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INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin -
Cross-Country Funding Opportunities Tomson Highway Talks Language
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 46 NUMBER 2 CANADA SUMMER 2018 Cross-country Funding Opportunities 14 Tomson Highway Talks Language 18 On Poetry & Carpentry 28 From the Chair By Eric Enno Tamm If economics is the “dismal science,” as one Victorian historian once wrote, then bookonomics is surely its even uglier offshoot. The mechanics of this market — the push of supply and pull of why we, as writers, are so consumed by copyright battles. demand for books — has faced some unprecedented upheavals At its heart, copyright infringement is really about suppressing of late. Schools and universities wantonly copy our works without demand for our commercial creations. If you can freely copy part recompense. Big-box bookstores are closing across the continent. of a book in a university course pack, then you don’t need to buy Publishers are merging or dissolving in bankruptcy. While self- it, reducing its sales and ultimately royalties to us, the authors. So, publishing has created welcomed opportunities for professional while strong copyright protection may not increase demand for writers, it has also flooded the market with cheap, amateurish our books, at least it stops it from sliding. supply. Apple, Amazon, and Alphabet (Google) appear to be the Yet even if we win all of our copyright battles, we may not be able new publishing oligarchs. The traditional book industry, at times, to stop the decline in writers’ income. Why? Because bookonomics feels like it’s in the remainder bin of history. and the business model behind it are broken — at least for writers. -
Nation with in a Nation in Tomson Highway's the Rez Sisters
International Journal of English Literature and Social Sciences, 5(3) May-Jun 2020 |Available online: https://ijels.com/ Foreign and Reserve Life Hand in Hand: Nation with in a Nation in Tomson Highway’s The Rez Sisters Maggy Clemence B.ED, English (4th semester), Calicut University Teacher Education Centre, Koduvur, Palakkad, Kerala, India. Abstract— This papers focus on the dual existence of the concept of Nationality which is generally referred as the “Nation with in a Nation”. When we trace the early orgins of Canada, the result would be a wide separation of two cultures, the reserve culture and the foreign culture. One such division is further reflected in ‘The Res Sisters’ a famous work by Cree Canadian writer Tomson Highway. The plot revolves around the life of seven sisters who were subjected to reserve life. Their life wasn’t a bed of roses, their hurdles that was artificially created by the white immigrants .The play glorifies the rebellious attitude of the reserve ladies, the intervention of a male counterpart named Nanabush. Nanabush itself is the blurred conscious minds of the woman whose support heals their wounds. Race and ethnicity can also be implored further to stress the discrimination with in the Nation. Keywords— Nation with in a nation, Race and Ethnicity, Discrimination, Cultural Limitations. I. INTRODUCTION played the role as trickster. The comparison of reserved life Literature has always been a medium that lucidly reflects the with that of foreign life is the central theme for some of depth and vastness of human culture. Pictorial representation Canadian works which gained an immense position in the of social images and events has been along standing formula field of both English as well as Canadian Literature. -
LINES and CIRCLES the "Rez" Plays of Tomson Highway
LINES AND CIRCLES The "Rez" Plays of Tomson Highway Denis W. Johnston WriTHOUT QUESTION, the most important new Canadian playwright to emerge Уin thTITe Hlatter half of the 1980s has been Tomson Highway. In less than three years, and with only two major plays, Highway has joined a select group of playwrights whose new plays, sight unseen, are treated as significant cul- tural events by Canadian critics, scholars, and audiences. The two plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, both won the coveted Dora Mavor Moore award for the best new play produced in Toronto, the former for the 1986-87 season and the latter for 1988-89. Tomson Highway says his ambition in life, and therefore presumably in his plays, is "to make 'the rez' [reserve] cool, to show and celebrate what funky folk Canada's Indian people really are."1 In this, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing have been wildly successful, attracting enthusiastic audiences, both white and Native, far beyond the real-life reserve where The Rez Sisters was conceived and first performed. To non-Native critics, myself included, Tomson Highway is an exotic new figure in Canadian theatre. Born on his father's trap-line in northern Manitoba, he spoke only Cree until going to a Catholic boarding school at age six. In high school in Winnipeg he became a musical prodigy, eventually earning university degrees in English and music while studying to be a concert pianist. After graduation, how- ever, Highway abruptly jettisoned his musical career and spent the ensuing seven years working with various Native support organizations. -
Recovering Canada: the Resurgence of Indigenous Law
RECOVERING CANADA: THE RESURGENCE OF INDIGENOUS LAW Canada is ruled by a system of law and governance that largely obscures and ignores the presence of pre-existing Indigenous regimes. Indige- nous law, however, has continuing relevance for both Aboriginal peoples and the Canadian state. In this in-depth examination of the continued existence and application of Indigenous legal values, John Borrows suggests how First Nations laws could be applied by Canadian courts, while addressing the difficulties that would likely occur if the courts attempted to follow such an approach. By contrasting and com- paring Aboriginal stories and Canadian case law, and interweaving polit- ical commentary, Borrows argues that there is a better way to constitute Aboriginal-Crown relations in Canada. He suggests that the application of Indigenous legal perspectives to a broad spectrum of issues will help Canada recover from its colonial past, and help Indigenous people recover their country. Borrows concludes by demonstrating how Indige- nous peoples' law could be more fully and consciously integrated with Canadian law to produce a society where two world-views can co-exist and a different vision of the Canadian constitution and citizenship can be created. JOHN BORROWS is Professor and Law Foundation Chair in Aboriginal Justice at the University of Victoria. This page intentionally left blank JOHN BORROWS Recovering Canada: The Resurgence of Indigenous Law UNIVERSITY OF TORONTO PRESS Toronto Buffalo London ) University of Toronto Incorporated 2002 Toronto Buffalo London Printed in Canada Reprinted 2006, 2007 ISBN 0-8020-3679-1 (cloth) ISBN 0-8020-8501-6 (paper) © Printed on acid-free paper National Library of Canada Cataloguing in Publication Borrows, John, 1963- Recovering Canada : the resurgence of Indigenous law /John Borrows. -
Department of Drama
UNIVERSITY OF ALBERTA Mentoring Canadian Theatre: Paul Thompson's Influence On The State of Canadian Theatre Through His Work in Collective Creation Dunng the 1970s and Early 1980s Ryan Farrell O A thesis submitted to the Faculty of Graduate Studies and Research in partial Willment of the requirements for the degree of Master of Arts. DEPARTMENT OF DRAMA Edmonton, Alberta Spring, 2000 National Library Bibliothéque nationale u*u ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services senrices bibrigmphiques 395 Wellington Street 395. rue Weliiigton OlÉewaON K1AOW OttawaON KlAON4 canada carlada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothéque nationale du Canada de reproduce, loan, distn'bute or seIl reproduire, prêter, distriiuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels mybe printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT In this thesis, 1 demonstrate how Paul Thompson's collective creations from the 1970s and early 1980s provided a mechanism by which to attach theatre practice to the creation of dramatic text. 1 demonstrate how Paul Thompson developed his collective creations to help replenish the body of Canadian written work in the country's theatre industry, creating a volume of playable Canadian theatre texts that were developed by Canadians, for Canadians, and based on Canadian subject-rnatter. -
Dora Mavor) Papers Coll 207
MS Moore (Dora Mavor) Papers Coll 207 A large collection of correspondence, scripts, photos, clippings, theatre programs and tapes covering the personal and professional career of the Canadian actress, drama teacher and director Dora Mavor Moore. It excludes that part of Moore’s career when she was director of the New Play Society and School. This material can be found in the New Play Society Papers (MS Coll. 228). Dates: 1888-1979 Extent: 189 boxes and items. Located at Downsview Offsite Storage. Gift of Dora Mavor Moore, Francis W. Mavor Moore and J. Mavor Moore. 2 MOORE (DORA MAVOR) COLLECTION 207 BOX NO SERIES 1 - 2 A Education and early acting career 3 - 38 B Teaching and early directing 39 - 50 C Professional activities, other than teaching or directing 51 - 88 D Personal 89 - 98 E Theatrical history 99 - 101 F Photographs 102 - 126 G Theatre programmes 127 - 129 H Tapes 1)0 - 132 I Scripts 133 - 145 J Christmas card collection Family Papers 1.57- 1~3 K L Books I, 3 MOORE (OORA MAVOR) COLLECTION 207 CONTAINER LISTING; A: EDUCATION AND EARLY ACTING CAREER Box no. 1. A Education: Ecole superieure de demoiselles, 1904-1906 1· B University College, University of Toronto; Margaret Eaton School of Literature and Expression, Toronto; Royal Academy of DramaticArt, London, England. 2 Early professional career on the stage, 1912-1918; Colonial Stock Company, Ottawa; Ben Greet Pastoral Players and RepertoJrytOmmpanies, N.Y., Chicago, etc.; various New York companies; Farnum Barton & Associate players, Toronto 1915; participating in Old Vic production, London, England, 1918. B: TEACHING AND EARLY DIRECTING Box no. -
R. Murray Schafer's Odditorium
R. MURRAY SCHAFER’S ODDITORIUM NEW DIRECTIONS IN MUSIC NEW DIRECTIONS IN MUSIC 2016/2017 CONCERT SERIES NEW DIRECTIONS IN MUSIC FROM THE ARTISTIC DIRECTOR Soundstreams has a long and treasured history ideas expressed. Just as mythological connections of collaboration with R. Murray Schafer, in the abound in his large-scale works including the performance of existing works, as well as the entire Patria cycle, the same can be said of the commissioning, developing and premiering of new four small-scale music theatre works included in works. Murray’s vision has always been larger Odditorium. than life and expressing that vision often required that it is mirrored in large-scale works - featuring This production marks the first time these multiple vocal and instrumental ensembles. extraordinary smaller works have been grouped together in such a way. We hope you’ll agree We at Soundstreams have shared with him an that they turn out to be joined at the hip – linked abiding interest in the power of multiple ensembles through a mythology that speaks to our innermost and large-scale forces to express profound emotional lives and at the same time, connecting ideas. This common interest has resulted in a us to the larger cosmos. Therein lies Murray’s number of such commissions, the largest of which special genius – welcome to the labyrinth! included The Fall Into Light for 7 choirs and the monumental opera The Children’s Crusade for more than 100 performers. It is said that size matters. But in fact, there is no direct correlation in Schafer’s works between the size of forces employed and the depth of the Lawrence Cherney Soundstreams would like to acknowledge this event takes place on the traditional territory of the indigenous peoples who have occupied and made this land their home from time immemorial. -
Thorneloe Newsletter 2014
Fall 2014 A “New Look” In This Issue Readers will probably notice that there is a The design firm brought forward a number 1 A New Identity to begin our new visual identity (often referred to as a of different options for consideration, but Second Half-century ‘logo’) for Thorneloe University on our cover finally, after much deliberation, the page. This is the start of a ‘roll out’ of a new Committee chose the image and 2 Report of the President design over the next few months. wordmark you see below. 3 Convocation 2013 and an Many of you are very familiar with the Invitation to the 33rd Meeting traditional Crest – which served us well over five decades – but in the spring of 2013, a 4 The Family who Sponsored the small committee comprised of faculty, staff Murray Scholarships and Board members began to explore whether we should continue with the current 5 Global Outreach and Chaplaincy and original design or make a change. at Thorneloe Majority of work done 6 Theology Summer Program and by volunteers a Pilgrimage to the Holy Land After much internal discussion and review 7 Classical Studies and the School – and the very helpful responses from of Theology report three focus groups of various stakeholders – the Committee agreed that while the 8 Women’s Studies Invites Alumni original crest should remain as an “official” to share their Experiences visual identity for things like diplomas and You’ll notice a number of familiar elements certificates, it was time to develop 9 Religious Studies reports right away; for example, the Hawthorne something completely new and more another Excellent Year tree, featured prominently in our original modern to be used in everyday publicity, Crest, is incorporated into the image. -
THE CANONIZATION of TOMSON HIGHWAY By
A BALANCING ACT: THE CANONIZATION OF TOMSON HIGHWAY by JENNIFER LEE COVERT BA, McMaster University, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Theatre, Film and Creative Writing) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1997 © Jennifer Lee Covert, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced i degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada DE-6 (2/88) ABSTRACT In this thesis I will examine the critical and popular success of playwright Tomson Highway. Highway's two published plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing. are taught on university and high school syllabi across the country and abroad, as far away as Copenhagen. These two plays have also been performed in Canada virtually from coast to coast. These facts are interesting in and of themselves, but specifically when taken into account with the fact that Highway is a Cree playwright, born in northern Manitoba, who didn't become fluent in English until reaching his teens. -
The Quint : an Interdisciplinary Quarterly from the North 1
the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board Ronald Marken, Professor Emeritus, volume nine issue three University of Saskatchewan the quint Camille McCutcheon, University of South Moshen Ashtiany, Columbia University Carolina Upstate Brenda Austin-Smith, University of an interdisciplinary quarterly from Manitoba Lorraine Meyer, Brandon University Ray Merlock, University of South Carolina Keith Batterbe. University of Turku Upstate the north Donald Beecher, Carleton University Antonia Mills, Professor Emeritus, Gerald Bowler, Independent Scholar University of Northern British Columbia ISSN 1920-1028 guest editor Robert Budde, University Northern British Ikuko Mizunoe, Professor Emeritus, Columbia Kyoritsu Women’s University Melanie Belmore John Butler, Independent Scholar Avis Mysyk, Cape Breton University David Carpenter, Professor Emeritus, Hisam Nakamura, Tenri University University of Saskatchewan Andrew Patrick Nelson, University of Montana the quint welcomes submissions. See our guidelines Terrence Craig, Mount Allison University or contact us at: Lynn Echevarria, Yukon College Sherry Peden, University College of the North Erwin Erdhardt, III, University of the quint Cincinnati Julie Pelletier, University of Winnipeg University College of the North P.O. Box 3000 Peter Falconer, University of Bristol Vincent Pitturo, Denver University The Pas, Manitoba Peter Geller, University of the Fraser Valley Frances Pheasant-Kelly, University of Canada R9A 1K7 Wolverhampton Susan Gold, University of Windsor -
Saving the Trees
0 N C 0 R D I A,S SDAY ~PORT Osama Mose/hi has designed a better hydro pole Saving the trees next generation of poles. requirements, aesthetic considera BY SYLVAIN COMEAU Moselhi points out the obvious: tions (Hydro-Qyebec wanted the rofessor Osama Moselhi, of the plastic poles can be made without poles to look as good as wooden PCentre for Building Studies, is depleting forests . "Wooden poles ones) and public safety. doing his part to save the trees. are also treated with chemicals "Underground electric cables are The expert in construction engi so they can last longer. Once they're currently attached to the outside of neering and management, working embedded in the ground, some of wooden poles. But our poles are hol with a team from Concordia, the chemicals seep out and pollute low, so the cables can be housed Hydro-~ebec and a fibre compos the soil." inside." ites manufacturer, has developed a There are also financial incentives, Another issue for the utility is set of performance specifications for Moselhi said. If they are mass pro control over the final product. a new type of distribution pole which duced, the cost of the new poles Attempts to control tree growth will eventually replace many of the might be competitive with that of have resulted in lower quality, com wooden poles used in ~ebec. wooden poles. pared with naturally grown trees. Distribution poles carry the cables "The life expectancy of our pole is But now, Hydro-~ebec will be able which transmit electrical energy 40 to 80 years, while wooden poles to build poles according to precise from one place to another.