Report Malcolm W

Total Page:16

File Type:pdf, Size:1020Kb

Report Malcolm W RReeppoorrtt Douglas Stotter, editor Summer 2000 From the Podium Now that the region conferences, which were a tremendous suc- University of Calgary Wind Ensemble cess, are completed, we can begin to turn our attention towards Glenn Price, conductor st the first National Conference of the 21 century. University of North Texas Wind Symphony The 2001 Conference will be held in conjunction with a week Eugene Migliaro Corporon, conductor long celebration of wind music sponsored by the College of Mu- The National Intercollegiate Symphonic Band sic, the Denton Arts Council, and the University Fine Arts Series. Allan McMurray, conductor All events will be held at the new state-of-the art Murchison Per- formance Center on the campus of the University of North Texas Following up on a number of good suggestions, we have in- in Denton, Texas. For those of you who are unfamiliar with the vited the following people to spend some time with us at the con- Metroplex area, Denton is located about 30 miles north of Dallas ference. and is a short drive from the Dallas/Ft. Worth International Air- James Jordan – noted conductor from Westminster Choir College port. While the festivities begin on Monday evening, the actual and author of the wonderful book, The Musician’s Soul. conference runs from Wednesday, February 21 through Saturday, David Neumeyer – noted Hindemith scholar from Indiana Uni- February 24. The University of North Texas College of Music versity speaking on the Symphony in B-flat on the occasion of its th and hosts Dennis Fisher and Bradley Genevro are looking for- 50 anniversary. ward to having us on campus. While the conference may not be as Richard Crawford – one of the countries leading musicologists fancy as some, I have no doubt that it will be inspiring and worth- from the University of Michigan giving an historical perspective while. of the band. As we have worked our way through the various planning stages In addition to the numerous premieres that are always an inte- of this event I have gained even greater respect for those who gral part of our conference, we have asked each ensemble to high- have organized and implemented our previous conferences. While light a major work from the past. There are a number of compos- it is still a bit early to confirm all aspects of the conference, I can ers planning to be in residence during the conference. Some of give you a general overview of what is being planned. Several them include Joan Tower, George Walker, Cindy McTee, Michael ensembles have confirmed and we are confident that most if not Daugherty, Dan Welcher and Bruce Yurko. As more programs solidify, I am sure this list will grow. all of the following groups will perform as either part of the week- continued on page 2 long celebration or as part of the CBDNA National Conference. River City Brass Band Denis Colwell, conductor Keystone Wind Ensemble Jack Stamp, conductor In this Issue: Dallas Wind Symphony Jerry Junkin, conductor News ............................................................ 2 United States Air Force Band Lowell Graham, conductor Divisional Conferences.............................. 3 Belgian Guides Norbert Nozy, conductor Programs, State by State ........................... 6 University of Georgia Dwight Satterwhite, conductor Call for Papers .......................................... 18 Oklahoma State University Wind Ensemble Joseph Missal, conductor Member Forum ......................................... 19 Northwestern University Wind Ensemble Mallory Thompson, conductor Business.................................................... 20 Texas Tech University Symphonic Wind Ensemble Cody Birdwell, conductor 2 - NEWS from the podium The Compact Disc Review will next ap- commitment to the importance of music (continued from page one) pear in the Fall issue. Please note the education and instrumental performance at change of address for submissions, below. the university level. Significant resources Additional sessions will include Small Send the following information: have been committed to the long-range College Concerns, Marching Band Mat- The performing ensemble growth and development of the instrumen- ters, Current Research Developments, The The conductor tal inventory and library holdings. At the National Standards, and, of course, the ever The disc title [if any] conclusion of its inaugural year, the com- popular Chosen Gems Reading Session. The works recorded with composers prehensive bands program included the The record label & catalog number [if any] participation of approximately 100 stu- As you can see, typical of all of our con- Phone Number dents from the campus of 3,000. ferences, there will be much to hear, see, Anything special about the disc [world pre- and do. We are working hard to balance mier, farewell recording, etc.] Whirlwind Music Publications has just the opportunities for professional growth Send to: released a modern, full-score edition of with the always-important social interac- Ed Powell, Assistant Director of Bands Franz Krommer’s Harmonie in F, op. 83, tion that makes a conference memorable UT Bands; 149 Music Building for wind octet and trumpet-a nonet. The and meaningful. Ours is a vital profession. University of Tennessee score was constructed from an early set of The roots extend deeply in many direc- Knoxville, TN 37996-2605 parts published in Vienna in 1809 by S. A. tions. Our goal is to address as many of [email protected] (temporary) Steiner and Company. This is a compan- our constituent’s interests and concerns as An electronic format is preferred with ion edition to Krommer’s Harmonie in Bb, possible without watering down the event email being the best. You may send a op. 78, which was published last year by to the point that the quantity overtakes the floppy disc but please make sure you send Whirlwind Music. The Harmonie in F, op. quality of the experience. It is a precari- it in a simple text file only. 83 is a four-movement wind symphony ous balancing act but one that is fun to at- lasting approximately 22 minutes. For tempt. CBDNA is pleased to make preliminary more information, contact Robert Garofalo It is my sincere hope that you will find announcement of the Small College In- by phone (301) 946-1498, fax (301) 946- something in this initial conference tem- tercollegiate Band which will perform at 1397, or email: [email protected]. plate to pique your interest. Once that hap- the national conference at the University of North Texas in February 2001. The fourth RNCM International Fes- pens I trust that you will feel compelled to tival of Wind and 20th National Confer- go to your calendar, right now, and pencil, Allan McMurray, director of bands at the University of Colorado and immediate ence of British Association for Sym- no, ink in the dates! No matter how spec- phonic Bands and Wind Ensembles will tacular a line up we have for the confer- past president of CBDNA, will serve as conductor; and a full-scale concert, to in- be held April 6 – 8, 2001 at the Royal ence, your attendance will cause the event Northern College of Music, Manchester. to soar. The vitality and future of our or- clude the premiere of the CBDNA-com- missioned work by Dan Welcher, will be Principal guest will be Frederick ganization depends upon the commitment Fennell who will recreate part of the his- of our membership. I am challenging each presented on Saturday afternoon of the conference. toric concert which he conducted on Feb- one of us to demonstrate that level of com- ruary 5th 1951: Serenade in Eb by Strauss mitment by making the 200l National Con- Details and application information will be mailed to members of CBDNA in Sep- and Symphonies for Wind Instruments by vention a priority in our creative lives. I Stravinsky. Soloist with the RNCM Wind have yet to be disappointed in one of our tember. In the meantime, questions and comments may be directed to: Greg Orchestra will be Kenneth Radnowsky conferences. I always come away a better who will give the European premiere of teacher and more sensitized musician. It is Benson, College of Eastern Utah, gbenson @ceu.edu, (435) 613-5378. the Concerto for Saxophone and Winds by the interaction with my colleagues that Colgrass. sustains me and helps me to grow. So… Frank Battisti has been invited by The featured overseas school band will the ingredients are in place for a dynamic Michael Tilson Thomas to conduct a con- be Unionville High School Winds, Dennis and explosive start to the century. All we cert with the woodwind, brass and percus- Beck, conductor, from Unionville, Ontario need to ignite this lift-off are a few hun- sion players of the New World Symphony Canada. dred DENTONators. Please consider do- Orchestra in Miami on September 16, For further information on the confer- ing all that you can to launch CBDNA into 2000. ence contact Ian Duckworth: RNCM; 124 a new century by attending the 200l Na- Oxford Road; Manchester, M13 9RD; UK tional Conference. The Penn State University Behrend or email <[email protected]> College, a four-year regional campus lo- For further information on British mu- cated in Erie, has expanded it’s general arts sic contact Tim Reynish at tim@tim curriculum to include instrumental perfor- reynish.demon.co.uk or write Silver mance ensembles. In addition to the Con- Birches; Bentinck Road; Altrincham; cert Band, a jazz ensemble and an athletic WA14 2BP, UK. pep band have been established. The new (ed. note: please see Tim's contribution program, under the direction of Gary A. to the Forum on page 19) Viebranz, reflects the college’s strong NEWS/DIVISIONAL CONFERENCES - 3 The Virginia Chapter of CBDNA announces Symposium Eastern Division Conference XXVI for New Band Music with the 2001 Virginia Intercolle- March 31-April 1, 2000 giate Band hosted by Gene Anderson at the University of Rich- mond, February 8-10, 2001.
Recommended publications
  • Student Ensemble: Wind Symphony Daniel A
    Illinois State University ISU ReD: Research and eData School of Music Programs Music 4-28-2013 Student Ensemble: Wind Symphony Daniel A. Belongia, Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Belongia,, Daniel A. Conductor, "Student Ensemble: Wind Symphony" (2013). School of Music Programs. 415. https://ir.library.illinoisstate.edu/somp/415 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music _________________________________________________________________________________ Wind Symphony Daniel A. Belongia, Conductor _________________________________________________________________________________ Michael Colgrass, Guest Composer Gary D. Green, Guest Conductor Brett Thole, Saxophone Justin Vickers, Tenor Center for the Performing Arts Sunday Afternoon April 28, 2013 3:00 PM The one hundred and ninetieth program of the 2012–2013 season. Program Steve Danyew Flash Black (2009) (Born 1983) William Bolcom Concert Suite (1998) (1938) I. Lively II. Like an Old Folksong III. Scherzando IV. Introduction and Jump Brett Thole, Band Concerto Competition Winner Frank Ticheli from Symphony No. 1 (2001) (Born 1958) IV. Prayer Transcribed by Gary D. Green
    [Show full text]
  • ABSTRACT Sunshower a Symphonic Poem for Wind Ensemble Jordan R
    ABSTRACT Sunshower A Symphonic Poem for Wind Ensemble Jordan R. Tucker, M.M. Mentor: Scott McAllister, D.M.A. Composed in the programmatic spirit of standard wind ensemble works such as H. Owen Reed’s La Fiesta Mexicana, Winds of Nagual by Michael Colgrass, and Alfred Reed’s Armenian Dances, Sunshower is an exploration in sonoristic composition and a tribute to the classic wind ensemble. Utilizing a large ensemble, this four-movement symphonic poem was begun in June of 2016 and was completed in February of 2017. With the intention of creating the aural and sensational atmosphere of a sun-shower, my ultimate goal was to share a work that is both programmatic in its connection to the listeners, and depicts a unique, modern, and human experience. By establishing an aural connection between the wind ensemble and this fascinating weather pattern, the music is able to unify audience members in an acoustic environment, allow them to embrace new sensations of expression, and demonstrate the textural possibilities within the world of wind ensemble composition. Sunshower by Jordan R. Tucker, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Scott McAllister, D.M.A., Chairperson Jeffrey Powers, M.M. Horace J. Maxile, Jr., Ph.D. Accepted by the Graduate School May 2017 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School.
    [Show full text]
  • About the Selections (Winds of Nagual)
    Winds of Nagual Antonín Dvořák: Serenade, Op. 22, setting for Sinfonia, Theta Alpha Chapter. Additional generous chamber winds and strings by Russel C. contributions were received from Sigma Alpha Iota, the Mikkelson Ohio State University Bands, the School of Music, the College of the Arts, the Ohio State Marching Band, Tau T h e Serenade in E, Op. 22, for string orchestra was Beta Sigma, and Kappa Kappa Psi. The piece is based written at a pivotal time in Dvofiák’s career. He had on the hymn tune, Great is Thy Faithfulness, by Thomas composed symphonies, operas, chamber music, for O. Chisolm (words) and William M. Runyan (music). more than twelve years before, but met with little The first verse and refrain are as follows: success. It was then that he was awarded the Austrian State Prize in 1874 (he would receive it again in 1876 Great is thy faithfulness, O God my Father; and 1877), on the recommendation of Brahms, Eduard There is no Shadow of turning with thee; Hanslick the critic and Hofkapellmeister Johann von Thou changest not, thy compassions they fail not; Herbeck. Brahms was so taken with the young As thou hast been, thou forever wilt be. composer that he introduced him to his publisher Simrock. From that point on, Dvofiák was ready to Refrain: spread his compositional wings, going on to become one Great is thy faithfulness! Great is thy faithfulness! of the most successful composers of his time. Morning by morning new mercies I see; The S e r e n a d e was written in May 1875, less than All I have needed thy hand hath provided; three years before the Serenade in D minor, Op.
    [Show full text]
  • Report Musical Effect Which Is Consistently Fine
    RReeppoorrtt Douglas Stotter, editor Summer 1999 From the Podium If your summers are anything like mine, they usually be- schedules. For me, the goal of the summer is not to be inac- gin with a bit of reflection about the school year that has just tive, but to be in control of my activity. Remaining produc- been completed. I believe that all too often, we do not take tive is important, so to is being able to determine the pace of the time to savor what we have accomplished. We jump right that productivity. There are days when I get absolutely noth- into planning the next season before the dust has even settled ing done. I have learned to enjoy those times with the knowl- on this one. I want to encourage you to set some time aside edge that energy is very often cyclic and that there will be this summer to reflect on the successes of last year. This is plenty of days of high productivity ahead to balance out the time well spent, for it often yields insight which can be a relaxed times. powerful ally when making new plans. We all want next year to be even better than this year and sometimes in our Our psychic energy can very easily be at its low ebb by haste to "get on with it" we miss valuable opportunities to this time of year. It is important to replenish and re-charge. appreciate and evaluate our own work, as well as the work Our profession demands incredible amounts of time and of others.
    [Show full text]
  • THE SLAVIC WOMAN's FAREWELL 3 Vasilij Ivanovitj Agapkin March Style ¥ = 120 Edited by Timothy Rhea > 5 ˙ > > Ÿ~~~~~~~~~~> J J Œ Œn Œn ˙B ˙ Œ>
    Te Slavic Woman’s Farewel by Vasilij Ivanovitj Agapkin Edited by Timothy Rhea Complete Band Instrumentation 1 - Full Score 2 - 2nd Eb Alto Saxophone 2 - 2nd Horn in F 7 - Flute 2 - Bb Tenor Saxophone 2 - 1st Trombone 2 - Oboe 1 - Eb Baritone Saxophone 2 - 2nd Trombone 3 - 1st Bb Clarinet 2 - 1st Bb Cornet 2 - 3rd Trombone 4 - 2nd Bb Clarinet 2 - 2nd Bb Cornet 2 - Baritone B.C. 4 - 3rd Bb Clarinet 2 - 3rd Bb Cornet 2 - Baritone T.C. 3 - Bb Bass Clarinet 1 - 1st Bb Trumpet 5 - Tuba 2 - Bassoon 1 - 2nd Bb Trumpet 1 - Percussion 1 2 - 1st Eb Alto Saxophone 2 - 1st Horn in F ! Crash Cymbals 1 - Percussion 2 ! Snare Drum ! Bass Drum TRN Music Publisher, Inc. - trnmusic.com About the music – The Slavic Woman’s Farewell is one of the best known marches in Russia and enjoyed immense popularity during World War I. Agapkin supposedly was inspired to write this march after having seen newsreels of the Balkan War. This present edition was prepared by Timothy Rhea for the Texas A & M University Symphonic Band for their February 1994 performance at the Texas Music Educator's Association Convention in San Antonio, Texas. It was done using the original Russian band score as well as recordings by various Russian military bands. About the composer - Dr. Timothy B. Rhea is Director of Bands and Performing Ensembles at Texas A&M University. As Director of Bands, he serves as administrative head of the university band program (800 students), serves as conductor of the University Wind Symphony, and is the director of the nationally famous "Fightin' Texas Aggie Band." As Director of Performing Ensembles, he additionally oversees the activities of the jazz ensemble, orchestra, and choral programs.
    [Show full text]
  • James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P
    James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P. Bolstad, conductor Symphony Band – Stephen P. Bolstad, conductor Concert Band – Scott D. Rikkers, conductor Wind Symphony, Stephen P. Bolstad, conductor October 7, 2007 Wiener Philharmoniker Fanfare (1924) – Richard Strauss Serenade in E flat major, Op. 7 (1881) – Richard Strauss Dance of the Jesters (1868) – Tchaikovsky/Cramer Prelude in E flat minor, Op. 34, No. 14 (1933) – Shostakovich/Reynolds Redline Tango (2004) – John Mackey Fantasia in G Major (ca. 1705) – Bach/Goldman & Leist Bells for Stokowski (2003) – Michael Daugherty Symphonic Band & Concert Band Stephen P. Bolstad & Scott Rikkers, conductors October 11, 2007 Concert Band Alleluia! Laudamus Te (1973) – Alfred Reed Be Thou My Vision (1998) – David Gillingham Rakes of Mallow (1947) – Leroy Anderson Symphonic Band Esprit De Corps (1985) – Robert Jager A Movement for Rosa (1992) – Mark Camphouse Illyrian Dances (1986) – Guy Woolfenden Russian Sailor’s Dance (1927) – Gliere/ Leidzen Wind Symphony, Stephen P. Bolstad, conductor JMU Chorale, Patrick M. Walders, conductor & JMU Symphony Orchestra Strings, Robert D. McCashin, conductor October 26, 2007 Portraits in Bluestone (2007) – Brian Balmages World Premiere Wind Symphony, Stephen P. Bolstad, conductor November 11, 2007 (Veteran’s Day) The Star Spangled Banner – Arr. by Luigi Zaninelli Profanation from “Jeremiah, Symphony No. 1” (1942) – Bernstein/Bencriscutto The Leaves Are Falling (1964) – Warren Benson Lincolnshire Posy (1937) – Percy Grainger J’ai été au bal (1999) – Donald Grantham Battle Hymn of the Republic – Arr. by Luigi Zaninelli All-Bands Concert, Stephen P. Bolstad, Scott Rikkers, conductors December 9, 2007 Concert Band Marche Des Parachutistes Belges (1945) – Leemans/Wiley Blessed Are They from “German Requiem” (1865) – Brahms/Buehlman Escape from “Plato’s Cave!” (1993) – Stephen Melillo Symphonic Band Second Suite in F for Military Band (1911) – Gustav Holst La Fiesta Mexicana (1949) – H.
    [Show full text]
  • Beneath a Canvas of Green a Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds B
    i BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS BY TONYA PATRICE MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ____________________________________ Chairperson Paul W. Popiel ____________________________________ Matthew O. Smith ____________________________________ Sharon Toulouse ____________________________________ Forest Pierce ____________________________________ Martin Bergee Date Defended: April 18, 2018 ii The Lecture Recital Committee for TONYA P. MITCHELL certifies that this is the approved version of the following document: BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS ____________________________________ Chairperson Paul W. Popiel Date Approved: April 18, 2018 iii ABSTRACT This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. iv ACKNOWLEDGEMENTS I would like to thank Aaron Perrine for collaborating with me on the production of this beautiful composition. I’d also like to thank Michael Compitello for assisting with the percussion design and set-up. I thank the members of the University of Kansas Wind Ensemble for enacting our vision.
    [Show full text]
  • Concert Band Library - Concert Band
    Concert Band Library - Concert Band f No. Composer Arranger Title Type Large Score? Harp? Keyboard? Notes CB 1 CB 2 Albeniz, Isaac Cailliet, Lucien Fete-Dieu a Seville (Feast Day in Seville) CB 3 Alexander, Russell Bainum, Glenn Cliffe Southerner, The March CB 4 Alexander, Russell Bainum, Glenn Cliffe Colossus of Columbia March CB 5 Alford, Harry Clownette Novelty CB 6 Alpert, Herb Russell, William Sound of Herb Alpert and the Tijuana Brass, The Pop CB 7 Allen, Barclay Bennett, David Cumana Latin Dance CB 8 Anderson, Leroy Bugler's Holiday Trumpet Trio CB 9 Anderson, Leroy Sleigh Ride Christmas CB 10 Anderson, Leroy Christmas Festival, A Christmas CB 11 Anderson, Leroy Clarinet Candy Clarinet Feature CB 12 Anderson, Leroy Serenata CB 13 Arban, J. Leidzen-Anthenien Fantasie, Theme, and Variations on Carnival of Venice Tuba Solo CB 14 Arnold, Malcolm Duke of Cambridge March CB 15 Arnold, Malcolm Johnstone, Maurice English Dances for Band Dance suite CB 16 Arnold, Malcolm Paynter, John P. Four Scottish Dances Yes CB 17 Husa, Karel Introduction and Fanfare March CB 18 Arnold, Malcolm Paynter, John P. Prelude, Siciliano, and Rondo Suite Yes CB 19 Balazs, Arpad Musica Piccola Suite CB 20 Beebe, William H Beebe, William H Metropolitan Scene Tone Poem CB 21 Beethoven, Ludwig Van Brown, T. Conway Coriolan Overture Overture CB 22 Beethoven, Ludwig Van Brown, T. Conway Sixth Symphony (Mvts. 1&2) CB 23 Beethoven, Ludwig Van Reynolds, H. Robert Five Short Pieces for Wind Ensemble Suite CB 24 Bellini, V. Laurendeau, L. P. Norma Overture Overture CB 25 Bellini, V Caneva, Ernest O.
    [Show full text]
  • Concert: Ithaca College Wind Ensemble Ithaca College Wind Ensemble
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 2-21-1999 Concert: Ithaca College Wind Ensemble Ithaca College Wind Ensemble Stephen G. Peterson Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons ITHACA COLLEGE WIND ENSEMBLE Stephen G. Peterson, conductor Sun Song (1990) Libby Larson (b. 1950) Sun Song Dream Variations Tambourines The Good Soldier Schweik Suite (1956) Robert Kurka (b. 1921) Overture Lament March War Dance Pastoral Finale Golden Light (1992) David Maslanka (b. 1942) INTERMISSION The Winds of Nagual (1985) Michael Colgrass (b. 1932) The Desert Carlos Meets Don Juan Don Genaro Satirizes Carlos Carlos Stares at the Water and Becomes a Bubble The Gait of Power Asking Twilight for Calmness and Power Juan Clowns for Carlos Lsat Conversation and Farewell Ford Hall Auditorium Sunday, February 21, 1999 3:00 p.m. PROGRAM NOTES The poetry of Langston Hughes frequently made use of blues rhythms as well as the musical language of the American jazz idiom. Inspired by the language, rhythm, and spirit of Hughes' poetry, composer Libby Larsen has written Sun Song in response to the major contribution that Langston Hughes made to American culture. A major figure of the Harlem Renaissance in the 1920's Langston Hughes entitled his first book of poems, The Weary Blues, taking its name from a prize-winning poem in the magazine, Opportunity. Hughes was awarded a scholarship to Lincoln University in Pennsylvania where he earned his Bachelor of Arts degree in 1929. He was awarded a Guggenheim Fellowship (1935), a Rosenwald Fellowship (1940) and an American Academy of Arts and Letters Grant (1947).
    [Show full text]
  • Report and Via Email to Those Who Have Email Addresses Listed in the Association’S Directory
    RReeppoorrtt Douglas Stotter, editor Summer 2001 From the Podium Dear CBDNA Colleagues, In my opinion the “band” culture in the 20th century has been primarily entertainment oriented. This is true from the professional I hope this finds you well and enjoying the change of pace sum- bands of the early century to school bands of today including mer brings. For me, summer means an opportunity to “catch up” marching and concert organizations. What was revolutionary about on stacks of reading materials and the time to look seriously at the the Wind Ensemble as conceived by Fred Fennell was not the size many new scores that arrived during the academic year. During of the ensemble but the awakening to the reality that a band should this period of “rehabilitation” I also review each concert tape from and could consider the quality of the music to be performed be- the previous year and begin to make programming decisions for fore all other aspects of the organization. The number of people the upcoming year. As Dickens said, “these are the best of times on the stage was simply a bi-product of selecting quality music. and the worst of times”. It is often difficult to be brutally honest Instrumentation, names (Wind Ensemble, Symphony Band, Wind with myself (have you seen the recent commercials on this sub- Symphony), and numbers are perpetual arguments that cloud the ject?) regarding the quality of my own performances. However, real issue: quality of music. The Wind Ensemble movement as this annual ritual has been a real catalyst for growth as I try to begun by the Eastman Wind Ensemble, and practiced by many determine what I need to labor over before Labor Day.
    [Show full text]
  • Successfully Selecting Performance Repertoire for Concert Festival Evaluation
    The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2014 Successfully Selecting Performance Repertoire for Concert Festival Evaluation Kristopher R. Chandler University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Music Education Commons Recommended Citation Chandler, Kristopher R., "Successfully Selecting Performance Repertoire for Concert Festival Evaluation" (2014). Honors Theses. 244. https://aquila.usm.edu/honors_theses/244 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi SUCCESSFULLY SELECTING PERFORMANCE REPERTOIRE FOR CONCERT FESTIVAL EVALUATION by Kristopher Chandler A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of Music Education May 2014 ii Approved by ____________________________________ Mohamad Schuman, Jr., D.M.A Associate Director of Bands ____________________________________ Michael A. Miles, D.M.A, Chair School of Music ____________________________________ David R. Davies, Ph.D., Dean Honors College iii Abstract Since Lowell Mason introduced the idea of modern day music education, music specialists like Dr. Acton Ostling, Jr. and Dr. Frank Battisti have aided in the evolution of music education to meet the needs of our ever-changing society. Dr. Ostling and Dr. Battisti published ground breaking research regarding selection of wind band repertoire that included a list of research-based guidelines such as choosing music that has clear melodic content, contrasting rhythms, and contrasting tonal textures, among other specifications.
    [Show full text]
  • 5-9 Symphonic Winds Prog
    Excavations of Nostalgia and Myth re-claiming the past, reexamining the present, re-imagining the future Silvestre Revueltas Sensemayá (1938) (1899-1940) Kyle Gann Sunken City: In Memoriam New Orleans, (b. 1955) Concerto for Piano and Winds (2007) I. Before (Brian Simalchik ’10, piano soloist) II. After (Noah Lindquist ’08, piano soloist) ~American premiere~ brief intermission Giya Kancheli Magnum Ignotum (1994) (b. 1935) Michael Colgrass Winds of Nagual (1985) (b. 1932) I. The desert: don Juan emerges from the mountains; Carlos meets don Juan: first conversation II. Don Genaro satirizes Carlos III. Carlos stares at the water and becomes a bubble IV. The gait of power V. Asking twilight for calmness and power VI. Juan clowns for Carlos VII. Last conversation and farewell: Carlos leaps into the unknown and explodes in a thousand views of the world No photography or recording without permission. Please turn off or mute cell phones, audible pagers, etc. Williams Symphonic Winds Steven Dennis Bodner, music director Flute/Piccolo Tenor Saxophone Percussion Molly Jackson ’10* Daniel King ’09# Alexander Creighton ‘10* Molly Klaisner ’09 Christina Lee ‘08* Meghan Ramsey ’08# Baritone Saxophone Brian Simalchik ‘10 Anne Royston ’08~ Jacob Hopkins (DHS) Scott Smedinghoff ’09 Katherine Yosua ’11 Christopher Law ’10# Hannah Wong ‘08 Benjamin Wood ’08* Alto Flute Horn Anne Royston ’08 Kimberly Elicker ‘09 Violin Katherine Yosua ’11 Peter Gottlieb ‘11~ Leo Brown ‘11* Elizabeth Irvin ’10#~ Teng-Jian Khoo ‘09* Oboe Benjamin Cohen ‘10~ Trumpet String Bass
    [Show full text]