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",I the SCHOOL of MUSIC May 12, 14, 15: UW OPERA: Bohuslav Martirtu's Julietta, 8:00 PM V-Z.C:' at the Thursday and Saturday, 3:00 PM Sunday, Meany Theater

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..... J ~~~~ §;5.JYI UPCOMING CONCERTS: ",I THE SCHOOL OF MUSIC May 12, 14, 15: UW OPERA: Bohuslav Martirtu's Julietta, 8:00 PM V-z.c:' at the Thursday and Saturday, 3:00 PM Sunday, Meany Theater. ()JO University of Washinton May 17, UNIVERSITY MASTERS SERIES: William O. Smith, clarinet and Stuart Dempster, tromboneldidjeridu, joined by the U.W. presents its 58th program of the 1987-88 season: CONTEMPORARY GROUP, 8:00 PM, Meany Theater. eDc, -::IP 1'1, '132 May 18, UNNERSITY CHORALE, 8:00 PM, Meany Theater. '"71 133 May 23, THE MADRIGAL SINGERS, 8:00 PM, Meany Theater. May 24, UNIVERSITY SINGERS, 8:00 PM, Meany Theater. May 26, UNIVERSI1Y JAZZ COMBOS, 8:00 PM, Brechemin Audito­ THE UNIVERSITY WIND rium, Music BUilding. ENSEMBLE May 26, UNNERSITY WIND ENSEMBLE and CONCERT BAND, 8:00 PM, Meany Theater. Tim Salzman, Conductor June 1, YOUNG COMPOSERS, 8:00 PM, Brechemin Auditorium, Music Building. June 3, UNIVERSITY SYMPHONY & ORATORIO CHORUS, 8:00 PM, Meany Theater. with special guests June 6, STUDIO JAZZ ENSEMBLE, 8:00 PM, Meany Theater. June 7, OPERA WORKSHOP, 8:00 PM, Studio Theater. June 8, UNNERSITY PERCUSSION ENSEMBLE, 8:00 PM, Meany Stu­ dio Theater. WOODINVILLE HIGH SCHOOL SYMPHONIC BAND Mel Clayton, Conductor SHORECREST HIGH SCHOOL WIND ENSEMBLE Ken Noreen, Conductor April 26, 1988 8:00 PM, Meany Theater .. CD IY/1 "7 l- THE WOODINVILLE HIGH SCHOOL WOODINVILLE HIGH SCHOOL SYMPHONIC BAND SYMPHONIC BAND / 5 All 343 '1:10 'V. DE LA CESE ......................................... LIITLE ENGLISH GIRL Flute Contra Alto Trombone Lisa Anderson Hi/I (j't Clarinet Dan Bunge ROBERT R. BENNETT ........................ SYMPHONIC SONGS Tia Ericksen Christina Derek FOR BAND Audrey Hogben Hattwig Christiansen I. Serenade Hayley Kempf Jody Elsom II. Spiritual Janelle Laws Bassoon Kevin III. Celebration Susie Mejdrich Mary Renn Underwood Robert Olsen Geniel Williams Amy Phillips Euphonium Angie Alto Sax Zane McCune Burlingame Wes Bates Jason Carlson Tuba Oboe Mark Fassett J. C. Sherman Laurie Ware Tanya Syrstad String Bass The composer provides the follOwing program note: "Symphonic Songs Clarinet Tenor Sax Brian Hodgson are as much a suite of dances or scenes as songs, deriving their name from Laren Crawford Tom Burne the tendency of the prindpaJ parts to sing out a fairly diatonic tune Kathy Dugan Kelly Sherman Percussion against whatever rhythm develops in the middle instruments. The Mary Gamble Sean Cannon Serenade has the feeling of strumming,. from which the title is Bridget Parsons obtained, otherwise it bears little resemblance to the serenades of Trumpet Matt Edson Mozart. The Spiritual may poSSibly strike the listener as being unso­ Seema Prasad Steve Hoberecht Dave Fassett phisticated enough to justify its title, but in perfonnance this movement Alan Shannon Jason Kester Mark Fassett sounds far simpler than it really is. The Celebration recalls an old~ Michele Matt Kempf time country fair with cheering throngs (in the woodwinds), a drcus act Vallimont Wade Metz or two, and the inevitable mule race." Shelly Mike Sievers Washington Symphonic Songs for Band was commissioned by the Kappa Kappa Psi Charles Zoller Band Fraternity and was premiered at the 1957 national convention in Horn Salt Lake City by the National Intercollegiate Band. Alto Clarinet Lisette Druliner Arlene Hopcroft Mollie Mannon Jodene Bass Clarinet Marquardt Alisa Cady Jody Hart , SHORECREST WIND ENSEMBLE SHORECREST HIGH SCHOOL WIND ENSEMBLE Piccolo Alto Clarinet Trumpet Lori Iwasaki Brad Smith Andy Burns '-Ie)'? Randy Fortes SULLIVAN/MACKERRAS ............ ~ ... ::::... PINEAPPLE POLL Flute Bass Clarinet Steve Grooters 1. Opening Number Denise Green TonyaClegg Tom Higgins Stephanie Jordan Vanessa Kahen Jeff Kauffman Karen Palmeson Eli Long JIM CURNOW ........... J~?:?:.~ ...............................MUTANZA Emily Peterson Trombone Theme - Andante Brillante ma Maestoso Lynne Ruark Contrabass Tom Brock Variation I - Allegro con Brio Jenny Weber Clarinet Kevin Collelo Variation II - Rubato con espressivo Shelly Willis Jason Ferweda Gretchen Hopper Variation III - Allegro spiritoso Dave Shields Variation IV - Andante moderato e teneramente Brian Weaver Oboe Alto Saxophone '7Zr-:-'" I Variation V - Allegro moderato e maestoso-"'-""'--" Karle Frasch Brent Binge s1D~8 Gary Hintze Baritone Bassoon Darren Kampsen Jake Freeman {/ WILLIAM WALTON/ ............................/0,'/3 CROWN IMPERIAL Anita Harris Jason Knoph W. J. DUTHOlT Grace Kim Tenor Saxophone Tuba Eb Clarinet Matt Hulett Tom Abbs Based on the suite from the ballet Pineapple Poll comes this band Scott Merrill Del Kolde Bret Taylor arrangement of the four most suitable for band. Charles Mackerras' instrumental arrangement provides for flying technique in this Opening Percussion Number. The tongue and cheek, slap-stick sounds of Sullivan make for Bb Clarinet Baritone easy listening for the audience. Kristin Fullner Saxophone James Bennett Becky Greg Tipple Joe DeShaw The word Mutanza is a 16th-century Italian term for variation. This Hammonds Lori Gepner set of symphOnic variations for band is based on an original theme and Steve Kauffman French horn Alice Wilmart consists of five contrasting variations. It is rich with percussion sounds Amy Langerude Jeff Bird and modem concert band sounds, using the limits of all the sections. Jim Timpani Curnow is a native of the state of Michigan and a regular contributor to Diana Mar Jan Harris all the bands of America with his outstanding writing. Grant McDonald Christy Rutledge Aaron Knoph Megan McGinnis Crown Imperial was commissioned for the coronation of King George VI Stacy Miller and was first performed at the coronation ceremony in 1937. The enor­ Heidi Rutledge mous vitality of the music finds ample breadth of sound in this bril­ CanieScoby liant coronation march. The first section has a quiet but rhythmic opening which gradually builds to a brilliant climax. This gives way Juliet Smith to a broad and stately melody which is typically English in its majestic Jill Strainer sonority. J k{p;Lsld.£ 411344 1'1.933 THE UNIVERSITY OF WASHINGTON THE UNIVERSITY WIND ENSEMBLE WIND ENSEMBLE Name, Major Flute Trumpet Corinne Maekawa, Music Sam Mann, Music ZDENEK LUI<AS ..........~D.(L ........ MUSlCA BOEMA (1977) Launa Lube, Music Kris Gotheridge, Pre Major 1. Cantabile Julia Tonkovich, English Jack Halsey, Music Education Annemike Hiemstra, Nursing Craig Ball, Music/History Ewann Agenbroad, Zoology Mat Johnson, Pre Major '3' Rick Steele, Music Education JOHN WILLIAMS/JIM CURNOW ...9l ••l-{••••• THE COWBOYS Oboe Laurie Bare, Music Horn Jewel Cripe, Biology Cheryl Hoffman, Music Education David Vincent, English Bassoon Larry Wiseman, Music Jerry Turner, Education Brian Shin, Pre-Med Stefanie Walter, Germanics Trombone Clarinet Andrew Hillaker, Music Zdenek Lukas studied music theory with Kabelac in Prague for a time Bev Setzer, Music/Spanish Rob Birkner, Chemical but is largely a self-taught composer. From 1955 to 1965 he lived in John Shields, Fisheries Engineering Pilsen, Czechoslovakia, working as a choral conductor. Although his Catherine Kriloff, Math Dan Wolch, Music early writing lacked technical skill during this first creative period, Todd Tomita, Business Geoff Ogle, Music Education Lukas gained important practical experience while composing several Sheri Fingeroot, Biology Frank Rusco, Economics solo and chamber works, concluding with his Symphony #1 in 1960. Judy Fleming, Russian During his next period of composition, Lukas wrote a great many Johanna Hoek, Occupational Euphonium compositions. His Symphony #3 was written entirely in the modal Therapy Mark Wood, Dance/Music system and his earlier technical problems were no longer evident. Susan Nelson, Pre-major Although his music has become even more enriched by original and Tuba novel sound quality and expression in recent years, his basic style has Bass Clarinet Nathan Bastuscheck, Speech not changed. Merch DeGrasse, Music Craig White, Music/Business Don Cave, Landscape Arch. Percussion Musica Boema was commissioned in 1977 by Stanley DeRusha while he Contra Bass Clarinet Mark Postewaite, Music was director of bands at the University of Wisconsin at Milwaukee. Eric Dunkel, Music Education Bruce Monroe, Music The first movement, a large ABA form, is repetitive in presenting the Drew Peterson, Music Education Alto Saxophone first two themes; the solo trumpet plays the opening theme and the Ian Alverez, Music woodwinds play the second theme. The middle section begins with an Ed Dominguez, Music extended percussion soli which gives way to an unusually scored saxo­ Craig Flory, Pre Major String Bass Chris Falk, Music phone soli. The movement closes with the recapitulation of the open­ Tenor Saxophone ing themes. Czech folk tunes, irregular in length and modal in tonality, Scott Granlund, Business Piano are used throughout the movement. Terri Wedell, Music Education Baritone Saxophone Program notes by Stanley DeRusha Brad Price, Music Education .
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