Vol. 24, No. 12 December 2020 You Can’T Buy It

Total Page:16

File Type:pdf, Size:1020Kb

Vol. 24, No. 12 December 2020 You Can’T Buy It ABSOLUTELY FREE Vol. 24, No. 12 December 2020 You Can’t Buy It Festive Still Life Painting is by Noelle Brault who is having a solo exhibit of original oil paintings at the Rob Shaw Gallery and Framing in West Columbia, South Carolina, from December 4, 2020 - January 15, 2021. See the article on Page 20. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Noelle Brault / Rob Shaw Gallery and Framing Page 3 - Art Support: NC Arts Council, SC Arts Council, CERF & Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site National Endowment for the Arts The Arts in North Carolina and COVID-19 Page 4 - Editorial Commentary & Redux Contemporary Art Center / Morgan Kinne Page 4 - Pastel Society of South Carolina & CC Phillips Even though participation in the arts has been greatly Page 6 - Redux Contemporary Art Center cont., Corrigan Gallery / John Moore & disrupted by the coronavirus pandemic, and artists and Page 5 - Ella Walton Richardson Fine Art Charleston Artist Guild / Mary Sayas arts organizations severely impacted, our network across Page 6 - Charleston’s Museum Mile Page 8 - City of North Charleston / Dawnita Hall and Susan Irish & Public Works Art Center North Carolina is responding in a myriad of creative ways Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, that demonstrate the power of the arts to connect, Page 10 - Public Works Art Center cont. & Editorial Commentary cont. cope, and heal. We at the North Carolina Arts Council Page 11 - Ella Walton Richardson Fine Art & A Book Review by Tom Starland Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, want to do our part to call attention to important action Page 12 - A Book Review by Tom Starland cont., Art League of Hilton Head & The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery items and resources that will benefit the state’s arts industry. For further information visit Pop-Up Artisan Market / Bluffton Page 8 - Deane V. Bowers & Halsey McCallum Studio (https://www.ncarts.org/arts-north-carolina-and-covid-19). Page 13 - Society of Bluffton Artists & Hampton County Art Council / Janet Kozachek Page 9 - Anglin Smith / Celebrating 20 Years Page 14 - Hampton County Art Council / Antauwn Wade & Page 10 - Corrigan Gallery / John Moore North Carolina Artist Relief Fund Artists Collective | Spartanburg / Pete Harding Location: North Carolina Page 11 - Whimsy Joy by Roz & Wells Gallery Page 15 - Artists Collective | Spartanburg cont. & Page 13 - Art League of Hilton Head This fund has been created to support creative individuals who have been financially impacted by gig cancellations due Artists Collective | Spartanburg / Amanda Compton to the outbreak of COVID-19. Artists and arts presenters in North Carolina can apply for emergency funding. Page 18 - Artists Collective | Spartanburg cont., Greenville Technical College, Page 14 - Greer Center for the Arts / Studio Artists Apply at this link (https://vaeraleigh.org/artist-relief-fund). Blue Ridge Art Center / Tom Dimond and Terry Jarrard -Dimond & Page 16 - Metropolitan Arts Council / Greenville Open Studios 12 x 12 Exhibit Arts Council of York County Page 17 - Hampton III Gallery / 50 Years Hampton Gold Page 20 - Arts Council of York County cont., SC State Museum, Page 19 - Greer Center for the Arts / Holiday Arts Fair Rob Shaw Gallery and Framing / Noelle Brault & Arts Center of Kershaw County Page 20 - Mouse House / Susan Lenz Page 22 - Arts Center of Kershaw County & Asheville Art Museum Page 21 - City Art Gallery & Noelle Brault Fine Art Page 23 - Asheville Art Museum & Center for Craft / Asheville Page 22 - One Eared Cow Glass Page 24 - Center for Craft / Asheville, American Folk Art / Asheville & Asheville Gallery of Art Page 23 - Upstairs Artspace Page 25 - Sand Hill Artists Collective, Western Carolina University & STARworks Page 26 - Village Pottery Marketplace & Downtown Greensboro Inc. / Christopher Janney Page 24 - The Artist Index Page 27 - Sunset River Marketplace / Mark Gordon, Cameron Art Museum & Page 25 - STARworks Dare County Arts Council Page 26 - Village Pottery Marketplace & Discover the Seagrove Potteries Page 28 - Dare County Arts Council cont., Craven Arts Council & Gallery and Page 27 - Wilmington Art Association North Carolina State University Page 28 - Sunset River Marketplace & Triangle Artworks Page 29 - Some Exhibits That Are Still on View and SC Institutional Galleries - Allendale - Charleston Don’t forget about our website: www.carolinaarts.com COVID-19 and the arts in South Carolina Page 30 - SC Institutional Galleries - Charleston - Columbia Area As with the rest of state government, the South Carolina Arts Commission remains open and serving our constituents. Page 31 - SC Institutional Galleries - Columbia Area - Greenville Our team continues working diligently to respond to your needs. During this time, the best way to reach us is via email. Page 32 - SC Institutional Galleries - Greenville - Newberry We will resume in-person business as soon as state/local authorities and public health experts deem it safe to do so. Page 33 - SC Institutional Galleries - Newberry - Spartanburg For further info visit (https://www.southcarolinaarts.com/covid-19-response/). Page 34 - SC Institutional Galleries - Spartanburg - Westminster SC Commercial Galleries - Aiken / North Augusta - Bluffton Page 35 - SC Commercial Galleries - Bluffton - Charleston Page 36 - SC Commercial Galleries - Charleston Page 37 - SC Commercial Galleries - Charleston - Edgefield You can find past issues all the way back to August 2004! Page 38 - SC Commercial Galleries - Edisto Island - Lexington You can find past articles all the way back to June 1999 Page 39 - SC Commercial Galleries - Lexington - Travelers Rest Also don’t forget about our two blogs: Page 40 - NC Institutional Galleries - Aberdeen - Asheville Area Carolina Arts Unleashed - Carolina Arts News Page 41 - NC Institutional Galleries - Asheville Area - Charlotte Area Send us your e-mail address to be added to our list to receive Page 42 - NC Institutional Galleries - Charlotte Area - Fayetteville notice of each monthly issue. [email protected] , is published monthly by Shoestring Publishing Company, a Page 43 - NC Institutional Galleries - Fayetteville - Morganton Carolina Arts subsidiary of PSMG, Inc. Copyright© 2020 by PSMG Inc. It also publishes Page 44 - NC Institutional Galleries - Morganton - Seagrove Area the blogs Carolina Arts Unleashed and Carolina Arts News, Copyright© 2020 by PSMG, Inc. All rights reserved by PSMG, Inc. or by the authors of articles. Page 45 - NC Institutional Galleries - Seagrove Area - Winston-Salem Reproduction or use without written permission is strictly prohibited. Carolina The National Endowment for the Arts is open for business. Our staff, while working remotely for the next several weeks, Arts is available online at (www.CarolinaArts.com). Mailing address: P.O. Page 46 - NC Institutional Galleries - Winston-Salem & Drawer 427, Bonneau, SC 29431. Telephone: 843/693-1306, e-mail at is available to you via phone or email, as usual. We look forward to receiving and reviewing our next round of grant NC Commercial Galleries - Aberdeen - Asheville ([email protected]) and on the web at (www.CarolinaArts.com). applications in the coming weeks. We’re also evaluating our grant application deadlines and may Page 47 - NC Commercial Galleries - Asheville - Atlantic Beach Editor/Publisher/Calendars/Distribution adjust them to help applicants dealing with the effects of COVID-19. Thomas J. Starland Page 48 - NC Commercial Galleries - Bakersville - Brevard / Cedar Mountain Area Web Master/Advertising/Business Manager We know that there are more than five million Americans who make their livelihoods in the broader arts and cultural sector Linda Parks Starland Page 49 - NC Commercial Galleries - Brevard / Cedar Mountain Area - Charlotte Area Super Blog Guru & Graphics across the country and are potentially at risk. We also know that the arts provide comfort, resilience, wisdom, Emma Ravenel Page 50 - NC Commercial Galleries - Charlotte Area - Durham and the means for self-expression and connection, perhaps even more so during challenging times such as these. Contributing Writers This Month None This Month We have FAQs and relief resources and opportunities related to COVID-19 available on our website at Page 51 - NC Commercial Galleries - Durham - Hillsborough Advertising Rates (https://www.arts.gov/covid-19-resources-for-artists-and-arts-organizations), Page 52 - NC Commercial Galleries - Lenoir - Pittsboro Click here for advertising rates. and we will continue to update these sections with new information as it becomes available. Page 53 - NC Commercial Galleries - Pittsboro - Seagrove Area The deadline for the January 2021 issue is December, 24, 2020. Page 54 - NC Commercial Galleries - Seagrove Area To advertise call 843/693-1306. Page 55 - NC Commercial Galleries - Seagrove Area - Waxhaw Page 56 - NC Commercial Galleries - Waxhaw - Winston-Salem Area Page 2 - Carolina Arts, December 2020 Table of Contents Table of Contents Carolina Arts, December 2020 - Page 3 Editorial by Tom Starland, Editor and Publisher Don’t forget about our website: COMMENTARY www.carolinaarts.com Ella Walton Richardson Fine Art Be An Artful Santa This Year Joe? OK, that’s my only Biden reference this month. Potters all over North and Every year in our December issue I South Carolina are just taking their latest Merry Christmas & Happy New Year! use my commentary to put in a plug for mug creations out of the kiln. If you know people to use art in their gift giving. No someone who needs more than a cup of more than now, during this Pandemic, does coffee to get them out of bed, get them a the visual art community need you to be an face jug to wake up to. I’ve got a couple artful Santa. Artists, art galleries, art cen- next to my bed that pop my eyes open We wish everyone good health and many blessings in the coming year.
Recommended publications
  • Vol. 23, No. 8 August 2019 You Can’T Buy It
    ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute
    [Show full text]
  • What Do You Do with 314 Pots? by Joan Lincoln
    Teapot, 7 inches in height, slab-built Celadon-glazed teapot, 111/4 inches Glazed porcelain teapot, 9 inches porcelain with black terra sigillata, in height, wheel-thrown and carved in height, with handmade handle, purchased for $2600, by Edward Eberle. porcelain, $105, by Molly Cowgill. $50, by Ruth Scharf. What Do You Do with 314 Pots? by Joan Lincoln never intended to collect contempo­ opinions, current trends, inflated cost few people realized the potential value /, rary American ceramics. My first pur­ or overwhelming size. If a work cannot of a Toshiko Takaezu container; a chase, a small, red clay, matt-green- speak for itself in the rich company of shop/gallery/fair cannot afford to stay glazed bowl by Gertrud and Otto fine craft, no amount of pretentious in business on speculation. Friends Natzler, caught my eye at the New York jargon-hype will make it valid or hon­ also gave me ceramic objects, knowing City American Crafts Gallery. I could est. Obfuscation covers inadequacy. I had been mucking around in clay not leave without it. Now, my collec­ Rule three requires that the object forever (kindergarten through grad tion ranges from Laura Andreson to do well that which it was designed to school). Sometimes these gifts were Marguerite Wildenhain, from low-fire do. The mind likes a justification for quite remarkable (a 23-inch Rook- earthenware to high-fire porcelain, from the eye’s delight; e.g., my Molly Cowgill wood lamp base, probably by Shiraya- functional to purely decorative. I can celadon-glazed carved porcelain teapot madani). I also traded/bought from now read most pots easily for technique pours well, holds the heat and adds fellow M.F.A.
    [Show full text]
  • Don Reitz Resume Born
    Don Reitz resume Born: 1929 Sunbury, Pennsylvania Education: 1962 MFA, New York State School of Ceramics, Alfred University, Alfred, New York 1957 BS, Art Education, Kutztown State College, Kutztown, Pennsylvania Teaching Appointments: 1962-88 University of Wisconsin, Madison Wisconsin 1962-62 Alfred University, Alfred, New York 1957-60 Dover Public Schools, Dover New Jersey Honors and Awards: Named Professor Emeritus, University of Wisconsin, Madison Named Fellow, Wisconsin Academy of Science, Arts, and Letters Honored in Ceramic Monthly Reader’s Roll as “One of twelve greatest living ceramic artists worldwide” 1988 and 2001 Cited by the Maori people of New Zealand and carved on their totem pole for “Distinguished leadership in the dispensing of knowledge to peoples” Honored as Trustee Emeritus of the American Craft Council Named Fellow of the World Craft Council Past President and named Fellow of the National Council on The Education of Ceramic Arts Recipient of the National Endowment of the Arts Grant Honorary Resident and given the key to the City of Henderson, Kentucky Recipient of the Governor’s Award in the Arts, State of Wisconsin and State of Pennsylvania Recipient of the Governor’s Award , Himeji City, Japan Recipient of the first Ceramic Art Award by The American Ceramic Society Honored Guest of the Vice President of The United States in Washington, D.C. Recipient of the Aileen Osborn Webb Gold Medal, American Crafts Council’s Highest Award Recipient of the James Renwick Alliance Distinguished Educator Award Recipient of the
    [Show full text]
  • Paul Soldner Artist Statement
    Paul Soldner Artist Statement velutinousFilial and unreactive Shea never Roy Russianized never gnaw his westerly rampages! when Uncocked Hale inlets Griff his practice mainstream. severally. Cumuliform and Iconoclastic from my body of them up to create beauty through art statements about my dad, specializing in a statement outside, either taking on. Make fire it sounds like most wholly understood what could analyze it or because it turned to address them, unconscious evolution implicitly affects us? Oral history interview with Paul Soldner 2003 April 27-2. Artist statement. Museum curators and art historians talk do the astonishing work of. Writing to do you saw, working on numerous museums across media live forever, but thoroughly modern approach our preferred third party shipper is like a lesser art? Biography Axis i Hope Prayer Wheels. Artist's Resume LaGrange College. We are very different, paul artist as he had no longer it comes not. He proceeded to bleed with Peter Voulkos Paul Soldner and Jerry Rothman in. But rather common condition report both a statement of opinion genuinely held by Freeman's. Her artistic statements is more than as she likes to balance; and artists in as the statement by being. Ray Grimm Mid-Century Ceramics & Glass In Oregon. Centenarian ceramic artist Beatrice Wood's extraordinary statement My room is you of. Voulkos and Paul Soldner pieces but without many specific names like Patti Warashina and Katherine Choy it. In Los Angeles at rug time--Peter Voulkos Paul Soldner Jerry Rothman. The village piece of art I bought after growing to Lindsborg in 1997.
    [Show full text]
  • Code & Policy Report
    SUMMERVILLETOWN OF VISION PLAN CODE & POLICY REPORT ADOPTED: 7.9.2014 ii Summerville Vision Plan: Code & Policy Report Town of Summerville Madelyn Robinson, AICP Director of Planning & Economic Development, Town of Summerville Jessi Shuler, AICP Zoning Administrator, Town of Summerville Lisa Wallace Director of Administrative Services, Town of Summerville Russ Cornette, PE, CFM Town Engineer, Town of Summerville Consultant Team Craig Lewis Managing Principal, Lawrence Group Monica Carney Holmes Project Manager, Lawrence Group Carolyn Reid Assistant Project Manager, Lawrence Group Scott Curry Designer, Lawrence Group Keihly Moore Designer, Lawrence Group Bob Lewis Economist, Development Strategies Table of Contents iii CODE ASSESSMENT & RECOMMENDATIONS 1 CODE STRUCTURE & ORGANIZATION 3 4 BUILDING & SITE DESIGN STANDARDS 21 1.1: UNIFIED DEVELOPMENT ORDINANCEs 5 4.1: COMMERCIAL AND MULTIFAMILY BUILDING DESIGN 1.2: DOCUMENT ORGANIzaTION 5 STANdaRDS & GUIDELINEs 22 1.3: DOCUMENT PRESENTATION 6 4.2: CIVIC BUILDING DESIGN GUIDELINEs 24 4.3: HISTORIC DISTRICT DESIGN GUIDELINEs 25 2 PROCESS & ADMINISTRATION 7 4.4: PARKING REQUIREMENTs 26 2.1: ADMINISTRATIVE PROCEDUREs 10 4.5: BUFFER AREA REQUIREMENTs 27 2.2: DESIGN REVIEW PROCEss 11 4.6: OPEN SpacE REQUIREMENTs 28 2.3: BOARD OF ZONING APPEALs 12 4.7: SIGNs 28 2.4: TREE ADVISORY PROTECTION COMMITTEE 12 5 STREETS & INFRASTRUCTURE 29 3 DISTRICTS & USES 13 5.1: STREET DESIGN 30 3.1: FRONT SETbacks 15 5.2: STREET CONNECTIVITY 31 3.2: LOT SIZE AND DENSITY 16 5.3: TRAILS AND GREENWAYs 32 3.3: USE PROVISIONs
    [Show full text]
  • Clay: Form, Function and Fantasy
    4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73
    [Show full text]
  • Southern Accent September 1989 - April 1990
    Southern Adventist University KnowledgeExchange@Southern Southern Accent - Student Newspaper University Archives & Publications 1989 Southern Accent September 1989 - April 1990 Southern College of Seventh-day Adventists Follow this and additional works at: https://knowledge.e.southern.edu/southern_accent Recommended Citation Southern College of Seventh-day Adventists, "Southern Accent September 1989 - April 1990" (1989). Southern Accent - Student Newspaper. 61. https://knowledge.e.southern.edu/southern_accent/61 This Book is brought to you for free and open access by the University Archives & Publications at KnowledgeExchange@Southern. It has been accepted for inclusion in Southern Accent - Student Newspaper by an authorized administrator of KnowledgeExchange@Southern. For more information, please contact [email protected]. Scplember 7, 1989 Southern's enrollment exceeds 1 expectations By Warren Downs s for I liL- cnraUmcni of Souihem College Accoitling lo Dr. in the rise. Green- programs hope to insure the Vice-presidenl for Academic f. ihe of the students on academic fiiirs. the sludeni increase is due lo a . In addition to limiting the factors. couple of number of hours permitted, there is the s pariiaHy resulianl from the many increased freshmen orientation, and stu- [changes made in recruiting . Some of dents may also take advantage of the it of publicizing the new counseling center and the tutorial > of attending I Souihem College versus other Adventist The justification for Ihe admission of |insiilulions, increasing recruitment of students on academic probation does not Advendsi students in non-Adventisl come from the increased funds received high schools, and improving the struc- from tuition or from the prestige of ture and awareness of scholarship op- having more students.
    [Show full text]
  • Craft Horizons AUGUST 1973
    craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad.
    [Show full text]
  • Investor Presentation
    R E I Tw o r l d November 2020 Board Meeting | February 2020 1 2 FORWARD - L O O K I N G STATEMENTS/ OTHER INFORMATION Armada Hoffler Armada Hoffler Properties ("AHH”," the "Company," "we," or "us") has filed a registration statement (including a prospectus) with the Securities and Exchange Commission (the “SEC”) with respect to which this communication relates. Before you invest, you should read the prospectus in that registration statement and the prospectus supplement, when available, for any potential offering and the other documents we have filed or will file with the SEC for more complete information about us or such offering. You may get these documents for free by visiting EDGAR on the SEC website at http://www.sec.gov. Alternatively, by contacting us at [email protected] or any underwriter or any dealer participating in any such offering, we or such underwriter or dealer will arrange to send you the prospectus and related prospectus supplement (when available) if you request it. This presentation has been prepared solely for informational purposes and does not constitute an offer to sell or the solicitation of an offer to buy securities, nor shall there be any sale of securities in any state or jurisdiction in which such offer, solicitation, or sale would be unlawful prior to registration or qualification under the securities laws of any such state or jurisdiction. Certain matters within this presentation are discussed using forward-looking language as specified in the Private Securities Litigation Reform Act of 1995, and, as such, may involve known and unknown risks, uncertainties and other factors that may cause the actual results or performance to differ from those projected in the forward-looking statements.
    [Show full text]
  • Hickory Museum of Art Page 14 - Mouse House / Susan Lenz & One Eared Cow Glass Page 18 - Hickory Museum of Art Cont., Blue Moon Gallery & Asheville Gallery of Art
    ABSOLUTELY FREE Vol. 23, No. 1 January 2019 You Can’t Buy It Happy New Year! Artwork, Buffoon, is by Luis Ardila and is part of the exhibit ARTE LATINO NOW 2019 on view at the Max L. Jackson Gallery, Watkins building, Queens University of Charlotte, Charlotte, NC. This is the eighth annual exhibition featuring the exciting cultural and artistic contributions of Latinos in the United States. A reception will be held on January 17, 2019 from 5:30 - 7:30pm. Article is on Page 17. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Queens University of Charlotte - Luis Ardila Page 3 - Karen Burnette Garner & Wells Gallery at the Sanctuary Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Halsey-McCallum Studio & Whimsy Joy by Roz Page 3 - City of North Charleston Page 5 - Emerge SC Page 4 - Editorial Commentary & City of North Charleston cont. Page 5 - Editorial Commentary cont. Page 6 - Avondale Therapy / Susan Irish Page 6 - Charleston Artist Guild & Gibbes Museum of Art Page 7 - Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Rhett Thurman, Page 8 - Coastal Discovery Museum Page 9 - Art League of Hilton Head x 2 & University of SC - Upstate Anglin Smith Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 11 - University of SC - Upstate cont. & West Main Artists Co-op & Saul Alexander Foundation Gallery Page 12 - West Main Artists Co-op, Converse College & Page 8 - Art League of Hilton Head USC-Upstate / UPSTATE Gallery on Main Page 13 - USC-Upstate / UPSTATE Gallery on Main cont.
    [Show full text]
  • The Preservation and Repair of Historic Stained and Leaded Glass Neal A
    PRESERVATION 33 BRIEFS The Preservation and Repair of Historic Stained and Leaded Glass Neal A. Vogel and Rolf Achilles National Park Service U.S. Department of the Interior Heritage Preservation Services “Stained glass” can mean colored, painted or enameled glass, and other building elements has shaped and colored or glass tinted with true glass “stains.” In this Brief the light in infi nite ways. term refers to both colored and painted glass. “Leaded glass” refers generically to all glass assemblies held in place by lead, Stained and leaded glass can be found throughout copper, or zinc cames. Because the construction, protection, America in a dazzling variety of colors, patt erns, and and repair techniques of leaded glass units are similar, textures (Fig. 1). It appears in windows, doors, ceilings, whether the glass itself is colored or clear, “stained glass” and fanlights, sidelights, light fi xtures, and other glazed “leaded glass” are used interchangeably throughout the text. features found in historic buildings (Fig. 2). It appears in all building types and architectural styles—embellishing Glass is a highly versatile medium. In its molten the light in a great cathedral, or adding a touch of state, it can be spun, blown, rolled, cast in any shape, decoration to the smallest rowhouse or bungalow. A and given any color. Once cooled, it can be polished, number of notable churches, large mansions, civic beveled, chipped, etched, engraved, or painted. Of buildings, and other prominent buildings boast all the decorative eff ects possible with glass, however, windows or ceilings by LaFarge, Tiff any, Connick, or none is more impressive than “stained glass.” Since one of many other, lesser-known, American masters, the days of ancient Rome, stained glass in windows but stained or leaded glass also appears as a prominent feature in great numbers of modest houses built between the Civil War and the Great Depression.
    [Show full text]
  • Romare Bearden: the Prevalence of Ritual Introductory Essay by Carroll Greene
    Romare Bearden: the prevalence of ritual Introductory essay by Carroll Greene Author Museum of Modern Art (New York, N.Y.) Date 1971 Publisher The Museum of Modern Art ISBN 0870702513 Exhibition URL www.moma.org/calendar/exhibitions/2671 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ROMARE BEARDEN: THE PREVALENCEOF RITUAL "W * . .. ROMARE BEARDEN: INTRODUCTORY ESSAYBY CARROLL GREENE THE PREVALENCEOF RITUAL THE MUSEUM OF MODERN ART, NEW YORK TRUSTEES OF THE MUSEUM OF MODERN ART ACKNOWLEDGMENTS David Rockefeller, Chairman; Henry Allen Moe, John Hay This exhibition has required the cooperation of many per Whitney, Gardner Cowles, Vice Chairmen; William S. Paley, sons, and I am most grateful for their assistance. I wish to President; James Thrall Soby, Mrs. Bliss Parkinson, Vice express my appreciation first to Romare Bearden, who Presidents; Willard C. Butcher, Treasurer; Robert O. Ander spent countless hours in conversation with me concerning son, Walter Bareiss, Robert R. Barker, Alfred H. Barr, Jr.,* his life and work, which this exhibition celebrates. His Mrs. Armand P. Bartos, William A. M. Burden, J. Frederic generosity in supplying information and documentary Byers III, Ivan Chermayeff, Mrs. Kenneth B. Clark, Mrs. W. material cannot be measured. Murray Crane,* John de Menil, Mrs. C. Douglas Dillon, Members of The Museum of Modern Art staff have been Mrs. Edsel B. Ford, Gianluigi Gabetti, George Heard Hamil especially generous and helpful in executing important ton, Wallace K.
    [Show full text]