Russian Writers and the Doukhobors
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Review Dean’S Message
SCHOOL OF BUSINESS YEAR IN REVIEW DEAN’S MESSAGE QSB’s Year in Review is more than just a chance to look back on the highlights of the previous 12 months. Each year since 2007, we have also shared details of financial support for the school, as well as donor vignettes that highlight the power of alumni giving. The 2013-2014 Year in Review includes another strong list of accomplishments to reflect on. You will also see that we have entered the final phase of our fundraising campaign. Thanks to the generosity of QSB’s alumni and friends, the “Invest in QSB” campaign has now reached $51 million of its goal of $65 million. Funds raised are being directed toward four strategic priorities: increasing student diversity in the Commerce program; establishing more scholarships for the full-time MBA program; attracting and retaining the best faculty; and further developing innovative teaching methods. I’m particularly excited about this last initiative, which will enable us to revolutionize a traditional teaching tool: the case study. The Living Case initiative was developed in response to a growing student demand for technology-based learning and classroom discussions that focus on current, real-time events, driven by easy and immediate access to information. Living cases build on the latest market developments, drawing on SEC filings, analyst and news reports, social media and company information, to foster an enhanced understanding of strategic and operational decision-making and integration of activities across entire business systems. The Living Case initiative is just one of the ways we are transforming the traditional classroom into a dynamic learning environment to provide our students with unparalleled opportunities. -
INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin -
Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
Unpalatable Pleasures: Tolstoy, Food, and Sex
University of New Hampshire University of New Hampshire Scholars' Repository Languages, Literatures, and Cultures Scholarship Languages, Literatures, and Cultures 1993 Unpalatable Pleasures: Tolstoy, Food, and Sex Ronald D. LeBlanc University of New Hampshire - Main Campus, [email protected] Follow this and additional works at: https://scholars.unh.edu/lang_facpub Recommended Citation Rancour-Laferriere, Daniel. Tolstoy’s Pierre Bezukhov: A Psychoanalytic Study. London: Bristol Classical Press, 1993. Critiques: Brett Cooke, Ronald LeBlanc, Duffield White, James Rice. Reply: Daniel Rancour- Laferriere. Volume VII, 1994, pp. 70-93. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. NEW ~·'T'::'1r"'T,n.1na rp.llHlrIP~ a strict diet. There needs to'be a book about food. L.N. Tolstoy times it seems to me as if the Russian is a sort of lost soul. You want to do and yet you can do nothing. You keep thinking that you start a new life as of tomorrow, that you will start a new diet as of tomorrow, but of the sort happens: by the evening of that 'very same you have gorged yourself so much that you can only blink your eyes and you cannot even move your tongue. N.V. Gogol Russian literature is mentioned, one is likely to think almost instantly of that robust prose writer whose culinary, gastronomic and alimentary obsessions--in his verbal art as well as his own personal life- often reached truly gargantuan proportions. -
4528, Rue De Bullion Montréal (Québec) Canada H2T 1Y6 WWW
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANDRÉ CORNELLIER WWW.LOUISELECAVALIER.COM www.facebook.com/LouiseLecavalier.FouGlorieux INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 BOOKING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: CYRILLE COMMER \ [email protected] \ T.: 1 514 779-18333 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 SO BLUE Premiere: December 7, 2012, tanzhaus nrw, Düsseldorf Conceived and choreographed by: Louise Lecavalier Created and performed by: Louise Lecavalier, Frédéric Tavernini Assistant Choreographer and Rehearsal Director: France Bruyère Lighting Design: Alain Lortie Music: Mercan Dede PHOTO: CARL LESSARD Additional Music: Normand-Pierre Bilodeau, Daft Punk, Meiko Kaji Remixing Producer: Normand-Pierre Bilodeau Costume Design: Yso Length: 60 min Production : Fou glorieux, in co-production with: tanzhaus nrw (Düsseldorf); Théâtre de la Ville (Paris); Hellerau (Dresden); National Arts Centre (Ottawa); Festival TransAmériques (Montréal); Residency: Szene Salzburg Louise Lecavalier is supported by the Conseil des arts et des lettres du Québec, the Canada Council for the Arts, and the Montreal Arts Council. PRESENTATION OF THE WORK SO BLUE Louise Lecavalier and partner Frédéric Tavernini risk all in the high-voltage atmosphere of this radical, raw, and haunting work set to the visceral music of Mercan Dede. Quick as thought, the body dictates its laws and transgresses its limits. -
Elective English - I DENG104 Edited By: Dr
Edited By: Dr. Digvijay Pandya Elective English - I DENG104 Edited By: Dr. Digvijay Pandya ELECTIVE ENGLISH - I Edited By: Dr. Digvijay Pandya Printed by LAXMI PUBLICATIONS (P) LTD. 113, Golden House, Daryaganj, New Delhi-110002 for Lovely Professional University Phagwara SYLLABUS Elective English -I Objectives: To improve understanding of literature among students. To enhance writing skills of students. To develop skills of critical analysis in students. Sr. No. Content 1 The Post Office by R N Tagore 2 A Free Man's Worship by Bertrand Russell 3 Dream Children by Charles Lamb 4 The Spark Neglected Burns the House by Leo Tolstoy 5 Night of the Scorpion by Nissim Ezekiel. The World Is Too Much With Us By William Wordsworth 6 After Twenty Years by O. Henry 7 If by Rudyard Kipling, Where the Mind is Without Fear By Rabindranath Tagore 8 Eveline by James Joyce 9 The Monkey’s Paw by W.W.Jacobs 10 Luck by Mark Twain CONTENT Unit 1: The Post Office by Rabindranath Tagore 1 Digvijay Pandya, Lovely Professional University Unit 2: A Free Man’s Worship by Bertrand Russell 12 Gowher Ahmad Naik, Lovely Professional University Unit 3: Charles Lamb-Dream Children: A Reverie—A Detailed Study 28 Gowher Ahmad Naik, Lovely Professional University Unit 4: Charles Lamb-Dream Children: A Reverie—A Critical Analysis 37 Digvijay Pandya, Lovely Professional University Unit 5: The Spark Neglected Burns the House by Leo Tolstoy 46 Digvijay Pandya, Lovely Professional University Unit 6: After Twenty Years by O. Henry 69 Gowher Ahmad Naik, Lovely Professional University -
The Russians' Secret: What Christians Today Would Survive Persecution?
The Russians' Secret What Christians Today Would Survive Persecution? by Peter Hoover with Serguei V. Petrov Martyrdom, in early Christian times, already appealed to believers intent on doing great things for Christ. The early Christians venerated martyrs, the dates of whose executions grew into a calendar of saints, and wearing a martyrs' halo is still extremely popular. But martyr's halos do not come in the mail. A great amount of persecution faced by Christians today results not from what they believe, but from what they own, and from where they come. Missionaries in poor countries lose their possessions, and sometimes their lives, because people associate them with foreign wealth. Other "martyrs" lose their lives in political conflict. But does having our vehicles and cameras stolen, our children kidnapped, or being killed for political "correctness," assure that we have "witnessed for Jesus" (martyr means witness, Rev. 6:9, 12:17, and 19:10)? Real martyrs for Christ do not wear halos. They only carry crosses. Most people, even Christians, quickly discredit and forget these martyrs. Real martyrs suffer persecution, not like "great heroes of the faith" but like eccentrics and fools. Ordinary people usually consider them fanatics. Does that disappoint or alarm you? Do not worry. Reading this book about Russia's "underground" believers will assure you that if you are a typical Western Christian you will never face persecution. You will never have to be a real martyr for Christ. Only if you are not typical - if you choose to be a "weed that floats upstream" - you may want to know the secret by which Russian Christianity survived through a thousand years of suffering. -
The Last Station
Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
Download King, Charmion Collection
Charmion King Collection (1931-1983) Inventory Correspondence, photographs, programs, clippings and scrapbooks relating to the career of Toronto actress Charmion King (1925- ). Material includes her student acting at Hart House Theatre, early career in summer stock at the Woodstock Playhouse, Straw Hat Players, Niagara Falls Summer Theatre, and Bermudiana Repertory Theatre, in addition to the Garden Centre Theatre, tours with The Drunkard and There Goes Yesterday and work with the Crest Theatre and Stratford. The majority of the items in the collection deal with her work before her marriage to actor/writer Gordon Pinsent, when she retired temporarily from the stage. For information on her later career, see the clippings and fiche in the Performing Arts Centre. 1 box; 10 envelopes (1 oversize) and 3 scrapbooks (1 oversize); .63 linear metres Box #1 File #1: Clippings – 56 items Biographical articles and reviews (see also Scrapbooks #1-3) Env. #2: Correspondence etc. – 10 items Roses by Wilson Macdonald, 1931 (printed calligraphic card) Signed photo of Wilson Macdonald, Charles G.D. Roberts, Marshall Saunders, John W. Elson. 1946, New Play Society membership card. 1947, Jan. 30. TLS [Toronto] Dora Mavor Moore, New Play Society thanking CK for acting in The Nativity. 1947, Feb. 3. ALS [Ajax] W. Bruce Wilson II, Engineering Physics, thanking CK for performance of St. Joan in Ajax. 1947, May 28. TLS [Toronto] E.A. Macdonald informing CK of SAC award for excellence in drama (photocopy). 1947, June 22. ALS [Edmonton, Alta.] G. Murrell Wright thanking CK and her father for gift and letter, and congratulating CK on her dramatic career. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence -
Department of Drama
UNIVERSITY OF ALBERTA Mentoring Canadian Theatre: Paul Thompson's Influence On The State of Canadian Theatre Through His Work in Collective Creation Dunng the 1970s and Early 1980s Ryan Farrell O A thesis submitted to the Faculty of Graduate Studies and Research in partial Willment of the requirements for the degree of Master of Arts. DEPARTMENT OF DRAMA Edmonton, Alberta Spring, 2000 National Library Bibliothéque nationale u*u ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services senrices bibrigmphiques 395 Wellington Street 395. rue Weliiigton OlÉewaON K1AOW OttawaON KlAON4 canada carlada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothéque nationale du Canada de reproduce, loan, distn'bute or seIl reproduire, prêter, distriiuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels mybe printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT In this thesis, 1 demonstrate how Paul Thompson's collective creations from the 1970s and early 1980s provided a mechanism by which to attach theatre practice to the creation of dramatic text. 1 demonstrate how Paul Thompson developed his collective creations to help replenish the body of Canadian written work in the country's theatre industry, creating a volume of playable Canadian theatre texts that were developed by Canadians, for Canadians, and based on Canadian subject-rnatter.