April 2021 Calendar
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CTBUH Hong Kong Chapter Inauguration and Evening Seminar
CTBUH Hong Kong Chapter Inauguration and Evening Seminar Date : 11 April 2019 (Thursday) Time : 5:30 pm to 7:30 pm Venue : Diamond Ballroom, Ritz Carlton Hotel, Hong Kong Level 3, International Commerce Centre (HKICC) Purpose : After years of preparation, we are pleased to announce the establishment of CTBUH Hong Kong Chapter. This inauguration ceremony will be joined by three renowned speakers, who will share with us their experiences on tall building and urban habitats. Rundown : 5:30 – 6:00 pm Cocktail Reception 6:00 – 6:05 pm Introduction of CTBUH (John Jacobs, CTBUH) 6:05 – 6:10 pm Introduction of CTBUH HK Chapter (Vincent Tse, WSP HK) 6:10 – 6:20 pm CTBHU HK Chapter Charter Ceremony 6:20 – 6:40 pm Presentation by John Jacobs (Chief Operating Officer, CTBUH) 6:40 – 7:00 pm Presentation by Robert Whitlock (Design Principal, KPF) 7:00 – 7:20 pm Presentation by Dennis Poon (Vice Chairman, Thornton Tomasetti) 7:20 – 7:30 pm Q&A Fees : FREE OF CHARGE Registration : Number of participants is limited and prior registration is required. For registration, please fill in registration form in the following link: https://goo.gl/forms/9sTygY1KLVPPo5JD3 The deadline for application is on 7 April 2019. Successful applicants will be notified by email on or before 8 April 2019. Attendance : 1 hour CPD certificate will be provided. Enquiry : For enquiry, please contact Mr Michael Sung at 9869 7281 or email at [email protected]. Venue Sponsor : Cocktail Sponsor : Supporting Organizations: Topic 1 – Vertical Cities and Urban Habitat Speaker : Mr. John Jacobs (Chief Operating Officer, CTBUH) John Jacobs is the Chief Operating Officer of CTBUH with headquarters based in Chicago. -
Technical Considerations for Akhmat Tower
ctbuh.org/papers Title: Technical Considerations for Akhmat Tower Authors: Alejandro Stochetti, Director, Adrian Smith + Gordon Gill Architecture Sara Beardsley, Senior Architect, Adrian Smith + Gordon Gill Architecture John Peronto, Vice President, Thornton Tomasetti Marc Cerone, Director, Adrian Smith + Gordon Gill Architecture Subjects: Architectural/Design Façade Design Seismic Structural Engineering Keywords: BIM Façade Seismic Structural Engineering Publication Date: 2018 Original Publication: CTBUH Journal, 2018 Issue II Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Alejandro Stochetti; Sara Beardsley; John Peronto; Marc Cerone Architecture/Design Technical Considerations for Akhmat Tower Abstract The 435-meter Akhmat Tower in Grozny, Chechnya, Russia, will be shaped to refer to the Nakh tower, a traditional watchtower typology in the region. A four-sided, pyramidal shape interacts gracefully with an eight-sided geometry at the base. The mixed program, complex geometry, and high seismic and wind conditions of the region demand a sophisticated design response, particularly in terms of the façade Alejandro Stochetti Marc Cerone and the structural engineering, in order to achieve a coherent, crystalline form. Keywords: Structural Engineering, BIM, Façades, Seismic Design Design Concept ground plan, formed by two intersecting squares, also has a strong cultural reference In 2014, Adrian Smith + Gordon Gill to traditional geometric patterns found in Architecture (AS+GG) was commissioned to the region (see Figure 2). design a signature tower in Grozny, Sara Beardsley John Peronto Chechnya, a Republic of Russia located in the North Caucasus region, near the Caspian Sea. -
Bringing the Vernacular Into Modernism
Scuola Italiana di Studi École Française BY CO-HOSTED sull’Asia Orientale d’Extrême-Orient ISEAS EFEO Friday, December 11th, 18:00h Yola Gloaguen SPEAKER Antonin Raymond’s career allows us to explore the dy- namics and implications of the development of European Bringing and American architectural modernism in a non-Western context. The Czech-born American architect arrived in Japan on the eve of 1920 to assist Frank Lloyd Wright with building the new Imperial Hotel in Tokyo. However, the Vernacular Raymond soon opened his own oce in the capital and became one of the pioneers of modern architecture in Japan. The human and technical challenges taken on by into Modernism Raymond included responding to an increasing demand for the design of villas suited to the Western and Japanese lifestyles of Tokyo’s international elites. This was reected in the spatial design and construction of these new types Architect of houses. The talk will highlight various examples of prewar and postwar residential works, with a focus on how Raymond and his team developed an approach to Antonin Raymond design based on the appropriation and adaptation of selected elements of the Japanese vernacular into the Western modernist idiom, which itself had to be reevalu- in Interwar Japan ated in the particular context of Japan. This approach to Raymond’s work provides a means to reassess the usual binaries of Western inuence and Japanese adaptation through the medium of architecture. Yola Gloaguen is a postdoctoral researcher at the Centre de recherche sur les civilisations de l’Asie orientale–CRCAO, Paris. After receiving her degree in architecture from Paris La Villette School of Architecture, she became a doctoral student at Kyoto University and studied modern architectural history in Japan. -
Annual Report
Top Ranking Report Annual Report Architectural Record ENR VMSD Top 300 Architecture Top 150 Global Top Retail Design Firms: Design Firms: Firms of 2014: # #1 Firm Overall #1 Architecture Firm #1 Firm Overall Building Design ENR Interior Design Message from the Board of Directors 2014 World Top 500 Design Firms: Top 100 Giants: Architecture 100 Most #1 Architecture Firm #1 Architecture Firm Admired Firms: Gensler is1 a leader among the #1 in Corporate Office As we celebrate our 50th anniversary, we world’s architecture and design #1 US Firm #1 in Retail #4 Global Firm #1 in Transportation firms. Here’s how we ranked in #1 in Government look forward to more record-setting years, our industry in 2014. #1 in Cultural thanks to our great client relationships and extraordinary people around the world. Financial Report Our financial performance and recognition throughout the We’re entering our 50th year stronger than ever. Financially strong and debt-free, we contributed industry are indications of the breadth of our practice, our global In 2014, our global growth continued apace $38.5 million in deferred compensation to our reach, and the long-standing trust of our clients. with our clients as they entrusted us with new employees through our ESOP, profit-sharing, and challenges and led us to new locations. Our international retirement plans. We made strategic expanded Gensler team of 4,700+ professionals investments in our research and professional We’ve broadened our services to 27 now work from 46 different offices. With their development programs, along with upgrades to practice areas, with total revenues help, we completed projects in 72 countries and our design-and-delivery platform and the tools for the year setting a new record $ increased our revenues to $915 million—a record and technology to support it. -
An All-Time Record 97 Buildings of 200 Meters Or Higher Completed In
CTBUH Year in Review: Tall Trends All building data, images and drawings can be found at end of 2014, and Forecasts for 2015 Click on building names to be taken to the Skyscraper Center An All-Time Record 97 Buildings of 200 Meters or Higher Completed in 2014 Report by Daniel Safarik and Antony Wood, CTBUH Research by Marty Carver and Marshall Gerometta, CTBUH 2014 showed further shifts towards Asia, and also surprising developments in building 60 58 14,000 13,549 2014 Completions: 200m+ Buildings by Country functions and structural materials. Note: One tall building 200m+ in height was also completed during 13,000 2014 in these countries: Chile, Kuwait, Malaysia, Singapore, South Korea, 50 Taiwan, United Kingdom, Vietnam 60 58 2014 Completions: 200m+ Buildings by Countr5,00y 0 14,000 60 13,54958 14,000 13,549 2014 Completions: 200m+ Buildings by Country Executive Summary 40 Note: One tall building 200m+ in height was also completed during ) Note: One tall building 200m+ in height was also completed during 13,000 60 58 13,0014,000 2014 in these countries: Chile, Kuwait, Malaysia, Singapore, South Korea, (m 13,549 2014 in these Completions: countries: Chile, Kuwait, 200m+ Malaysia, BuildingsSingapore, South byKorea, C ountry 50 Total Number (Total = 97) 4,000 s 50 Taiwan,Taiwan, United United Kingdom, Kingdom, Vietnam Vietnam Note: One tall building 200m+ in height was also completed during ht er 13,000 Sum of He2014 igin theseht scountries: (Tot alChile, = Kuwait, 23,333 Malaysia, m) Singapore, South Korea, 5,000 mb 30 50 5,000 The Council -
Maverick Impossible-James Rose and the Modern American Garden
Maverick Impossible-James Rose and the Modern American Garden. Dean Cardasis, Assistant Professor of Landscape Architecture, University of Massachusetts (Amherst) “To see the universe within a place is to see a garden; approach to American garden design. to see it so is to have a garden; Rose was a rugged individualist who explored the not to prevent its happening is to build a garden.” universal through the personal. Both his incisive James Rose, Modern American Gardens. writings and his exquisite gardens evidence the vitality of an approach to garden making (and life) as James Rose was one of the leaders of the modern an adventure within the great cosmic joke. He movement in American garden design. I write this disapproved of preconceiving design or employing advisedly because James “ the-maverick-impossible” any formulaic method, and favored direct Rose would be the first to disclaim it. “I’m no spontaneous improvisation with nature. Unlike fellow missionary,” he often exclaimed, “I do what pleases modern rebels and friends, Dan Kiley and Garrett me!”1 Nevertheless, Rose, through his experimental Eckbo, Rose devoted his life to exploring the private built works, his imaginative creative writing, and his garden as a place of self-discovery. Because of the generally subversive life-style provides perhaps the contemplative nature of his gardens, his work has clearest image of what may be termed a truly modern sometimes been mislabeled Japanesebut nothing made Rose madder than to suggest he did Japanese gardens. In fact, in response to a query from one prospective client as to whether he could do a Japanese garden for her, Rose replied, “Of course, whereabouts in Japan do you live?”2 This kind of response to what he would call his clients’ “mind fixes” was characteristic of James Rose. -
Designing a Non-Coplanar Exoskeleton Supertall Tower That Transforms the Skyline of Chengdu
ctbuh.org/papers Title: Designing a Non-coplanar Exoskeleton Supertall Tower that Transforms the Skyline of Chengdu Authors: Dennis Poon, Vice Chairman, Thornton Tomasetti Yi Zhu, Managing Principal, Thornton Tomasetti Paul Fu, Principal, Thornton Tomasetti Jianhai Liang, Associate, Thornton Tomasetti Subjects: Architectural/Design Building Case Study Geotechnic/Foundation Structural Engineering Keywords: Core Foundation Performance Based Design Structural Engineering Publication Date: 2015 Original Publication: Asia & Australasia: A Selection of Written Works on the World's Tall Building Forefront Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Dennis Poon; Yi Zhu; Paul Fu; Jianhai Liang Designing a Non-coplanar Exoskeleton Supertall Tower that Transforms the Skyline of Chengdu Dennis Poon, Vice Chairman, Yi Zhu, Managing Principal, Paul Fu, Principal & Jianhai Liang, Associate, Thornton Tomasetti The city of Chengdu is quickly becoming the structural support elements to be seamlessly Chengdu Greenland project, consisting center for high-rise development in southwest incorporated in the tower’s complex of a 468 meter-tall project, comprised of China. The focal point of this new vertical multifaceted architectural shape, minimizing a mixed-use main tower, two high-rise landscape will be the Chengdu Greenland intrusion of structure into usable space, and residential towers, and a podium. project with its 468-meter mixed-use main thus increasing the building’s efficiency. Inspired by the unique ice-clad mountain tower. The tower’s complex architectural topography around the city, the main tower’s geometry consists of facets sloping in all complex architectural geometry consists directions to resemble the region’s snow- Project Description of facets sloping in all directions, including covered mountains. -
Vol. 26, No. 3 (Fall/Winter 2000/01)
Fall/Winter 20002001 Journal of the Integral Yoga of Sri Aurobindo and the Mother Vol. 26, no. 3 An interview with Udar Pinto Travels with Swami Ananta: Greece The triple time vision Sunlit crystal, sunlit path Eye contact with God Supermarket yoga best sellers Fall/Winter 20002001 Collaboration 1 About the artists and TTTababable of contents photographers in this issue Preeti Bhatt ([email protected]) Collaboration, vol. 26, no. 3: Fall/Winter 20002001 works in a technical marketing firm in Silicon Val- Beginning ley. She has loved art since her childhood and does sketches and oil painting in her spare time. Her Cells of a feather hobbies include reading, watching movies and Mother on how to have better meetings .............................. the Mother 4 cartoons, and volunteering her time to help others. Catherine Blackburn (c.blackburn@ sympatico.ca.) is an artist, teacher, and member of New letters on yoga the Sri Aurobindo Spiritual Centre of Toronto. She is also a board member of AVI Canada. Welcome to our new subscribers ............................................. Marta Belén 4 Wayne Bloomquist (calcutta98@hotmail. From our readers ......................................... Joseph Kent, Margaret Phanes, com) has visited the Sri Aurobindo Ashram many ..................................................... Alice Webb, Bob Zwicker, B.Y. 5 times and was organizer of the 1995 conference on Questions ............................................................................. Bruce Forsythe 5 cellular transformation in Berkeley, California. Jim Foreman ([email protected]) is an artist in Lafayette, Colorado who believes hu- Current affairs manity is facing a future of unprecedented change, challenge, and opportunity. His work is based on AUM 2001 to be held near San Francisco .................................................... 6 themes from the spiritual teaching Steps to CIF schedules 50th anniversary talks .......................................................... -
The Great Living Creative Spirit
The Great Living Creative Spirit Frank LLoyd Wright s legacy in japan Soib ' SS NoV. ii– . Join the Frank Lloyd Wright Building Conservancy for a specially curated tour highlighting modern and contemporary architecture FRANK LLOYD WRIGHT by Wright, Arata Endo, Antonin Raymond, Le Corbusier, Tadao BUILDING CONSERVANCY Ando, Kenzo Tange, Toyo Ito, Kengo Kuma and many more. Day one Sunday, Nov. 11 Arrive in Tokyo and check in at the Imperial Hotel (flights and hotel transfer not included). In the early evening, meet the rest of the group (limited to 27) for a welcome dinner at the historic For- MORI eign Correspondents‘ Club of Japan and a viewing of the Rafael Viñoly-designed Tokyo International Forum. Later, take an optional OICHI evening walking tour of Ginza, the famous upscale shopping and © K entertainment district where the traditional and modern meet. HOTO Overnight: Imperial Hotel, Tokyo / Meals: Dinner P Day TWO Monday, Nov. 12 The first full day begins with a tour of the 1970 Imperial Hotel, which includes the Old Imperial Bar, outfitted with relics of Wright’s demolished Imperial Hotel (1923-67). Then journey to Meguro St. Anselm’s Church, designed by Antonin Raymond, and have lunch at Meguro Gajoen, a lavish design furnished with artwork from its 1928 origins. Continue with a special visit to the private home Japanese modernist Kunio Maekawa built for himself in 1974, then a walking tour of Omotesando (a broad avenue lined with flagship designs by the likes of SANAA, Toyo Ito, Herzog & de Meuron, Kengo Kuma, Tadao Ando and Kenzo Tange). After a visit to the 21_21 Design Sight museum and gallery, designed by Tadao Ando, we finish the day with a view from the 52nd-floor observation deck at Mori Tower in Roppongi Hills, designed by Kohn Pedersen Fox. -
Kaj Franck Finnish, 1911–1989
Overstuffed ‘Gorilla’ Armchair 1941 Installation photograph from Organic Design in Home Furnishings exhibition, designed by Eliot Noyes Photograph by Samuel Gottscho The Museum of Modern Art Archives, New York This tableau from 1941 represented the tradition of “horrible” design against which MoMA curators prepared to crusade. It shows the dismembered carcass of an old-fashioned, overstuffed armchair behind bars, against the backdrop of an enormous gorilla. Using zoological terms, the accompanying label describes the domineering, ungainly monstrosity of the armchair, and the jungle like clutter of its habitat: “Cathedra gargantua, genus americanus. Weight when fully matured, 60 pounds. Habitat, the American Home. Devours little children, pencils, small change, fountain pens, bracelets, clips, earrings, scissors, hairpins, and other small flora and fauna of the domestic jungle. Is far from extinct.” Charles Eames This armchair was among the winning American, 1907–1978 furniture designs of MoMA’s Organic Eero Saarinen Design competition that Haskelite put into American, born Finland. 1910–1961 production. The chair was created to give Marli Ehrman the sitter maximum support, while avoiding American, born Germany. 1904–1982 heavy construction and cumbersome upholstery. Its plywood frame was carefully High-back armchair molded to provide continuous contact 1940 with the body, and was covered with a thin Molded wood shell, foam rubber, rubber pad, as well as woven fabric upholstery, and wood legs designed by Ehrman, who had emigrated in 1938 from Germany to head the weaving Manufactured by Heywood-Wakefield Co., workshop at the Chicago School of Design. Gardner, MA Purchase Fund Noémi Raymond These prizewinning textiles were designed American, born France. -
Title TOWARDS a DEFINITION of ANTONIN RAYMOND's
TOWARDS A DEFINITION OF ANTONIN RAYMOND'S "ARCHITECTURAL IDENTITY" : A STUDY BASED ON Title THE ARCHITECT'S WAY OF THINKING AND WAY OF DESIGN( Dissertation_全文 ) Author(s) GLOAGUEN, Yola Citation 京都大学 Issue Date 2008-03-24 URL https://doi.org/10.14989/doctor.k13809 Right Type Thesis or Dissertation Textversion author Kyoto University TOWARDS A DEFINITION OF ANTONIN RAYMOND’S “ARCHITECTURAL IDENTITY” -A STUDY BASED ON THE ARCHITECT’S WAY OF THINKING AND WAY OF DESIGN- アントニン・レーモンドの建築的アイデンティティの解読 -建築家の思考方法と設計方法の研究- February 2008 YOLA GLOAGUEN ACKNOWLEDGEMENTS I would like to express my gratitude to the Japanese Ministry of Education 文部科 学省, and the Shadan-hōjin Kenchiku-gyō Kyōkai 社団法人建築業協会, for granting me the scholarships that allowed me to complete my doctor course at Kyoto University. I would like to thank Professor Takamatsu 高松 伸 and Takeyama 竹山 聖 of Kyoto University for accepting me in their laboratories, where I was able to carry out my research on Antonin Raymond. I would like to express my gratitude to Professor Monnai 門内 輝行 of Kyoto University for his moral and technical support, and to Professor Maeda 前田 忠直 for his advice and for accepting to be part of my jury. I would like to thank Raymond’s Architectural Design Office in Tokyo, for giving me access to their archives, in which I was able to find the invaluable material I needed for the analysis of Raymond’s residential designs. I would like to thank more particularly Matano Norisuke 的埜 教介 who provided precious assistance in the locating of the drawings that were relevant to my research and also for dealing with the practical matters of the drawings reproduction. -
Vol22 3 66 73.Pdf (2.926Mb)
Bishop: A Microhistorical Study ofthe Church of Sainte-Anne-de-Beaupre One of the interesting questions raised by the Italian historians engaged in the practice of microhistory concerns the status of archival documents in the construction of a historical explanation.1 At the risk of oversimplifying, one can say that microhistory prefers to see documents as symptoms or clues to be interpreted rather than data to be collected. The search for data is a search for true and positive information, and it is believed that data can be extracted from documents as minerals are extracted from ore. Clues, on the other hand, do not consist of abstract pieces of information supporting inductive reasoning; they remain on the level of the particular, as when we infer the existence of a fire from the smell of smoke. Instead of going from the general to the particular, as in deduction, or from the particular to the general, as in induction, the interpretation of clues goes from the particular to the particular, and constitutes what logicians have called abduction. According to Carlo Ginzburg, the earliest human intellectual act was carried out by a hunter crouching in the mud, examining the footprints of some animal. Footprints are, for the hunter, clues to the passage of a specific animal. They display a certain degree of freshness, a specific direction, a certain depth, and a certain distance from one another. However, all these concrete features, referring to a single event, need to be discarded when biologists search for what is generic and typical about those footprints in order to determine which species live in the area.