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Convenient Fictions
CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. -
2003 Results
2003 Results 1 1st u/40M 1st M Julius Kibet Mizuno 01:02:23 2 2nd u/40M 2nd M Ian Hudspith Morpeth 01:03:32 3 3rd u/40M 3rd M Isaac Arusei 01:03:53 4 4th u/40M 4th M Gareth Raven Sale H 01:04:28 5 5th u/40M 5th M Al O'Connor LivpoolH 01:04:32 6 6th u/40M 6th M Andrew Jones Salford 01:04:41 7 7th u/40M 7th M Stephen Heppler LoftusAC 01:04:48 8 8th u/40M 8th M Johnson Muiruri 01:05:02 9 9th u/40M 9th M Mike Proudlove CofStoke 01:05:26 10 10th u/40M 10th M Stuart Hall Tipton 01:05:27 11 11th u/40M 11th M Mark Dalkins Birchfld 01:05:37 12 12th u/40M 12th M David Norman Altrchm 01:05:50 13 13th u/40M 13th M Steve Platts Morpeth 01:05:54 14 14th u/40M 14th M Phil Hinch Birchfld 01:06:01 15 15th u/40M 15th M William Musyoki 01:06:22 16 16th u/40M 16th M Darran Bilton LeedsCty 01:06:23 17 17th u/40M 17th M Duncan Mason Salford 01:06:30 18 18th u/40M 18th M Lee Hurst 01:06:31 19 19th u/40M 19th M Spencer Newport Blkheath 01:06:32 20 20th u/40M 20th M Eric Kiklagat Mizuno 01:06:39 21 21st u/40M 21st M Rory Byrne Blkheath 01:06:42 22 22nd u/40M 22nd M Will Cockerell Belgrave 01:06:48 23 23rd u/40M 23rd M Alaster Stewart Belgrave 01:06:54 24 24th u/40M 24th M Gordon Lee Nuneaton 01:06:58 25 25th u/40M 25th M A Muir Edinbrgh 01:07:14 26 26th u/40M 26th M Paul Freary Belgrave 01:07:32 27 27th u/40M 27th M Matt Shaw Tipton 01:07:37 28 28th u/40M 28th M Neil Miller Bedfd&Co 01:08:04 29 29th u/40M 29th M Brian Coles DarwenDa 01:08:59 30 30th u/40M 30th M Michael Simpson WindsrSE 01:08:59 31 31st u/40M 31st M Richard Hayman Sale H 01:09:04 32 32nd u/40M -
Suicide the End for Phelan!
TERROR! ITH AY DANGER! SNAKE ON THE V LOOSE! Cliff-top horror! David Ross “I’M SUICIDE THE END LEAVING drama! FOR FOR PHELAN! GOOD!” 12 9 770966 849166 WA LFOR D Plu MAYHEM! PHIL KAT’S CHEATS? CASUALTY SECRET WEDDING CRASH SHAME! TRAGEDY! Issue 12 • 24 – 30 Mar 2018 that had been deposited in that shiny new building Yo u r s t a r s development scheme, but magine being to children and animals, that wasn’t his fault. And this week! Eileen Grimshaw, and he even heats up your he’s worked so hard to get eh? After being let microwave lasagne for himself back on his feet. Life 20 downw and cheated on, you if you’ve had a long couldn’t be better... oh, dear! theen enduring a So never mind those coouple of quite who’ve lost friends, lovers duull partners “Imagine being and relatives at Phelan’s (thereh was Eileen Grimshaw!” hands – we think it’s quite one who was right that Eileen is the one a fireman with a shift and some tricky to get the final showdown. wifew and that one customers at Streetcars. In our eyes, her shattered offo Cold Feet), Okay, so he had bad dreams are by far Phelan’s you finally meet luck with his business most heinous crime. Andrew a good’un. He’s partner who ran away with Steven Murphy, Edito Scarborough kind to you, nice all the neighbours’ money [email protected]. “Graham has seen a lot of dark things…” The BIG 42 stories.. -
Ideologies in British Soap Operas a Critical Discourse and Semiotic Analysis of Coronation Street
Ideologies in British Soap Operas A Critical Discourse and Semiotic Analysis of Coronation Street Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Geisteswissenschaftlichen Fakultät der Karl-Franzens-Universität Graz vorgelegt von Silvia Macek am Institut für Anglistik Begutachter: Ao.Univ.-Prof.Mag.Dr. Bernhard Kettemann Graz, im Dezember 2008 Für meine Eltern, meine Großeltern und meine kleine Schwester: DANKE für eure Liebe und Unterstützung! Contents 1. Introduction 1 2. Soap as a Medium 3 2.1. A General Introduction to Soap Opera 3 2.1.1. Why is it called ‘Soap Opera’? 3 2.1.2. What are Soap Operas? 4 2.1.3. What are Soap Operas about? 7 2.2. The British Soap Phenomenon Coronation Street 9 2.2.1. British Soap Culture 9 2.2.2. Coronation Street 11 3. The Concept of Ideology 14 3.1. What is ‘Ideology’? 14 3.2. Ideology, Media and Soaps 16 4. Socio-Political and Historical Background 18 4.1. Great Britain in the 1980s: The Concept of ‘Thatcherism’ 18 4.1.1. Reforms and Interventions under Thatcher 19 4.1.2. The ‘Vigorous Virtues’ 20 5. Empirical Analysis 22 5.1. Critical Discourse Analysis 22 5.1.1. What is Critical Discourse Analysis? 23 5.1.2. Fairclough’s Critical Discourse Analysis 24 5.1.2.1. Fairclough’s Three-Dimensional Model 25 5.2. Semiotics 27 5.2.1. What is Semiotics? 27 5.2.2. The Sign 28 5.2.2.1. De Saussure’s and Peirce’s Concepts of the Sign 28 5.2.2.2. -
Welcome to Carers Week June 2020
WIRED Carers Support Carer Connectors Building Carer Friendly Communities Wirral Carers E-news Issue: CW-1 Date: 8/6/2020 Find Us Follow Us Welcome to carers Week June 2020 Why not join us for a ‘Tea & Chat’ session this week Tuesday 10-12 / 2-4 Wednesday 10-12 / 2-4 Thursday 12-12 / 2-4 Or come and meet the team on Friday 10-12 Flora & Fauna Joey having a game of football with Austin Happy 2nd Birthday Millie WOW! Someone has ‘green fingers’ Stunning Lily Recipes Shortbread 4oz butter 2oz caster sugar 6oz plain flour Chocolate chips. raisins or M&M’s, or your own individual preference! Method: Heat over to 190’C Gas mark 5. Beat butter and sugar together until smooth Stir in flour to get a smooth paste, stir in your own choice of filling Turn out onto a work surface and gently roll out until the paste is 1cm thick Cut into rounds or fingers and place on to a none stick baking tray Chill in the fridge for 20minutes Bake in the over for 15—20 minutes or until pale golden-brown Remove from oven, tip out onto a cooling rake Enjoy with a cup of tea Puzzle time Telly Teaser T K E V I N Y E L S L I T K C K E C I N A J E I V Y A R E K P T G D S I I L N T G D N R O A E Y D A L C A T O R E T G C I B I B L L E F A I R C L O U G H A N S E E I N E T Y D I E U G E L N R D C N I L D T L D M D E D D I E E E V W E R E S A T I N U S M T R N M D I K A R P E A C O C K T R D E L T N T D I I K I A Y Y A A W O A O I A Y V W D I D E P B L D L B N G O P O E R E A L I D L A N E B A D R N C I T R H N I E B W E B S T E R W S N E S P T W A A E S H K L N O T G N