DOCSLIB.ORG

Die Dreigroschenoper Kurt Weill (1900-1950) Hauptmann (1897-1973), Bertolt Brecht (1898-1956)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Die Dreigroschenoper Kurt Weill (1900-1950) Hauptmann (1897-1973), Bertolt Brecht (1898-1956) 1/14 Data Livret de : Elisabeth Die Dreigroschenoper Kurt Weill (1900-1950) Hauptmann (1897-1973), Bertolt Brecht (1898-1956) Langue : Allemand Genre ou forme de l’œuvre : Œuvres musicales Date : 1928 Note : Pièce avec musique en 3 actes. - Livret de Bertolt Brecht et Elisabeth Hauptmann, d'après "The beggar's opera" de John Gay. - 1re exécution : Berlin, Theater am Schiffbauerdamm, le 31 août 1928, avec Lotte Lenya (soprano) Le compositeur en a tiré une suite pour instruments à vent intitulée "Kleine Dreigroschenmusik" Domaines : Musique Autres formes du titre : L'opéra de quat'sous (français) The threepenny opera (anglais) Détails du contenu (4 ressources dans data.bnf.fr) Contient (2) Die Dreigroschenoper. 1. , Kurt Weill (1900-1950) Die Dreigroschenoper. Die , Kurt Weill (1900-1950) Aufzug. Barbara Song Moritat von Mackie Messer (1928) (1928) Voir aussi (1) Die Dreigroschenoper : film , Georg Wilhelm Pabst (1931) (1885-1967) data.bnf.fr 2/14 Data Voir l'œuvre musicale (1) Kleine Dreigroschenmusik , Kurt Weill (1900-1950) (1928) Éditions de Die Dreigroschenoper (175 ressources dans data.bnf.fr) Enregistrements (136) DIE DREIGROSCHENOPER = , Kurt Weill (1900-1950), extrait : DE L'OPERA DE , Kurt Weill (1900-1950), L'Opéra de Quat' sous S.l. : s.n. , s.d. QUAT'SOUS A SEPTEMBER S.l. : s.n. , s.d. SONG extrait : GUITARE PARTY , C. Gray, D. Bennett, Ted choix : Chanson pour le , Mertens, J. Paris, J. Snyder [et autre(s)], S.l. : théâtre Sundstrom [et autre(s)], S.l. s.n. , s.d. : s.n. , s.d. extrait : LES GRANDES , Kurt Weill (1900-1950), extrait : JULIETTE GRECO : , Kurt Weill (1900-1950), CHANSONS DE JULIETTE Hubert Giraud (1920-2016), JE SUIS COMME JE SUIS Stéphane Golmann GRECO René-Louis Lafforgue (1921-1987), Jacques (1928-1967) [et autre(s)], Prévert (1900-1977) [et S.l. : s.n. , s.d. autre(s)], S.l. : s.n. , s.d. choix : CHANSONS DE , C. Lochy, I. Mac Culloch, extraits : L'opéra de quatre , Kurt Weill (1900-1950), REVOLTE R. Planchon [et autre(s)], sous [S.l.] : [s.n.] , [193.] S.l. : s.n. , s.d. choix : DIE DREI , Kurt Weill (1900-1950), extrait : Hugues Aufray : , Irving Gordon, R. Miller, GROSCHEN-OPER = S.l. : s.n. , s.d. Vol. 1 Whiting [et autre(s)], S.l. : (L'Opéra de quat'sous) s.n. , s.d. extraits extrait : UN JOUR TU , Kurt Weill (1900-1950), Die drei Groschen Oper , Kurt Weill (1900-1950), VERRAS Georges Van Parys S.l. : s.n. , s.d. (1902-1971), Marcel Mouloudji (1922-1994) [et autre(s)], S.l. : s.n. , s.d. extrait : La complainte de , Kurt Weill (1900-1950), Die drei groschen oper , Kurt Weill (1900-1950), Mackie [S.l.] : [s.n.] , [s.d.] [S.l.] : [s.n.] , [s.d.] data.bnf.fr 3/14 Data choix : JULIETTE GRECO : , Kurt Weill (1900-1950), Die Dreigroschenoper , Kurt Weill (1900-1950), SI TU T'IMAGINES Joseph Kosma (2013) [Europe] : Universal music ; (1905-1969), Gérard [Europe] : [distrib. Universal Jouannest (1933-2018) [et division Barclay] , [DL 2013] autre(s)], S.l. : s.n. , s.d. Der Barbarasong. - Kurt Weill, comp.. - [7] L'opéra de quat'sous , Kurt Weill (1900-1950), (2013) (2012) [Europe] : Universal music ; [France] : [distrib. Universal Polydor] , [DL 2012] Tango ballad. - Kurt Weill, comp.. - [4] choix : Die , Kurt Weill (1900-1950), (2012) Dreigroschenoper London : Hyperion records (2012) ; [France] : [distrib. Abeille musique] , [DL 2012] Three songs from 'L'Opéra de quat'sous". - Kurt Weill, choix : L'opéra de quat'sous , Kurt Weill (1900-1950), comp.. - [2] (2002) Jean-Claude Hémery (2009) (1931-1985), Antony : Universal Division Polydor ; Antony : distrib. Universal Division Polydor , 2002 (DL) choix : Marie Galante , Kurt Weill (1900-1950), Die Dreigroschenoper , Kurt Weill (1900-1950), (2000) Georg Wilhelm Pabst (1999) London : BMG Music (1885-1967), Levallois : International (Europe) ; M10 Musidisc distribution Neuilly : distrib. BMG service ; Levallois : distrib. France , 1999 (P) Musidisc , 2000 (P) La fiancée du pirate. - Kurt Weill, comp.. - [28] La complainte de Mackie. - Kurt Weill, comp. - [8] (1998) (1998) L'opéra de quat'sous , Kurt Weill (1900-1950), Moritat vom Mackie Messer. - Kurt Weill, comp. - [2] (1998) Bertolt Brecht (1898-1956), (1997) Jean-Claude Hémery (1931-1985), Loubejac : Le Livre qui parle ; Loubejac : distrib. Le Livre qui parle , 1998 (DL) Barbarasong. - Kurt Weill, comp. - [3] Seeräuberjenny. - Kurt Weill, comp. - [4] (1997) (1997) Mack the knife. - Kurt Weill, comp. - [7] La complainte de Mackie. - Kurt Weill, comp. - [13] (1997) (1997) La fiancée du pirate. - [16] Complainte de Mackie. - K. Weill, comp. - [11] (1997) (1996) data.bnf.fr 4/14 Data L'opéra de quat'sous. - [6] L'opéra de quat'sous. - [1] (1996) (1996) La chanson de Barbara. - from L'opéra de quat'sous. - arrangement, choix : Music , Kurt Weill (1900-1950), [4] from Die Dreigroschenoper [S.l.] : Polygram (1996) (1996) international ; Antony : distrib. Polygram-Division Mercury , 1996 (P) Complainte de Mackie. - K. Weill, comp.. - [7] Complainte de Mackie. - K. Weill, comp.. - [7] (1995) (1995) La complainte de Mackie. - Kurt Weill, comp. - [13] Zuhalter ballad. - [15] (1994) (1994) La complainte de Mackie. - Kurt Weill, comp. - [13] Police milice. - Kurt Weill, comp. - [72] (1994) (1994) Die Seeräuber Jenny. - Kurt Weil, comp. - [14] Police milice. - Kurt Weill, comp. - [72] (1994) (1994) L'opéra de quat'sous , Kurt Weill (1900-1950), La fiancée du pirate. - [16] (1993) Jean-Claude Hémery (1993) (1931-1985), Paris : Jacques Canetti ; Levallois : distrib. Musidisc , 1993 (DL) La fiancée du pirate. - [16] La fiancée du pirate. - [16] (1993) (1993) La complainte de Macky. - [1] Mack the knife. - [5] (1993) (1993) Mack the Knife. - [3] Little threepenny music. - Cannon song. - [1] (1993) (1993) Little threepenny music. - The ballad of Mack the Knife. Mack the Knife. - [3] - [2] (1993) (1993) La complainte de Macky. - [1] Moderato assai. - [17] (1993) (1993) La complainte de Mackie. - [5] Cannon song. - [11] (1993) (1992) data.bnf.fr 5/14 Data Cannon song. - [11] Die Dreigroschenoper. - [2] (1992) (1991) L'opéra de quat'sous. - [6] Aus der Dreigroschenoper. - [1] (1991) (1991) La Chanson de Barbara. - [3] Die Dreigroschenoper , Kurt Weill (1900-1950), (1990) (1990) London : Decca record company ; Antony : distrib. Polygram. Division Barclay , 1990 (P) arrangement : Mack the , Kurt Weill (1900-1950), La Chanson de Barbara. - [3] knife Menahem Golan (1990) (1990) (1929-2014), Menahem Golan (1929-2014), [S.l.] : CBS (Europe) ; [S.l.] : distrib. CBS disques SA (France) , 1990 (DL) Mack the knife. - [1] La chanson de Barbara. - [3] (1990) (1990) extrait : Die , Kurt Weill (1900-1950), La Chanson de Barbara. - [4] Dreigroschenoper Baarn : Phonogram (1989) (1990) international ; Antony : distrib. Polygram-Division Phonogram , 1990 (DL) choix : L'opéra de quat' , Kurt Weill (1900-1950), Die Dreigroschenoper. - [2] sous Paris : Jacques Canetti ; (1989) (1989) Levallois : distrib. Musidisc , 1989 (DL) Dreigroschenoper. - Ballade vom angenehmen Leben. - Dreigroschenoper. - Die Seeräuber. - [3] [2] (1989) (1989) choix : L'opéra de quat'sous , Kurt Weill (1900-1950), Ute Lemper chante Kurt , Kurt Weill (1900-1950), (1988) Paris : Jacques Canetti ; Weill Paris : Milan (France) ; Levallois : distrib. Musidisc (1988) Neuilly : distrib. BMG , 1988 (DL) France , 1988 (DL) extrait : The seven deadly , Kurt Weill (1900-1950), Die Dreigroschenoper. - Die Morität von Mackie Messer. sins [S.l.] : CBS (Europe) ; [S.l.] : - [5] (1988) distrib. CBS disques SA (1988) (France) , 1988 (P) data.bnf.fr 6/14 Data extrait : The Seven deadly , Kurt Weill (1900-1950), arrangement : West side , Kurt Weill (1900-1950), sins [S.l.] : CBS (Europe) ; [S.l.] : story suite Leonard Bernstein (1988) distrib. CBS disques SA (1987) (1918-1990), London : (France) , 1988 (P) Decca record company ; Antony : distrib. Polygram. Division Barclay , 1987 (P) Die Dreigroschenoper , Kurt Weill (1900-1950), extrait : Les feuilles mortes , Serge Gainsbourg (1987) [S.l.] : CBS (Europe) ; [S.l.] : (1987) (1928-1991), Kurt Weill distrib. CBS disques SA (1900-1950), Guy Béart (France) , 1987 (DL) (1930-2015) [et autre(s)], [S.l.] : Polygram ; Antony : distrib. Polygram Distribution , 1987 (DL) extrait : Opera , Richard Strauss Le chant des canons. - Kurt Weill, comp.. - [1] Mastervoices (1864-1949), Richard (1987) (1987) Wagner (1813-1883), Kurt Weill (1900-1950) [et autre(s)], [S.l.] : CBS (Europe) ; [S.l.] : distrib. CBS disques SA (France) , 1987 (P) L'opéra de quat' sous. - Chant de la vie heureuse. - Weill. Die Dreigroschenoper , Kurt Weill (1900-1950), - [10] (1986) [S.l.] : CBS (Europe) ; [S.l.] : (1987) distrib. CBS disques SA (France) , 1986 (DL) Die Dreigroschenoper. - [1] Deuxième final de l'opéra de quat'sous. - Weill, comp.. - (1986) [13] (1985) Kehler singt Bertolt Brecht , Hanns Eisler (1898-1962), La Complainte Mackie le surineur. - Weill, comp.. - [2] (1985) Kurt Weill (1900-1950), (1985) Paul Dessau (1894-1979) [et autre(s)], Mainz : Wergo Schallplatten GmbH ; Arles : distrib. Harmonia mundi France , 1985 (DL) L' Opera da tre soldi , Kurt Weill (1900-1950), L' Opera da tre soldi, ed , Kurt Weill (1900-1950), (1983) Milano : Ricordi ; Levallois altre celebri composizioni Roma : RCA , [1979] : distrib. Musidisc , 1983 (1979) (DL) L'Opéra de quat'sous , Kurt Weill (1900-1950), choix : Stéphane Grappelli , Kurt Weill (1900-1950), (1979) [Paris : Disc'az , 1979] (1978) George Gershwin (1898-1937), [Paris] : Musidisc-Europe , [1978] data.bnf.fr 7/14 Data choix
Load more

Recommended publications
  • Practicing Authorship: the Case of Brecht’S Plays
    Practicing Authorship: The Case of Brecht’s Plays Monika Krause Published in: Craig Calhoun and Richard Sennett (ed.) 2007: Practicing Culture. Oxford: Routledge. Bertolt Brecht collaborated with partners and friends throughout his life. Almost all his plays – including The Threepenny Opera, Rise and Fall of the City of Mahagonny, Galileo and Mother Courage – are the product of a close cooperation between Brecht and a set of his colleagues. They shared in collecting material, translating sources, putting text into verse and editing and reediting after rehearsals. Among forms of literary partnerships, the Brecht circle is an extreme case of sustained collective production. Public recognition, however, has been focused on the individual Brecht, and “Brecht” has come to denote an author like many others. What explains this discrepancy between the process of producing these plays and public recognition? How have these texts become associated with one individual? In my analysis, I draw on letters by Brecht and his collaborators, memoirs, biographical research and the reception of Brecht’s life and work.1 Most prominent among his co-authors are writer Elisabeth Hauptmann, actress Grete Steffin and the Danish journalist Ruth Berlau. It is tempting to focus on Brecht the person in trying to understand what is specific about the Brecht circle. Brecht is often said to be exceptionally charismatic and thus able to attract collaborators. He is sometimes portrayed as exceptionally ruthless in exploiting those around him. Sexist ideology is also suggested as a factor: Many of Brecht’s collaborators were women and some of them were his partners as well as his collaborators.
    [Show full text]
  • Bertolt Brecht (1898-1956)
    1/57 Data Bertolt Brecht (1898-1956) Pays : Allemagne (République démocratique) (1949-1990) Langue : Allemand Sexe : Masculin Naissance : Augsbourg, Allemagne, 10-02-1898 Mort : Berlin-Est, 14-08-1956 Note : Poète et auteur dramatique Domaines : Littératures Autres formes du nom : Bertold Brecht (1898-1956) Eugen Berthold Friedrich Brecht (1898-1956) ISNI : ISNI 0000 0001 2117 8009 (Informations sur l'ISNI) Bertolt Brecht (1898-1956) : œuvres (1 024 ressources dans data.bnf.fr) Œuvres textuelles (391) Der Tui-Roman Die Kleinbürgerhochzeit (1973) (1968) Me-ti, Buch der Wendungen Flüchtlingsgespräche (1965) (1961) Die Tage der Commune Antigonemodell 1948 (1956) (1955) Buckower Elegien Kalendergeschichten (1954) (1948) Furcht und Elend des Dritten Reiches Der gute Mensch von Sezuan (1945) (1943) Hollywood-Elegien Der aufhaltsame Aufstieg des Arturo Ui (1942) (1941) Leben des Galilei Svendborger Gedichte (1939) (1939) data.bnf.fr 2/57 Data Das Verhör des Lukullus Die Trophäen des Lukullus (1939) (1939) Mutter Courage und ihre Kinder Rundköpfe und Spitzköpfe (1938) (1936) Koloman Wallisch Kantate Dreigroschenroman (1935) (1934) Die Heilige Johanna der Schlachthöfe Die Mutter (1931) (1931) Fatzer Die Massnahme (1930) (1930) Aufstieg und Fall der Stadt Mahagonny Der Jasager und der Neinsager (1930) (1930) Sonett Nr. 1 Kalkutta, 4. Mai (1927) (1927) Hauspostille Geschichten vom Herrn Keuner (1927) (1926) Mann ist Mann Im Dickicht der Städte (1926) (1923) Trommeln in der Nacht Der kaukasische Kreidekreis (1922) Voir plus de documents de ce genre Œuvres musicales (295) "Lieder der Vergänglichkeit" "Al gran sole carico d'amore" (2004) (1975) de Krzysztof Penderecki de Luigi Nono avec Bertolt Brecht (1898-1956) comme Auteur du texte avec Bertolt Brecht (1898-1956) comme Auteur du texte "Children's crusade.
    [Show full text]
  • Kurt Weill Foundation
    Introduction and Notes by David Drew Whether you care to mention Weill in the same breath prominently among the modern poets in a family library it is to have any kind of raison d'etre. The thoroughly as Hindemith or as Hollander, as Copland or as Cole where the works of Goethe and Heine, of Johann un-topical representation of our times which would result Porter; whether you see him as an outstanding German Gottfried von Herder and Moses Mendelssohn, had pride from such a change of direction must be supported by composer who somehow lost his voice when he settled of place, and where, no doubt, one could have found a strong conviction, whether it uses an earlier epoch in America, or as an outstanding Broadway composer some of the writings of Eduard Bernstein , if not of (the to mirror aspects of present-day life or whether it finds who somehow contrived to write a hit-show called " The young?) Marx, and perhaps even a crumpled copy of a unique, definitive and timeless form for present-day Threepenny Opera" during his otherwise obscure and the Erfurt Programme of 1891 . phenomena. The absence of inner and outer complica­ probably misspent Berlin youth ; whether you disagree Unlike Brecht, Weill never needed to repudiate his early tions (in the material and in the means of expression) with both these views and either find evidence of a strik- backg round in order to define his artistic functions and is in keeping with the more naive disposition of the ingly original mind at all stages in his career (but at some objectives.
    [Show full text]
  • To the Beat of a Different Drummer Friday, September 22, 2017 • 8 Pm Miller Outdoor Theatre Saturday, September 23, 2017 • 5 Pm the Church of St
    To the Beat of a Different Drummer Friday, September 22, 2017 • 8 pm Miller Outdoor Theatre Saturday, September 23, 2017 • 5 pm The Church of St. John the Divine Victor Yampolsky, Conductor • Matthew McClung, Percussion Soloist Anthony DiLorenzo Anthem of Hope: Houston Strong ----2 minutes---- Igor Stravinsky [ Struh-VIN-ski ] 1882 – 1971 Concerto in E-flat Major for Chamber Orchestra, “Dumbarton Oaks” I. Tempo Giusto • II. Allegretto • III. Con moto ----15 minutes---- Paul Lansky [ LAN-ski ] b. 1944 Five Views of an Unfamiliar Tune for Solo Percussion and Chamber Orchestra I. Head First • II. Through the Shadows • IIII. On Parade IV. Through Meditation • IV. With Arms Akimbo ----17 minutes---- ------------------Take Five------------------- Paul Hindemith [ HEN-dih-mit ] 1895 – 1963 Cupid and Psyche (Farnesina) ----7 minutes---- Kurt Weill [Wile] 1900 – 1950 Symphony No. 2 I. Sostenuto - Allegro molto • II. Largo • III. Allegro vivace - Presto ----28 minutes---- This performance is funded in part by the Kurt Weill Foundation for Music, Inc., New York, NY This evening’s music will include the pieces above, definitely in this order, with a Take 5 (short intermission) and possible surprises. Join ROCO in exploring Houston and beyond through concerts that span the Southwest to the far Northern reaches of our area. (Private salons in homes and galleries not listed) 2 Cypress Creek FACE ROCO In Concert ROCO Unchambered ROCO Connections Saint Arnold Brewing Company Rienzi 1 2000 Lyons Avenue 1406 Kirby Drive The Heritage Society 1 1100 Bagby Street The Church of 1 St. John the Divine 4 Midtown Arts & Theater Center Houston (MATCH) 2450 River Oaks Blvd 4 3400 Main Street Lawndale Art Center 4912 Main Street 1 Miller Outdoor Theater 1 6000 Hermann Park Drive Houston Zoo 6200 Hermann Park Drive 1 2 a new level of concert engagement ROCO is the first professional orchestra to premiere EnCue by Octava, a brand new smart phone app that’s changing the concert-going experience.
    [Show full text]
  • “Off to Mahagonny”
    “Off to Mahagonny” Kim Kowalke Kim Kowalke, President of the Kurt Weill Foundation for Music in New York Kim Kowalke, President of the Kurt Weill Foundation in New York, explains the history, reception, and performance issues of Aufstieg und Fall der Stadt Mahagonny [Rise and Fall of the City of Mahagonny]. Weill and Brecht’s “epic opera,” though less frequently performed than Die Dreigroschenoper, has nevertheless had an extraordinarily rich but problematic performance history. During Weill’s lifetime there was no definitive version of Mahagonny, with the so-called Paris, Berlin, and Vienna versions all being adaptations of either the Songspiel (1927) or the full-length opera (1930). Tell us about the performance history of Mahagonny during Weill’s lifetime. Kowalke: In Weill’s lifetime Mahagonny never had a chance to establish itself, largely because of the political situation. Universal Edition published a piano- vocal score prior to its première on 9 March 1930 in Leipzig with Gustav Brecher conducting. A few days later Maurice Abravanel conducted it in Kassel. That summer George Szell led it in Prague, and in October Wilhelm Steinberg conducted twelve performances in Frankfurt. By then, however, all the possibilities for the Berlin opera houses had fallen through. Even Klemperer declared it “immoral” and therefore too risky for the erstwhile adventurous Kroll. Finally Ernst Josef Aufricht, who had commercially produced both The Threepenny Opera and Happy End in Berlin, did it at the Kurfürstendamm Theatre. So its first production in Berlin wasn’t even at an opera house, but it did enjoy a run there of some fifty performances.
    [Show full text]
  • KURT WEILLWEILL EDITION Vol
    KURTKURT WEILLWEILL EDITION Vol. 2 AUFSTIEG UND FALL DER STADT MAHAGONNY (THE RISE AND FALL OF THE CITY OF MAHAGONNY) DER ZAR LÄSST SICH PHOTOGRAPHIEREN (THE TSAR HAS HIS PHOTOGRAPH TAKEN) DER KUHHANDEL (SHADY DEALING ) • HAPPY END KÖLNER RUNDFUNKORCHESTER • KÖNIG-ENSEMBLE JAN LATHAM-KÖNIG KURT WEILL (1900 - 1950) AUFSTIEG UND FALL DER STADT MAHAGONNY THE RISE AND FALL OF THE CITY OF MAHAGONNY Oper in 3 Akten / Opera in three acts Text: Bertolt Brecht (1898 - 1956) Leokadja Begbick ................................................................................... ANNY SCHLEMM Fatty .............................................................................................THOMAS LEHRBERGER der „Prokurist“ / „The Bookkeeper“ Dreieinigkeitsmoses / Trinity Moses.......................................................... KLAUS HIRTE Jenny Smith .....................................................................................................ANJA SILJA Jim Mahoney / Jim MacIntyre ....................................................WOLFGANG NEUMANN Jakob Schmidt / Jack O’Brien ............................................................ FREDERIC MAYER Bill ........................................................................................................... PAUL WOLFRUM genannt „Sparbüchsenbill“ / nicknamed „Bank-account Bill“ Joe ............................................................................................................HANS FRANZEN genannt „Alaskawolfjoe“ / nicknamed „Alaska-Wolf Joe“ Tobby Higgins .....................................................................................
    [Show full text]
  • Bertolt Brecht - Poems
    Classic Poetry Series Bertolt Brecht - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Bertolt Brecht(10 February 1898 – 14 August 1956) Eugen Berthold Friedrich Brecht; was a German poet, playwright, and theatre director. An influential theatre practitioner of the 20th century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through the seismic impact of the tours undertaken by the Berliner Ensemble — the post-war theatre company operated by Brecht and his wife, long-time collaborator and actress Helene Weigel. <b>Life and Career</b> Bavaria (1898–1924) Bertolt Brecht was born in Augsburg, Bavaria, (about 50 miles (80 km) north- west of Munich) to a conventionally-devout Protestant mother and a Catholic father (who had been persuaded to have a Protestant wedding). His father worked for a paper mill, becoming its managing director in 1914. Thanks to his mother's influence, Brecht knew the Bible, a familiarity that would impact on his writing throughout his life. From her, too, came the "dangerous image of the self-denying woman" that recurs in his drama. Brecht's home life was comfortably middle class, despite what his occasional attempt to claim peasant origins implied. At school in Augsburg he met Caspar Neher, with whom he formed a lifelong creative partnership, Neher designing many of the sets for Brecht's dramas and helping to forge the distinctive visual iconography of their epic theatre. When he was 16, the First World War broke out. Initially enthusiastic, Brecht soon changed his mind on seeing his classmates "swallowed by the army".
    [Show full text]
  • Bertolt Brecht, 19381
    THAT BOOK SHOULD BE BURNED: THE CONTESTED AFTERLIFE OF BERTOLT BRECHT NICHOLAS JOHNSON There can’t be any doubt about it any longer: the struggle against ideology has become a new ideology. —Bertolt Brecht, 19381 In 1994 John Fuegi, a career Brecht scholar and founder of the International Brecht Society, published his biography of Bertolt Brecht, entitled Brecht & Co: Sex, Politics, and the Making of the Modern Drama. The first biography of Brecht written with such a high level of access to unpublished materials and, more importantly, the first written since the fall of the Berlin Wall in 1989, the book was anticipated as a breakthrough. What it broke through, however, failed to please most Brecht scholars. The book shattered a mythology of Brecht as an icon and a genius, painting instead a picture of a heartless sociopath who drew talent around him by force of charisma, a political hero whose only political interest was in self-preservation, a rich man who masqueraded as poor and, above all, an exploiter of his female collaborator/mistresses to the point that his authorship of key works is called into question. Within a year of Brecht & Co’s publication, the International Brecht Society, now under new leadership, published in its Brecht Yearbook 20 a list of 452 errors, distortions, and omissions in Fuegi’s text. The authors of this report included a number of the most widely known Brecht scholars: John Willett, James K. Lyon, Siegfried Mews, and Hans Christian Nørregaard. Lyon’s introduction offers a damning summary of “carelessness,
    [Show full text]
  • A Level Drama and Theatre Topic Exploration Pack (Brecht)
    Topic Exploration Pack Practitioners: Brecht Introduction ..................................................................................................................................... 2 Resources ....................................................................................................................................... 4 Activity 1 – Brecht and politics ......................................................................................................... 5 Activity 2 – Epic Theatre ................................................................................................................. 6 Activity 3 – Gestus .......................................................................................................................... 7 Resource 1 – Brecht quotes ............................................................................................................ 8 Resource 2 – Brecht and Marxism .................................................................................................. 9 Resource 3 – Epic Theatre techniques.......................................................................................... 11 This Topic Exploration Pack supports OCR A Level Drama and Theatre. Version 2 1 © OCR 2016 Introduction Bertolt Brecht was born into a middle-class family in Augsburg, Germany, at a time when the world was full of conflict and contradictions. The First World War broke out when he was just 16, heralding the beginning of a life of political, financial and personal instability for Brecht.
    [Show full text]
  • Walter Benjamin and Bertolt Brecht This Page Intentionally Left Blank Erdmut Wizisla
    Walter Benjamin and Bertolt Brecht This page intentionally left blank Erdmut Wizisla Walter Benjamin and Bertolt Brecht – the story of a friendship translated by Christine Shuttleworth Yale University Press New Haven and London First published as Walter Benjamin und Bertolt Brecht – Die Geschichte einer Freundschaft by Suhrkamp Verlag, Frankfurt, 2004. First published 2009 in English in the United Kingdom by Libris. First published 2009 in English in the United States by Yale University Press. Copyright © 2009 Libris. Translation copyright © 2009 Christine Shuttleworth. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Kitzinger, London. Printed in the United States of America. Library of Congress Control Number: 2009922943 isbn 978-0-300-13695-1 (hardcover : alk. paper) A catalogue record for this book is available from the British Library. This paper meets the requirements of ansi/niso z39.48‒1992 (Permanence of Paper). 10987654321 Contents List of Illustrations vi Publisher’s Note vii Chronology of the Relationship ix Map and time chart of Benjamin and Brecht xxvi I A Significant Constellation May 1929 1 A Quarrel Among Friends 9 II The Story of the Relationship First Meeting, A Literary Trial, Dispute over Trotsky, 1924–29 25 Stimulating Conversations, Plans for Periodicals, ‘Marxist Club’,
    [Show full text]
  • Performance Drawings
    PERFORMANCE DRAWINGS A drawing by Robert Wilson for his production of The Threepenny Opera. Ink and watercolor on paper, 120 x 80. Photo: Courtesy Robert Wilson. Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/pajj.2008.30.1.31 by guest on 30 September 2021 THE THREEPENNY OPERA Drawings Robert Wilson (Editor’s Note: This issue of PAJ inaugurates a new series, Performance Drawings, with the designs by Robert Wilson for his staging of the Brecht-Weill classic, The Threepenny Opera, which premiered on September 27, 2007, at the Berliner Ensemble, home of the original 1928 production. In future issues drawings from performance and visual arts, including forms of musical and dance notation, will be featured in special portfolios.) ith all of my work I see the stage abstractly. I start the sketches and drawings first. Once I know the space it is much easier for me to decide Wwhat to do in it. I made a decision at the beginning to have the stage space constructed with lines of light. There are only two lines in the world, a straight one and a curved one. The first scene is a series of circles fading in and out as in a carnival or fairground (curved lines). The final scene is framed by a draped red curtain (curved lines). All the other scenes are different compositions of straight lines. Either horizontal, perpendicular, or diagonal. The Peachum shop is a series or low screens with vertical and horizontal lines as if to suggest movable racks of clothes. There are seen from time to time in different configurations.
    [Show full text]
  • The Voice from the 10Th
    The Voice from the 10th Row Carl Weber and the Berliner Ensemble an interview by Branislav Jakovljević, Keara Harman, Michael Hunter, Jamie Lyons, Lindsey Mantoan, Ljubiša Matić, Ciara Murphy, Jens Pohlmann, Ryan Tacata, and Giulia Vittori Carl Weber’s career spanned over six decades and two continents; he was an actor and director in post-WWII East Germany, an assistant director and actor (among other things) in Bertolt Brecht’s Berliner Ensemble, a director in Western Europe and the United States, one of the premier translators of Heiner Müller’s dramas, and an accomplished theatre pedagogue. During the 2011/2012 academic year, a group of faculty, postdoctoral fellows, and graduate students at Stanford University organized a series of interviews with Professor Weber, which received support from the Stanford Humanities Center’s Theodore and Frances Geballe Research Workshops. In these interviews we focused on Weber’s work in the Berliner Ensemble during Brecht’s final years. The participants in the workshop were: Branislav Jakovljevic´ — convener, faculty at Stanford’s department of Theater and Performance Studies (TAPS); Leslie Hill — video documentation, faculty at TAPS; Lindsey Mantoan — graduate student, TAPS; Michael Figure 1. From left: Wolfgang Pintzka, Helene Weigel, and Carl Weber, Berliner Ensemble, 12 May 1960. (Courtesy of Bertolt Brecht Archive) TDR: The Drama Review 62:3 (T239) Fall 2018. ©2018 New York University and the Massachusetts Institute of Technology 55 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram_a_00773
    [Show full text]