Let Us Sing As We Go: Votes for Women
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Singer's Brochure
Our rates are as follows: Within Iosco County $100.00 per ½ hour show Let The $175.00 per hour show Within 100 miles of East Tawas $200.00 per ½ hour show $350.00 per hour show Within Lower Michigan $400 per ½ hour show (and over 100 miles) $500 per hour show We do perform outside of Michigan. Call for rates. Please fill out the following information: Bring Music To Your Ears! Name_________________________________________Phone___________________________ Address_______________________________________________________________________ City_________________________________State_____________Zip______________________ Name of program(s) desired________________________________________________________ Email address ___________________________________________________________________ Performance Date________________________Performance Time_________________________ Location of Performance: Name of building___________________________________________ Street Address______________________________________City_____________Zip__________ Cost of Performance = $_______Payment is expected at the time of the performance. Checks should be made payable to Tawas Bay Players. Please send completed form to: Pat Casey www.tawasbayplayers.com 720 East State 989.362.8373 East Tawas, MI 48730 PATRIOTIC A VAUDEVILLE SHOW DISNEY MADE IN THE U.S.A. 50s & 60s BROADWAY 20th CENTURY MUSIC Oh! How I Hate To Get Up In The Morning A Good Old Vaudeville Show Zip-A-Dee-Doo-Dah Made In The U.S.A. One Of Those Songs That's Entertainment By The Light Of The Silvery Moon Sound Off -
A Country Doctor and Selected Stories and Sketches, by Sarah Orne Jewett
The Project Gutenberg EBook of A Country Doctor and Selected Stories and Sketches, by Sarah Orne Jewett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Country Doctor and Selected Stories and Sketches Author: Sarah Orne Jewett Release Date: March 8, 2005 [EBook #15294] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK A COUNTRY DOCTOR AND *** Produced by Suzanne Shell, Wendy Bertsch and the Online Distributed Proofreading Team at www.pgdp.net. A COUNTRY DOCTOR AND SELECTED STORIES AND SKETCHES by Sarah Orne Jewett Published 1884 Click here for SELECTED STORIES AND SKETCHES A Country Doctor CONTENTS I. THE LAST MILE II. THE FARM-HOUSE KITCHEN III. AT JAKE AND MARTIN'S IV. LIFE AND DEATH V. A SUNDAY VISIT VI. IN SUMMER WEATHER VII. FOR THE YEARS TO COME VIII. A GREAT CHANGE IX. AT DR. LESLIE'S X. ACROSS THE STREET XI. NEW OUTLOOKS XII. AGAINST THE WIND XIII. A STRAIGHT COURSE XIV. MISS PRINCE OF DUNPORT XV. HOSTESS AND GUEST XVI. A JUNE SUNDAY XVII. BY THE RIVER XVIII. A SERIOUS TEA-DRINKING XIX. FRIEND AND LOVER XX. ASHORE AND AFLOAT XXI. AT HOME AGAIN I THE LAST MILE It had been one of the warm and almost sultry days which sometimes come in November; a maligned month, which is really an epitome of the other eleven, or a sort of index to the whole year's changes of storm and sunshine. -
Ashton Patriotic Sublime.5.Pdf (9.823Mb)
commercial spaces like theaters, and to performances spanning the gamut from the solemn, to the joyous. This diversity encompassed celebrations outside the expected calendar of national days. Patriotic sentiment was even a key feature of events celebrating the economic and commercial expansion of the new nation. The commemorative celebration for the laying of the foundation-stone of the Baltimore & Ohio Railroad, the “great national work which is intended and calculated to cement more strongly the union of the Eastern and the Western States,” took place on July 4, 1828.1 It beautifully illustrated the musical ties that bound different spaces together – in this case a parade route, a temporary outdoor civic space, and the permanent space of the Holliday Street Theatre. Organizers chose July Fourth for the event, wishing to signal civic pride and affective patriotism. Baltimore filled with visitors in the days before the celebration, so that on the morning of the Fourth the “immense throng of spectators…filled every window in Baltimore-street, and the pavement below….fifty thousand spectators, at least, must have been present.” The parade was massive and incorporated a great diversity of groups, including “bands of music, trades, and other bodies.” One focal point was a huge model, “completely rigged,” of a naval vessel, the “Union,” complete with uniformed sailors. Bands playing patriotic tunes were interspersed amongst the nationalist imagery on display: militia uniforms, banners emblazoned with patriotic verse, national flags, eagle figures, shields, and more. Charles Carrollton, one of the last surviving signers of the Declaration of Independence, gave the main public address at the site, accompanied by a march composed for the occasion, the “Carrollton March” (see Figure 2.4). -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
Marching Band
19397 Guts 5-16 MSSeries: 5/12/09 2:05 PM Page 5 MARCHING BAND Series Name Grade Level* Page No. Band Music Press Marching Band...............................................3-4 .................................................15 Competition Series ........................................................................3...................................................10 Contemporary Marching Band.....................................................3-4 ..................................................9 Crowd Pleasers............................................................................2-3 .................................................12 Durand...........................................................................................4...................................................15 Easy Contemporary Marching Band ............................................2-3 .................................................10 Esprit ...........................................................................................2-3 ..................................................8 G. Schirmer, Inc. ...........................................................................5...................................................15 Hal Leonard Easy Marching Band................................................2-3 .................................................10 Hal Leonard Marching Band ........................................................3-4 ..................................................9 Hal Leonard Power Charts.............................................................3...................................................12 -
MS Choral Presentation FINAL
Middle School Choral Pedagogy & Reading Session by Dr. Mirna Y. Cabrera [email protected] Beautiful Tone • Developing a beautiful choral sound takes time. • Start with head voice, descending 5-note pentachord. • Unify ensemble sound to attain tuneful singing, using free and open vowels from all singers. o Use pure vowel sounds. • Unify a) vowels, b) volume, c) vibrato (if present). In-tune singing principles • Identify instances when notes are most likely to go out of tune: o a) repeated notes o b) sustained notes o c) descending patterns. • Practice with a UNISON a cappella piece learned by rote with text, then solfege by discovery, then score. Add ostinati as part singing and for tuning purposes. UNISON piece in solfege by rote, a cappella, then score. Add ostinati as part singing and for tuning purposes. Directing • “Follow me” – All things are prepared in live music performance; each performance is slightly different from previous or future ones. As directors, our duty is to create organic performances where we get to influence our groups’ musical interpretation. In order to avoid a carefully-prepared choreographed performance (in opposition to an organic one), teach singers to understand that our gestures are meaningful and must be learned to follow. • By preparing the following elements, among others, we can create beautiful and meaningful performances. o Breath o Entries o Cut-offs o Dynamics o Tempo changes o Character changes/transitions o Rhythmic subtleties • Ultimately, our personal musicianship will carry us as we lead our groups. o Establish tempo before starting a piece, by hearing it first in your head. -
Blueprint for the Arts N Music Letter from the Chancellor
Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr. -
Mythos BEE GEES: Alle Gibb-Brüder in Einer 4CD-Box „MYTHOLOGY“
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] Mythos BEE GEES: Alle Gibb-Brüder in einer 4CD-Box „MYTHOLOGY“ Disc One (Barry) 1. SPIRITS (HAVING FLOWN) 2. YOU WIN AGAIN 3. JIVE TALKIN’ 4. TO LOVE SOMEBODY 5. TRAGEDY 6. TOO MUCH HEAVEN 7. FIRST OF MAY 8. MORE THAN A WOMAN 9. LOVE SO RIGHT 10. NIGHT FEVER 11. WORDS 12. DON’T FORGET TO REMEMBER 13. IF I CAN’T HAVE YOU 14. ALONE 15. HEARTBREAKER 16. HOW DEEP IS YOUR LOVE 17. LOVE YOU INSIDE AND OUT 18. STAYIN’ ALIVE 19. BARKER OF THE UFO 20. SWAN SONG 21. SPICKS AND SPECKS Disc Two (Robin) 1. I AM THE WORLD 2. NEW YORK MINING DISASTER 3. I CAN’T SEE NOBODY 4. HOLIDAY 5. MASSACHUSETTS 6. SIR GEOFFREY SAVED THE WORLD 7. AND THE SUN WILL SHINE 8. THE SINGER SANG HIS SONG 9. I’VE GOTTA GET A MESSAGE TO YOU 10. I STARTED A JOKE 11. ODESSA 12. SAVED BY THE BELL – Robin Gibb 13. MY WORLD 14. RUN TO ME 15. LOVE ME 16. JULIET – Robin Gibb 17. THE LONGEST NIGHT 18. FALLEN ANGEL 19. RINGS AROUND THE MOON 20. EMBRACE 21. ISLANDS IN THE STREAM Disc Three (Maurice) 1. MAN IN THE MIDDLE 2. CLOSER THAN CLOSE 3. DIMENSIONS 4. HOUSE OF SHAME 5. SUDDENLY 6. RAILROAD 7. OVERNIGHT 8. IT’S JUST THE WAY 9. LAY IT ON ME 10. TRAFALGAR 11. OMEGA MAN 12. WALKING ON AIR 13. COUNTRY WOMAN 14. -
Yankee Doodle Dandy.Pub
tm Footsteps for Freedom Student lessons along the Overmountain Victory National Historic Trail Yankee Doodle ongs are used to share ideas and to communicate with people in ways that would help them Dandy Sremember. “One good song is worth a thousand addresses and proclamations,” said Joseph Barlow, a poet, statesman and friend of Thomas Jefferson, at the beginning of the American Revolution. Yankee Doodle In fact, during the American Revolution, songs were Yankee Doodle went to town used to shape how people thought about issues and A’riding on a pony other people. The popular song Yankee Doodle is a He stuck a feather in his cap good example. It was written by a British man to make And called it macaroni. fun of the American colonists. The British used it to ridicule those who thought differently from Chorus: themselves. They would sing it as a way of reinforcing Yankee doodle, keep it up, their beliefs and communicating to others that Yankee doodle dandy; American colonists were stupid and silly people Mind the music and the step, incapable of self-government. At the time, a “doodle” And with the girls be handy. was a foolish person. “Yankees” were the colonists in New England. “Macaroni” was a fashionable hair style Father and I went down to camp, popular in England at the time. Along with Captain Gooding; And there we saw the men and boys, The original song whose tune was taken for As thick as hasty pudding. Yankee Doodle was called Lydia Fisher's Jig. Chorus Sing the tune again with these words: Lucy Locket lost her pocket, There was Captain Washington Kitty Fisher found it; Upon a slapping stallion, Nothing in it, nothing on it, A-giving orders to his men, But the binding 'round it. -
Section IX the STATE PAGES
Section IX THE STATE PAGES THE FOLLOWING section presents information on all the states of the United States and the District of Columbia; the commonwealths of Puerto Rico and the Northern Mariana Islands; the territories of American Samoa, Guam and the Virgin Islands; and the United Na tions trusteeships of the Federated States of Micronesia, the Marshall Islands and the Republic of Belau.* Included are listings of various executive officials, the justices of the supreme courts and officers of the legislatures. Lists of all officials are as of late 1981 or early 1982. Comprehensive listings of state legislators and other state officials appear in other publications of The Council of State Governments. Concluding each state listing are population figures and other statistics provided by the U.S. Bureau of the Census, based on the 1980 enumerafion. Preceding the state pages are three tables. The first lists the official names of states, the state capitols with zip codes and the telephone numbers of state central switchboards. The second table presents historical data on all the states, commonwealths and territories. The third presents a compilation of selected state statistics from the state pages. *The Northern Mariana Islands, the Federated States of Micronesia, the Marshall Islands and the Republic of Belau (formerly Palau) have been administered by the United Slates since July 18, 1947, as part of the Trust Territory of the Pacific Islands (TTPl), a trusteeship of the United Nations. The Northern Mariana Islands separated themselves from TTPI in March 1976 and now operate under a constitutional govern ment instituted January 9, 1978.