Arbiter, March 8 Students of Boise State University
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Ed 397 868 Author Title Institution Pub Date Note
DOCUMENT RESUME ED 397 868 JC 960 462 AUTHOR Ashby, W. Allen; And Others TITLE Issues of Education at Community Colleges: Essays by Fellows in the Mid-Career Fellowship Program at Princeton University. INSTITUTION Princeton Univ., NJ. Mid-Career Fellowship Program. PUB DATE Jun 96 NOTE 174p.; For individual papers, see JC 960 463-471. AVAILABLE FROMThe Center for Faculty Development, Mid-Career Fellowship Program, History Department, 129 Dickinson Hall, Princeton University, Princeton, NJ 08544 ($15). PUB TYPE Collected Works General (020) Viewpoints (Opinion/Position Papers, Essays, etc.)(120) Reports Descriptive (141) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS *College Faculty; *Community Colleges; Cooperative Learning; *Critical Thinking; Culture Conflict; Educational Practices; Educational Principles; Educational Technology; *Faculty College Relationship; Generation Gap; *Interdisciplinary Approach; *Learning Strategies; Team Teaching; Two Year Colleges ABSTRACT This collection presents essays on contemporary issues facing community colleges written by fellows in Princeton University's Mid-Career Fellowship Program and dealing with such issues as critical thinking, faculty perceptions, educational technology, interdisciplinary courses, cooperative learning strategies, the college culture, faculty and administration relations, and team teaching. The following essays are provided:(1) "Questioning Critical Thinking: Funny Faces in a Familiar Mirror," by W. Allen Ashby;(2) "The Image of the Community College: Faculty Perceptions at Mercer County Community College," by Marilyn L. Dietrich;(3) "Community Colleges and the Virtual Community," by Robert Freud; (4) "Interdisciplinary Classes," by Freda Hepner; (5) "Student as Teacher: Cooperative Learning Strategies in the Community College Classroom," by Carol L. Hunter;(6) "Generational Clash in the Academy: Whose Culture Is It Anyway?" by Pat Kalata; (7) "Faculty/Administration Relations in Community Colleges," by Joyce A. -
Mold Madness NASHVILLE, Tenn
TODAY’S WEATHER Jazz musicians serenadednaded (4) VANDERBILT vs. (13) SIENA Justin Poythress Today, 7:10 p.m. EDT shares his top 10 waysays The Commons llastast night … to pass the time in a For more, see News, pageage 3 Read about Vandy’s matchup with Siena boring class … Mostly Sunny, 70/49 For more, see Sports, page 6 For more, see Opinion, page 4 Extended forecast, page 2 THETHE VOICE OF VANDERBILT SINCE 1888 '3*%": ."3$) tTH YEAR, NO. 28 THE WALL NATIONAL NEWS BRIEF compiled by LAKENDRA SCOTT Gibson Guitar sues retailers THIS WEEK over ‘Guitar Hero’ video game ‘A Time to Heal’ Amnesty International Mold madness NASHVILLE, Tenn. — Gibson Guitar Corp. is selling flags on the Freshmen in Kissam Quad — like many of their predecessors — is suing Wal-Mart Stores Inc. and five other Wall from 11 a.m. to 2 major retailers that sell the Activision “Guitar p.m. in order to raise fight with issues of mold and mildew. Hero” game, claiming it violates a patent held awareness for the by the Nashville-based company. rape epidemic in the by ARYEH HILLMAN senior director of housing facilities, Kramka, feel there are principally A federal lawsuit filed Monday claims Wal-Mart, Democratic Republic Contributing Reporter operation and management. three reasons for the mold growth in Target Corp., Kmart, Amazon.com, GameStop of the Congo in their “When the weather changes, when Kissam Quad. Corp. and Toys R Us should stop selling the campaign “A Time Kissam and mold. About 600 it gets colder outside, windows, And one of those is adherence to game, The Associated Press reported. -
Oana Bogdan (310) 779-3134 Production Design & Art Direction IATSE Local 800 Online Portfolio At
Oana Bogdan www.oanab.com (310) 779-3134 Production Design & Art Direction IATSE Local 800 Online portfolio at http://tinyurl.com/OanaPortfolio TELEVISION FEATURE FILMS “Selfie” Season 1 2014 “Total Recall 2012” 2012 “Justified” Season 5 2013-2014 “Hot Tub Time Machine“ 2009 “Ray Donovan” Season 1, Episodes 7 – 12 2013 “Priest“ 2009 “Justified” Season 4 2012-2013 “Four Christmases“ 2008 “The Smart One” Pilot 2012 “The Brothers Solomon“ 2006 “Justified” Season 3 (EMMY Nominated) 2011-2012 “Underworld: Evolution“ 2005 “Hawaii 5-0” Season 1, Episodes 12 – 24 2010- 2011 “Sky High” 2004 “Dark Blue” Season 2 2010 “Curandero“ 2004 “Criminal Minds” Season 6, Episode 1 - 12 2010 “I, Robot” 2003 “Cold Case“ Season 7, Episodes 8 & 10 2009 “The Underclassman“ 2003 “Washington Field” Pilot 2009 “Underworld“ 2002 “Criminal Minds“ Season 5 2009 “They” 2002 “E.R.“ Back-lot Set 2009 “Identity“ 2002 “The Ex List” Season 1 2008 “The Fireflies“ 2001 “Captain Cook’s Extraordinary Atlas” Pilot 2008 “Vanilla Sky“ 2001 “Swingtown“ Season 1, Episodes 4 thru 6 2008 “Battlefield Earth“ 1999 “Criminal Minds“ Season 3, Episodes 13 &14 2008 “Addams Family Reunion“ 1998 “Kamen Rider, Dragon Knight” 2007 “Stuart Little“ 1998 “Cold Case“ Season 5, Episodes 6 & 9 2007 “Godzilla“ 1997 “Without a Trace“ Season 5 2006-2007 “Nightwatch“ 1996 “Beyond“ TV Pilot 2006 “Elegy for Young Lovers“ L.B. Opera 1996 “24“ Season 5 2005–2006 “Apt Pupil“ 1996 “Windfall“ Season 1 2005 “Bombmeister“ 1995 “The Unit“ Season 1 2005 “Independence Day“ 1995 “Over There“ Season 1 2004 “Stargate“ -
Jamie Forsyth
JAMIE FORSYTH AWARDS & NOMINATIONS ROYAL TELEVISION SOCIETY (UK) Playing it Straight Outstanding Main Title Music for a Series ASCAP AWARD NOMINATIONS (2010 – Bones 2015) Top Television Series TELEVISON THE KENNEDYS: AFTER CAMELOT Evan Tussman, Jonathan Koch, Stephen (Mini-Series) Kronish, Keri Selig, Katie Holmes, exec prods. REELZ Jon Cassar, dir. BONES Barry Josephson, Hart Hanson, Stephen FOX Nathan, Steve Bees, exec prods. DOUBT Tony Phelan, Joan Rater, Sarah Timberman, CBS Carl Beverly, Adam Bernstein, exec prods. ACTING DEAD (Web Series) Brian Beacock, John Yelvington, exec prods. Amazon Andrew Moorman, dir. TRANSPORTER Frankie Spotnitz, Alexander M. Ruemelin, Cinemax showrunners *Main Title Theme THE FINDER Hart Hanson, Barry Josephson, Stephen FOX Nathan, Ian Toynton, exec. prods. THE CONFESSION (Web Series) Matthew Brady, prod. MRB Productions Brad Mirman, dir. PLAYING IT STRAIGHT Matthew Cox, Peter Davey, prods. BBC / Channel 4 WHEN WOMEN RULE THE WORLD Matthew Cox, exec prod. BBC / Channel 4 SOMEWHERE BETWEEN Duane Clark, Ran Choi, Timothy Gamble, ABC Matthew O’Connor, Jo Broido, Ivan Fecan, *Addt’l Music Stephen M. Tolkin, exec prods. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JAMIE FORSYTH MARVEL’S INHUMANS Scott Buck, Alan Fine, Stan Lee, Joe Quesada, ABC / Marvel Jim Chort, Jeph Loeb, Roel Reine, exec. prods. *Addt’l Music JESSICA JONES Alan Fine, Stan Lee, Cindy Holland, Kris ABC / Marvel Henigman, Melissa Rosenberg, Joe Quesada, *Addt’l Music Jeph Loeb, exec prods. 24: LEGACY Brian Grazer, Manny Coto, Kiefer Sutherland, Fox Evan Katz, exec prods. *Addt’l Music ELEMENTARY Carl Beverly, Sarah Timberman, Robert CBS Doherty, Christine Moore, Jason Tracey, exec *Addt’l Music prods. -
Vue Musicale NME
Sziget 2009: Une sélection très subjective… Par JFB le lun 10/08/2009 - 12:32 10 août Tankcsapda (lire l'article ci-dessus) 11 août Soirée RAR (Rock Against Racism) alias biZARE (Zene a Rasszizmus Ellen) En 1976, après certaines déclarations provocatrices de David Bowie et Eric Clapton, le mouvement RAR est créé et organise un premier concert pour lutter contre la montée du racisme en Grande Bretagne. Bien que ceux-ci se soient excusés par la suite, le mouvement a continué à défendre des valeurs de tolérance et de compréhension mutuelle par l’organisation de concerts et festivals, auxquels public et artistes (The Clash, The Buzzcocks, etc.) ont afflué. Relancé en 2002 par une série de concerts “Love Music Hate Racism”, le mouvement RAR a rencontré le soutien des artistes Damon Albarn, Kaiser Chiefs, Asian Dub Foundation. Que cette première journée rayonne sur tout le festival ! 12 août Nouvelle Vague 16:30 - Grande Scène Le projet de Nouvelle Vague est de réarranger de façon personnelle les plus grands titres post punk du début des années 1980 qui sont très rarement repris car jamais vraiment considérés comme de vraies chansons. Puis par la suite les titres sont réarrangés en suivant une autre idée: les sonorités des caraïbes entre 1940 et 1970, soit le ska/rocksteady, le reggae, le calypso, la salsa cubaine, le vaudou haitien, etc. D'où des arrangements et orchestrations très colorées, beaucoup de percussions, des guitares acoustiques et des voix féminines, mais aussi un chanteur, de l'accordéon, du steel drum etc. Nouvelle Vague reprend les titres de grands groupes emblématiques comme Bauhaus ou Siouxsie, aussi bien que des pépites oubliées. -
Free Speech for Lawyers W
Hastings Constitutional Law Quarterly Volume 28 Article 3 Number 2 Winter 2001 1-1-2001 Free Speech for Lawyers W. Bradley Wendel Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation W. Bradley Wendel, Free Speech for Lawyers, 28 Hastings Const. L.Q. 305 (2001). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol28/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Free Speech for Lawyers BYW. BRADLEY WENDEL* L Introduction One of the most important unanswered questions in legal ethics is how the constitutional guarantee of freedom of expression ought to apply to the speech of attorneys acting in their official capacity. The Supreme Court has addressed numerous First Amendment issues in- volving lawyers,' of course, but in all of them has declined to consider directly the central conceptual issue of whether lawyers possess di- minished free expression rights, as compared with ordinary, non- lawyer citizens. Despite its assiduous attempt to avoid this question, the Court's hand may soon be forced. Free speech issues are prolif- erating in the state and lower federal courts, and the results betoken doctrinal incoherence. The leader of a white supremacist "church" in * Assistant Professor, Washington and Lee University School of Law. LL.M. 1998 Columbia Law School, J.D. 1994 Duke Law School, B.A. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Twenty Students Suspended for Myspace Page
TV Schedule Find Artists A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # Home Music Shows News Movies, Games & More Search all MTV.com Mar 3 2006 10:45 AM EST Twenty Students Views 1,174 Suspended In Latest Send to Friend Round Of MySpace- Print Related Busts Drug and gun charges and two sexual-misconduct arrests also put the site in the spotlight this week. By Gil Kaufman Photo: MySpace.com As MySpace has exploded in popularity over the past two years and become the top TOP STORIES social networking site on the Internet for teens and twentysomethings, it has continued to draw attention from school administrators, police and politicians Kanye West, Radiohead, Rage Against the Machine, concerned over how some are using the site. Nine Inch Nails, Wilco Top Lollapalooza 2008 Lineup On Thursday, a student at TeWinkle Middle School in Costa Mesa, California, was Diddy Talks About L.A. Times' Tupac Story: 'It Just told he faces expulsion for allegedly posting graphic, anti-Semitic threats against a Really Hurt' classmate on his MySpace site, according to the The Los Angeles Times. 'American Idol' Castoff Ramiele Malubay On David Cook's Hospitalization: 'We All Break Down In School officials said 20 of his classmates were also suspended for viewing the Totally Different Ways' posting, and police are investigating the boy's comments as a possible hate crime. Parents of three of the suspended students said the invitation to join the boy's Kanye West Reveals Glow In The Dark Tour Stage Set, In The Newsroom Blog MySpace social group, which was named "I hate [girl's name]" followed by an anti- Semitic slur and an expletive, gave no indication of the alleged threat. -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
Juhasz, A. (2006). the Bush Agenda: Invading the World, One Economy at A
Juhasz, A. (2006). The Bush agenda: Invading the world, one economy at a time. New York: HarperCollins. Chapter 2 Ambitions of Empire We will actively work to bring the hope of democracy, development, free markets, and free trade to every corner of the world. —President George W. Bush, National Security Strategy of the United States of America, September 17, 2002 The failure to prepare for tomorrow's challenges will ensure that the current Pax Americana comes to an early end. —The Project for the New American Century, September 2001 Historically, Americans have considered themselves vehemently anti-Empire. Remember how the worst name that Ronald Reagan could give the Soviet Union was "The Evil Empire"? We have never liked to think of ourselves as either living in— or in pursuit of—an Empire. Clearly, this attitude has quite a bit to do with our roots as a nation born from revolution against an Empire and as a people whose heritage links them to every continent on the planet. Historian Arthur Schlesinger recently wrote: "The imperial dream has encountered consistent indifference and recurrent resistance through American history. The record hardly sustains the thesis of a people red hot for Empire."2 It seems, however, that "the people" have been left out of the discussion in which advocates of the Bush Agenda have decided not only that America is an Empire, but that this is a position that should be embraced, expanded on, and defended using any and all means available. Typical of the pro-Empire crowd is a piece written in 2003 by Robert D. -
The Construction of Hip Hop Identities in Finnish Rap Lyrics Through English and Language Mixing
UNIVERSITY OF JYVÄSKYLÄ ”BUUZZIA, BUDIA JA HYVÄÄ GHETTOBOOTYA” - THE CONSTRUCTION OF HIP HOP IDENTITIES IN FINNISH RAP LYRICS THROUGH ENGLISH AND LANGUAGE MIXING A Pro Gradu Thesis in English by Elina Westinen Department of Languages 2007 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Elina Westinen ”BUUZZIA, BUDIA JA HYVÄÄ GHETTOBOOTYA” - THE CONSTRUCTION OF HIP HOP IDENTITIES IN FINNISH RAP LYRICS THROUGH ENGLISH AND LANGUAGE MIXING Pro gradu –tutkielma Englannin kieli Joulukuu 2007 141 sivua Englannin kielen rooli ja asema maailmankielenä on kiistaton, ja Suomessakin englannin kieltä käytetään monilla eri aloilla. Juuriltaan amerikkalaisesta hip hop – kulttuuristakin on viime vuosina kasvanut globaali nuorisokulttuuri, joka on saavuttanut pysyvän aseman Suomessa. Tämän tutkimuksen tarkoituksena on selvittää, miten hip hop –identiteetti rakentuu suomalaisissa rap–lyriikoissa. Päätavoitteena on tutkia, millainen hip hop –identiteetti muodostuu lyriikoiden englannin kielen ja kielten sekoittumisen (suomi ja englanti) kautta. Tutkimuksen aineistona käytetään kolmen eri hip hop –artistin ja – ryhmän (Cheek, Sere & SP ja Kemmuru) lyriikoita 2000-luvulta. Niiden pääkieli on suomi, mutta kaikissa kappaleissa on myös englanninkielisiä elementtejä. Sanojen tarkkojen alkuperien sekä muun tiedon selvittämiseksi olen tarvittaessa konsultoinut itse artisteja. Analyysissä identiteetin käsitetään rakentuvan osaltaan kielen avulla. Identiteetti rakentuu diskursseissa, ja se on muuttuva ja monitahoinen. Aineiston analyysissä kielenvaihtelu ymmärretään joko a) kielten sekoittumisena, josta syntyy kokonaan uusi kieli/kielellinen tyyli tai b) koodinvaihtona, joka on merkityksellistä diskurssin paikallisella tasolla. Tulokset osoittavat, että rap–lyriikoissa pikemminkin sekoitetaan suomen ja englannin kieltä (language mixing) kuin vaihdetaan koodia. Näin ollen muodostuu uusi, suomalaisille rap–lyriikoille ominainen kieli ja tyyli. Usein hip hop -englannin sanoja ja fraaseja taivutetaan suomen ortografian, morfologian tai molempien mukaan. Joskus lyriikoissa esiintyy myös ns. -
Tanner ’88, K-Street, and the Fictionalization of News
Rethinking the Informed Citizen in an Age of Hybrid Media Genres: Tanner ’88, K-Street, and the Fictionalization of News By Robert J. Bain Jr. B.A. Biology B.A. Philosophy Binghamton University, 2000. Submitted to the Program in Comparative Media Studies in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology June 2004 © 2004 Robert J. Bain Jr. All rights reserved The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author………………………………………………………………………… Program in Comparative Media Studies May 17, 2004 Certified by………………………………………………………………………………… Henry Jenkins III Director, Program in Comparative Media Studies Thesis Supervisor Accepted by ……………………………………………………………………………….. Henry Jenkins III Director, Program in Comparative Media Studies 1 PAGE TWO IS BLANK 2 Rethinking the Informed Citizen in an Age of Hybrid Media Genres: Tanner ’88, K-Street, and the Fictionalization of News By Robert J. Bain Jr. Submitted to the Program in Comparative Media Studies on May 17, 2004 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT A close reading of two television shows, K-Street and Tanner ’88, was performed to examine how one might become informed about real-life political news by viewing entertainment programs that combine fiction with actual current political events, issues, and figures. In his book The Good Citizen, Michael Schudson claims that mere factual recall does not necessarily indicate that one is “informed”, but rather an “informed citizen” is one who actively reads the “information environment”.