DOCSLIB.ORG

A Passion for Radio: Radio Waves and Community Edited by Bruce Girard Electronic Edition Version Copyright  2001 Bruce Girard ISBN 90-5638-0834 Version 1.1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Passion for Radio: Radio Waves and Community Edited by Bruce Girard Electronic Edition Version Copyright  2001 Bruce Girard ISBN 90-5638-0834 Version 1.1 ii A Passion for Radio: Radio Waves and Community Edited by Bruce Girard Electronic Edition Version Copyright 2001 Bruce Girard ISBN 90-5638-0834 Version 1.1 LICENCE – TERMS AND CONDITIONS FOR COPYING AND DISTRIBUTING You may copy and distribute, for non-commercial purposes only, exact replicas of any and all chapters of the electronic edition of this book as you receive it, in Adobe PDF or printed form, provided that you conspicuously and appropriately publish on each copy this copyright notice; keep intact all the notices that refer to this Licence; and give any other recipients of the content a copy of this Licence. You may at your option charge a fee for the media and/or handling involved in creating a unique copy of the content for use offline. You may not charge a fee for the content itself. You may not make copies of this content available on the world wide web, FTP servers, or in any other way via the Internet other than individual copies distributed via email or those expressly authorised by the publisher in writing. You may, at your discretion, link to the publisher’s site at www.comunica.org/passion/. Originally published 1992 by Black Rose Books Hardcover ISBN: 1-895431-35-2 / Paperback ISBN: 1-895431-34-4 Library of Congress Catalogue No. 92-072627 Canadian Cataloguing in Publication Data Main entry under title: A Passion for Radio: radio waves and community 1. Radio broadcasting. 2. Radio in community development. 3. Local mass media. 1. Girard, Bruce HE8596.P37 1992 3B4.54 C92-090358-4 Cover graphic: Michel Granger. This electronic edition published in 2001 by Bruce Girard & Comunica – www.comunica.org/ The publication of this book was made possible with the support of the Fondation pour le Progrés de I’Homme (France), the Canadian Catholic Organisation for Development and Peace, the Canadian International Development Agency (CIDA) and the World Association of Community Radio Broadcasters (AMARC). The electronic edition was A PASSION FOR RADIO made possible with the support of Comunica. Radio Waves and Community This book is published in French under the title La Passion Radio, Éditions Syros (France) and in Spanish under the title Radioapasionados by CIESPAL (Ecuador). Electronic editions of these works are available at www.comunica.org/passion/. General coordination was carried out by Bruce Girard with the collaboration of Evelyne Foy of AMARC. Design of the electronic edition was by Amy Mahan. Thanks to the many writers and collaborators without whom this book would not have been possible. * * * Edited by Bruce Girard www.comunica.org/passion iii iv Contributors Table of Contents Table of Contents Contributors Tachi Arriola is a member of Peru’s Feminist Radio Collective with many years of experience Preface: A Network of International Exchange – Michel Delorme in popular communication in Peru. Preface to the Electronic Edition – Bruce Girard Eugénie Aw is a Senegalese journalist and one of the founders of the Association des Professionelles de la Communication (APAC). She is the coordinator of AMARC’s African 1. Introduction – Bruce Girard activities. Richard Barette is the former head of French-language programming at Radio Centre-Ville in Part 1 – COMMUNITY Montréal. 2. Radioproeflokaal Marconi (The Netherlands) – François Laureys Pascal Berqué is head of research in the communication department of the Groupe de 3. To Tell the People – Wawatay Radio Network (Canada) – Lavinia Mohr Recherche et d’échanges techniques (GRET). He is based in Paris. 4. Lessons from a Little-Known Experience – Radio Candip (Zaire) – Eugénie Aw Louise Boivin is a former news director of Radio Centre-Ville in Montréal, Québec. She is 5. How KPFA found a New Home (USA) – Bill Thomas currently coordinating the station’s Ondes de Femmes project. 6. Inventing and Experimenting (Canada) – Radio Centre-Ville Arturo Bregaglio is a member of CECOPAL (Centro de Comunicación Popular y Part II – CONFLICT Asesoramiento Legal) and Radio FM Sur in Cordoba, Argentina. MJR David is a former producer with Sri Lanka’s Mahaweli Community Radio. He has a 7. The Stubborn Izote Flower (El Salvador) – José Ignacio López Vigil degree in Development Communication from the University of Philippines. 8. How to Make an Echo… of Moscow (Russia) – Serguei Korzoun 9. A New Dawn for Freedom of Speech (Haiti) – Joseph Georges Richard Chateau-Dégat is a professor and president of the Association for the Development 10. Zoom Black Magic Liberation Radio (USA) – Ron Sakolsky of Grassroots Communication, the organisation that manages Martinique’s Radio Asé Pléré 11. The Feminist Radio Collective of Peru (Peru) – Tachi Arriola An Nou Lité. Michel Delorme is coordinator of the rural radio program of the Association de Cooperation Part III – DEVELOPMENT Culturelles et Techniques. He is a founder and president of AMARC. He has worked extensively with community radio in Québec and Canada. 12. The Hard Lesson of Autonomy – Kayes Rural Radio (Mali) – Pascal Berqué 13. Mahaweli Community Radio (Sri Lanka) – MJR David Isabelle Fortin is former journalist at Montréal’s Radio Centre-Ville. She currently lives in Haiti 14. Pluralist Responses for Africa (Africa) – Eugénie Aw where she is involved in a project to develop a rural radio network. 15. New Voices (Mexico) – Eduardo Valenzuela Evelyne Foy is Secretary General of AMARC. She has worked extensively with Québec’s community radio stations, including Radio Centre-Ville. Part IV – CULTURE Joseph Georges is former Program Director of Radio Soleil in Port au Prince, Haiti and a 16. Radio Asé Pléré An Nou Lité (Martinique) – Richard Chateau-Dégat member of AMARC’s Board of Directors. He is currently working towards developing a 17. Radio Gazelle – Multi-cultural radio in Marseille (France) – Radio Gazelle network of rural community radio stations in Haiti. 18. Offbeat, In-Step – Vancouver Co-operative Radio (Canada) – Dorothy Kidd Bruce Girard has worked in community radio projects in North America, Latin America and Europe. He is one of the founders of AMARC and former editor of the association’s bulletin, Part V – BEGINNINGS InteRadio. 19. The New Wave (Argentina) – Arturo Bregaglio & Sergio Tagle Edric Gorfinkel is founder and coordinator of CASET He has worked as a teacher in 20. Radio Stalin to Radio One (Czechoslovakia) – Stanislav Perkner & Barbara Kent Ecuador, the United States and Zimbabwe and as a radio and television broadcaster in 21. Radyo Womanwatch (The Philippines) – Anna Leah Sarabia Zimbabwe. 22. Making Waves with CASET (South Africa) – Edric Gorfinkel Barbara Kent works with Mediaconsult, an international consulting firm with offices in Czechoslovakia and the United States. Part VI – NEW FOR THE ELECTRONIC EDITION Dorothy Kidd has worked at Co-op Radio since 1980, both as a volunteer and a staff 23. RadioChaguarurco – Now you're not alone (Ecuador) – Bruce Girard member. She has researched popular communications in Canada and India and is currently completing her Ph.D. at Simon Fraser University in Vancouver. v vi Serguei Korzoun is Radio Echo of Moscow’s news director. He formerly worked for the French-language service of Radio Moscow International. François Laureys is a former volunteer with Radio 100. He now works as a journalist with the state radio network Eric L’oiseau produces a jazz program at Radio Centre-Ville. José Ignacio López has extensive experience training for popular radio in Latin America. He has written several books about radio. He is coordinator of AMARC’s Latin American office. Lavinia Mohr is a former station manager and long-time programmer at Vancouver Cooperative Radio and one of the founders of AMARC. She immigrated from the United States to Canada in 1975 and currently resides in Toronto where she works for a community A Passion for Radio development agency active in ten countries. Radio Waves and Community Stanislav Perkner works with Mediaconsult, an international consulting firm with offices in www.comunica.org/passion Czechoslovakia and the United States. Anna Leah Sarabia is founder and coordinator of the Women’s Media Circle in Manila, the Philippines. Ron Sakolsky was involved with WTRA/Zoom Black Magic Liberation Radio from the start, doing a weekly African/Caribbean/hip hop show. He teaches at Springfield’s Sangamon State Preface – A Network of International Exchange University. He is a member of the Union for Democratic Communications and a national board member of the Alliance for Cultural Democracy. Michel Delorme Sergio Tagle is a member of CECOPAL (Centro de Comunicación Popular y Asesoramiento Legal) and Radio FM Sur. Bill Thomas is director of Pacifica Program Services in Los Angeles and a member of AMARC’s Board of Directors. Many groups and individuals around the world have discovered that radio allows them Eduardo Valenzuela is an anthropologist and Deputy Director of the Radio Department at Mexico’s Instituto Nacional Indigenista. He is also a member of AMARC’s Board of Directors. to gain control of a genuine communication tool that encourages creativity and allows popular access. Daily, from one end of the planet to the other, communication enthusiasts manage to make radio a collective enterprise devoted to development. This is not a utopia, or the dream of a few marginalised people – it is a phenomenon taking place on every continent. People are coming together to make the airwaves a real public place. The most widespread medium in many countries, and easily accessible following a minimal training period, community radio restores radio’s vocation as an instrument of two-way communication. Community radio goes by many names. It is called popular or educational radio in Latin America, rural or local radio in Africa, public radio in Australia and free or associative radio in Europe. All these names describe the same phenomenon: that of gaining a voice and democratising communication on a community scale. Community radio, although taking on diverse forms depending on its surroundings, remains a type of radio made to serve people; radio that encourages expression and participation and that values local culture.
Load more

Recommended publications
  • Annual Report 2010 N T Ann Rrepo P
    AnnualAnn RReReportpop rtt 2010 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting 2 Financial highlights 22 Review of operations 42 Governance 74 Consolidated 198 Notice of AGM 4 Group at a glance 24 Internet 51 Sustainability and company 205 Proxy form 6 Global footprInt 30 Pay television 66 Directorate annual financial 8 Chairman’s and 36 Print media 71 Administration and statements managing corporate information director’s report 72 Analysis of 16 Financial review shareholders and shareholders’ diary Entertainment at your fingertips Vision for subscribers To – wherever I am – have access to entertainment, trade opportunities, information and to my friends Naspers Annual Report 2010 1 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting Mission To develop in the leading group media and e-commerce platforms in emerging markets www.naspers.com 2 Naspers Annual Report 2010 The Naspers Review of Governance and Financial Notice of Annual Group Operations Sustainability Statements General Meeting kgFINANCIAL HIGHLIGHTS Revenue (R’bn) Ebitda (R’m) Ebitda margin (%) 28,0 6 496 23,2 26,7 6 026 22,6 09 10 09 10 09 10 Headline earnings Core HEPS Dividend per per share (rand) (rand) share (proposed) (rand) 8,84 14,26 2,35 8,27 11,79 2,07 09 10 09 10 09 10 2010 2009 R’m R’m Income statement and cash flow Revenue 27 998 26 690 Operational profit 5 447 4 940 Operating profit 4 041 3 783 Net profit attributable
    [Show full text]
  • Naspers 2010 Sustainability Report
    Naspers 2010 Sustainability report Reporting parameters and management approach This is our third sustainability report prepared in accordance with the guidelines of the Global Reporting Initiative (GRI). In the period under review, the group increased its focus on the potential impact on the environment as well as enhanced its reporting. Many of the aspects covered in the GRI guidelines are also included in the annual report on the Naspers corporate internet site (www.naspers.com). Our South African operations publish separate annual and sustainability reports on www.media24.co.za and www.multichoice.co.za. The reporting period is in line with the group fiscal year, being 1 April 2009 to 31 March 2010. Naspers’s view on sustainability is in line with that of the GRI and it aims to identify the areas where it can contribute most towards creating value for its shareholders. Any feedback can be communicated directly to [email protected]. Reporting scope The activities of the operations in which Naspers has management control in South Africa are included in this report, except for areas where another scope is specifically indicated. Page 1 of 47 Naspers 2010 sustainability report STRATEGY AND ANALYSIS Balancing people profit planet The Naspers group play a role in the sustainable development of South Africa. We pay taxes to government and remuneration to our employees. Socially we contribute via community involvement. We strive to protect the environment through our efforts to reduce the group impact by using sophisticated printing technologies, recycling and focusing on energy efficiency. Several broad-based black economic empowerment schemes have been introduced over the years.
    [Show full text]
  • UNEASY READING (Format: PDF, Size: 3.5Mb)
    UNEASY READING _______ Resistance & Revelation in Willem Boshoff’s “Verskanste Openbaring” _____________ Alice Edy - EdyAli001 University of Cape Town A minor dissertation submitted in partial fulfillment of the requirements for the award of the degree of Master of Literature ___________________ University of Cape Town Faculty of Humanities MMXV - MMXVI The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town “The duty of a writer - the revolutionary duty, if you like - is simply to write well.” _________ Gabriel Garcia Marquez Student Declaration ________ This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature Date Alice Edy _________________________ Supervisor’s Approval Of Submission Of Dissertation For Examination _______ I confirm that I have seen the final version of Alice Edy's dissertation and that it is submitted for examination with my approval. Supervisor’s Signature Date Hedley Twidle ______ Word Count : Faculty of Humanities CONTENTS ____________________ Introduction: Uneasy Reading ............................................................. 9 Chapter I: The Artist & The Work ....................................................... 23 Chapter II: Afrikaans as an Aesthetic Medium .............................................
    [Show full text]
  • Soppangheid for Kaaps: Power, Creolisation and Kaaps Afrikaans
    Multilingual Margins 2016, 3(2): 73-85 73 Soppangheid for Kaaps: Power, creolisation and Kaaps Afrikaans Hein Willemse University of Pretoria Correspondence to: [email protected] Abstract In this contribution, the dignity of speakers of Cape Afrikaans (Kaaps) is discussed with reference to the need for bi-dialectic tuition at school and Afrikaans poetry written in the Cape eye dialect. It is argued here that, besides Standard Afrikaans, a greater awareness of language varieties must be cultivated in education and the media so that learners develop the ability to control a variety of language registers. Further the manifestation of Kaaps, as eye dialect, is discussed at the hand of poetry examples. Here it is found that poets often stereotypically affirm topics in their poetry written in dialect format. The hope is expressed that the dignity of Kaaps Afrikaans in poetry can be attained with multiple rhetorical strategies. The soppangheid, dignity, of Kaaps is not only a linguistic issue, but can also serve as a confirmation of the dignity of all Afrikaans speakers. INTRODUCTION extensively discussed at those events. The same applies to my previously The 2012 symposium on Kaaps closely published contributions on the topic, for matches a few other events where similar example issues such as the development matters were discussed. I am thinking of of a creolised society and linguistic the Roots Symposium of 2009, as well hybridity, the establishment of Standard as the symposium of Prof. Kwesi Kwaa Afrikaans as a conscious ethnic construct Prah’s Centre for Advanced Studies of and my call for a “more multi-faceted African Society (CASAS) which took Afrikaans”.1 Yet, these matters are place in January 2011 and of which applicable as background to the matters the proceedings were published in to be discussed here.
    [Show full text]
  • Es'kia Mphahlele – a Doyen of African Literature
    Hein Willemse Eskia Mphahlele a doyen of African literature Eskia Mphahlele is one of the doyens of African literature. Through- out Africa, Europe and the United States of America he has played a major role in the development, teaching and promotion of African literature. He has written autobiographies, criticism, works of fiction, poetry, plays and essays. Throughout his career he has brought dyna- mism, individuality and an unremitting clarity of purpose to African Letters. In a profound sense he has promoted through his own life, his writing and his often-controversial career the dignity of ordinary peo- ple and specifically the well-being of black South Africans. Chabani Manganyi, Mphahleles biographer, in his introduction to Bury me at the marketplace, characterises his subject as a voice in the prophetic mode (1983: 1). Indeed, from his earliest writings Mphahlele has at- tempted to grapple with and define the essential humanity of people. In this sense he became one of the most eloquent formulators of intel- lectual resistance to apartheid. Although he wrote exclusively in Eng- lish he has through his writings transcended the narrow confines of ethnicity and language to promote what he has called African Human- ism Ubuntu, Botho, Vumunhu, Vhuthu an awareness of African values and the generosity of ordinary human beings, reaching beyond vo- yeuristic glances through the keyhole in contradistinction to his own experience: In Southern Africa, the black writer talks best about the ghetto life he knows; the white writer best about his own ghetto life. We see each other, black and white, as it were through a keyhole (Mphahlele, 1962: 81).
    [Show full text]
  • Ghent University and South Africa an Overview and New Perspectives
    Editorial Ghent University and South Africa An overview and new perspectives 2017 has been a historic year for Ghent University, as it has been celebrating its 200th anniversary with a great many number of events, such as the international rectors' conference in March, the creation of the UGent hymn and the city festival on the 8th of October attended by thousands. It has also been an amazing year for the Africa Plat- form: GAP became structurally embedded in the internationalisation office of UGent and it organised a large number of academic events, thus marking its 10th anniversary. The organization of the Mandela Lecture on October 10th with Antjie Krog and Tom Lanoye – which was attended by close to 400 people – was one of the top events of this memorable year. The Mandela Lecture was also symbolic of a strong collaborative dynamic between Ghent University and South Africa. The structural and academic-institutional coopera- tion with South Africa has a long (post-1994) tradition at the university and it includes all 11 faculties. In particular, within the Faculty of Arts & Philosophy there have been a number of noteworthy South Africa-oriented initiatives over the last year. Everything started some years ago, in 2013, when Ghent University founded the Ghent Centre for Afrikaans and the Study of South Africa. The Centre initiates and facili- tates cultural and academic cooperation with South Africa and it promotes the study of the Afrikaans language and literature in the wider multilingual and multicultural context of South Africa. Afrikaans is one of the many indigenous languages of South Africa, with roots in the Netherlands, but also in the Far East and particularly in Africa.
    [Show full text]
  • Achmat Davids Places the Cape Muslims on the South African
    Muhammed Haron Review essay Muhammed Haron is an Associate Achmat Davids places the Cape Professor in the Department of Theology & Religious Studies, University of Muslims on the South African Botswana and Associate Researcher in the Department of Religion Studies, linguistic map University of Johannesburg. E-mail: [email protected] Achmat Davids places the Cape Muslims on the South African linguistic map South Africa’s Cape Muslim religious leaders creatively contributed towards the formation of Afrikaans linguistics, an issue that the South African academia seemed to have ignored and overlooked. By the beginning of the 20th century, the literary output of these religious leaders developed to form a unique genre of literature; a genre that is popularly referred to as “Arabic- Afrikaans” within the South African linguistic circles. Achmat Davids (1939–98), who may be regarded as the doyen of “Cape Islamic Studies,” was among a handful of scholars who devoted much of his time to study carefully this type of literature. As a consequence of his labour, he produced one of the most significant contemporary works in South African linguistics. This review essay reflects upon the importance of Davids’ path-breaking and invaluable study, which was recently co-edited by Hein Willemse and Suleman E. Dangor. Keywords: Achmat Davids (1939–98), Afrikaans linguistics, Arabic-Afrikaans, Cape Muslims, South African linguistics, South African social history. The Afrikaans of the Cape Muslims. Achmat Davids. Eds. Hein Willemse and Suleman E. Dangor. Pretoria: Protea, 2011. 318 pp. ISBN 978-1-86919-236-5. Introduction: Davids’ research output Cape Muslims are deeply indebted to Achmat Davids (1939 – 98) for having excavated several aspects of their rich social history (Jeppie).
    [Show full text]
  • Naspers Integrated Annual Report 2011
    Integrated annual report 2011 www.naspers.com For quick access on your mobile to the Naspers website scan the barcode above. Alternatively go to www.naspers.com for more information. Contents 1 The Naspers group 2 Scope of the report and assurance 3 Statement of the board of directors on the integrated annual report 4 Highlights of the year in review What type of business are we building? 8 Our business 10 Group at a glance A leading group of international media and 12 Our global footprint e-commerce platforms. 14 Chairman’s report 20 Chief executive’s report 28 Risk management 36 Balancing people, profi t What service do we provide our users? and our planet 37 Value added statement Entertainment, trading opportunities, 38 Strategy information and access to their friends wherever they are. 41 Performance review 42 Financial review 45 Operational review 93 Corporate governance Naspers values 110 Directorate What is Naspers about? 116 Remuneration report 126 Report of the audit committee We aim to be useful in the 129 Summarised annual fi nancial statements communities we serve. 145 Shareholder and We offer an environment for corporate information entrepreneurs to succeed. 146 Administration and corporate information 147 Analysis of shareholders We value cultural diversity. 147 Shareholders’ diary 148 Notice of annual general meeting We love to innovate. 157 GRI G3 indicators 161 Form of proxy Recommend Above all, customer service. 164 Notes to form of proxy THE NASPERS GROUP The Naspers group A spread of media investments in emerging markets SUMMARISED SHAREHOLDER THE NASPERS PERFORMANCE CORPORATE ANNUAL FINANCIAL AND CORPORATE GROUP REVIEW GOVERNANCE STATEMENTS INFORMATION Scope of the report and assurance Naspers has reported annually to stakeholders on television businesses in South Africa and Nigeria its non-financial performance since 2008.
    [Show full text]
  • The Writing of Arthur Fula
    Hein Willemse The writing of Arthur Fula: Hein Willemse is Professor of Literature in the Department of Modernity, language, place and Afrikaans, University of Pretoria, South Africa. religion Email: [email protected] The writing of Arthur Fula: Modernity, language, place and religion Arthur Fula’s debut novel Jôhannie giet die beeld (lit: Johannesburg moulds the graven image) was well received in the beginning of 1954 but has in recent years been largely forgotten. The novel was promoted as the first “by a Bantu in Afrikaans”, a designa- tion that differentiated him, a third language speaker, from the typical Afrikaans writer who was ordinarily a white, first language speaker. The novel registers, in the tradition of the ‘Jim-comes-to Jo’burg’ novels, the migration of black characters to the urban areas with the persistent struggle between indigenous traditions and the presence of an unknown, even threatening Western modernity. In his second novel Met erbarming, O Here (With Compassion, Oh Lord, 1957) Fula made peace with the permanency of urban black Africans and their aspirations. This essay introduces the emergence of the autodidact Fula’s authorship amidst a period of profound change and adaptation in South Africa during the 1950s, tracing his personal history, the circumstances of his writing and choice of language, and the reception of his debut novel. Keywords: Afrikaans literature, Arthur Fula, Black Afrikaans writing, ’Jim-comes-to Jo’burg’ novels, South African literature 1 On a rainy and chilly Saturday morning, the conservators of the National Afrikaans Literary Museum and Research Centre in Bloemfontein, South Africa inaugurated a bust of the author Arthur Nuthall Fula (Britz).
    [Show full text]
  • Naspers Limited Annual Repor T 2003
    NASPERS LIMITED ANNUAL REPORT 2003 our MISSIONMISSION is... to build shareholder value by operating subscriber management platforms that provide content, services and means of communication to paying users; to license related technologies and to be useful to the communities we serve. CONTENTS CONTENTS2 GROUP STRUCTURE 3 FINANCIAL HIGHLIGHTS 6 CHAIRMAN’S AND 14 MANAGING DIRECTOR’S REPORT 14 FINANCIAL REVIEW 18 36 REVIEW OF OPERATIONS Subscriber Platforms Pay television Internet Technology 35 Print Media Nasboek Educor 40 ANNUAL FINANCIAL STATEMENTS 141 DIRECTORATE AND ADMINISTRATION INCOME CONSOLIDATED INCOME STATEMENTS 146 49 for the years ended 31 March 2003, 2002 and 2001 31 March 2003 2002 2001 Notes R’000 R’000 R’000 Revenue 21 11 186 719 9 836 609 8 265 650 Cost of providing services and sale of goods (6 443 877) (5 786 549) (4 894 055) ANALYSIS OF SHAREHOLDERS Selling, general and administration expenses (3 551 248) (3 340 884) (3 191 732) Earnings before interest, taxation depreciation, amortisation and impairment 1 191 594 709 176 179 863 Depreciation of property, plant and equipment (664 116) (636 158) (464 021) 147 Operating profit/(loss) before amortisation and impairment 527 478 73 018 (284 158) Amortisation of goodwill and other intangible assets (341 893) (373 434) (43 829) Impairment of programme rights (155 316) — — Operating profit/(loss) 22 30 269 (300 416) (327 987) Net finance costs 23 (222 954) (411 745) (301 487) Income from investments 24 20 3 831 797 Share of equity-accounted results 25 168 496 157 265 (59 743)
    [Show full text]
  • Reshaping Remembrance
    Reshaping Remembrance Critical Essays on Afrikaans Places of Memory Reshaping Remembrance Critical Essays on Afrikaans Places of Memory Albert Grundlingh and Siegfried Huigen Editors 2011 Rozenberg Publishers Amsterdam This is Volume 3 in the SAVUSA series Series Editor: Harry Wels, VU University Amsterdam © Albert Grundlingh and Siegfried Huigen, 2011 Editing: Sabine Plantevin Layout: Saskia Stehouwer Cover design: Ton Hartog - Haveka Cover photograph: 'Katrina en ons nov. 1953' [Katrina and us, November 1953]. Photo by J.C. Jansen or Ena Jansen-Myburgh (Ena Jansen's parents), kept in family album 'Photographs' (April 1953 – 11 March 1956; made by P.G. Myburgh and Tibbie Myburgh-Broeksma, grandparents of Ena Jansen). All rights reserved. Save exceptions stated by the law, no part of this publication may be reproduced, stored in a retrieval system of any nature, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, including a complete or partial transcription, without the prior written permission of the publishers, application for which should be addressed to the publishers: Rozenberg Publishers, Lindengracht 302 d+e, 1015 KN Amsterdam, the Netherlands. Tel.: (+) 31(0) 20 625 54 29 Fax: (+) 31 (0) 20 620 33 95 [email protected] www.rozenbergps.com ISBN: 978 90 3610 230 8 Contents 1. Koos Kombuis and Collective Memory 1 Siegfried Huigen and Albert Grundlingh 2. The ‘Volksmoeder’ – A Figurine as Figurehead 5 Elsabé Brink 3. The Location 15 Gerrit Olivier 4. A Coloured Expert’s Coloured 23 Hein Willemse 5. Bantu: From Abantu to Ubuntu 33 Kees van der Waal 6. Thandi, Katrina, Meisie, Maria, ou-Johanna, Christina, ou-Lina, Jane and Cecilia 43 Ena Jansen 7.
    [Show full text]
  • Tydskrif VIR LETTERKUNDE
    ’n tydskrif vir afrika-letterkunde • a journal for african literature Andries Visagie • Anita Virga • Cullen Goldblatt • Danai S. Mupotsa Dina Ligaga • Doret Jordaan • Julia Borst • Justus C. Roux • Kedon Willis Liu Xin • Louise Viljoen • Marike van der Watt • Martina Vitackova MaryEllen Higgins • Miguel Ángel Rosales • Moses März • Natasha Himmelman Neil van Heerden • Pernando Barrena • Polo B. Moji 56 (1) 2019 • Vierde reeks • Fourth series • Herfs • Autumn r LET vi TE F R I K R U K N S D D E Y T 1936 Tydskrif VIR LETTERKUNDE www.letterkunde.up.ac.za ghostly border-crossings Tydskrif VIR LETTERKUNDE ’n Tydskrif vir Afrika-letterkunde • A Journal for African Literature 56 (1) 2019 • Vierde reeks • Fourth series • Herfs • Autumn Eindredakteur / Editor-in-chief Hein Willemse U Pretoria (RSA) Redakteur / Editor Jacomien van Niekerk U Pretoria (RSA) Streeksredakteurs / Regional Editors Algemeen / General Willie Burger U Pretoria (RSA) Arabies / Arabic Muhammed Haron, U Botswana (Botswana) Frans / French Antoinette Tidjani Alou, U Abdou Moumoni (Niger) Kasongo M. Kapanga, U Richmond (VSA / USA) Oos-Afrika / East Africa Alex Wanjala, U Nairobi (Kenia / Kenya) Resensies / Reviews Andries Visagie, U Stellenbosch (RSA) Suider-Afrika / Southern Africa Susan Meyer, North West / Noordwes U (RSA) Lesibana Rafapa, Unisa (RSA) Wes-Afrika / West Africa Jonathon Repinecz (George Mason) Isidore Diala, Imo State U (Nigerië / Nigeria) Administrasie / Administration Tercia Klopper, U Pretoria (RSA) Ontwerp en uitleg / Design and layout Hond BK/CC Cover image
    [Show full text]