Wysiwyg Tours with Roxette
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Front of House Master Song List
NICK LYNCH SONGLIST COUNTRY Have I told You Lately That I Love You? – Rod Stewart 8 Second Ride – Jake Owen Hotel California – The Eagles All About Tonight – Blake Shelton I Saw Her Standing There – The Beatles Am I The Only One – Dierks Bentley Lovely Day – Bill Withers Amie – Pure Prairie League Margaritaville – Jimmy Buffet Callin’ Baton Rouge – Garth Brooks Only The Good Die Young – Billy Joel Chicken Fried – Zac Brown Band Piano Man – Billy Joel Country Girl (Shake It For Me) – Luke Bryan Pretty Woman – Roy Orbison Country Must Be Country Wide – Brantley Gilbert Runaround Sue – Dion Barefoot Blue Jean Night – Jake Owen Somebody's Baby – Jackson Browne Devil Went Down To Georgia – The Charlie Daniels Take It Easy – The Eagles Band Tiny Dancer – Elton John Dirt Road Anthem – Jason Aldean Two Tickets To Paradise – Eddie Money Don't You Wanna Stay – Kelly Clarkson and Jason Wonderful Tonight – Eric Clapton Aldean You Can Call Me Al – Paul Simon Drink In My Hand – Eric Church Fishin’ In The Dark – Emerson Drive CLASSIC ROCK Friends In Low Places – Garth Brooks Get After It – Nick Lynch All Right Now – Free Good One Comin’ On – Blackberry Smoke American Girl – Tom Petty Hillbilly Deluxe – Brooks & Dunn Bad Company – Bad Company Honey Bee – Blake Shelton Born to Run – Bruce Springsteen Johnny Cash – Jason Aldean Dancing In The Dark – Bruce Springsteen Kiss A Girl – Keith Urban Free Fallin’ – Tom Petty Life Is A Highway – Rascal Flatts Handle With Care – The Traveling Wilburys Live A Little – Kenny Chesney Honky Tonk Woman – Rolling Stones -
CINNAMON STREET Growing up on Cinnamon Street Everywhere You
CINNAMON STREET F#m E B A Growing up on Cinnamon Street Everywhere you look there are lots of people to meet F#m E B A It’s seven o’clock, the breakfast treat Now the schoolbus is here, hurry up and grab a seat A E All the dreams are tiny ones F#m B F#m... F#m E A B Another week has just begun on Cinnamon Street There was a girl on Cinnamon Street The same age as me, we shared the curiosity F#m E B A I won her heart ‘cos I could play guitar She promised me heaven at once and later all the stars A E But it all remained the same F#m B A ‘cos things can never change on Cinnamon Street E Bm I can hear my heartbeat the very first time we made love A E Life was a lazy rest in the sun A E Bm Later we went dancing, staying up all night long A E F#m... F#m E A B Playing all our favourite songs: Cinnamon songs... Oh oh na na na na na ..... I say goodbye to Cinnamon Street Springtime is here and the air is so dry and sweat F#m E B A I walk in a cloud, the smell of cinnamon bread It’s in my blood since the day I was born ‘til I wake up dead A E And the sun is smiling gently F#m B A A funny shade of red, Cinnamon Street E Bm I still feel my heartbeat the very first time we made love A E Life was a lazy day in the sun A E Bm Later we went dancing, hanging out all night long A E F#m.. -
Emotions Unveiled: Romance at the Opera in Moonstruck (1987), Pretty
K. KNAUS • EMOTIONS UNVEILED: .... UDK 782.8:791.636(73) Kordula Knaus Department for Musicology, University of Graz Oddelek za muzikologijo, Univerza v Gradcu Emotions Unveiled: Romance at the Opera in Moonstruck (1987), Pretty Woman (1990) and Little Women (1994) Razkrita čustva: Romance v operi – v filmih Moonstruck (1987), Pretty Woman (1990) in Little Women (1994) Prejeto: 3. marec 2012 Received: 3rd March 2012 Sprejeto: 15. marec 2012 Accepted: 15th March 2012 Ključne besede: romantična komedija, opera, Keywords: Keywords: romantic comedy, opera, film, zvočni filmski trak, romanca film, soundtrack, romance Iz v l e č e k Ab s t r a c t Članek preučuje romantične komedije in romance, The article examines romantic comedies and ro- katerih zgodba vključuje prizore, v katerih vodilni mances whose narrative includes a scene where igralci obiščejo operno predstavo. Analiza obiskov the protagonists attend an opera performance. opernih predstav v filmih Moonstruck (1987), An analysis of opera scenes in Moonstruck (1987), Pretty Woman (1990) in Little Women (1994) bo Pretty Woman (1990), and Little Women (1994) will odgovorila na vprašanje o smislu in funkciji opere answer questions about the purpose and function v zvrsti romance in postavila te ugotovitve v dau of opera in the genre of romance and base these širše razprave o pomenu zvočnega filmskega findings in a broader discussion on the importance traku za romantične komedije in za konvencije of the soundtrack for romantic comedy/romance zadevnega žanra. and the particular genre conventions. Opera music is used widely in a variety of film genres, but there are far fewer examples where the attendance at an opera performance is part of the plot. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Dream Baby Roy Orbison C C7 F
1 2 Blue Bayou Roy Orbison B♭ B♭m C7 F F7 Intro F | | | I F feel so bad I've got a | worried mind C7 I'm so lonesome | all the time | Since I left my | baby behind on F Blue Bayou F↓ F Saving nickels, | saving dimes C7 Working 'till the | sun don't shine | Looking forward to | happier times on F Blue Bayou F↓ I'm going F back some day | come what may to C7 Blue Bayou | Where you | sleep all day and the | catfish play on F Blue Bayou | All those | fishing boats with their F7 sails afloat if B♭ I could only B♭m see That F familiar sunrise through C7 sleepy eyes, how F happy I'd be F↓ F Gonna see my | baby again C7 And to be with | some of my friends | Maybe I'd be | happy then on F Blue Bayou F↓ I'm going F back some day, | gonna stay on C7 Blue Bayou | Where the | folks are fine and the | world is mine on F Blue Bayou | Oh, that | girl of mine F7 by my side the B♭ silver moon and the B♭m evening tide Oh, F some sweet day gonna C7 take away this F hurtin' inside F↓ I'll C7 never be blue, my | dreams come true C7↓ on Blue BaFyou | F↓ Fri Dec 13 2019 05:54:08 GMT-0500 (Eastern Standard Time) - For non-commercial educational use. 3 4 Dream Baby Roy Orbison C C7 F C7 | Sweet dream | baby, | sweet dream | baby F Sweet dream | baby, C7 how long must I F dream? C7 Dream baby got me dreamin' sweet dreams | the whole day through | Dream baby got me dreamin' sweet dreams | night time, too F I love you and I'm dreaming of you | but that won't do C7 Dream baby make me stop my dreamin', ½C you can make my dreams come F true C7 Sweet dream | baby, | sweet dream | baby F Sweet dream | baby, C7 how long must I F dream? C7 Dream baby got me dreamin' sweet dreams | the whole day through | Dream baby got me dreamin' sweet dreams | night time, too F I love you and I'm dreaming of you | but that won't do C7 Dream baby make me stop my dreamin', ½C you can make my dreams come F true Repeat x2 C7 Sweet dream | baby, | sweet dream | baby F Sweet dream | baby, C7 how long must I F↓ dream? Sun Dec 15 2019 06:39:20 GMT-0500 (Eastern Standard Time) - For non-commercial educational use. -
Songwriters' Roundup
FORT WORTH SONGWRITERS’ ASSOCIATION Songwriters’ Roundup The Fort Worth Songwriters’ Association is a 501(c)(3) Non-Profit Corporation Volume 24, No. 5 January 2016 Annual Meeting IN THIS ISSUE: From The President Page 2 and Christmas Party Sound Bites Page 3 On December 12th, the FWSA held its Annual Meeting and FWSA Membership Drive Page 4 Christmas Party at Dixie House Café, Fort Worth. Rob Owen, Songwriters Leads Page 6 & 7 Executive Vice President began the meeting with an update of all the events conducted or supported by the FWSA in 2015. How to Find and Write Hooks Page 8 - 10 This entailed 4 major showcases, 3 Songwriters in the Round FWSA Fall Showcase Page 11 Concerts, 23 open mic sessions, 11 Monthly Songwriter Gather- New FWSA Membership Application Page 12 ings, the Quarter Auction Fundraiser, and the FWSA Songwriter Contest. The FWSA also participated in the Fort Worth Arts Festival, MayFest 2015, both in Fort Worth, and several chari- ties throughout the area. Over 78% of our performing members took part in a live event of some type in 2015. Rick Tate, Rob Owen, Deborah Owen, Mona Harmon-Smith, New Members and Renewals Linda Terry, Alan Beauvais, Bonita Beauvais, Mike Conner, James Nitschke, Bryon Simpson, Randy Galbreath, and Lori Jo New Members: Lori Jo Thomas, Vickie Purdy, Thomas were nominated for Board of Directors positions in M.A. Smith, Woody Winn, Mary James, 2016. After all official business was concluded the event shifted Thomas Sears, Cesar Hernandez to the Christmas Party. Linda Terry, Director of Fundraisers/Contests, announced the winners of the FWSA Songwriter Contest for 2015. -
Sampling the Circuits: the Case for a New Comprehensive Scheme for Determining Copyright Infringement As a Result of Music Sampling
Washington University Law Review Volume 89 Issue 5 2012 Sampling the Circuits: The Case for a New Comprehensive Scheme for Determining Copyright Infringement as a Result of Music Sampling John S. Pelletier Washington University School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation John S. Pelletier, Sampling the Circuits: The Case for a New Comprehensive Scheme for Determining Copyright Infringement as a Result of Music Sampling, 89 WASH. U. L. REV. 1135 (2012). Available at: https://openscholarship.wustl.edu/law_lawreview/vol89/iss5/4 This Note is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. SAMPLING THE CIRCUITS: THE CASE FOR A NEW COMPREHENSIVE SCHEME FOR DETERMINING COPYRIGHT INFRINGEMENT AS A RESULT OF MUSIC SAMPLING INTRODUCTION Music sampling continues to be the linchpin of a variety of musical styles including rap, hip-hop, house, and dance music, and has even become prevalent in rock music.1 The practice of sampling involves taking pre-existing sound recordings and using portions of those recordings as elements in a new musical composition.2 The amount of the work sampled can range from taking the entire ―hook‖ or chorus/refrain from a musical composition to smaller elements, such as a riff or even one or two notes or words.3 Music sampling, as it pertains to copyright law and copyright licensing, is a real and current issue. -
Diez Datos Para Recordar a Marie Fredriksson, La Voz De Roxette Que Se Apaga
Diez datos para recordar a Marie Fredriksson, la voz de Roxette que se apaga El reciente fallecimiento de la cantante sueca y voz del dúo Roxette, Marie Fredriksson, impacta especialmente de lleno en la generación “sub 50” que entre 1989 y 1995 disfruta de la avalancha de hits que la banda regala al mundo. Su atractiva voz y su clásico pelo corto constituyen parte de su impronta personal, con la que colabora a la creación de verdaderos temas clásicos como “The Look”, “Joyride” y “Dangerous”, entre muchos otros. Aunque, sin duda, su mayor característica se encuentra en el valor con el que encara la lucha contra el cáncer (tumor cerebral), enfermedad con la que logra lidiar durante casi dos décadas. Su compañero de ruta en la reconocida banda pop, el multi-instrumentista Per Gessle, deja claro su afecto por la cantante y compositora en un comunicado: «No hace tanto que pasábamos días y noches en mi pequeño apartamento de Halmstad, escuchando música que nos encantaba, compartiendo sueños imposibles. ¡Y qué sueño fantástico llegamos a compartir! Gracias, Marie, gracias por todo. Fuiste una música realmente única, una cantante de un nivel que quizá no volvamos a experimentar. Pintaste mis canciones en blanco y negro con los colores más maravillosos». Como sencillo homenaje, compartimos un pequeño decálogo que permite hacerse de una idea general en torno a Fredriksson, una voz que forma parte de la banda sonora en la vida de millones de personas. 1.- El nombre completo de Marie es Gun-Marie Fredriksson y nace en la localidad sueca de Ossjo, el 30 de mayo de 1958. -
Pretty Woman
PRETTY WOMAN BY JONATHAN LAWTON STEPHEN METCALFE EXT. A HOUSE IN THE HOLLYWOOD HILLS - NIGHT The view of downtown Los Angeles from the enormous, ornate house is extraordinary. A small outdoor dinner party is in progress. A MAGICIAN is entertaining guests. Playing cards and coins appear and disappear in his nimble hands. INT. HOUSE STUDY - NIGHT EDWARD HARRIS stands at the window, impassively looking down at the party. Edward is a handsome, well groomed man of around forty. He looks tired; the kind of fatigue that can't be cured by a night's sleep. EDWARD (a murmur) Left pocket. And indeed, down below, the magician pulls the coin from the left pocket of the incredulous WOMAN's silk blazer. More laughter and applause. The study is in keeping with the rest of the house. Luxurious. Everything the best. WILLIAM STUCKEY, Edward's contemporary, is a crafty looking lawyer who is the party host. VANCE is an investment banker. His assistant JAKE, is a financial researcher. The other men are INVESTMENT BANKERS. They are in dark suits and power ties. On the table are stacks of documents and folders, the name "KROSS INDUSTRIES" is prominent on many of the folders. INVESTMENT BANKER 1 Our banks certainly doesn't want to discourage Harris Enterprises from investing in California. We think this is a great new venue for you but you've got to understand the mergers and acquisitions market is changing. With the upswing in inflation we have to make these offerings tempting to offset the risk. VANCE Look, we're talking about hard assets and a straight liquidation. -
OH, PRETTY PARODY: CAMPBELL V. ACUFF-ROSE MUSIC, INC
Volume 8, Number 1 Fall 1994 OH, PRETTY PARODY: CAMPBELL v. ACUFF-ROSE MUSIC, INC. Lisa M. Babiskin* INTRODUCTION For the second time ever, the Supreme Court addressed the affirmative defense of fair use to copyright infringement in the context of parody in Campbell v. Acuff-Rose Music, Inc. ~ The unanimous opinion found a parody rap version of Roy Orbison's song "Oh, Pretty Woman" by the group 2 Live Crew could be a fair use within the exceptions to the protections of the Copyright Act of 1976. 2 The fair use defense is an inconsistent and confusing area that has been called "the most trouble- some [issue] in the whole law of copyright. "3 The Campbell decision helps preserve the flexible, case-by-case analysis intended by Congress and recognizes the value of parody both as a form of social criticism and catalyst in literature. The decision affords wide latitude to parodists, emphasizing the irrelevance of the judge's personal view of whether the parody is offensive or distasteful. It is unclear whether future courts will interpret this holding to be limited to fair use of parody in the context of song, or whether they will construe it more broadly to confer substantial freedom to parodists of all media. It is also unclear what effect this decision will have on the music industry's practice of digital sampling. This article will review the historical background of fair use in the context of parody and the case law preceding the Supreme Court's decision. A detailed discussion of the lower courts' decisions will be followed by analysis of the Supreme Court's decision and its implications for the future. -
Kent's Sweden, Or What a Rock Band Can Tell Us About a Nation
Kent’s Sweden, or what a rock band can tell us about a nation OLA JOHANSSON Johansson, Ola (2013). Kent’s Sweden, or what a rock band can tell us about a nation. Fennia 191: 1, pp. 40-57. Helsinki. ISSN 798-5617. The Swedish rock band Kent is not only the most popular band in Sweden, but also perceived as quintessentially Swedish. Using the notion of “everyday na- tionalism” I argue that Kent both represent and actively shape contemporary Swedish national identity co-constitutively with their audience. Three themes are particularly important to understand this Swedishness. Firstly, the band was formed in the city of Eskilstuna but relocated to Stockholm, which illustrates a Swedish journey through class and space. Secondly, Kent interrogates a series of national myths in their songs. They do so using spatial and environmental meta- phors that can be conceptualized as different landscapes − inner, urban, and winter landscapes − representing Sweden. Thirdly, Kent also construct a “public landscape” that reflects on changes in Swedish society, including neoliberal and anti-immigrant tendencies. Keywords: music geography, Sweden, Kent, national identity, everyday national- ism, media analysis Ola Johansson, Department of Geography, University of Pittsburgh at Johns- town, 450 Schoolhouse Road, Johnstown, PA 15904, United States. E-mail: [email protected]. Introduction What is it about Kent that makes them so purport- edly Swedish? These are significant questions be- Music can communicate a great deal about the cause popular music is a major cultural phenom- culture and society that it comes from. This is the enon. An analysis of Kent’s music offers a unique case with the contemporary Swedish rock band lens through which national identity and spatial Kent. -
The Greer Yellow Pages Wishing You A
The Greer Yellow Pages wishing you a... Information for Inspiration: Brought to you by Aulick’s HIVE TIME - EIGHTH GRADE VOL. 1, ISSUE 2 “Light Up Someone’s Life” DECEMBER 2016 /JANUARY 2017 Letter from the Editor by Alexis M. Dear Yellow Jackets: According to Healthline.com, “The Holidays are supposed to be a time of joy and celebration, but for some people they are anything but.” Additionally, scientist have stated that the most depressing day of the year is actually several weeks after the holidays—the 3rd Monday in January also known as Blue Monday. This year that is January 16th. So despite the lights that shimmered on dark streets and peak through windows, showcasing decorated trees, the holidays and the weeks following can be a time filled with sadness for many. In fact, some statis- tics show that the holidays is one of the most difficult times of the year for some, and this, for several reasons. Those reasons could be anywhere from social isolation all the way to the complexities of holiday grieving over a lost or distant loved one. Others, though it is not obvious, may experience something called “holiday blues.” This is why my HIVE TIME peers and I would like for you to exercise awareness and “LIGHT UP someone’s life!” this holiday season and beyond. From a varsity sports player all the way to an introvert bookworm, sadness does not discrimi- nate. You never know the heartache that someone endures until you are able to walk in his or her shoes. So, radiate empathy and compassion to those who need it the most.