of in- amount) dilemma is an ongoing artistic question all who conduct fluence! bands face on a daily basis. Michael Haithcock There is a historic sifting process that happens with the passing of time. As a result, much of the music from all previous eras of music history goes unheard today. All wind conductors partici- pate in this process each time they select repertoire for any con- cert. As a result, the process and artistic reasons that go into pro- In this Issue: gramming seems to be the friction point for positive change to- ward building on these “best of times”. I used to think the solu- News ............................................................ 2 tion to the “worst of times” was totally in the hands of composers (“build it and they will come”). If we conductors could only con- On-line Publications Survey Results........3 vert the composers who would not write for band, we would be on our way to developing a stronger repertoire. The change in Forum ..........................................................4 attitude toward the wind band medium by composers may be our single greatest accomplishment over the past fifty years. A tre- Recording Review ......................................5 mendous amount of effort by many has gone into this revolution in attitude. I now think the next step for defining our repertoire is Programs, State by State ........................... 6 increasingly placed in the hands of conductors more so than com- Special Feature ......................................... 21 posers (“program it and they will write it”). Business.................................................... 24 2 - NEWS The date of the Southern Division Con- Glenn Price at the University of Calgary The Carolina Conductors Conference ference has been has been changed from announces their wind conducting diploma featured W. Francis McBeth, Professor Feb. 13 - 16 to Feb. 20 - 23, 2001. The program featuring Gunther Schuller, Emeritus at Ouachita University in Arkan- conference will be held at the Clayton Rodney Winther, Baldur Bronnimann, sas, as well as John R. Locke, Festival County Public Schools Performing Arts Allan Bell and Glenn Price on its faculty Host and Director of Bands at UNCG. Center in Atlanta. in the summer of 2001. The comprehen- In July 2001, the UNCG Summer Mu- sive course of study includes conducting sic Camp program, directed by John R. The U.S. Army Bands have created a techniques, score analysis and literature Locke, will attract some 1,730 students website with many resources for music edu- along with a number of related topics of musicians to campus in two one-week ses- cators. “Army Bands Online,” at http:// interest. An international range of conduc- sions. As the largest university-sponsored bands.army.mil, features monthly articles by tors and teachers at all levels of work and music camp in America, the UNCG pro- some of the top instrumentalists in the na- experience are welcomed annually to this gram will include 15 concert bands, 3 or- tion. It also has a worldwide web-schedule intensive 3-week program. chestras, 3 choirs and 120 pianists. to see what free band performances are be- The program runs July 23 - August 10, ing held in a particular area or on a specific 2001. For information contact Glenn Price, The following invitation is from Tim date. There are free music downloads and Dept. of Music, University of Calgary, Salzman, who can be reached at: salzman information about Army careers in music. 2500 University Dr. NW., Cal-gary, @u.washington.edu Alberta, Canada, T2N 1N4 The outstanding Australian composer, Last spring the North Central Division Tel: (403) 220-6968 David Stanhope, has agreed to write a work held elections for Regional Vice President Fax (403) 284-0973 for premiere at the combined Western/ and Representative to the National Com- email: [email protected] Northwestern Divisional conference to be missioning Project. Matt George from the held at the University of Nevada-Reno, University of St. Thomas [MN] was Gary Corcoran will tour Germany and March 20-23, 2002. The work will be pre- elected to the position of Vice President. Austria with the Plymouth State College miered by the Western/Northwestern Di- Rodney Winther from the Cincinnati Con- Symphonic Band in March 2002. The itin- vision CBDNA Intercollegiate Band con- servatory of Music becomes the representa- erary will include performances in Munich, ducted by Michael Haithcock. tive to the National Commissioning Project. Innsbruck, Salzburg, and Vienna. As back- I'm hopeful that you will strongly con- ground preparation for the tour, the band sider becoming a part of this commission. A consortium of 20 colleges and univer- presented a concert entitled “On the Road We are seeking $500 contributions from sities have commissioned four composers to Vienna” in April. The concert included: participating schools. Mark Rogers from to write pieces to commemorate Frank Rosamunde, Overture .....Schubert/Takahashi Southern Music Company (Stanhope's new Battisti’s 70th birthday on June 27, 2001. Chaconne, from Partita No. 2 in D minor ...... American distributor) has indicated that All of the composers are or have been af- .........................................Bach/Erickson Southern will provide complimentary filiated with the New England Conservatory. St. Anthony Divertimento.......Haydn/Wilcox score and parts to the contributing schools. Michael Gandolfi will compose a tango Variations on a Theme by Haydn, Op. 56a .... There has already been considerable inter- for wind ensemble, 6-8 minutes in length. ...................................... Brahms/Wasson est in participating in this commission from This choice honors Frank’s love of tangos Die Zauberflöte, Overture........Mozart/Posch outside of our divisions with committments and the music of Astor Piazzola. Gandolfi Liebestod .............................. Wagner/Bainum having been received from the University Rondo ..............................von Weber/Snavely is on the Composition Faculty at New En- of Illinois, University of Georgia and Texas Der Rosenkavalier, Waltzes ...Strauss/Cailliet gland Conservatory. Radetsky March, Op. 282 ......... Strauss/Reed Tech University. We are hopeful that the Michael Weinstein will compose a ser- sum of money collected will assist our di- enade with the exact instrumentation of the The University of North Carolina at visions in bringing David Stanhope to Dvorak Serenade, Op. 44. The piece will Greensboro hosted the 12th Annual Caro- Reno for the premiere where we could fur- be 15-20 minutes in length. Weinstein is lina Band Festival and Conductors Con- ther benefit from sessions with him on his on the faculty of the Berklee College of ference February 15-17, 2001. The festi- music, conducting, etc. Music and the Extension Division of New val attracted 190 high school students from Please send your checks to: England Conservatory. North Carolina, South Carolina, Virginia, Robert Spittal Kenneth Amis, tuba player of the Em- Tennessee, Georgia, Pennsylvania, Mary- Treasurer, Northwest CBDNA pire Brass Quintet will compose a 8-10 land, Florida, Ohio and Alabama, chosen Director of Bands minute overture for orchestral winds.
Load more

Recommended publications
  • James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P
    James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P. Bolstad, conductor Symphony Band – Stephen P. Bolstad, conductor Concert Band – Scott D. Rikkers, conductor Wind Symphony, Stephen P. Bolstad, conductor October 7, 2007 Wiener Philharmoniker Fanfare (1924) – Richard Strauss Serenade in E flat major, Op. 7 (1881) – Richard Strauss Dance of the Jesters (1868) – Tchaikovsky/Cramer Prelude in E flat minor, Op. 34, No. 14 (1933) – Shostakovich/Reynolds Redline Tango (2004) – John Mackey Fantasia in G Major (ca. 1705) – Bach/Goldman & Leist Bells for Stokowski (2003) – Michael Daugherty Symphonic Band & Concert Band Stephen P. Bolstad & Scott Rikkers, conductors October 11, 2007 Concert Band Alleluia! Laudamus Te (1973) – Alfred Reed Be Thou My Vision (1998) – David Gillingham Rakes of Mallow (1947) – Leroy Anderson Symphonic Band Esprit De Corps (1985) – Robert Jager A Movement for Rosa (1992) – Mark Camphouse Illyrian Dances (1986) – Guy Woolfenden Russian Sailor’s Dance (1927) – Gliere/ Leidzen Wind Symphony, Stephen P. Bolstad, conductor JMU Chorale, Patrick M. Walders, conductor & JMU Symphony Orchestra Strings, Robert D. McCashin, conductor October 26, 2007 Portraits in Bluestone (2007) – Brian Balmages World Premiere Wind Symphony, Stephen P. Bolstad, conductor November 11, 2007 (Veteran’s Day) The Star Spangled Banner – Arr. by Luigi Zaninelli Profanation from “Jeremiah, Symphony No. 1” (1942) – Bernstein/Bencriscutto The Leaves Are Falling (1964) – Warren Benson Lincolnshire Posy (1937) – Percy Grainger J’ai été au bal (1999) – Donald Grantham Battle Hymn of the Republic – Arr. by Luigi Zaninelli All-Bands Concert, Stephen P. Bolstad, Scott Rikkers, conductors December 9, 2007 Concert Band Marche Des Parachutistes Belges (1945) – Leemans/Wiley Blessed Are They from “German Requiem” (1865) – Brahms/Buehlman Escape from “Plato’s Cave!” (1993) – Stephen Melillo Symphonic Band Second Suite in F for Military Band (1911) – Gustav Holst La Fiesta Mexicana (1949) – H.
    [Show full text]
  • Concert Band Library - Concert Band
    Concert Band Library - Concert Band f No. Composer Arranger Title Type Large Score? Harp? Keyboard? Notes CB 1 CB 2 Albeniz, Isaac Cailliet, Lucien Fete-Dieu a Seville (Feast Day in Seville) CB 3 Alexander, Russell Bainum, Glenn Cliffe Southerner, The March CB 4 Alexander, Russell Bainum, Glenn Cliffe Colossus of Columbia March CB 5 Alford, Harry Clownette Novelty CB 6 Alpert, Herb Russell, William Sound of Herb Alpert and the Tijuana Brass, The Pop CB 7 Allen, Barclay Bennett, David Cumana Latin Dance CB 8 Anderson, Leroy Bugler's Holiday Trumpet Trio CB 9 Anderson, Leroy Sleigh Ride Christmas CB 10 Anderson, Leroy Christmas Festival, A Christmas CB 11 Anderson, Leroy Clarinet Candy Clarinet Feature CB 12 Anderson, Leroy Serenata CB 13 Arban, J. Leidzen-Anthenien Fantasie, Theme, and Variations on Carnival of Venice Tuba Solo CB 14 Arnold, Malcolm Duke of Cambridge March CB 15 Arnold, Malcolm Johnstone, Maurice English Dances for Band Dance suite CB 16 Arnold, Malcolm Paynter, John P. Four Scottish Dances Yes CB 17 Husa, Karel Introduction and Fanfare March CB 18 Arnold, Malcolm Paynter, John P. Prelude, Siciliano, and Rondo Suite Yes CB 19 Balazs, Arpad Musica Piccola Suite CB 20 Beebe, William H Beebe, William H Metropolitan Scene Tone Poem CB 21 Beethoven, Ludwig Van Brown, T. Conway Coriolan Overture Overture CB 22 Beethoven, Ludwig Van Brown, T. Conway Sixth Symphony (Mvts. 1&2) CB 23 Beethoven, Ludwig Van Reynolds, H. Robert Five Short Pieces for Wind Ensemble Suite CB 24 Bellini, V. Laurendeau, L. P. Norma Overture Overture CB 25 Bellini, V Caneva, Ernest O.
    [Show full text]
  • Successfully Selecting Performance Repertoire for Concert Festival Evaluation
    The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2014 Successfully Selecting Performance Repertoire for Concert Festival Evaluation Kristopher R. Chandler University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Music Education Commons Recommended Citation Chandler, Kristopher R., "Successfully Selecting Performance Repertoire for Concert Festival Evaluation" (2014). Honors Theses. 244. https://aquila.usm.edu/honors_theses/244 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi SUCCESSFULLY SELECTING PERFORMANCE REPERTOIRE FOR CONCERT FESTIVAL EVALUATION by Kristopher Chandler A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of Music Education May 2014 ii Approved by ____________________________________ Mohamad Schuman, Jr., D.M.A Associate Director of Bands ____________________________________ Michael A. Miles, D.M.A, Chair School of Music ____________________________________ David R. Davies, Ph.D., Dean Honors College iii Abstract Since Lowell Mason introduced the idea of modern day music education, music specialists like Dr. Acton Ostling, Jr. and Dr. Frank Battisti have aided in the evolution of music education to meet the needs of our ever-changing society. Dr. Ostling and Dr. Battisti published ground breaking research regarding selection of wind band repertoire that included a list of research-based guidelines such as choosing music that has clear melodic content, contrasting rhythms, and contrasting tonal textures, among other specifications.
    [Show full text]
  • Report Malcolm W
    RReeppoorrtt Douglas Stotter, editor Summer 2000 From the Podium Now that the region conferences, which were a tremendous suc- University of Calgary Wind Ensemble cess, are completed, we can begin to turn our attention towards Glenn Price, conductor st the first National Conference of the 21 century. University of North Texas Wind Symphony The 2001 Conference will be held in conjunction with a week Eugene Migliaro Corporon, conductor long celebration of wind music sponsored by the College of Mu- The National Intercollegiate Symphonic Band sic, the Denton Arts Council, and the University Fine Arts Series. Allan McMurray, conductor All events will be held at the new state-of-the art Murchison Per- formance Center on the campus of the University of North Texas Following up on a number of good suggestions, we have in- in Denton, Texas. For those of you who are unfamiliar with the vited the following people to spend some time with us at the con- Metroplex area, Denton is located about 30 miles north of Dallas ference. and is a short drive from the Dallas/Ft. Worth International Air- James Jordan – noted conductor from Westminster Choir College port. While the festivities begin on Monday evening, the actual and author of the wonderful book, The Musician’s Soul. conference runs from Wednesday, February 21 through Saturday, David Neumeyer – noted Hindemith scholar from Indiana Uni- February 24. The University of North Texas College of Music versity speaking on the Symphony in B-flat on the occasion of its th and hosts Dennis Fisher and Bradley Genevro are looking for- 50 anniversary.
    [Show full text]
  • Robert Russell Bennett Page 24 Kirk Muspratt Wayne Abercrombie Lawrence J
    .l Journal "f the G6 ;)illdi:b;$ GtililIffi 5300 Glenside Dr., Suite 2207, Table of Contents Richmond, VA 23228 T: (804) 553-1378; F: (804) 553-1876 Commentary page 1 E-mail: [email protected] . Advancing the Art and Profession [email protected] Arturo Toscanini as page 2 Website: www.conductorsguild.org an Anti-Fascist Officers by Edward P. Castilano Emily Freeman Brown, President Michael Griffith, Secretary Tonu Kalam, President-Elect Harlan D. Parker, Treasurer The Common Denominator page 8 Sandra Dackow, Vice-President Harlan D. Parker, Past President by Gustav Meier Board of Directors Robert Russell Bennett page 24 Kirk Muspratt Wayne Abercrombie Lawrence J. Fried (1894-1981), Orchestrator Lyn Schenbeck Kristian Alexander Otis French* and Composer Jonathan Sternberg* James Allen Anderson Jonathan D. Green* by George J. Ferencz James Ball Earl Groner Karen P. Thomas Chelsea Tipton, II Henry Bloch* Gordon Johnson Scores & Parts page 34 Michael Votta, Jr. John Boyd Thomas Joiner Claude Debussy’s Lisa White Mark Cedel John Koshak Prélude de l’après-mmidi d’un faune Burton Zipser* Allan Dennis Anthony LaGruth by Paul Vermel Duilio Dobrin Andrew Levin *Ex-Officio Advisory Council Books in Review page 35 Charles Ansbacher Adrian Gnam Maurice Peress Michael Charry Samuel Jones Donald Portnoy Maurice Peress, Dvorák to Sergiu Comissiona Wes Kenney Barbara Schubert Duke Ellington Harold Farberman Daniel Lewis Gunther Schuller reviewed by Thomas R. Erdmann Lukas Foss Larry Newland Lesley Stephenson, Symphony Theodore Thomas Award Winners of Dreams: The Conductor and Patron Claudio Abbado Frederick Fennell Robert Shaw Paul Sacher Maurice Abravanel Margaret Hillis Leonard Slatkin reviewed by Lance Friedel Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Pierre Boulez Max Rudolf Thelma A.
    [Show full text]
  • From the Podium
    R e p o rScott t Hanna, editor Spring 2009 From the Podium Why did you elect me president of CBDNA? ten years in CBDNA being afraid of Frank, and the last eighteen years trying to impress him.) He listened to (On the last day of the very dynamic CBDNA my reasons for refusing to stand for election. “Tom, National Conference, hosted by The University of Abe Lincoln lost seventeen times before he finally was Texas – Austin, I had the opportunity to make some elected to a position. It’s either about service or it’s comments. I reiterate them here.) about something else. If you are committed to serving the organization, then run. If you aren’t committed to How many of you have ever heard the Yale service, then you shouldn’t run, because you would be Concert Band? Not many. How many of you have ever doing it for the wrong reasons.” Frank was deft, compel- seen me conduct? Not many. How many of you have ling and persuasive. So I stood for election: without a any idea of how musical I am? Not many. So why did pedigree from a “well-known-for-band” school; without you elect me as the President of CBDNA? I have no a degree in conducting; without an affiliation with a degree in conducting at any level. I work at a school powerhouse band program. that has no performance degree program for undergradu- So what kind of an organization is CBDNA? I ates, no music education program at any level and does offer the conviction that it must be the kind of organiza- not offer credit for participation in any undergraduate tion in which anyone can find a way to serve; in which performance ensemble.
    [Show full text]
  • Musical Americana Collection Musical Americana Collection Record Series #12/9/50 Musical Americana Collection, 1930−1960 Record Series 12/9/50
    Musical Americana Collection Musical Americana Collection Record Series #12/9/50 Musical Americana Collection, 1930−1960 Record Series 12/9/50 (15 cubic feet, 33 boxes) By David Shin and Scott Schwartz Biography Scope and Content Provenance Box and Folder Inventory Series 1: Sound Recordings Contains published sound recordings and transcription discs of a variety of American and European music performed by American wind bands. Of particular interest are early recordings of the John Philip Sousa band. Box Folder Contents 1 1 The Allentown Band Salutes The Great German March Writers, 5/1973 The Allentown Band Marches Over Bert’s Bridge Playing Von Blon and Fucik Marches, 2 11/4/1974 and 11/5/1974 Das Musikkorps der Stadt Allentown Spielt Marsche Zu Berts 85 Geburtstag (The 3 Allentown Band Plays Marches for Bert`s 85th Birthday), 9/7/1975 La Banda Primitivia de Allentown de los Estados Unidos Toca las Marchas y Pasodobles de 4 Espana, 5/3/1976 and 5/4/1976 5 Le Musique et Harmonie de Allentown Joue les Marches Francaise, [post 12/1976] 6 Brisbane Temple Band of The Salvation Army (Australia), ND 7 Eventide, ND 8 Melbourne Territorial Staff Band, ND 9 Robert McGinnis Plays The Clarinet, ND 10 Sigurd Rascher Plays the Saxophone, ND 11 James Chambers Plays The French Horn, ND 12 William Kincaid Plays The Flute, v. 2 (advanced), ND 13 Sigurd Rascher Plays The Saxophone, v. 2 (advanced), ND 14 Bach By Ormandy, ND 15 An Album of Military Band Music, ND 16 Famous Continental Marches, ND 17 The Grenadier Guards, ND 18 The Nine Symphonies of Beethoven, ND 1 Musical Americana Collection 19 Beethoven Bicentennial Collection: symphonies and overtures, part one, v.
    [Show full text]
  • ",I the SCHOOL of MUSIC May 12, 14, 15: UW OPERA: Bohuslav Martirtu's Julietta, 8:00 PM V-Z.C:' at the Thursday and Saturday, 3:00 PM Sunday, Meany Theater
    ..... J ~~~~ §;5.JYI UPCOMING CONCERTS: ",I THE SCHOOL OF MUSIC May 12, 14, 15: UW OPERA: Bohuslav Martirtu's Julietta, 8:00 PM V-z.c:' at the Thursday and Saturday, 3:00 PM Sunday, Meany Theater. ()JO University of Washinton May 17, UNIVERSITY MASTERS SERIES: William O. Smith, clarinet and Stuart Dempster, tromboneldidjeridu, joined by the U.W. presents its 58th program of the 1987-88 season: CONTEMPORARY GROUP, 8:00 PM, Meany Theater. eDc, -::IP 1'1, '132 May 18, UNNERSITY CHORALE, 8:00 PM, Meany Theater. '"71 133 May 23, THE MADRIGAL SINGERS, 8:00 PM, Meany Theater. May 24, UNIVERSITY SINGERS, 8:00 PM, Meany Theater. May 26, UNIVERSI1Y JAZZ COMBOS, 8:00 PM, Brechemin Audito­ THE UNIVERSITY WIND rium, Music BUilding. ENSEMBLE May 26, UNNERSITY WIND ENSEMBLE and CONCERT BAND, 8:00 PM, Meany Theater. Tim Salzman, Conductor June 1, YOUNG COMPOSERS, 8:00 PM, Brechemin Auditorium, Music Building. June 3, UNIVERSITY SYMPHONY & ORATORIO CHORUS, 8:00 PM, Meany Theater. with special guests June 6, STUDIO JAZZ ENSEMBLE, 8:00 PM, Meany Theater. June 7, OPERA WORKSHOP, 8:00 PM, Studio Theater. June 8, UNNERSITY PERCUSSION ENSEMBLE, 8:00 PM, Meany Stu­ dio Theater. WOODINVILLE HIGH SCHOOL SYMPHONIC BAND Mel Clayton, Conductor SHORECREST HIGH SCHOOL WIND ENSEMBLE Ken Noreen, Conductor April 26, 1988 8:00 PM, Meany Theater .. CD IY/1 "7 l- THE WOODINVILLE HIGH SCHOOL WOODINVILLE HIGH SCHOOL SYMPHONIC BAND SYMPHONIC BAND / 5 All 343 '1:10 'V. DE LA CESE ......................................... LIITLE ENGLISH GIRL Flute Contra Alto Trombone Lisa Anderson Hi/I (j't Clarinet Dan Bunge ROBERT R.
    [Show full text]
  • Symphonic Band Symphonic Winds
    Illinois State University ISU ReD: Research and eData School of Music Programs Music 10-1-2006 Symphonic Band Symphonic Winds Daniel A. Belongia Conductor Illinois State University Stephen K. Steele Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Belongia, Daniel A. Conductor and Steele, Stephen K. Conductor, "Symphonic Band Symphonic Winds" (2006). School of Music Programs. 3020. https://ir.library.illinoisstate.edu/somp/3020 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I Illinois State University College of Fine Arts I School of Music I I I SYMPHONIC BAND I Daniel A. Belongia, Conductor I SYMPHONIC WINDS I Stephen K. Steele, Conductor I I I I I Center for the Performing Arts Sunday Afternoon October I, 2006 This is the fifteenth program of the 2006-2007 Season 3:00pm Program I I Program Notes The works of Dana Wilson have been commissioned and performed by such Symphonic Band, Daniel A. Belongia, Conductor diverse ensembles as the Chicago Chamber Musicians, Detroit Chamber Winds I I and Strings, Buffalo Philharmonic, Memphis Symphony, Washington military bands, Voices of Change, Netherlands Wind Ensemble, · Syracuse Symphony, DANA WILSON Shortcut Home (1998) and Tokyo Kosei Wind Orchestra. He has received grants, among others, the (born 1946) I I National Endowment for the Arts, New York Foundation for the Arts, New England Foundation for the Arts, New York State Council for the Arts, Arts Midwest, and Meet the Composer.
    [Show full text]
  • An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: a Second Update
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 8-2011 An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update Clifford Towner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Practice Commons, and the Other Music Commons Towner, Clifford, "An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update" (2011). Student Research, Creative Activity, and Performance - School of Music. 44. https://digitalcommons.unl.edu/musicstudent/44 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE by Clifford N. Towner A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Carolyn Barber Lincoln, Nebraska August, 2011 AN EVALUATION OF COMPOSITIONS FOR WIND BAND ACCORDING TO SPECIFIC CRITERIA OF SERIOUS ARTISTIC MERIT: A SECOND UPDATE Clifford Neil Towner, D.M.A. University of Nebraska, 201l Adviser: Carolyn Barber This study is an update to the 1978 thesis of Acton Eric Ostling, Jr.
    [Show full text]
  • Ithaca College Jazz Ensemble and Concert Band Ithaca College Jazz Ensemble
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-7-2015 Concert: Family Weekend - Ithaca College Jazz Ensemble and Concert Band Ithaca College Jazz Ensemble Ithaca College Concert Band Mike Titlebaum Jason Silveira Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Jazz Ensemble; Ithaca College Concert Band; Titlebaum, Mike; and Silveira, Jason, "Concert: Family Weekend - Ithaca College Jazz Ensemble and Concert Band" (2015). All Concert & Recital Programs. 1311. http://digitalcommons.ithaca.edu/music_programs/1311 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Family Weekend Concert: Jazz Ensemble Mike Titlebaum, director Concert Band Jason M. Silveira, conductor Ford Hall Saturday, November 7th, 2015 8:15 pm Program Jazz Ensemble Told You So Bill Holman (b. 1927) Dunham Hall, tenor sax Dan Wenger, trombone Schmeezlemop Mike Titlebaum (b. 1968) Dan Wenger, trombone Jonah Prendergast, guitar Alex Toth, bass Airegin Sonny Rollins (b. 1930) arr. Bill Holman Zach Forlenza-Bailey, tenor sax Alex Miller, trumpet The Way Back Mike Titlebaum Dan Wenger, trombone Nikhil Bartolomeo, alto sax Chris Walsh, trumpet Jonah Prendergast, guitar Concert Band "Something Old, Something New...Something Blue" Symphonic Songs for Band (1957) Robert Russell Bennett I. Serenade (1894–1981) II. Spiritual 14' III. Celebration Hymn to a Blue Hour (2010) John Mackey (b. 1973) 9' Riff Raff (2012) Ryan George (b. 1978) 8' Biographies Mike Titlebaum Saxophonist/composer/arranger Mike Titlebaum is Director of Jazz Studies/associate professor at Ithaca College, where he directs the Ithaca College Jazz Ensemble, coaches combos, teaches jazz saxophone, and courses in jazz improvisation, arranging, repertoire and pedagogy.
    [Show full text]
  • UMI Number: 3263443
    UMI Number: 3263443 Copyright 2007 by Campo, David Wayne All rights reserved. UMI Microform 3263443 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ACKNOWLEDGEMENTS I wish to thank the members of my committee for their continued support throughout this process. They always had the patience to answer all of my questions and provided insight that lent clarity to my research. Special thanks to Dr. William K. Wakefield for asking the questions that sparked my imagination and started me on this journey, and for seeing me through to the finish line. Most importantly, thanks to my wife, Donna, for believing in me and supporting me; I most certainly couldn’t have completed this without you. iv CONTENTS ACKNOWLEDGEMENTS .................................................................................... iv TABLE OF CONTENTS........................................................................................ v TABLES ..............................................................................................................viii CHAPTER 1 INTRODUCTION......................................................................................01 Purpose and Scope of the Study...................................................02 Need for the Study.........................................................................04
    [Show full text]