LIFT Booking Scheme List 2021
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WIM WENDERS a Film Journal
WIM WENDERS فيم فيندرز A FILM JOUrnAL مجلة للفيلم WIM WENDERS A FILM JOUrnAL Wim Wenders // 2014 // Photo © Sebastião Salgado / Amazonas images / Agentur Focus PreFACE // 7 WIM WENDERS // 9 FILMOGRAPHY // 11 KING OF THE ROAD // 13 WIM WENDERS By Joseph Fahim “I AM A GERMAN ROMANTIC” // 19 OR ESCAPING, SAVING AND PRESERVING : ON WIM WENDERS IMPrint By Amin Farzanefar This film journal is published by the Goethe-Institut Amman, 2015 // Editor: Günther Hasenkamp // Contributors: Joseph Fahim, Amin E-mails to Amin Farzanefar: Farzanefar, Günther Hasenkamp, and Ahmad Abdalla, Massoud Bakhshi, Nouri Bouzid, Khaled El Hagar, Sohrab Mahdavi, Necati Sönmez, Massoud Bakhshi // 20 Belmin Söylemez, Negar Tahsili, Haşmet Topaloğlu // Design & Layout: Ahmad Abdalla // 20 [email protected] // Project assistance: Karoline Kubanek, Khaled El Hagar // 21 Lena Veldscholten // Special thanks to André Mieles, Claire Brunel, Inken Kiupel, Ghada El-Sherbiny // Copyrights photography & text: © Sohrab Mahdavi // 21 photographers and authors. All rights reserved // Photos: Wim Wen- Belmin Soylemez // 22 ders Stiftung (Düsseldorf), Donata Wenders // Photos on pages 45, Negar Tahsili // 23 50, 65, 66 made available by Deutsches Filminstitut – DIF, Frankfurt // Photo on page 62 by Vladimir Lupowskoj (Moscow) // Photos on pages Nouri Bouzid // 23 1, 96 reprinted by kind permission of the rightsholders, © Sebastião Necati Sönmez // 24 Salgado / Amazonas images / Agentur Focus // We thank all copyright Haşmet Topaloğlu // 25 holders for granting us permission to reproduce their work. If we have inadvertently failed to acknowledge copyright, please send an e-mail to the Goethe Institute in Amman at [email protected] Translations & Editing SKYWAY MOTEL // 27 English: Manuela Thurner (Munich) Arabic: Isis Hakim (Cairo) IMAGE AS ANTI-IMAGE IN WENDERS’ FILMS By Günther Hasenkamp // 7 PREFACE Wim Wenders is one of the most important film directors of our time. -
Schedule Idsffk 01.Cdr
SCREENING SCHEDULE KAIRALI SREE NILA THIRUVANANTHAPURAM 16-20 JUNE 2017 THTH ID SF INTERNATIONAL F DOCUMENTARY & SHORT FILM FESTIVAL OF KERALA PROGRAMMES In Conversation Venue: Nila Theatre Time: 2: 00 pm Ÿ 17th June- Mai Masri in conversation with Bina Paul Ÿ 18th June- Lijo Jose Pellisery in conversation with H Shaji Ÿ 19th June- Vipin Vijay in conversation with C S Venkiteswaran Master Class Date: 18th June, 2017 Venue: Hotel Horizon Time: 10.30 a.m. to 1.30 p.m. Ranjan Palit on Cinematography Master Class Date: 20th June Venue: Nila Theatre Time: 2:00 pm Andrew Vial on Documentary Filmmaking Cultural Programme Venue: Kairali Theatre Complex Time: 8:00 pm Ÿ 17th June: Performance by ASIMA – a Male Vocal and Percussion Ensemble Ÿ 18th June: Musical Concert by Pushpavathy Ÿ 19th June: Lady Anandi – a Documentary Theatre Performance by Anuja Ghosalkar June TH ID FRIDAY SF 16 1 FK 9.30 AM 11.30 AM 2.30 PM 6.00 PM INTERNATIONAL COMP: CAMPUS FILM COMP: ANIMATION Happily Ever After Rooms Mother/Amma Dir: Nada Riyadh, Ayman El Amir/Arabic/71/2016 Dir: Sangeet Unni/Malayalam/11’/2017 Dir: Ambreesh Arya, Soham Rakshit, The Austrian Road/Die Österreichische Strasse Pranavasthitha Tandra, Udayan R.M, Dir: Lana Berndl/Russian/38’/2016 COMP: SHORT FICTION Raj Narayanan/Telugu/2’/2017 Last day of summer Romakuppayam Dir: George Kora/Malayalam/21’/2017 Dir: K P Muraleedharan/Malayalam/8’/2016 OPENING CEREMONY followed by the screening of Opening Films Pashi I Dir: Siddharth Chauhan/Hindi/30’/2017 COMP: LONG DOCUMENTARY L The Thinking Body Sakhisona A COMP: SHORT DOCUMENTARY Dir: Kadambari Shivaya/English/81’/2017 Dir: Prantik Basu/India/26'/2017 R Search/Thedal I Dir: Monachan R/Tamil/19’/2017 Life Animated A Dir: Roger Ross Williams/USA/92'/2016 Salute the Motherland/Vande Mataram K Dir: Shridhar Sudhir/Hindi, English, Gujarati/27’/2016 Guardians of the Grain Dir: G.S. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
XXI:11) Wim Wenders, WINGS of DESIRE/DER HIMMEL ÜBER BERLIN (1987, 128 Min
November 9, 2010 (XXI:11) Wim Wenders, WINGS OF DESIRE/DER HIMMEL ÜBER BERLIN (1987, 128 min) Directed by Wim Wenders Written by Wim Wenders, Peter Handke and Richard Reitinger Produced by Anatole Dauman and Wim Wenders Music by Laurie Anderson, Jürgen Knieper, Laurent Petitgand, Nick Cave Cinematography by Henri Alekan Film Editing by Peter Przygodda Dedicatees: Yasujiro Ozu, François Truffaut, and Andrzei Tarkovsky as Andrzej Bruno Ganz....Damiel Solveig Dommartin....Marion Otto Sander....Cassiel Curt Bois....Homer, the aged poet Peter Falk....Der Filmstar WIM WENDERS (14 August 1945,Düsseldorf, North Rhine- Westphalia, Germany) has directed 45 films, among them Don't Come Knocking 2005, Land of Plenty 2004, “The Soul of a Man” Maudits/The Damned 1947, La Belle et la bête/Beauty and the episode in the PBS series “The Blues” 2003, Buena Vista Social Beast 1946, Vénus aveugle/Blind Venus 1941 and La Vie est à Club 1999, Willie Nelson at the Teatro 1998, The End of nous/The People of France. Violence 1997, Lumière et compagnie/Lumière and Company 1996, Lisbon Story 1994, Bis ans Ende der Welt/Until the End of BRUNO GANZ (22 March 1941, Zürich-Seebach, Switzerland) the World 1991, Wings of Desire/Hummel über Berlin (1987), has acted in 86 films, the most recent of them The Great Farrell Paris, Texas 1984, Hammett 1982, Lightning Over Water/Nick’s 2006 (in production). Some of the others are Der Untergang Film 1980, Der Amerikanische Freund/The American Friend 2004, The Manchurian Candidate 2004, Mia aioniotita kai mia 1977, Der Scharlachrote Buchstabe/The Scarlet Letter 1973, Die mera/Eternity and a Day 1998, Prague 1992, Strapless 1989, Angst des Tormanns beim Elfmeter/The Goalie's Anxiety at the The Legendary Life of Ernest Hemingway 1988, Killer aus Penalty Kick 1972, Alabama: 2000 Light Years from Home 1969, Forida 1983, Rece do gory/Hands Up! 1981, Nosferatu: and Schauplätze 1967. -
106' International Happily Ever After Dir: Nada Riyadh, Ayman El
16th June 2017 9:30 AM 11:30 AM 2:30 PM 6:00 PM 120' Comp: Campus Film Comp: Animation Rooms Mother/Amma Dir: Sangeet Unni/Malayalam/11/2017 Dir: Ambreesh Arya, Soham Rakshit, Pranavasthitha Tandra, Udayan R.M., Raj 106' Comp: Short Fiction Narayanan/Telugu/2/2017 Last day of summer Romakuppayam International Dir: George Kora/Malayalam/21/2017 Dir: KP Muraleedharan/Malayalam/8/2016 Pashi Happily Ever After KAIRALI Dir: Siddharth Chauhan/Hindi/30/2017 Dir: Nada Riyadh, Ayman El Comp: Long Documentary Amir/Arabic/71/2016 The Thinking Body Comp: Short Documentary Dir: Kadambari Shivaya/English/81/201 The Austrian Road/Die Österreichische Strasse Search/Thedal Dir: Lana Berndl/Russian/38/2016 Dir: Monachan R/Tamil/19/2017 Salute the Motherland/Vande Mataram Dir: Shridhar Sudhir/Hindi, English, Gujarati/27/2016 Guardians of the Grain Dir: G.S. Unnikrishnan Nair./English/23/2017 9:45AM 11:45AM 2:45 PM 106' OPENING CEREMONY Focus Short Fiction 123' followed by the screening of Grace Villa International . 81' Opening Films Dir: Binoy Raveendran/Malayalam/14/2016 Brave Bunch/Fajna ferajna Focus Short Documentary Snake and Ladder/Paambum Koneem Dir: Tomasz Stankiewicz/Poland/29/2015 Meenakshipayattu -HerStory of Sword Sonasakhi Dir: Mohamed Sohal /Malayalam/15/2016 Dir: Biju Muthathi/Malayalam/22/2016 Dir: Prantik Pu Maestro: Wim Wenders Basu/India/26'/2017 NILA Dir: J.Bibin Joseph/Malayalam/15/2016 Focus Long Documentary The Break up A Trick of Light/Die Gebrüder Skladanowsky Mother Bird Dir: Aadhitya Anbu/Tamil/17/2016 Life Animated Dir: Wim -
10Th Pune International Film Festival (12Th - 19Th January 2012 )
10th Pune International Film Festival (12th - 19th January 2012 ) SR. NO. TITLE ORIGINAL NAME RUNTIME YEAR DIRECTOR COUNTRY OPENING FILMS 1 Dernier Etage Gauche Gauche Top Floor Left Wing 93 2010 Angelo Cianci Luxembourg WORLD COMPETITION 1 Der Albaner The Albanian 104 2010 Johannes Naber Germany 2 Zad Kadar Voice Over 107 2010 Svetoslav Ovtcharov Bulgaria 3 Czarny Czwartek Black Thursday 105 2011 Antoni Krauze Poland 4 Alzheimer Alzheimer 103 2011 Ahmad Reza Motamedi Iran 5 Joanna Joanna 105 2011 Feliks Folk Poland 6 My Little Princess My Little Princess 105 2011 Eva Ionesco France 7 Vorobey Sparrow 90 2010 Yuri Shiller Russia 8 El Vuelo del Tren The Magic of Hope 80 2011 Paco Torres Ireland 9 SAHE THE PRECINT 117 2010 Ilgar Safat Azeri/Russia 10 Amnesty Amnesty 82 2011 Bujar Aliman Albania / Greece / France 11 Ao Ge Diago 89 2010 Chi Zhang China 12 Ami Aadu Sound of Love 117 2011 Somnath Gupta India 13 Jodaeiye Nader az Simin Nader & Simin : A separation 123 2011 Asghar Farhadi MARATHI COMPETITION 1 Shaala 105 2011 Sujay Dahake India 2 Khalti Doke Varti Paay Up Side Down 82 2011 Ajay Sing India 3 Jana GaNA Mana 110 2011 Amit Abhyankar India Mukti - Kalpanechya Bandhanatun 4 130 2011 Macchindra Morey India Ki Bandhanachya Kalpanetun Sound Of Heaven - The Story Of 5 Balgandharva 130 2011 Ravi Jadhav India Balgandharv Sumitra Bhave & Sunil 6 Ha Bharat Maza India Is My Country 117 2011 India Sukhtankar 7 Deool A Temple 144 2011 Umesh Kulkarni India WORLD CINEMA 1 MAN WITHOUT A CELL PHONE MAN WITHOUT A CELL PHONE 83 min 2010 Sameh Zoabi -
Programme2020.Pdf
FAR EAST FILM FESTIVAL 22 26 June — 4 July 2020 PROGRAMMA FAR EAST FILM FESTIVAL 22 IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS MAIN MEDIA PARTNERS MEDIA PARTNERS TECHNICAL PARTNERS ® FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS FAR EAST IN PROGRESS PARTNER FAR EAST FILM FESTIVAL 22 IT’S TIME FOR A REVOLUTION! Questo non è il Far East Film Festival 22: questo è il Far This isn’t the Far East Film Festival 22: this is the Far East East Film Festival 22 online edition! Un’edizione davvero Film Festival 22 online edition! There’s no point beating storica. Anzi: un’edizione rivoluzionaria. La rivoluzione, around the bush: this is going to be a truly historic edition - a però, non consiste nell’aver trasferito il Far East Film sul revolutionary one, in fact. But the revolution doesn’t consist web: consiste nell’aver trasformato il Far East Film in un in having moved the Far East Film Festival onto the web: it evento digitale, riscrivendone completamente l’architettura consists in having transformed the Far East Film Festival (modello, formule, strategie editoriali) e conservandone into a digital event, completely redesigning its architecture l’obiettivo primario: indagare un territorio, l’Asia, e (model, formulas and editorial strategies) while preserving presentare il meglio delle sue produzioni cinematografiche its primary objective: to investigate Asia and showcase the popolari. -
Takeshi Kitano Vol
UNIVERSITY OF SHEFFIELD KITANO TAKESHI: AUTHORSHIP1 GENRE & STARDOM IN JAPANESE CINEMA PHD THESIS ADAM R BINGHAM 2009 VOL II 213 The Return of the Kids! A Scene at the Sea [1991], Kids Return [1996] & Dolls [2002] It is possible to sub-divide and compartmentally categorise the oeuvre of Kitano Takeshi in several distinct and mutually compatible ways. Thus far, the tendency in the critical discourse on his work has been, rather too readily and too easily, to focus on those aspects of his films deemed salient authorial determinants - such as the violence and tenderness - and apply this to the body of work as a whole. Thus, for better or for worse, one repeatedly finds in reviews of films such as Ana natsu, ichiban shizukana umi ... (A Scene at the Sea, 1991) and Kikujiro no natsu (Kikujiro, 1999) a focus on their lack of the violent material found in other, better known Kitano films. Similarly, a number of reviews and essays about Hana-Bi [1997] concentrated on its perceived Zen qualities, and in the US this quality of quietude and mono no aware was then read into other works that were released in the wake of 1997, even San tai yon, ekkusu ...jugatsu (Boiling Point, 1990). It is, of course, the central tenet of film authorship to evaluate one of a perceived auteur's films against the oeuvre in general. However, as the aforementioned example of Hana-Bi can amply attest, it is nonetheless the case that the common critical conceptions of Kitano Takeshi or even 'Beat' Takeshi that have gained consensus opinion have often been lazily employed, rehashed and repeated. -
Off the Beaten Path
Off the Beaten Path A Comprehensive List of the Horror Community’s Favorite Overlooked Films Tomatometer Audience Score Mentions Logline [Rec] (2007) 89% 82% Reporter Angela (Manuela Velasco) and her trusty cameraman Pablo are following a local fire crew for a segment of their reality television series "When You're Asleep" when the firefighters receive a distress call from a nearby apartment building. An elderly woman has become locked in her apartment; a routine call by any account. The police are already on the scene, so now it's up to firemen Manu (Ferran Terraza) and Alex (David Vert) to break down the door and ensure that no harm has come to her. Upon arriving at the building, everything appears normal. But the calm atmosphere at the moment betrays the horrors that begin to unfold after the firemen break down the tenant's door and experience something that no one would believe had it not been captured on camera. Later, as the building is surrounded and quarantined, Pablo continues to roll tape to ensure that whatever the outcome of this terrifying situation may be, there will be some evidence to ensure that the truth gets out. [Rec] 2 (2010) 68% 60% The highly anticipated sequel to one of the scariest films of all time, "[REC] 2" picks up 15 minutes from where we left off, taking us back into the quarantined apartment building where a terrifying virus has run rampant, turning the occupants into mindlessly violent, raging beasts. A heavily armed SWAT team and a mysterious government official are sent in to assess and attempt to neutralize the situation. -
International Documentary & Short Film Festival Of
FESTIVAL BOOK & OF KERALA INTERNATIONAL INTERNATIONAL DOCUMENTARY SHORT FILM FESTIVAL ID D TH SF I F SF F INTERNATIONAL DOCUMENTARY & SHORT FILM FESTIVAL www.idsffk.in OF KERALA 16-20 JUNE 2017 THIRUVANANTHAPURAM | KAIRALI SREE NILA 10 TH IDSFFK 1 10TH IDSFFK 1 CREDITS Chairman & Festival Director, IDSFFK: Kamal Vice Chairperson & Artistic Director: Bina Paul Secretary & Executive Director: Mahesh Panju Treasurer: Zulfikar Rahman A Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Finance): Radha Krishnan M Programme Manager (Festival): Deepika Suseelan Programme Manager (Programmes): Vimal Kumar V P Librarian (Technical Coordinator): Gopeekrishna S Online Media: Riyaz Ahamed Programme Assistants: Saiyed Farooq Z, Geethanjali C, Sreevidhya J, Revathy L Festival Cell: Sivakumar P S, Velayudhan Nair K, Mary Ninan, Padmakumar P R, Shyamlal S S, Harikumar K, Venukuttan Nair K, Ravikumar K, Jayakumari D, Sandhya B, Naveen Nath G S, Sukumaran K, Jaya L, Sasikala G, Arun R, Sahadevan R, Vijaya Mohan B, Lizy M, Omana J, Naveen L Johnson Filmmakers Liaison: Bandhu Prasad Aleyamma Guest Relations: Arjun A, Jayesh L R, Shelly J, M Rameez Media Relations: I & PRD, Government of Kerala Projectionists: John Kurian, Nishanth S T, Abhilash Software: Eventival, CDit Website Support : CDit Festival Design: B Priyaranjanlal Signature Film: Shameer Babu Festival Book Chief Editor: Mahesh Panju (Secretary, KSCA) Editor: H Shaji (Deputy Director, KSCA) Editorial Team: N P Sajeesh, Usha V T Word Processing & Page Setting: B Sivaprasad Academy is grateful to various film journals, festival publications, Film Festival websites from which we have borrowed materials to put together this book. The opinions expressed herein are not necessarily that of the Kerala State Chalachitra Academy or the Editors. -
Titel.KINO 1/04.RV
EXPORT-UNION OF GERMAN CINEMA 1/2004 AT BERLIN In Competition GEGEN DIE WAND by Fatih Akin DIE NACHT SINGT IHRE LIEDER by Romuald Karmakar TRUTH & THE UNIVERSE Directors’ Portraits of Esther Gronenborn & Veit Helmer SHOOTING STAR Actress Maria Simon SPECIAL REPORT German-French Kino Film Relations Anne Ratte-Polle in ”Nightsongs“ by Romuald Karmakar (photo © Pantera Film) (photo © Pantera in ”Nightsongs“ by Romuald Karmakar Anne Ratte-Polle KINO1/2004 4 focus on GERMAN-FRENCH FILM RELATIONS 12 directors’ portraits A MATTER OF TRUTH A portrait of Esther Gronenborn 13 MASTER OF HIS OWN UNIVERSE A portrait of Veit Helmer 16 producer’s portrait CROSSING BORDERS A portrait of TATFILM GmbH 18 actress’ portrait SHOOTING STAR A portrait of Maria Simon 20 KINO news in production 24 ATINA & HERAKLES Sebastian Harrer 24 DIE BLAUE GRENZE BLUE BORDER Till Franzen 25 FROZEN ANGELS Frauke Sandig, Eric Black 26 INVENTING DR. GOEBBELS Lutz Hachmeister 26 KAUKASISCHER COUP CAUCASIAN BUSINESS Tatiana Brandrup 27 LAURAS STERN LAURA’S STAR Thilo Graf Rothkirch, Piet De Rycker 28 DER NEUNTE TAG Volker Schloendorff 28 DIE RITCHIE BOYS THE RITCHIE BOYS Christian Bauer 29 SCHNEELAND SNOWLAND Hans W. Geissendoerfer 30 SOMMER HUNDE SOEHNE Cyril Tuschi 30 WILLENBROCK Andreas Dresen 31 ZEIT NACH DER TRAUER Beate F. Neumann the 100 most significant german films (part 12) 32 VAMPYR THE VAMPIRE Carl Theodor Dreyer 33 DER PROZESS Eberhard Fechner 34 DER HAENDLER DER VIER JAHRESZEITEN THE MERCHANT OF FOUR SEASONS Rainer Werner Fassbinder 35 ROMANZE IN MOLL ROMANCE IN -
Title Year Available to £50 Lower Cost List? Available to 3
As part of the Cinema For All LIFT package to help relaunch community cinemas we have worked closely with our distributors to bring you a wide range of titles on the Booking Scheme that are available for either a *3for1 licence or **£50 lower cost licence fee. These offers are available for screenings taking place between 18/08/2020 and 17/01/2021 only. All films on the Booking Scheme are currently offered on a ‘screen from your own copy’ basis, meaning you screen the film from your own purchased DVD/Blu Ray or official digital purchase e.g. iTunes. Some films are not available on these home entertainment formats and in these cases we will work with you and the distributor to either send you a screener disc or link. You will be notified once we receive your booking if this is the case. Please use this booking form to request any of the titles in this list and select which offer you’d like (either the 3for1 or £50 lower cost licence). All other Booking Scheme terms and conditions apply to these bookings and any others bookings of titles on the Booking Scheme outside of this list. We hope these offers are helpful to your community cinema during this difficult time. We’d also like to share our wholehearted thanks to our distribution partners for helping to make this possible. *You can screen the film up to three times over three consecutive days for £90 flat fee. **The film is available for £50 flat fee and can only be screened once per booking.