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Boston Lyric Opera Brings 'The Lighthouse'
Boston Lyric Opera brings ‘The Lighthouse’ to JFK By Harlow Robinson | GLOBE CORRESPONDENT JONATHAN WIGGS/GLOBE STAFF Thomas Hase, lighting designer for ‘‘The Lighthouse,’’ at the JFK Library. In New England we love our lighthouses. Beacons of safety in the stormy dark, they adorn the jagged coastline like timeless monuments to our maritime history. But lighthouses, especially in the pre- automation era, also gave rise to more unsettling feelings and questions. Who lives there, anyhow? What weird phenomena might lighthouse keepers witness, or imagine, during those long days and nights of lonely vigil, fog, and spray? These questions also fascinated distinguished British composer Peter Maxwell Davies. For many years, Davies, 77, has lived on Sanday, one of the remote Orkney Islands north of Scotland, where lighthouses are crucial fixtures of the ruggedly romantic landscape. In 1979, Davies transformed his interest in local maritime lore into music when he completed “The Lighthouse,’’ a chamber opera in a prologue and one act. Since its 1980 premiere at the Edinburgh Festival, “The Lighthouse’’ has become one of the most popular of all 20th-century operas, having been performed by more than 100 different companies. This week, Boston Lyric Opera will present four performances in Smith Hall at the John F. Kennedy Presidential Library and Museum. British stage director Tim Albery will make his BLO debut, as will set and costume designer Camellia Koo. BLO’s British-born music director David Angus will conduct. “The Lighthouse’’ is the latest offering in BLO’s Opera Annex program, created to stage productions in alternative, non-theatrical venues around the city. -
64 ATTRACTIONS • MTG SUMMER-FALL 2016 a Story
64 ATTRACTIONS www.MendocinoGuide.com • MTG SUMMER-FALL 2016 a Story Point Arena of Lighthouse Light Lighthouses are magical. Throughout history, captivating stories recount the lives of stalwart light keepers, working through the night to guide passing ships. Mendocino County is blessed with Fog Signal Building Museum weighs 4,700 then swung north again.” The precious First two excellent examples of working light pounds. Point Cabrillo’s rotating lens is one Order Fresnel lens crashed to the ground. stations, both awash in history, both of only three working Fresnel lenses in the The coast was plunged into darkness. A tem- accessible to visitors, both offering excellent United States. porary lighthouse was erected to keep ships accommodations and both run by dedicated The daily routine of lighthouse keep- sailing south with precious timber needed to volunteers and staff whose passion for ers and their families was a grueling affair, rebuild San Francisco, and astonishingly, by lighthouses is infectious. requiring much from the keepers and their 1908, another lighthouse was erected. Point Cabrillo Light Station, two miles assistants who resided in homes adjacent to The 115-foot tower, featuring steel north of Mendocino, and the Point Arena the lighthouses. To keep the light operation- reinforced rods encased in 500 cubic yards Lighthouse, twenty-five miles to the south al, light keepers hauled gallons of oil to the of concrete became the blueprint for the are repositories of lighthouse history, as well lantern rooms nightly. Lenses had to be free majority of future lighthouses. Tours of the as the history of Native Peoples, early setters, from soot and lantern wicks trimmed. -
Bruce Katz Band Toronzo Cannon
VOLUME TWENTY-FIVE, NUMBER THREE • MARCH 2020 ALBERT CUMMINGS Wednesday March 18th w/ the HECTOR ANCHONDO BAND Stocks n Bonds, Omaha Advance Tix available now @ eventbrite.com Thursday, March 5th @ 6 pm • The Jewell, Omaha Adv. tickets @ jewellomaha.com TORONZO CANNON Fri. March 20th @ 5 pm • Zoo Bar Sat. March 21st @ 7 pm • The Jewell, Omaha Adv. Tickets @ jewellomaha.com DAVY KNOWLES • Wed. March 11th @ 6 pm THE BLUES SOCIETY OF OMAHA PRESENTS HEATHER NEWMAN BAND • Sat. March 14th @ 9:30 pm VANESSA COLLIER • Wed. March 18th @ 6 pm LEGENDARY THURSDAY BLUES MATINEES AND MORE. Unless noted otherwise, all shows are 6 pm and at Stocks n Bonds , 8528 Park Drive, Omaha. BRUCE KATZ BAND Mar. 1st – Sunday 3 to 6 pm ....................... Hector Anchondo Band IBC Celebration at the B Bar! Mar. 5th – 6 pm show @ The Jewell .........................Brian England Groove Prescription ($10) – Tickets @ thejewellomaha.com Mar. 12th ..........................Dave Weld and the Imperial Flames ($10) Mar. 14 – Sat. 7 pm show @ The Jewell .............. Bruce Katz ($10) Mar. 18th – Wednesday Show! ............................Albert Cummings ($15 adv./ $20 dos) Tix on sale @ Eventrbite.com Fri. March 13th @ 5 pm Mar. 21st Sat. 7 pm @The Jewell .................Toronzo Canonn ($15) Tickets @ thejewellomaha.com ZOO BAR Mar. 26th ................... Nick Moss Band feat. Dennis Gruenling ($15) Sat. March 14th @ 7 pm Apr. 2nd ..................................................................... Ben Rice ($10) THE JEWELL, OMAHA Apr. 9th .............................Miles Nielsen & The Rusted Hearts ($10) Adv. tickets @ jewellomaha.com Apr. 16th ................................Orphan Jon and the Abandoned ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Why Join the Blues Society of Omaha with Your Membership Donation? The Blues Society of Omaha, Inc. -
The Persistence of Parody in the Music of Peter Maxwell Davies
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Insight - University of Cumbria The Persistence of Parody in the Music of Peter Maxwell Davies Richard E McGregor It’s all about time. Indeed there is not a single piece of musical composition that is not in some way about time. And for Davies the manipulation of time is rooted in his understanding of late Medieval and early Renaissance musical techniques and practices refracted through post 12-note pitch manipulation. In this article I take to task the uncritical use of terminology in relation to the music of Peter Maxwell Davies. Though my generating text is the quotation from John Warnaby’s 1990 doctoral thesis: Since parody is implied in the notion of using pre-existing material as a creative model, it can be argued that, as traditionally understood, it is rarely absent from Maxwell Davies’s music[1] this is in no wise a criticism of Warnaby for whom I have much respect, and especially his ability to be able to perceive patterns, trends and unifying features between works and across extended periods of time. Rather, it is a commentary on particular aspects of Davies’s music which are often linked together under the catch-all term ‘parody’: EXAMPLE 1: Dali’s The Persistence of Memory[2] I take as my starting point the painting The Persistence of Memory by Salvador Dali, a painting which operates on a number of levels, the most obvious, because of the immediate imagery, being that is has something to do with time. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Point Cabrillo Light Station, California • Hoy Low and Hoy High Lighthouses • Our Sister Service • Russian Lighthouses 1870 – 2005
TH THEE KKEEPE E E P E RR’ S’ S VOLUME XXIII NUMBER FOUR, 2007 • Point Cabrillo Light Station, California • Hoy Low and Hoy High Lighthouses • Our Sister Service • Russian Lighthouses 1870 – 2005 Reprinted from U. S. Lighthouse Society’s The Keeper’s Log – Summer 2007 <www.uslhs.org> Reprinted from the U. S. Lighthouse Society’s The Keeper’s Log – Summer 2007 <www.uslhs.org> Point Cabrillo Light Station, California By Bruce Rogerson and James Kimbrell n terms of age Point Cabrillo Light Station is a mere youngster, having first been lit in June 1909. However, the location I of the lighthouse on a fifty-foot bluff two miles north of Mendocino Village on the rugged coast of northern California is of great historic significance. Less than half a mile to the north lies Frolic Cove, the site of one of the most important ship wrecks on the Pacific Coast. Two miles to the south, at the mouth of Big River, is the site of the first lumber mill on the Mendocino Coast. Point Cabrillo is named for Juan Rodri- guez Cabrillo, the earliest European navigator and explorer to visit the Pacific Coast of Cali- fornia. One of his lieutenants is reported to have sailed this coast in 1542 and to have named Cape Mendocino after the Spanish Governor of New Spain or Mexico, Antonio de Mendoza. Early 19th Century Portuguese settlers and fishermen in nearby Fort Bragg, who claim Cabrillo as one their countrymen, may have given the name to the headland and subsequently to the Light Station. -
Frank Rosolino
FRANK ROSOLINO s far as really being here, weeks has been a complete ball. have. Those I've met and heard in- this was my first visit to Also, on a few nights John Taylor clude John Marshall, Wally Smith, Britain. I was here in 1953 was committed elsewhere; so Bobby Lamb, Don Lusher, George Awith Stan Kenton, which Gordon Beck come in to take his Chisholm. I liked George's playing was just an overnight thing; so place. He's another really excellent very much; he has a nice conception twenty years have elapsed in be- player. You've got some great play- and feel, good soul, and he plays tween. I've been having an abso- ers round here! with an extremely good melodic lutely beautiful time here, and en- They're equal to musicians I sense. joying London. work with in the States. I mean, it As for my beginnings—I was Playing at Ronnie Scott's with doesn't matter where you are; once born and raised in Detroit, Michigan, me I had John Taylor on piano, Ron you've captured the feeling for jazz, until I was old enough to be drafted Mathewson on bass and Martin and you've been playing it practi- into the Service, which was the latter Drew on drums. Absolutely great cally all your life, you're a pro at it. part of '44. I started playing guitar players, every one of 'em. I can't tell I've heard so much about when I was nine or ten. My father you how much I enjoyed myself, and trombonist Chris Pyne that when I played parties and weddings on it just came out that way. -
North Pacific Ocean
314 ¢ U.S. Coast Pilot 7, Chapter 8 19 SEP 2021 125° 124° OREGON 42° 123° Point St. George Crescent City 18603 KLAMATH RIVER Trinidad Head 18600 41° 18605 HUMBOLDT BAY Eureka 18622 18623 CALIFORNIA Cape Mendocino Punta Gorda Point Delgada 40° Cape Vizcaino 18626 Point Cabrillo NOYO RIVER 18628 39° 18620 18640 Point Arena NORTH PA CIFIC OCEAN Bodega Head 18643 TOMALES BAY 38° Point Reyes Bolinas Point San Francisco Chart Coverage in Coast Pilot 7—Chapter 8 NOAA’s Online Interactive Chart Catalog has complete chart coverage http://www.charts.noaa.gov/InteractiveCatalog/nrnc.shtml 19 SEP 2021 U.S. Coast Pilot 7, Chapter 8 ¢ 315 San Francisco Bay to Point St. George, California (1) the season, and precipitation of 0.1 inch (2.54 mm) or ENC - US2WC06M more can be expected on about 10 to 11 days per month Chart - 18010 south of Cape Mendocino and on up to 20 days to the north. Snow falls occasionally along this north coast. (9) Winds in spring are more variable than in winter, as (2) This chapter describes Bodega Bay, Tomales Bay, Noyo River and Anchorage, Shelter Cove, Humboldt the subtropical high builds and the Aleutian Low shrinks. Bay and numerous other small coves and bays. The only The change takes place gradually from north to south. deep-draft harbor is Humboldt Bay, which has the largest Northwest through north winds become more common city along this section of the coast, Eureka. The other while south winds are not quite so prevalent. With the important places, all for small craft, are Bodega Harbor, decrease in storm activity, rain falls on only about 6 Noyo River, Shelter Cove and Crescent City Harbor. -
Southwest Pacific: a Brief History of U.S. Coast
South1Nest Pacific A brief history of U. S. Coast Guard operations by Dennis L. Noble u.s Revenue Culler Joseph Lane 1849-1869 I o- -5 10 15 20ft. -!'---'-~--'--'.:;..:=fuo~-a:us~tt~l:G~ua :.r:::-:::I-'.==..=..-L.-- rd BicentenniaI Series y the end of the Mexican War in 1848, the United States had taken possession of California, whose coastline w as virtually unknown and devoid of any aids to navigation. In fact, not a single lighthouse existed along the entire West Coast. With gold fever running high and wag ontrains full of pioneers pushing west towards California, the federal government tasked four small organizations to aid mariners and provide a federal law enforcement in the wild Southwest. In time, these four agencies would combine to form the modern day U.S. Coast Guard. Reprinting of material in this pamphlet is encouraged. Please credit: U.S. Coast Guard Public Affairs Staff and the author, Dennis Noble. Design and layout by Victoria T BracewelUor LifeSa~ing Commandant's Bulletin # 5-89 Pt. Arena Station crewman with a horse drawn cart carrying a lifeboat down main street during the 1904 4th of July celebrations. u. S. Coast Guard in the Southwest Pacific· 1 The Pt. Arena Life-Saving Service Station crewmen demonstrates the operation of tlile breeches buoy, JUly 4,1904 he story of the U.s. Coast Alcatraz Island, Point Pinos, Point high that egg-pickers were gathering Guard in the Southwest, Lorna, Santa Barbara, Point seabird eggs on the island and selling T begins with the U.S. Conception, the Farallon Islands, them for a nice profit. -
SOUNDINGS SUMMER 2016 Mendonomans Explore Aging in Place by Michele Marshall and 4) Home Maintenance
THE SEA RANCH ASSOCIATION P.O. BOX 16 PRSRT STD U.S. POSTAGE PAID THE SEA RANCH, CA 95497-0016 MEDFORD, OR PERMIT NO. 125 Address Service Requested A QUARTERLY NEWSPAPER WRITTEN BY AND FOR THE SEA RANCH ASSOCIATION MEMBERS NUMBER 129 SUMMER 2016 IN THIS ISSUE: Skibbins, Blair-Johns Elected to 2016-17 Board RCMS SPECIAL REPORT Story and photos by Claire McCarthy Announcement of this year’s Board of Di- AGING IN PLACE rectors Election results capped the annual Members Meeting on Saturday, May 28 at Del Mar Center Hall. The gathering also CYBER SAFTEY featured reports from the Board Chair and Treasurer and the presentation of several special recognition awards to members and SUMMER EVENTS staff. Election Results The 2016-17 Board of Directors. L to R, Jackie Baas, David Skibbins, Michele Chaboudy, Jim Nybakken, Connecting Your Home Marti Campbell, Nigel Blair-Johns, Jackie Gardener. With a voter turnout of 49.67% (up from retary, David Skibbins. to Sea Ranch Connect last year’s 45.8%) and 1,111 lots participat- By Peter Youtz ing, members returned Nigel Blair-Johns Liaisons to the Board’s Policy Committees (725 votes) to the BOD and elected new- are: Finance Committee, Treasurer Marti So you’ve signed up for the Sea Ranch comer David Skibbins (859 votes). James Campbell; Planning Committee, Jacqueline Connect. What happens next, and what Flessner (who had served once before, on Baas; Utilities Committee, Jackie Gardener. do you need to do? the 2002-03 Board) received 603 votes. Board Chair’s Report Connecting your home to our new SRC This is Blair-Johns’ first term as an elected network is not a complicated process. -
Local Notice to Mariners Lnm11102015
U.S. Department of Homeland Security United States Coast Guard LOCAL NOTICE TO MARINERS District: 11 Week: 10/15 CORRESPONDENCE TO: COMMANDER DISTRICT ELEVEN (DPW) COAST GUARD ISLAND BUILDING 50-2 ALAMEDA, CA 94501-5100 REFERENCES: COMDTPUB P16502.6, Light List Volume VI, 2015 Edition, U.S. Chart No.1 12th Edition, and Coast Pilot Volume 7 46th Edition. These publications, along with corrections, are available at: http://www.nauticalcharts.noaa.gov/nsd/cpdownload.htm. BROADCAST NOTICE TO MARINERS - Information concerning aids to navigation and waterway management promulgated through BNM HB-0008-15, SF-0045-15, LA-0036-15, and SD-0033-15 have been incorporated in this notice, or will continue if still significant. SECTION I - SPECIAL NOTICES This section contains information of special concern to the Mariner. SUBMITTING INFORMATION FOR PUBLICATION IN THE LOCAL NOTICE TO MARINERS A complete set of guidelines with examples and contact information can be found at http://www.uscg.mil/D11/DP/LnmRequest.asp or call BM1 Josh Netherton at 510-437-2980 or e-mail [email protected]. Please provide all Local Notice to Mariners submissions 14 days prior to the start of operations. BRIDGE INFORMATION-DISCREPANCIES AND CORRECTIONS For all bridge related issues, including lighting, operation, obstructions, construction, demolition, etc. contact the Eleventh Coast Guard District Bridge Administrator 24 hour cell phone at 510-219-4366. Flotsam may accumulate on and near bridge piers and abutments. Mariners should approach all bridges with caution. A vessel delay at a drawbridge may be reported to the District Bridge Administrator by telephone, or by using the DelayRept0207.pdf included in the Enclosures section of this Local Notice to Mariners. -
Other Minds in Association with the Berkeley Art
OTHER MINDS IN ASSOCIATION WITH THE BERKELEY ART MUSEUM/ PACIFIC FILM ARCHIVE & THE MISSION DOLORES BASILICA PRESENTS OTHER MINDS FESTIVAL 22 FEBRUARY 18, 19 & MAY 20, 2017 MISSION DOLORES BASILICA, SAN FRANCISCO & BERKELEY ART MUSEUM/PACIFIC FILM ARCHIVE, BERKELEY 2 O WELCOME FESTIVAL TO OTHER MINDS 22 OF NEW MUSIC The 22nd Other Minds Festival is present- 4 Message from the Artistic Director ed by Other Minds in association with the 8 Lou Harrison Berkeley Art Museum/Pacific Film Archive & the Mission Dolores Basilica 9 In the Composer’s Words 10 Isang Yun 11 Isang Yun on Composition 12 Concert 1 15 Featured Artists 23 Film Presentation 24 Concert 2 29 Featured Artists 35 Timeline of the Life of Lou Harrison 38 Other Minds Staff Bios 41 About the Festival 42 Festival Supporters: A Gathering of Other Minds 46 About Other Minds This booklet © 2017 Other Minds, All rights reserved 3 MESSAGE FROM THE EXECUTIVE DIRECTOR WELCOME TO A SPECIAL EDITION OF THE OTHER MINDS FESTIVAL— A TRIBUTE TO ONE OF THE MOST GIFTED AND INSPIRING FIGURES IN THE HISTORY OF AMERICAN CLASSICAL MUSIC, LOU HARRISON. This is Harrison’s centennial year—he was born May 14, 1917—and in addition to our own concerts of his music, we have launched a website detailing all the other Harrison fêtes scheduled in his hon- or. We’re pleased to say that there will be many opportunities to hear his music live this year, and you can find them all at otherminds.org/lou100/. Visit there also to find our curated compendium of Internet links to his work online, photographs, videos, films and recordings.