This Historic Context Report Is Intended To
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Register of Historic Place Registration Form
NFS Form 10-900 OMB No. 1024-0018 (Rev. Oct. 1990) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACE REGISTRATION FORM 1. Name of Property historic name: Residence for Charles Boles other name/site number: Jack and LeEtta Carver Residence; United Way Building 2. Location street & number: 40 Appleway Drive not for publication: n/a vicinity: n/a city/town: Kalispell state: Montana code: MT county: Flathead code: 029 zip code: 59901 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this X nomination _ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requipwiients set forth in 36 CFJR Part 60. to rrw opinion, the property X meets _ does not meet the National Register Criteria. I recommend that this pfoparty^be considered significant __ naionjally _ statewide X locally. Signature of certifying official^Titli Date job Montana State Historic Preservation Office State or Federal agency or bureau _ See continuation sheet for additional comments.) In my opinion, the property _ meets _ does not meet the National Register criteria. Signature of commenting or other official Date State or Federal agency and bureau 4. National Park Service Certification I, hejpeby certify that this property is: V entered in the National Register _ see continuation sheet _ determined eligible for the National Register _ see continuation sheet _ determined not eligible for the National Register _ see continuation sheet _ removed from the National Register _see continuation sheet _ other (explain): Residence for Chatles Boles Flathead County. -
Fall 2011 Giving Kids the Building Blocks to Independence
MONTANA SCHOOL for the DEAF & BLIND ExpressVolume X, Issue 1, Fall 2011 giving kids the building blocks to independence MSDB’s Griz kidZ page 4 An inspiring story from the MSDB Foundation page 8-9 MSDB Griz Kids are All Smiles... PAGE 6 MSDB Foundation Helps Tyler Get A Great Start In Life & Thanks Donors! PAGES 8-11 o MSDB Super Stars o n honor of Deaf Awareness Week, Brenda LeMieux received the Hamilton Relay 2011 Deaf Community ILeader Award for the state of Montana. Brenda has been a teacher in the Deaf/Hard of Hearing Department at MSDB for the past 22 years. She has also been a longstanding member of the Montana Association of the Deaf. At MSDB, Ms. LeMieux is the sponsor for the Jr. National Association for the Deaf and the Close-Up government studies program. She has served as yearbook coordinator and summer camp instructor and is the sign language consultant for the Expressions of Silence performance group. Brenda is a master teacher who works tirelessly to provide quality instruction to our students. She energy and enthusiasm for her job. All of this makes it demonstrates professionalism to her peers and respect to all possible for her students to be as independent and successful her students and their parents every day. She has boundless as they can be. or her outstanding Fcontributions to the blind and visually impaired, MSDB Outreach Consultant Nancy Getten was awarded the traveling Frank Smith Award by her colleagues Colleen Kunz, Senior VP First Interstate Bank; Jessica Munkres, Teller; in the Northern Diane Moog, Teacher; Brandon & Jason, 4th grade students; Shannon Rockies Association Newth, KRTV Anchor. -
Bringing the Vernacular Into Modernism
Scuola Italiana di Studi École Française BY CO-HOSTED sull’Asia Orientale d’Extrême-Orient ISEAS EFEO Friday, December 11th, 18:00h Yola Gloaguen SPEAKER Antonin Raymond’s career allows us to explore the dy- namics and implications of the development of European Bringing and American architectural modernism in a non-Western context. The Czech-born American architect arrived in Japan on the eve of 1920 to assist Frank Lloyd Wright with building the new Imperial Hotel in Tokyo. However, the Vernacular Raymond soon opened his own oce in the capital and became one of the pioneers of modern architecture in Japan. The human and technical challenges taken on by into Modernism Raymond included responding to an increasing demand for the design of villas suited to the Western and Japanese lifestyles of Tokyo’s international elites. This was reected in the spatial design and construction of these new types Architect of houses. The talk will highlight various examples of prewar and postwar residential works, with a focus on how Raymond and his team developed an approach to Antonin Raymond design based on the appropriation and adaptation of selected elements of the Japanese vernacular into the Western modernist idiom, which itself had to be reevalu- in Interwar Japan ated in the particular context of Japan. This approach to Raymond’s work provides a means to reassess the usual binaries of Western inuence and Japanese adaptation through the medium of architecture. Yola Gloaguen is a postdoctoral researcher at the Centre de recherche sur les civilisations de l’Asie orientale–CRCAO, Paris. After receiving her degree in architecture from Paris La Villette School of Architecture, she became a doctoral student at Kyoto University and studied modern architectural history in Japan. -
Maverick Impossible-James Rose and the Modern American Garden
Maverick Impossible-James Rose and the Modern American Garden. Dean Cardasis, Assistant Professor of Landscape Architecture, University of Massachusetts (Amherst) “To see the universe within a place is to see a garden; approach to American garden design. to see it so is to have a garden; Rose was a rugged individualist who explored the not to prevent its happening is to build a garden.” universal through the personal. Both his incisive James Rose, Modern American Gardens. writings and his exquisite gardens evidence the vitality of an approach to garden making (and life) as James Rose was one of the leaders of the modern an adventure within the great cosmic joke. He movement in American garden design. I write this disapproved of preconceiving design or employing advisedly because James “ the-maverick-impossible” any formulaic method, and favored direct Rose would be the first to disclaim it. “I’m no spontaneous improvisation with nature. Unlike fellow missionary,” he often exclaimed, “I do what pleases modern rebels and friends, Dan Kiley and Garrett me!”1 Nevertheless, Rose, through his experimental Eckbo, Rose devoted his life to exploring the private built works, his imaginative creative writing, and his garden as a place of self-discovery. Because of the generally subversive life-style provides perhaps the contemplative nature of his gardens, his work has clearest image of what may be termed a truly modern sometimes been mislabeled Japanesebut nothing made Rose madder than to suggest he did Japanese gardens. In fact, in response to a query from one prospective client as to whether he could do a Japanese garden for her, Rose replied, “Of course, whereabouts in Japan do you live?”2 This kind of response to what he would call his clients’ “mind fixes” was characteristic of James Rose. -
Vol. 26, No. 3 (Fall/Winter 2000/01)
Fall/Winter 20002001 Journal of the Integral Yoga of Sri Aurobindo and the Mother Vol. 26, no. 3 An interview with Udar Pinto Travels with Swami Ananta: Greece The triple time vision Sunlit crystal, sunlit path Eye contact with God Supermarket yoga best sellers Fall/Winter 20002001 Collaboration 1 About the artists and TTTababable of contents photographers in this issue Preeti Bhatt ([email protected]) Collaboration, vol. 26, no. 3: Fall/Winter 20002001 works in a technical marketing firm in Silicon Val- Beginning ley. She has loved art since her childhood and does sketches and oil painting in her spare time. Her Cells of a feather hobbies include reading, watching movies and Mother on how to have better meetings .............................. the Mother 4 cartoons, and volunteering her time to help others. Catherine Blackburn (c.blackburn@ sympatico.ca.) is an artist, teacher, and member of New letters on yoga the Sri Aurobindo Spiritual Centre of Toronto. She is also a board member of AVI Canada. Welcome to our new subscribers ............................................. Marta Belén 4 Wayne Bloomquist (calcutta98@hotmail. From our readers ......................................... Joseph Kent, Margaret Phanes, com) has visited the Sri Aurobindo Ashram many ..................................................... Alice Webb, Bob Zwicker, B.Y. 5 times and was organizer of the 1995 conference on Questions ............................................................................. Bruce Forsythe 5 cellular transformation in Berkeley, California. Jim Foreman ([email protected]) is an artist in Lafayette, Colorado who believes hu- Current affairs manity is facing a future of unprecedented change, challenge, and opportunity. His work is based on AUM 2001 to be held near San Francisco .................................................... 6 themes from the spiritual teaching Steps to CIF schedules 50th anniversary talks .......................................................... -
POWER CENTENNIAL HISTORY Index
POWER CENTENNIAL HISTORY Index POWER CENTENNIAL HISTORY, 2016. Wain, Dr., & Becky (Lee), 341 Zac, 341 See these special sections: CEMETERIES, ALLYN CENTENNIAL FAMILIES, 1909-2010, Ian, 131 COMMUNITY SERVICE PROJECTS, EVENTS, Izak, 131 ORGANIZATIONS, POWER BUSINESSES, Kayden, 131 SCHOOLS. IC=Inside Cover. This Index is Lillyanna, 131 courtesy of Janet Thomson, Ed.D., Great Falls, Kristen (Anderson), 131 Montana, 2016. All rights reserved. ALTENBURG Donna, 490 ADAMS Ed, & Margarithe (Somerfeld), 490 Adams Horse Ranch, 506, 507, 510 Eddie, & Rose, 490 Adams Ranch Co., 502 AMMONDSON Allen, Reverend, 94 John, 191 Walt, Extension Agent, 73 AMUNDSON AGAWAM (community), 503 Anna, 38 AGEE AMZEL Gilbert, 503 Children, 46 Lillian, 501-504 ANDERSEN ALDERSON Alayna, 120 Jennifer, 144 Andrew, 120 Jim, & Connie (Bauman), 144 Andy & Gwyn (Evans)(Teacher), 69, 71, Justin, 144 84, 119-121 ALFSON Avonlea, 120 Abby, 399 Judson, 69, 70, 71, & Christine Jack, 399 (Grenier), 119-120 Jared, & Tiffany (Birr), & Family, 345, Meghan, 119-120 399 Patrick, 119-120 Mike, & Collette (LeFebvre), 345, 399 Shawn, 69, 70, 71, 84, & Paula (Briney), ALINE 119-120 Henry, & Florence (Anderson), 134 ANDERSON James, 134 Andy, 484 Jana Kay, 134 Ann, 514 ALLEN Beatrice, 122-125, 486 Courtney, 341 Beverly, 486 Cresta, 341 Bonnie, 122-125 Family, 117 Brian Kenneth, 128 Melissa, & Family, 421 Calvert, & Fay (Fitzgerald), 220 Roger, & Marilyn L. (O’Day), 420-422 Cara, 125 Rorri, 341 Carol, 133 Talon, 62 Cash, 131 Janet Thomson, All Rights Reserved, 2016. Page 1 POWER CENTENNIAL HISTORY -
The Great Living Creative Spirit
The Great Living Creative Spirit Frank LLoyd Wright s legacy in japan Soib ' SS NoV. ii– . Join the Frank Lloyd Wright Building Conservancy for a specially curated tour highlighting modern and contemporary architecture FRANK LLOYD WRIGHT by Wright, Arata Endo, Antonin Raymond, Le Corbusier, Tadao BUILDING CONSERVANCY Ando, Kenzo Tange, Toyo Ito, Kengo Kuma and many more. Day one Sunday, Nov. 11 Arrive in Tokyo and check in at the Imperial Hotel (flights and hotel transfer not included). In the early evening, meet the rest of the group (limited to 27) for a welcome dinner at the historic For- MORI eign Correspondents‘ Club of Japan and a viewing of the Rafael Viñoly-designed Tokyo International Forum. Later, take an optional OICHI evening walking tour of Ginza, the famous upscale shopping and © K entertainment district where the traditional and modern meet. HOTO Overnight: Imperial Hotel, Tokyo / Meals: Dinner P Day TWO Monday, Nov. 12 The first full day begins with a tour of the 1970 Imperial Hotel, which includes the Old Imperial Bar, outfitted with relics of Wright’s demolished Imperial Hotel (1923-67). Then journey to Meguro St. Anselm’s Church, designed by Antonin Raymond, and have lunch at Meguro Gajoen, a lavish design furnished with artwork from its 1928 origins. Continue with a special visit to the private home Japanese modernist Kunio Maekawa built for himself in 1974, then a walking tour of Omotesando (a broad avenue lined with flagship designs by the likes of SANAA, Toyo Ito, Herzog & de Meuron, Kengo Kuma, Tadao Ando and Kenzo Tange). After a visit to the 21_21 Design Sight museum and gallery, designed by Tadao Ando, we finish the day with a view from the 52nd-floor observation deck at Mori Tower in Roppongi Hills, designed by Kohn Pedersen Fox. -
Kaj Franck Finnish, 1911–1989
Overstuffed ‘Gorilla’ Armchair 1941 Installation photograph from Organic Design in Home Furnishings exhibition, designed by Eliot Noyes Photograph by Samuel Gottscho The Museum of Modern Art Archives, New York This tableau from 1941 represented the tradition of “horrible” design against which MoMA curators prepared to crusade. It shows the dismembered carcass of an old-fashioned, overstuffed armchair behind bars, against the backdrop of an enormous gorilla. Using zoological terms, the accompanying label describes the domineering, ungainly monstrosity of the armchair, and the jungle like clutter of its habitat: “Cathedra gargantua, genus americanus. Weight when fully matured, 60 pounds. Habitat, the American Home. Devours little children, pencils, small change, fountain pens, bracelets, clips, earrings, scissors, hairpins, and other small flora and fauna of the domestic jungle. Is far from extinct.” Charles Eames This armchair was among the winning American, 1907–1978 furniture designs of MoMA’s Organic Eero Saarinen Design competition that Haskelite put into American, born Finland. 1910–1961 production. The chair was created to give Marli Ehrman the sitter maximum support, while avoiding American, born Germany. 1904–1982 heavy construction and cumbersome upholstery. Its plywood frame was carefully High-back armchair molded to provide continuous contact 1940 with the body, and was covered with a thin Molded wood shell, foam rubber, rubber pad, as well as woven fabric upholstery, and wood legs designed by Ehrman, who had emigrated in 1938 from Germany to head the weaving Manufactured by Heywood-Wakefield Co., workshop at the Chicago School of Design. Gardner, MA Purchase Fund Noémi Raymond These prizewinning textiles were designed American, born France. -
UM Students from Great Falls Intern in the Work Place
University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 10-20-1999 UM students from Great Falls intern in the work place University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "UM students from Great Falls intern in the work place" (1999). University of Montana News Releases, 1928, 1956-present. 16274. https://scholarworks.umt.edu/newsreleases/16274 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. c The University of L M ontana UNIVERSITY RELATIONS • MISSOULA, MT 59812 • 406-243-2522 • FAX: 406-243-4520 This release is available electronically on INN (News Net.) Oct. 20, 1999 Contact: Robin Putnam, co-op coordinator, (406) 243-4614. UM STUDENTS FROM GREAT FALLS INTERN IN THE WORK PLACE MISSOULA— Two University of Montana students from Great Falls were among 30 UM students from around the state and nation who spent time this summer putting their academics to the test as part of the internship program offered by Work-based Learning. Mark Murray, a graduate student in accounting, interned with the Montana Food Bank Network in Missoula, preparing financial statements and handling payables and receivables. -
Great Falls Genealogy Library Current Collection October, 2019 Page 1 GFGS # Title Subtitle Author Co-Author Copyright Date
Great Falls Genealogy Library Current Collection October, 2019 GFGS # Title Subtitle Author Co-Author Copyright Date 1st Description 4859 Ancestral Lineages Seattle Perkins, Estelle Ruth 1956 WA 10748 ??Why?? Pray, Montana Doris Whithorn 1997 MT Historical & Genealogical Soc. of 3681 'Mongst the Hills of Somerset c.1980 PA Somerset Co.,Inc 5892 "Big Dreams in a Small Town" Big Sandy Homecoming 1995 1995 Homecoming Committee 1995 MT 7621 "Come, Blackrobe" De Smet and the Indian Tragedy Killoren, John J., S.J. 2003 Indians 10896 "Enlightened Selfishness": Montana's Sun River Proj Judith Kay Fabry 1993 MT 10312 "I Will Be Meat Fo My Salish"… Bon I. Whealdon Edited by Robert Bigart 2001 INDIANS 7320 "Keystone Kuzzins" Index Volume 1 - 8 Erie Society PA 10491 "Moments to Remember" 1950-1959 Decade Reunion University of Montana The Alumni Center 1960 MT 8817 "Our Crowd" The Great Jewish Families of New York Stephen Birmingham 1967 NEW YORK 8437 "Paper Talk" Charlie Russell's American West Dippie, Brian W. Editor 1979 MT 9837 "Railroads To Rockets" 1887-1962 Diamond Jubilee Phillips County, Montana Historical Book Committee 1962 MT 296 "Second Census" of Kentucky - 1800 Clift, G. Glenn c.1954 KY "The Coming Man From Canton": Chinese Exper. In 10869 Christopher W. Merritt 2010 MT MT 1862-1943 9258 "The Golden Triangle" Homesteaading In Montana Ephretta J. Risley 1975 MT 8723 "The Whole Country was…'One Robe'" The Little Shell Tribe's America Nicholas C. P. Vrooman 2012 Indians 7461 "To Protect and Serve" Memories of a Police Officer Klemencic, Richard "Klem" 2001 MT 10471 "Yellowstone Kelly" The Memoirs of Luther S. -
2013 GRIZ Footballfff GRIZ ASSO
GRU DAVE GUFFEY 2013 GRIZ FOOTBALLfff GRIZ ASSO. AD FOR COMMUNICATIONS Hoyt Athletic Complex - Adams Center Game #3 Missoula, MT 59812-8496 OFFICE: (406) 243-5402/Cell: 370-9435 Audio Streaming: gogriz.com/all-access Griz host OPSU on Sept. 21st in Live Stats: gogriz.com annual “Hall of Fame Game” Twitter: @umgrizzlies_fb & umgrizzlies_sid 2013 SCHEDULE/RESULTS (2-0/0-0) THE GAME: The 9th/11th-ranked (The Sports Network & FCS Coaches’ polls) University of Montana Grizzlies (2-0/0-0 Big Sky Conference) host the Oklahoma Panhandle State Aggies (1- Date-Opponent %Time (Mtn.) 2) in a non-league contest in UM’s annual “Hall of Fame” game, Saturday, Sept. 21, in Washing- 8/31-Appalachian St.^ W, 30-6 ton-Grizzly Stadium, with kick-off at 1:00 p.m. 9/7-OPEN --------- 9/14-at North Dakota^ W, 55-17 HALL OF FAME: This year’s inductees into the Grizzly Sports Hall of Fame are UM’s 1972 9/21-OK. Panhandle St.^ 1:00 pm Big Sky champion men’s track team, and former (1994-97) women’s soccer standout 9/28-at N. Arizona*$ 6:00 pm Courtney (Mathieson) Jenkins. They will be formally inducted at a banquet Friday, Sept. 20, 10/5-Portland St.*$ (HC) 1:30 pm and will be introduced on the field prior to this Saturday’s game. 10/12-at UC Davis*^ 5:00 pm 10/19-Cal Poly*^ 1:30 pm GRIZ RADIO: Veteran Mick Holien is now in his 21st season as the “Voice of the Grizzlies.” 10/26-E. -
Title TOWARDS a DEFINITION of ANTONIN RAYMOND's
TOWARDS A DEFINITION OF ANTONIN RAYMOND'S "ARCHITECTURAL IDENTITY" : A STUDY BASED ON Title THE ARCHITECT'S WAY OF THINKING AND WAY OF DESIGN( Dissertation_全文 ) Author(s) GLOAGUEN, Yola Citation 京都大学 Issue Date 2008-03-24 URL https://doi.org/10.14989/doctor.k13809 Right Type Thesis or Dissertation Textversion author Kyoto University TOWARDS A DEFINITION OF ANTONIN RAYMOND’S “ARCHITECTURAL IDENTITY” -A STUDY BASED ON THE ARCHITECT’S WAY OF THINKING AND WAY OF DESIGN- アントニン・レーモンドの建築的アイデンティティの解読 -建築家の思考方法と設計方法の研究- February 2008 YOLA GLOAGUEN ACKNOWLEDGEMENTS I would like to express my gratitude to the Japanese Ministry of Education 文部科 学省, and the Shadan-hōjin Kenchiku-gyō Kyōkai 社団法人建築業協会, for granting me the scholarships that allowed me to complete my doctor course at Kyoto University. I would like to thank Professor Takamatsu 高松 伸 and Takeyama 竹山 聖 of Kyoto University for accepting me in their laboratories, where I was able to carry out my research on Antonin Raymond. I would like to express my gratitude to Professor Monnai 門内 輝行 of Kyoto University for his moral and technical support, and to Professor Maeda 前田 忠直 for his advice and for accepting to be part of my jury. I would like to thank Raymond’s Architectural Design Office in Tokyo, for giving me access to their archives, in which I was able to find the invaluable material I needed for the analysis of Raymond’s residential designs. I would like to thank more particularly Matano Norisuke 的埜 教介 who provided precious assistance in the locating of the drawings that were relevant to my research and also for dealing with the practical matters of the drawings reproduction.