Hallett Arendt Rajar Topline Results - Wave 3 2015/Last Published Data
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Rangoli Radio (Leeds)
Community Digital Sound Programme (C-DSP) licence Application form – Part A (public) Name of applicant (i.e. the body corporate that will hold the licence): Radio Rangoli CIC Proposed service name: Rangoli Radio Radio multiplex service(s) on which the proposed C-DSP service is to be provided: Leeds Digital Media Public contact details: [email protected] Publication date: 1 September 2020 Contents Section 1. Overview 1 2. Applicant’s details 4 3. The proposed service 13 4. Compliance of the service 20 5. Declaration 24 C-DSP licence: Application form (Part A) 1. Overview You should complete this form if you are applying for a community digital sound programme licence (“C-DSP”). You can find further information about C-DSP services in the guidance notes for licensees and applicants. This application form is divided into two parts – Part A (which we will publish on our website) and Part B (which will be kept confidential). This document constitutes Part A; Part B of the application form is available on our website. If you encounter any issues using these forms, please contact [email protected]. The purpose of this form 1.1 You should complete this form if you are applying for a Community Digital Sound Programme (C-DSP) licence. 1.2 A digital sound programme service intended for broadcast by means of a local or small-scale radio multiplex service requires either a C-DSP licence or a local DSP licence. Ofcom’s published guidance notes set out some of the key issues that potential applicants need to consider in deciding which type of licence is suitable for them. -
Grazia Di Michele, “Il Tempio” Da Oggi On-Line Il Video,Dj E Produttori Per Un Evento a Pozzuoli: Sabato La
Collezioni da ascoltare: la Collezione MAXXI Arte raccontata da cinque voci straordinarie. A partire da oggi, domenica 15 novembre prende il via la seconda edizione del progetto Collezione da ascoltare per un MAXXI ancora più accessibile, inclusivo, accogliente. Il progetto consiste in cinque audiodescrizioni di altrettante opere tra le più significative della Collezione MAXXI Arte, raccontate da quattro attori e una scrittrice che hanno prestato le loro voci. Per 5 settimane ogni domenica alle 12.30, il palinsesto online del MAXXI #nonfermiamoleidee si arricchisce dunque, di un nuovo contenuto. Sonia Bergamasco, Luca Zingaretti, Isabella Ragonese, Luigi Lo Cascio, Michela Murgia: cinque voci straordinarie per cinque tra le opere più iconiche della Collezione MAXXI: e così sia… di Bruna Esposito, Plegaria Muda di Doris Salcedo, The Emancipation Approximation di Kara Walker, Inventory. The Fountains of Za’atari di Margherita Moscardini (esposta nella mostra REAL_ITALY) e Senza titolo di Maria Lai. Le audiodescrizioni pensate per e con le persone cieche, sono anche uno strumento per tutti, per approfondire contenuti su artisti e opere, cogliendone la “fisicità” e percependole anche con gli occhi chiusi. I testi delle 5 letture redatti da Sofia Bilotta, responsabile dell’Ufficio Public Engagement del MAXXI, in collaborazione con Rosella Frittelli e Luciano Pulerà, partecipanti non vedenti ai programmi di P.E. del MAXXI – ricostruiscono la forma e le tecniche delle opere ma anche le sensazioni provate nell’esplorarle tattilmente. Bruna Esposito, E Cosi Sia…, MAXXI, © Luis do Rosario Oggi è stato raccontata l’opera e così sia… un grande mandala di Bruna Esposito realizzato con semi e legumi dall’artista insieme ai suoi assistenti, con un paziente lavoro durato tre mesi. -
As Filed with the Securities and Exchange Commission on July 2, 1998
AS FILED WITH THE SECURITIES AND EXCHANGE COMMISSION ON JULY 2, 1998 REGISTRATION NO. 333-57283 - ------------------------------------------------------------------------------- - ------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 --------------- AMENDMENT NO. 1 TO FORM S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 --------------- CROWN CASTLE INTERNATIONAL CORP. (EXACT NAME OF REGISTRANT AS SPECIFIED IN ITS CHARTER) DELAWARE 4899 76-0470458 (STATE OR OTHER JURISDICTION (PRIMARY STANDARD (I.R.S. EMPLOYER OF INCORPORATION OR INDUSTRIAL IDENTIFICATION NUMBER) ORGANIZATION) CLASSIFICATION NUMBER) 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF REGISTRANT'S PRINCIPAL EXECUTIVE OFFICES) --------------- MR. CHARLES C. GREEN, III EXECUTIVE VICE PRESIDENT AND CHIEF FINANCIAL OFFICER CROWN CASTLE INTERNATIONAL CORP. 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (NAME, ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF AGENT FOR SERVICE) --------------- COPIES TO: STEPHEN L. BURNS, ESQ. KIRK A. DAVENPORT, ESQ. CRAVATH, SWAINE & MOORE LATHAM & WATKINS 825 EIGHTH AVENUE 885 THIRD AVENUE NEW YORK, NEW YORK 10019 NEW YORK, NEW YORK 10022 --------------- APPROXIMATE DATE OF COMMENCEMENT OF PROPOSED SALE TO THE PUBLIC: As soon as practicable after the effective date of this Registration Statement. If any of the securities being registered on this Form are to be offered on a delayed or continuous basis pursuant to Rule 415 under the Securities Act of 1933, check the following box. [_] If this Form is filed to register additional securities for an offering pursuant to Rule 462(b) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering. -
Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
Chit-Chat Overview
Overview 1 By 2039, it is estimated that the The problem number of one-person households will rise to 10.7 million ONS (2018) Over 700,000 young people (16 - 24 years) said they were “often” lonely ONS (2018) The number of over-50s experiencing loneliness is set to reach 2 million by 2025/26 Age UK (2018) 2 For everyone. Connecting the nation through conversation Through our phone line and social media hub, we keep everyday conversations alive, are the go-to place for a chat and play an active part in addressing loneliness, isolation and mental health. 3 We are chit-chat. chit-chat is a new not-for-profit organisation creating a place for everyone to have a conversation. Born during the peak of a global pandemic and unprecedented isolation, we strive to change how we interact with one another. We want people to grab a brew, give us a call and engage with us through social media. Any conversation is welcome, from the weather, favourite movies or music, to sport, culture and how to keep fit indoors. Our enthusiastic volunteers oversee the phone line and social media throughout the week and are committed to having a friendly discussion with anyone who reaches out. We’re here to listen, we’re determined to reduce the number of people who are lonely and we’re here to chit-chat. 4 5 At chit-chat, we aim... 1. To ensure everyone can chat and collaborate, finding a conversation through a channel that suits them. 2. To develop meaningful connections. -
Radio City 2 and City Talk Requests to Change Formats
Radio City 2 and City Talk Requests to change Formats Consultation Publication date: 21 July 2015 Closing date for responses: 2 September 2015 Requests to change Formats – Radio City 2 and City Talk Contents Section Page 1 About this document 2 2 Details and background information 3 Annex Page 1 Responding to this consultation 6 2 Ofcom’s consultation principles 8 3 Consultation response cover sheet 9 4 Consultation questions 11 5 Format Change Requests - Radio City 2 & City Talk 22 6 Existing Formats of Radio City & City Talk 23 7 Other commercial and community radio stations in the Liverpool area 24 1 Requests to change Formats – Radio City and City Talk Section 1 1 About this document 1.1 Ofcom has received two Format change requests from Radio City (Sound of Merseyside) Ltd, which holds an AM and two FM commercial radio licences for Liverpool. 1.2 A station’s Format describes the type of programme service which it is required to provide, and forms part of the station’s licence. 1.3 Radio City (Sound of Merseyside) Ltd wishes to change the ‘Character of Service’ of its AM licence (currently Radio City 2) and one of its FM licences (currently City Talk). 1.4 Radio City 2’s published Format requires the service to broadcast “a classic soft pop music-led service”. The licensee wishes to change this to a service of “rock hits with news, local sport and information programming.” 1.5 City Talk’s published Format requires the service to broadcast “speech and soft pop- led music programming”. -
''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Refiguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger. -
QUARTERLY SUMMARY of RADIO LISTENING Survey Period Ending 20Th December 2015
QUARTERLY SUMMARY OF RADIO LISTENING Survey Period Ending 20th December 2015 PART 1 - UNITED KINGDOM (INCLUDING CHANNEL ISLANDS AND ISLE OF MAN) Adults aged 15 and over: population 53,575,000 Survey Weekly Reach Average Hours Total Hours Share in Period '000 % per head per listener '000 TSA % All Radio Q 48237 90 18.9 21.0 1013438 100.0 All BBC Radio Q 34947 65 10.1 15.5 541794 53.5 All BBC Radio 15-44 Q 14656 58 5.9 10.1 148396 38.7 All BBC Radio 45+ Q 20291 72 13.9 19.4 393398 62.4 All BBC Network Radio1 Q 32125 60 8.7 14.6 467524 46.1 BBC Local Radio Q 8558 16 1.4 8.7 74270 7.3 All Commercial Radio Q 35111 66 8.3 12.7 446584 44.1 All Commercial Radio 15-44 Q 18313 72 8.8 12.2 222861 58.1 All Commercial Radio 45+ Q 16798 59 7.9 13.3 223723 35.5 All National Commercial1 Q 18298 34 2.8 8.1 147660 14.6 All Local Commercial (National TSA) Q 27126 51 5.6 11.0 298924 29.5 Other Radio Q 3966 7 0.5 6.3 25059 2.5 Source: RAJAR/Ipsos MORI/RSMB 1 See note on back cover. For survey periods and other definitions please see back cover. Embargoed until 00.01 am Enquiries to: RAJAR, 6th floor, 55 New Oxford St, London WC1A 1BS 4th February 2016 Telephone: 020 7395 0630 Facsimile: 020 7395 0631 e mail: [email protected] Internet: www.rajar.co.uk ©Rajar 2016. -
Indice Pag. 4 Agenzie Stampa (137) 11 Quotidiani (409)
Indice Pag. 4 Agenzie stampa (137) 11 Quotidiani (409) 29 Emittenti radiofoniche (876) 68 Siti d’informazione (1.124) 117 Emittenti televisive (668) 146 Periodici (1.774) 3 Come utilizzare l’elenco Gran parte dei siti d’informazione e dei periodici esplicita il proprio tema nel titolo, come la Gazzetta dello sport o il Corriere del Trentino. Quindi conviene selezionare le testate soggettivamente più interessanti e farne una query con un semplice copia-incolla, per arrivare al sito e alle e-mail aggiornate. Una mailing- list o un comunque archivio di 20-30 nominativi può essere sufficiente sia per giornalisti che per addetti stampa. Dove possibile, inviate il testo al redattore specifico e non genericamente alla redazione. Se potete scegliere, preferite quei siti che hanno un form di comunicazione con l’esterno, rispetto quelli che hanno solo un elenco di email della redazione. Durante la lavorazione di questo archivio, alcune testate sono diventate in operative ed altre sono nate. Non c’è da sorprendersi: così è il web. 4 AGENZIA STAMPA ADISTA ADNKRONOS ADNKRONOS - REDAZIONE DI BOLOGNA ADNKRONOS - REDAZIONE DI MILANO ADNKRONOS SALUTE ADV EXPRESS AGA (AGENZIA GIORNALI ASSOCIATI) AGC (AGENZIA GIORNALISTICA CONI) AGENCE FRANCE PRESSE AGENPARL AGENZIA A.GI.PA. PRESS AGENZIA ABA NEWS AGENZIA ADN KRONOS AGENZIA ADNKRONOS AGENZIA AGENFAX ALESSANDRIA AGENZIA AGI AGENZIA AGI AGENZIA AGIPRESS 5 AGENZIA AGO PRESS (AGO AGENZIA GIORN. ON-LINE) AGENZIA AGR AGENZIA AGR RCS AGENZIA AGSA AGENZIA AGUS AGENZIA AIR PRESS AGENZIA AIS NEWS AGENZIA AKROPOLIS AGENZIA AMI AGENZIA ANSA AGENZIA ASA PRESS AGENZIA ASCA TOSCANA AGENZIA ASTERISCO INFORMAZIONI AGENZIA ASTERISCO S.R.L. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Projects Within Knowle West and Wider Bristol
ANNUALREPORT20112012ANNUALREPORT20112012 ABOUTUSABOUTUS Who are we? Knowle West Media Centre (KWMC) believes that the arts have the power to make a difference to our lives, our neighbourhoods and our environment. KWMC is a charity and arts organisation based in an area of South Bristol known locally as Knowle West, within the Council ward of Filwood: an estate of approximately 5,500 households. It is an area of great community spirit, with many green open spaces. However, educational achievement is below the city average and some areas of Filwood are ranked in the most deprived 10% in England. KWMC evolved from a community-based photography project set up in 1996 to explore the link be- tween wellbeing and the arts, and we continue to work with residents to use media arts to address local issues, improve health, and provide access to new opportunities. Our primary aim is to achieve social, cultural and economic regeneration. In practice, this means supporting people to get involved in community activism, education, employment, and local decision- making – in ways that are exciting and enjoyable. Creativity and technology run like a thread through everything we do, from young people’s groups and energy-saving projects to music workshops and exhibitions. Our work is both locally focused and nationally relevant. From our strawbale building designed by young people in 2007 we run projects and initiatives that have been replicated, studied, and learnt from elsewhere in the UK and Europe. illustration by Michael Smith 20112012INNUMBERS20112012INNUMBERS -
Shropshire Economic Development Needs Assessment Interim Report
Shropshire Economic Development Needs Assessment Interim Report Shropshire Council December 2020 © 2020 Nathaniel Lichfield & Partners Ltd, trading as Lichfields. All Rights Reserved. Registered in England, no. 2778116. 14 Regent’s Wharf, All Saints Street, London N1 9RL Formatted for double sided printing. Plans based upon Ordnance Survey mapping with the permission of Her Majesty’s Stationery Office. © Crown Copyright reserved. Licence number AL50684A 61535/01/SHo/CR 19104509v4 Shropshire Economic Development Needs Assessment : Interim Report Contents 1.0 Introduction 1 Introduction 1 Methodology 2 Report Structure 4 2.0 Economic Strategy and Policy Aspirations 5 Introduction 5 National 5 Regional 11 Local 13 3.0 Shropshire Socio-Economic Context 24 Introduction 24 Location 24 Population 25 Deprivation 29 Economic Resilience 30 Economic Conditions and Trends 33 Economic Competitiveness 43 4.0 Functional Economic Market Area 46 Introduction 46 Outline Description / Outline Methodology / Working Definition 46 Defining the Functional Economic Market Area 47 Conclusion: Shropshire’s Functional Economic Market Area 55 5.0 Overview of Employment Space 57 Introduction 57 Gross Completions 67 Losses 68 Development Pipeline 69 6.0 Stakeholder Consultation and Business Survey 73 Introduction 73 Key Stakeholders 73 Shropshire Economic Development Needs Assessment : Interim Report Shropshire Business Survey 74 7.0 Property Market Signals and Intelligence 79 Introduction 79 National and Regional Property Market Overview 79 Shropshire Property Market