Improved Lacquer Formulation Gives
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L--Ficjfs'------I National Criminal Justice Reference Service
If you have issues viewing or accessing this file contact us at NCJRS.gov. -----------------------------------~---------------.---.~------.--~--------------- l--fiCjfS'--------i National Criminal Justice Reference Service This microfiche was produced from documents received for inclusion in the NCJRS data base. Since NCJRS cannot exercise control over the physical condition of the documents submitted, the individual frame quality will vary. The resolution chart on this frame may be used to evaluate the document quality. 1.0 1.1 U.S. ~t or Jultlcl 111111.8 NlilonallMtftut. or .Julltlee 7111,. oo."'Umt>nt hall bElon reproduC$d exactly all recolved flom tho per$Oo Of organizalloo originating It. Points of view oroplnions stated " 10 thls dccumont IIro those of tho authors and do not necessarily 111111.25 111111.4- 111111.6 1, , f!prrlSOOI Itlo Q't'Iiclal posltlon orpollcllHl of tht! Natlonallnstltulo of JulStiCO. Pormills/on to reproduce this Cepilifjhl.d malarial hall boon \)f8nled~ II, FBI Law Enforcement Bulletin MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF SlANDARDS·1963 A 10 the Nntional Criminal JuilUce Rtlfttrooco Servlco (NCJRS). r:urlhor loproducHon OYtslde of the NCJRS syst.m requlros permls· Glen 01 the ~ ~er. Microfilming procedures used to create this fiche comply with the standards set forth in 41CFR 101-11.504. Points of view or opinions stated in this document are those of the author(s) and do not represent the official position or policies of the U. S. Department of Justice. National Institute of Justice United States Department of Justice Washington, D. C. 20531 6/B/ B4 . l:1 f f',;( S-S3 ~ORCEMENT rr@~@~i© ~©~@m©@ rBI BULLETIN NOVEMBER 1983. -
Synchronization of the Acoustic Evidence in the Assassination of President Kennedy
Scientific and technical Synchronization of the acoustic evidence in the assassination of President Kennedy R Linsker∗ and RL Garwin1 IBM T. J. Watson Research Center, P. O. Box 218 (1101 Kitchawan Road & Route 134), Yorktown Heights, NY 10598, USA e-mail: [email protected] H Chernoff1 Statistics Department, Harvard University, Cambridge, MA 02138, USA P Horowitz1 and NF Ramsey1 Physics Department, Harvard University, Cambridge, MA 02138, USA Science & Justice 2005 45 207 – 226 Received 17 November 2004 accepted 23 May 2005 We have revisited the acoustic evidence in the Kennedy assassi- de 60 Hz y metodos´ de correlacion´ para obtener calibraciones nation – recordings of the two Dallas police radio channels upon de velocidad para grabaciones hechas en los dos canales, analisis´ which our original NRC report (Ramsey NF et al., Report of espectrales para buscar instancias de segmentos repetidos du- the Committee on Ballistic Acoustics. National Research Coun- rante el play-back del canal 2( que pudiera resultar del salto de cil (US). Washington: National Academy Press, 1982. Posted surco)y metodos´ de correlacion´ y espectrograficos´ para analizar at http://www.nap.edu/catalog/10264.html) was based – in re- instancias de posibles conversaciones cruzadas usadas para sin- sponse to the assertion by DB Thomas (Echo correlation analysis cronizar ambos canales. Esta publicacion´ identifica graves errores and the acoustic evidence in the Kennedy assassination revis- en la publicacion´ de Thomas y corrige errores del informe NCR. ited. Science and Justice 2001; 41: 21–32) that alleged gunshot Reafirmamos la primitiva conclusion´ del informe NCR de que sounds (on Channel 1), apparently recorded from a motorcycle los pretendidos disparos de arma fueron registrados un minuto officer’s stuck-open microphone, occur at the exact time of the aproximadamente despues´ del asesinato. -
Format Guide to Sound Recordings
National Archives & Records Administration October 2014 Format Guide to Sound Recordings: This document originated as project-specific guidance for the inventory, identification and basic description of a collection of disc recordings and open reel sound recordings dated from the late 1920’s through the early 1960’s from the holdings of the Office of Presidential Libraries. It contains references to individuals that have been concealed and to specific database elements that were used in the inventory project. ¼” Open Reel Magnetic tape was first introduced as a recording medium in 1928 in Germany, but innovations related to a alternating current biasing circuit revolutionized the sound quality that tape offered in the 1940 under the Nazis. After the war, with Axis controlled patents voided by the victorious Allies, magnetic tape technology rapidly supplanted sound recording to disc in radio production and music recording. Physically, the tape is a ribbon of paper or plastic, coated with ferric oxide (essentially a highly refined form of rust) wound onto a plastic spool housed in a small cardboard box. The most common width of magnetic tape used for audio was ¼” and it was supplied in reels of 3”, 5”, 7” and 10.5” diameters, with 7” being the most common. Original ¼” audio tape begins appearing in Presidential Library collections in the early 1950’s. The format was commonly used by the National Archives to create preservation and reference copies into the 1990’s. This use as a reproduction format may be its most common occurrence in the materials we are inventorying. Figure 1: A seven inch reel of 1/4" open reel audio tape Page 1 of 15 National Archives & Records Administration October 2014 Figure 2: Tape box containing a 7" reel of 1/4" open reel magnetic tape. -
1 Introdução E Apresentação
1 1 INTRODUÇÃO E APRESENTAÇÃO A proposta do presente estudo se justifica na busca da compreensão dos processos que envolvem a fruição em música. Para tanto desenvolvemos uma análise da relação do homem com a música, considerando a ampla teia de pressupostos ligados a contextos históricos, filosóficos e sociais. Norteados pelas teorias da estética da recepção, suas inferências e projeções no campo musical, este estudo visa investigar o processo produtivo em música sob a ótica do receptor. Trata-se, sobretudo, de uma análise da relação do receptor com os espaços formais de realização da música – no sentido tanto concreto quanto metafórico – nas contingências e circunstâncias que o cercam e conformam o ato da fruição. Discutiremos, portanto, ao longo da história da música ocidental, os lugares de produção e recepção da música, os conceitos de sentido, lingüisticidade musical e seus modos de apreensão, bem como os processos de estruturação musical numa perspectiva e estética vinculadas à acústica e à paisagem sonora. Norteados pelo Pensamento Complexo proposto por Edgar Morin, analisaremos a complexidade existente na trama do processo criativo sob a perspectiva do receptor; e, como se faz pertinente e imprescindível no raciocínio sistêmico, daremos igual atenção à obra e às intenções do autor. Em um primeiro momento, nosso foco será a obra, aqui tratada enquanto representação simbólica inserida no contexto em que foi criada. Sem a preocupação com a linearidade e a cronologia, primaremos por nos aproximar do que seria a gênese da obra, entendendo a mesma como um microcosmo artístico (fruto de uma organização de ordem cultural e cognitiva) e de um macrocosmo social (uma organização de ordem política e sócio- econômica). -
Thomas's Epilogue
1 HEAR NO EVIL: SOCIAL CONSTRUCTIVISM & THE FORENSIC EVIDENCE IN THE KENNEDY ASSASSINATION (2010) By Donald Byron Thomas ------------------------------------------------------------------------------------------------- A Review by David W. Mantik The Mantik View Original Date: March 9, 2011 Revised and Updated: May 4, 2019 UPDATE NOTE: This version adds clarity, but also corrects multiple mistranslations that arose during conversion of my original Word document for the CTKA website (now known as Kennedys and King). I also correct a few of my own mistakes (e.g., Fig. 3). The most important point though is this: The pièce de résistance from physicists Linsker and Garwin (their reductio ad absurdum—see Figure 21 ff.) remains not only unchallenged, but quite unaddressed by Dictabelt advocates. My fellow JFK conspiracy believers would like to discipline me for denying their case, but the facts do not support them, and their failure to address this reductio issue does them no credit. Until they address this paradox, the acoustical case for conspiracy lies lifeless in the morgue. That these promoters are unlikely (ever) to address this conundrum is provably based on the absence of any attempt to do so during the intervening 8 years. I here also briefly update my conclusions about the head shots, an issue explored in greater detail in my e-book, JFK’s Head Wounds (2015). My (new) monologue on the current controversy about p-values appears just before Appendix 1. Appendices 8–11 are all new; the cognoscenti may wish to begin there. Appendix 11 summarizes the Sonalysts 2013 report, which holds a quiver of arrows fatally targeted at the acoustic case. -
The Kennedy Half Century Acoustical Analysis of November 22, 1963 Dallas Police Recordings
The Kennedy Half Century Acoustical Analysis of November 22, 1963 Dallas Police Recordings Commissioned by Professor Larry J. Sabato Director, UVA Center for Politics University Professor of Politics Release Date: October 15, 2013 Washington, DC Analysis of the Dallas Police Department Dictabelt Recordings Related to the Assassination of President John F. Kennedy Comparative Analysis of Recordings Derived from the Dallas Police Department Observations on Properties of Impulses Attributed to Gunfire All content © 2013 by the Rector and Visitors of the University of Virginia Analysis of the Dallas Police Department Dictabelt Recording Related to the Assassination of President John F. Kennedy 1 Analysis of the Dallas Police Department Dictabelt Recording related to the Assassination of President John F. Kennedy Charles Olsen, Sonalysts, Inc., Scott Martin, Sonalysts, Inc. March 25, 2013 flexible plastic belt, the groove being much like the groove in Abstract — The open microphone transmissions of a Dallas a phonograph record. Channel 2 was recorded using a machine Police Department motorcycle officer's radio are of continuing called a Gray Audograph; this device recorded on a disk interest among assassination researchers. If the motorcycle was in resembling a phonograph record, but unlike the phonograph it the motorcade then it may have detected and transmitted the sounds played from inside to outside and did not rotate at a constant of gunfire. This study examines features of the recording that have not been rigorously measured until now. Novel methods were speed. applied in order to measure motorcycle engine speed versus time so that it might be compared with the known movements of the Both machines were designed to record intermittently. -
Guidelines on the Production and Preservation of Digital Audio Objects International Association of Sound and Audiovisual Archives
Guidelines on the Production and Preservation of Digital Audio Objects and Preservation Guidelines on the Production International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d’Archives Sonores et Audiovisuelles Asociacion´ Internacional de Archivos Sonoros y Audiovisuales Technical Committee Standards Recommended, Practices and Strategies Guidelines on the Production and Preservation of Digital Audio Objects IASA-TC04 Second Edition IASA-TC04 Second Edition http://www.iasa-web.org Translation sponsor Gold sponsor Silver sponsor Transfer. Preserve. Relive. Customise your archive. Bronze sponsors International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d’Archives Sonores et Audiovisuelles Asociacion´ Internacional de Archivos Sonoros y Audiovisuales Technical Committee Standards Recommended, Practices and Strategies Guidelines on the Production and Preservation of Digital Audio Objects IASA-TC04 Second Edition Edited by Kevin Bradley Contributing authors Kevin Bradley, National Library of Australia, President IASA and Vice Chair IASA TC; Mike Casey, Indiana University; Stefano S. Cavaglieri, Fonoteca Nazionale Svizzera; Chris Clark, British Library (BL); Matthew Davies, National Film and Sound Archive (NFSA); Jouni Frilander, Finnish Broadcasting Company; Lars Gaustad, National Library of Norway and Chair IASA TC; Ian Gilmour, NFSA; Albrecht Häfner, Südwestrudfunk, Germany; Franz Lechleitner, Phonogrammarchiv of the Austrian Academy of Sciences (OAW); Guy Maréchal, PROSIP; Michel Merten, Memnon; Greg Moss, NFSA; Will Prentice, BL; Dietrich Schüller, OAW; Lloyd Stickells and Nadia Wallaszkovits, OAW. Reviewed by the IASA Technical Committee which included at the time (in addition to those above) Tommy Sjöberg, Folkmusikens Hus, Sweden; Bruce Gordon, Harvard University; Bronwyn Officer, National Library of New Zealand; Stig L.