DOCSLIB.ORG

1 a Large 20Th Century Hand Decorated Heavy Ceramic Model of Shou Xing Approx. 49Cm High 2 a 19Th Century Provincial Chinese

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 a Large 20Th Century Hand Decorated Heavy Ceramic Model of Shou Xing Approx. 49Cm High 2 a 19Th Century Provincial Chinese Tayler & Fletcher London House, High Street, Bourton on the Water, Glos. GL54 2AP Tel: 01451 821666; Fax 01451 820818; Email [email protected] Results: Thursday 23rd June 2016 The Pittville Pump Room, Cheltenham Lot Description Sale Price 1 A large 20th Century hand decorated heavy ceramic Model of Shou Xing approx. 49cm high 2 A 19th Century provincial Chinese porcelain Jar and Cover hand decorated with 15 boating scenes etc 3 A 19th Century octagonal baluster hand decorated Imari porcelain Jar and Cover, the panels decorated with chrysanthemums and other flowers etc., (possibly Chinese), 23cm high 4 A 19th Century gilt metal mounted Sevres porcelain Cabinet Comport, the beaded edge around a central quarter length female portrait study hand decorated in enamels, the elaborate gilded base foliate cast and terminating in scrolls, various printed and painted marks to underside including Sevres interlaced 'L', the other side also marked with the name of the sitter S.M. Marie Leczinska, 25cm diameter 5 A Samson porcelain gilt metal mounted Trinket Box and Cover, hand decorated in enamels in 18th Century Qianlong style with central armorial, marks to underside, 14cm diameter 6 A pair of early 20th Century Meissen porcelain Candlesticks hand painted in underglaze blue with foliate designs etc., approx. 15cm high, hand painted cross sword marks to underside of base 7 A selection of Meissen porcelain including six Tea Cups, six Saucers together with a cream Boat and one further Saucer, each finely hand decorated in underglaze blue and white with various floral designs etc., (14 pieces) 8 Karl Ens A porcelain Model of the Asiatic Pheasant decorated in polychrome 70 and perched on a foliate tree stump, printed and impressed marks to base, 30.5cm high 9 A porcelain Model of a yellow breasted Macaw decorated in polychrome on a 75 fruiting branch with fruit in claw, printed and impressed marks to base, 31.5cm high 10 A porcelain Model of a Cockatoo perched on a blace de chine tree stump, 55 decorated in polychrome with printed mark to base, 27cm high 11 A porcelain Model of a pair of playful Budgerigars on a tree stump decorated in matt polychrome, printed, impressed marks and company label to base, 16.5cm high 12 A Royal Worcester porcelain Model of a green and yellow Budgerigar perched 50 on a tree stump, decorated in polychrome with gilt highlights, puce marks to base, Model No. 2063, 17cm high 13 A pair of Crown Staffordshire bone china Models of Grey Cockatoos, designed and modelled by J T Jones and decorated in polychrome, perched on blanc de chine tree stumps, printed and script marks to bases, both 25.5cm high 14 An early/mid 19th Century blue and white transfer decorated oval Meat Platter 35 depicting a boating scene before a bridge and a church and other buildings etc., 48cm wide (hairline crack, crazing and discolouration to underside) 15 A 19th Century Chinese porcelain Bowl hand decorated in underglaze blue and white with figures before a pine tree in Kangxi style, four character mark to underside, three hairlines emanating from lip of bowl and with some rim fritting/minor chips etc., 21.5cm diameter 16 A late 19th Century hand decorated Continental porcelain Piano Ornament modelled as a young Dutch girl with woven basket and wearing clogs (possibly by Heubach Gebruder), 19cm high 17 A late 19th Century German porcelain boat shaped Dish and Cover, the finial 50 modelled and decorated as a goldfinch upon a bounty of fruit and vegetables etc., incised mark and painted cross swords mark to underside of base, (damage and reparations to goldfinch finial), 16cm wide 18 A fine 19th Century Wedgwood black basalt Coffee Can and Saucer, each 110 decorated with vitruvian scrolls and with ram's heads and swags in relief in Robert Adam style, each with impressed upper case Wedgwood mark to underside, the Saucer 13.5cm diameter 19 A pair of 18th Century Chinese Qianlong period porcelain Dishes, each 35 delicately hand decorated in famille rose enamels with floral sprigs within a 'flower head' style edge, 23cm diameter 20 A 1920's/30's Clarice Cliff circular ceramic Pin Tray hand decorated in typical 5 fashion, stamps to underside, (large crack running almost full length of diameter), 7.75cm 21 A Chinese porcelain underglaze decorated blue and white Dragon Plate, four 10 character mark to underside (probably modern) 22 A late 19th Century stoneware Tyg having a silver plated rim typically decorated 25 in relief with hunting and tavern scenes etc., 14cm diameter (not including handles) 23 A late 18th/early 19th Century porcelain Figure, a Classical style maiden in a yellow robe and embracing a late 18th Century neo-Classical urn on plinth, square base (hairline to urn), 23cm high 24 A neo-Classical style Urn and Cover, the two handles modelled as horned ram's 35 heads linked by fruiting fine swag, on circular laurel leaf cast foot, together with an earlier two handled transfer decorated Loving Cup (Wedgwood), the Loving Cup with 6.5cm hairline (2) 25 A selection of late 18th/early 19th Century ceramics including Worcester etc., Tea Bowls, Cups, Saucers, some with damage, (11 items) 26 A large Belleek two handled lattice work weave oval Basket, the pierced 60 intertwined horizontal border decorated in relief with various flowers and flanked by two encrusted handles, on rope work style oval foot, impressed marks to underside, 32cm wide 27 A Royal Doulton Canton fine bone china Dinner Service, ten place settings to 120 include Vegetable Dishes, Coffee Cups and Saucers< (in excellent condition) 28 An 18th Century leaf shaped porcelain Pickle Dish transfer decorated with floral 40 sprigs etc., cobalt blue marks to underside of base, 8.5cm long 29 A 19th Century Chinese Canton porcelain style circular Chamber Pot and Cover, 90 the domed top with gilded handle above tapering base, decorated all over in enamels in the Famille Rose palette with figures and animals with reserves etc., 21.5cm (widest diameter) 30 A large late 19th Century blue and white transfer decorated ceramic Vase 10 (reparations), 59cm high 31 A large and fine 19th Century Continental porcelain Lamp Base, the sectional column fluted and with gilt highlights and gilt metal beaded style horizontal mounts above four delicately modelled cherubic figures allegorical of the Seasons, raised on short beaded gilt metal circular rim, (possibly Meissen/Dresden?), total height 49.5cm (including gilt metal bulb fitting) 32 A 19th Century biscuit porcelain circular Bowl and Cover on Stand, each piece 25 moulded in relief with flower heads, tulips, leaves etc., the underside of the Bowl together with Stand with central diamond lozenge registration mark, the Stand 19.5cm wide 33 A fine pair of late 19th/early 20th Century Doulton Lambeth stoneware Vases, 1,300 sgraffito incised with children in a field playing with lambs and sheep, decorators mark to underside of Hannah Barlow, together with impressed and incised marks etc., each Vase approx. 26.5cm high 34 A large and rare Doulton Lambeth stoneware Jug with two side handles, the 550 main body sgraffito incised with a horse putting up ducks before reeds etc., a cobalt blue glaze band of leaves below, decorators mark to underside for Hannah Barlow, 29cm high 35 A Doulton Lambeth stoneware Vase dated 1883 and sgraffito incised with a 500 continuous band of wild horses, decorators mark to underside for Hannah Barlow, 22.5cm high 36 A Doulton Lambeth stoneware Vase dated 1881, sgraffito incised decoration of 420 various figures outside with trees etc., various impressed and incised marks to underside of base, monograms MM (Mary Mitchell?) and MA (Apple Pickers Sgraffito), 25cm 37 A Doulton Lambeth stoneware Vase, of baluster form and beautifully decorated 170 with three panels of lilies, various impressed and incised marks to underside of base, monogram RB |(possibly for Rosina Brown), 25.5cm high 38 A Royal Doulton Slaters Patent stoneware Vase of baluster form and decorated with flowering branches, various impressed marks to underside of base, monogram possibly for Helena L M Pennett?, 27cm 39 A Doulton Lambeth stoneware Vase dated 1884, the trumpet shaped neck 100 above an ovoid body decorated with four blue flower heads, various impressed and incised marks to underside with monogram for Mary Ann Thompson, 26cm 40 A Doulton Lambeth stoneware Vase dated 1882, of baluster form and incised 45 with leaves and flowers etc., various impressed and incised marks to underside of base, possibly Helena M Pennett, 21.5cm high 41 A Doulton Lambeth stoneware Ewer, high arching handle above a baluster 110 shaped body decorated with stylised anthemion's, on circular foot, various incised and impressed marks to underside, 26cm high 42 A Doulton Lambeth stoneware Vase of baluster form, beautifully decorated 550 with song birds perched upon branches of an olive tree, impressed marks and incised monogram to underside, probably for Florence E Barlow, 17cm 43 A large Doulton Slaters Patent stoneware Vase of baluster form freely 100 decorated with various flowers and cobalt blue leaves etc., various impressed marks to underside of base, monogram probably for Emma A Burrows, 31.5cm high 44 A Doulton Lambeth stoneware Ewer dated 1882, the high arched scrolling 100 handle above a circular spreading body incised with various flowers and leaves etc., impressed and incised marks to underside, monograms for Martha M Rogers and Elizabeth J Adams, 29cm 45 A Doulton Lambeth stoneware Vase dated 1876, of ovoid form and incised with 95 a decorative band of oak
Load more

Recommended publications
  • History of the Royal Marines 1837-1914 HE Blumberg
    History of the Royal Marines 1837-1914 HE Blumberg (Minor editing by Alastair Donald) In preparing this Record I have consulted, wherever possible, the original reports, Battalion War and other Diaries, accounts in Globe and Laurel, etc. The War Office Official Accounts, where extant, the London Gazettes, and Orders in Council have been taken as the basis of events recounted, and I have made free use of the standard histories, eg History of the British Army (Fortescue), History of the Navy (Laird Clowes), Britain's Sea Soldiers (Field), etc. Also the Lives of Admirals and Generals bearing on the campaigns. The authorities consulted have been quoted for each campaign, in order that those desirous of making a fuller study can do so. I have made no pretence of writing a history or making comments, but I have tried to place on record all facts which can show the development of the Corps through the Nineteenth and early part of the Twentieth Centuries. H E BLUMBERG Devonport January, 1934 1 P A R T I 1837 – 1839 The Long Peace On 20 June, 1837, Her Majesty Queen Victoria ascended the Throne and commenced the long reign which was to bring such glory and honour to England, but the year found the fortunes of the Corps at a very low ebb. The numbers voted were 9007, but the RM Artillery had officially ceased to exist - a School of Laboratory and nominally two companies quartered at Fort Cumberland as part of the Portsmouth Division only being maintained. The Portsmouth Division were still in the old inadequate Clarence Barracks in the High Street; Plymouth and Chatham were in their present barracks, which had not then been enlarged to their present size, and Woolwich were in the western part of the Royal Artillery Barracks.
    [Show full text]
  • The Journal of Computing Sciences in Colleges
    The Journal of Computing Sciences in Colleges Papers of the 25th Annual CCSC Northeastern Conference April 17-18, 2020 Ramapo College of New Jersey Mahwah, NJ Baochuan Lu, Editor Mihaela Sabin, Regional Editor Southwest Baptist University UNH at Manchester Volume 35, Number 8 April 2020 The Journal of Computing Sciences in Colleges (ISSN 1937-4771 print, 1937- 4763 digital) is published at least six times per year and constitutes the refereed papers of regional conferences sponsored by the Consortium for Computing Sciences in Colleges. Copyright ©2020 by the Consortium for Computing Sciences in Colleges. Per- mission to copy without fee all or part of this material is granted provided that the copies are not made or distributed for direct commercial advantage, the CCSC copyright notice and the title of the publication and its date appear, and notice is given that copying is by permission of the Consortium for Computing Sciences in Colleges. To copy otherwise, or to republish, requires a fee and/or specific permission. 2 Table of Contents The Consortium for Computing Sciences in Colleges Board of Directors 9 CCSC National Partners 11 Regional Committees — 2020 CCSC Northeastern Region 12 Reviewers — 2020 CCSC Northeastern Conference 13 An Overview of Data Analytics: Spreadsheet Modeling, Visualization, and Supervised and Unsupervised Learning 15 Carolyn C. Matheus, Marist College Teaching Database for Freshmen: A Two-Thread Model 33 Yang Wang, Margaret McCoey, Thomas Blum, La Salle University Integrative Learning in CS1: Programming, Sustainability,
    [Show full text]
  • \0-9\0 and X ... \0-9\0 Grad Nord ... \0-9\0013 ... \0-9\007 Car Chase ... \0-9\1 X 1 Kampf ... \0-9\1, 2, 3
    ... \0-9\0 and X ... \0-9\0 Grad Nord ... \0-9\0013 ... \0-9\007 Car Chase ... \0-9\1 x 1 Kampf ... \0-9\1, 2, 3 ... \0-9\1,000,000 ... \0-9\10 Pin ... \0-9\10... Knockout! ... \0-9\100 Meter Dash ... \0-9\100 Mile Race ... \0-9\100,000 Pyramid, The ... \0-9\1000 Miglia Volume I - 1927-1933 ... \0-9\1000 Miler ... \0-9\1000 Miler v2.0 ... \0-9\1000 Miles ... \0-9\10000 Meters ... \0-9\10-Pin Bowling ... \0-9\10th Frame_001 ... \0-9\10th Frame_002 ... \0-9\1-3-5-7 ... \0-9\14-15 Puzzle, The ... \0-9\15 Pietnastka ... \0-9\15 Solitaire ... \0-9\15-Puzzle, The ... \0-9\17 und 04 ... \0-9\17 und 4 ... \0-9\17+4_001 ... \0-9\17+4_002 ... \0-9\17+4_003 ... \0-9\17+4_004 ... \0-9\1789 ... \0-9\18 Uhren ... \0-9\180 ... \0-9\19 Part One - Boot Camp ... \0-9\1942_001 ... \0-9\1942_002 ... \0-9\1942_003 ... \0-9\1943 - One Year After ... \0-9\1943 - The Battle of Midway ... \0-9\1944 ... \0-9\1948 ... \0-9\1985 ... \0-9\1985 - The Day After ... \0-9\1991 World Cup Knockout, The ... \0-9\1994 - Ten Years After ... \0-9\1st Division Manager ... \0-9\2 Worms War ... \0-9\20 Tons ... \0-9\20.000 Meilen unter dem Meer ... \0-9\2001 ... \0-9\2010 ... \0-9\21 ... \0-9\2112 - The Battle for Planet Earth ... \0-9\221B Baker Street ... \0-9\23 Matches ..
    [Show full text]
  • Military Themes in British Painting 1815 - 1914
    / Military Themes in British Painting 1815 - 1914. Joan Winifred Martin Hichberger. Submission fcr PhD. University College, London. 1985 1 Abstract. Joan Winifred Martin Hichberger. Military Themes in British Painting 1815-1914. This thesis examines the treatment of the Bzitish Army and military themes, in painting, during the period 1815- 1914. All the works discussed were exhibited at the Royal Academy, which, although it underwent modifications in status, remained the nearest equivalent to a State Institution for Art in Britain. All the paintings shown there were painted with the knowledge that they were to be seen by the controllers of the Academy and the dominant classes of society. It will be inferred then, that the paintings shown there may be taken to have been acceptable to ruling class ideologies, and are therefore instructive of "official" attitudes to military art. Representations of the contemporary Army, in this period, fell into two main catagories - battle paintings and genre depictions of soldiers. Chapters one to three survey battle paintings; studying the relation of this genre to the Academy; the relative popularity of the genre and the career patterns of its practioners. The critical reception of battle pictures at the Academy and certain important public competitions will be noted and considered in the context of contemporary ideologies about art and about the Army and its men. Chapter four discusses the vital concept of "heroism" and its treatment in English military art. In particular, the reasons for the popularity of certain military figures above their peers, in academic art, will be explored. It will be argued that the process of "hero-making" in art was not determined by professional success alone, but was often the result of the intervention of patrons, publicists and pressure groups.
    [Show full text]
  • Seeing Things at Night
    Seeing Things At Night By Heywood Broun SEEING THINGS AT NIGHT The Fifty-first Dragon Of all the pupils at the knight school Gawaine le Cœur-Hardy was among the least promising. He was tall and sturdy, but his instructors soon discovered that he lacked spirit. He would hide in the woods when the jousting class was called, although his companions and members of the faculty sought to appeal to his better nature by shouting to him to come out and break his neck like a man. Even when they told him that the lances were padded, the horses no more than ponies and the field unusually soft for late autumn, Gawaine refused to grow enthusiastic. The Headmaster and the Assistant Professor of Pleasaunce were discussing the case one spring afternoon and the Assistant Professor could see no remedy but expulsion. "No," said the Headmaster, as he looked out at the purple hills which ringed the school, "I think I'll train him to slay dragons." "He might be killed," objected the Assistant Professor. "So he might," replied the Headmaster brightly, but he added, more soberly, "We must consider the greater good. We are responsible for the formation of this lad's character." "Are the dragons particularly bad this year?" interrupted the Assistant Professor. This was characteristic. He always seemed restive when the head of the school began to talk ethics and the ideals of the institution. "I've never known them worse," replied the Headmaster. "Up in the hills to the south last week they killed a number of peasants, two cows and a prize pig.
    [Show full text]
  • Air Combat: a Primer for Wargamers (Cont.)
    Issue #17 Air Combat: Spring 2007 A Primer for Wargamers Like moths to the flame, wargamers cannot resist the urge to partake in air com- bat. Whether it’s the thought of men dueling one on one in the clouds with jets over Vietnam or flying canvas and wooden aircraft over the trenches in WW1, there is an entire host of games on the subject. Ac- tual air to air combat is a very complex subject, so it should be no surprise then that in gaming this is what creates the most arguments amongst gamers. So, what Ken Chandler F-4 art from the USAF web site. kinds of games are out games, how air combat is back to. Mustangs & there for gamers that deal portrayed, the complexity Messerschmitts was one of with air combat and how level, and the overall game the first miniatures rules complex are they? play value. Again, this will that crossed the barrier be highly subjective de- between board games and As with Ancients, pending upon your point of miniatures by using flight ACW, Napoleonics, WW2, view. If you’re just a cas- stands. These first few and others, this will depend ual air gamer, then discus- games along with some greatly upon what you are sions about the turn radius others that are long forgot- trying to simulate, what of an unloaded F-4 Phan- ten, formed the core of air resources you or your gam- tom in 1969 will bore you combat gaming for that era. ing group have, and how to tears, but if you’re into Gamers were pretty knowl- much time that you can that era, then you will keep edgeable about the periods, invest.
    [Show full text]
  • The Gentleman's Library Sale
    Montpelier Street, London I 30 January 2019 Montpelier Street, The Gentleman’s Library Sale Library The Gentleman’s The Gentleman’s Library Sale I Montpelier Street, London I 30 January 2019 25163 The Gentleman’s Library Sale Montpelier Street, London | Wednesday 30 January 2019 Part I: 10am Silver Pictures Collectors Part II: 2pm Tribal Arts Furniture, Works of Art, Clocks and Carpets BONHAMS ENQUIRIES PRESS ENQUIRIES IMPORTANT INFORMATION Montpelier Street Senior Sale Coordinator [email protected] In February 2014 the United Knightsbridge Laurel Kemp States Government announced London SW7 1HH +44 (0) 20 7393 3855 CUSTOMER SERVICES the intention to ban the import www.bonhams.com [email protected] Monday to Friday of any ivory into the USA. Lots 8.30am – 6pm containing ivory are indicated by VIEWING Carpets +44 (0) 20 7447 7447 the symbol Ф printed beside the Sunday 27 January Helena Gumley-Mason Lot number in this catalogue. 11am to 3pm +44 (0) 20 8963 2845 SALE NUMBER REGISTRATION Monday 28 January [email protected] 25163 9am to 4.30pm IMPORTANT NOTICE Tuesday 29 January Furniture Please note that all customers, CATALOGUE 9am to 4.30pm Thomas Moore irrespective of any previous activity £15 +44 (0) 20 8963 2816 with Bonhams, are required to BIDS [email protected] complete the Bidder Registration Please see page 2 for bidder Form in advance of the sale. The +44 (0) 20 7447 7447 information including after-sale European Sculpture & Works form can be found at the back of +44 (0) 20 7447 7401 fax collection and shipment To bid via the internet please visit of Art every catalogue and on our www.bonhams.com Michael Lake website at www.bonhams.com Please see back of catalogue and should be returned by email or +44 (0) 20 8963 2813 for important notice to bidders Please note that bids should [email protected] post to the specialist department be submitted no later than 24 or to the bids department at ILLUSTRATIONS hours before the sale.
    [Show full text]
  • Christopher Ward The
    Preface This book is not a history of the American Revolution. It is a history of the war that was caused by the Revolution. As John Adams well said: "A history of the first war of the United States is a very different thing from a history of the American Revolution. The revolution was in the minds of the people and in the union of the colonies, both of which were accom­ plished before hostilities commenced. This revolution and union were gradually forming from the years 1760 to 1776." With the Revolution as thus properly described, this book is not con­ cerned, except in the brief resume of the causes of the war in the first chapter. Its aim is to tell the story of the war on land, the campaigns, battles, sieges, marches, encampments, bivouacs, the strategy and tactics, the hard­ ships, and the endurance of hardship. It is purely military in its intention and scope. The war, from the first shot at Lexington in 1775 to the cessation qf hos­ tilities in 1782, lasted nearly eight years. It was fought in a territory extend­ ing from Quebec southward to Georgia and from the Atlantic seaboard westward to the frontier settlements. Many of its campaigns, in the various regions in which they were fought, were simultaneous. In the spring of 1776, while the American army under Arnold was still - struggling to keep a foothold in Canada, a British army under Henry Clinton was on its way south to attack Charleston in South Carolina. On September 11, 1777, while Washington was fighting the Battle of the Brandywine, Bur­ goyne was on his way down the Hudson to Saratoga.
    [Show full text]
  • Australians at War Film Archive Arthur Rodger
    Australians at War Film Archive Arthur Rodger - Transcript of interview Date of interview: 30th January 2004 http://australiansatwarfilmarchive.unsw.edu.au/archive/1440 Tape 1 00:36 We’ll start Arthur by [asking you to tell] us your life story. I was born in Newtown, Sydney on the 5th October 1917 and I came back to Queensland after six weeks because my mother, [she] just went down to Sydney to be with her mother while I was being born. 01:00 I started school at Goodna State School but my father worked on maintenance at the Asylum at Goodna. Being a stonemason there was no stonemasonry work at the moment, so the family, the mother and the four of us, that’s the two sisters and the brother, went back to Sydney, and stayed with our grandmother at Ashfield. I went to Croydon Park State School 01:30 there for a while. The father was going to come down but he didn’t because he got work. He started work on the Brisbane Town Hall as a stonemason in 1924. So we all came back to Brisbane and stayed at Kangaroo Point until we found a house. I went to Kangaroo Point State School for a little while and then they bought a house at Coorparoo. I finished primary school our at Coorparoo State school. 02:00 An item of note, one of my classmates was Dick Braithwaite who was one of the survivors of the Sandakan death march [while prisoner of the Japanese] and also he played with me in Australian Rules, in the first Australian Rules Schoolboy competition held in Queensland, and we got, I think it was Essendon guernseys.
    [Show full text]
  • Cutting Edge 3Rd Edition Intermediate Wordlist
    Cutting Edge 3rd Edition Intermediate Wordlist Cutting Edge 3rd Edition Intermediate Wordlist Part of Headword Page speech Pronunciation German French Italian Example Unit 1 Klassenkamerad, camarade de compagno di classmate 6 n [C] /ˈklɑːsmeɪt/ Klassen- She was a classmate at Fairfax High School. classe classe kameradin ausfüllen, riempire, complete 6 v [T] /kəmˈpliːt/ remplir Sixty-five people completed the questionnaire. vervollständigen completare course 6 n [C] /kɔːs/ Kurs cours corso Andy's doing a computer course. ausländisch, foreign 6 adj /ˈfɒrɪn/ étranger straniero She spoke with a foreign accent. fremd form 6 n [C] /fɔːm/ Formular formulaire formulario Fill in the form using black ink. apprendre à conoscere, get to know 6 v [T] /get tə nəʊ/ kennen lernen It's a chance for students to get to know each other. connaître incontrarsi greet 6 v [T] /griːt/ begrüßen saluer salutare The children came rushing out to greet me. journey 6 n [C] /ˈdʒɜːni/ Reise voyage viaggio She met some interesting people on her journey. gerade, vor just 6 adv /dʒəst/ juste appena, poco fa She's just got married. kurzem old 6 adj /əʊld/ alt vieux vecchio He's an old friend of my father's. tatsächlich, genau effettivamente, actually 7 adv /ˈæktʃuəli, -tʃəli/ en fait Actually he's 45. genommen infatti /əˈpɑːt frəm, apart from 7 prep abgesehen von excepté a parte Apart from the ending, it's a really good film. frɒm/ board 7 n [C] /bɔːd/ Tafel tableau lavagna The teacher wrote a few words on the board. colleague 7 n [C] /ˈkɒliːg/ Kollege, Kollegin collègue collega I like my colleagues at the bank.
    [Show full text]
  • Book of Arms
    Book of Arms Author: Edward Tennyson Reed Project Gutenberg's "Mr Punch's" Book of Arms, by Edward Tennyson Reed This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: "Mr Punch's" Book of Arms Author: Edward Tennyson Reed Release Date: July 22, 2014 [EBook #46374] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK "MR PUNCH'S" BOOK OF ARMS *** Chris Curnow, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) 'Mr. Punch's' Book of Arms. "M^{R.} PUNCH'S" BOOK OF ARMS DRAWN & WRITTEN BY E T REED LONDON BRADBURY, AGNEW & C^{o.} Tonbridge Printed by Bradbury, Agnew, & Co. Ld. MDCCCXCIX. Contents. First Baron Russell of Killowen i The Right Hon. Sir William Vernon Harcourt, P.C. M.P. iij Joseph, first Earl of Birmingham vj Sir Henry Campbell-Bannerman, G.C.B. M.P. viij Horatio Herbert, first Viscount Kitchener of Omdurman xj M. le President, Felix Faure xiij Lord Kipling of Mandalay xvj The Earl of Barnato xviij Viscount Stanley of the Congo xx Oom Paul, first Earl of Krugersdorp xxij Viscount Gatti of the Strand xxiv The London County Council xxvj The Marquis of Hooley xxviij Mr. Justice Darling of Deptford xxx The Duke of Rhodes xxxij Hall Caine, first Lord Manxman xxxiv Baron Maple of Tottenham Court xxxvj Louis, first Baron Island de Rougemont xxxviij 'Appy 'Ampstead xl Lord Leno xlij Prince Kumar Shri Ranjitsinhji, Duke of Sussex xliv Marie, Countess Corelli xlvj Baron Lecky of Dublin xlviij Viscount Labouchere of Twickenham l George Nathaniel, first Earl Curzon of the Pamirs +specially granted+ lij Thomas, Viscount Bowles of the Bosphorus liv Baron Bartlett of Sheffield lvj Henry, first Baron Hawkins of Tryham Fairleigh and Sentensham lviij Mr.
    [Show full text]
  • How the British Army Adapted to the Changes in Technology from 1775-1902
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2003 How the British Army adapted to the changes in technology from 1775-1902 Matthew Bruce Kennedy Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Kennedy, Matthew Bruce, "How the British Army adapted to the changes in technology from 1775-1902" (2003). Retrospective Theses and Dissertations. 19453. https://lib.dr.iastate.edu/rtd/19453 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. How the British Army adapted to the changes in technology from 1775-1902 by Matthew Bruce Kennedy A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: History Program of Study Committee: K.G. Madison (Major Professor) Charles Dobbs Anne Clem Iowa State University Ames, Iowa 2003 Copyright Matthew Bruce Kennedy, 2003. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Matthew Bruce Kennedy has met the thesis requirements of Iowa State University Signatures have been redacted for privacy 111 TABLE OF CONTENTS CHAPTER 1. INTRODUCTION 1 CHAPTER 2. KING GEORGE THE 111'5 WARS 3 CHAPTER 3. THE WARS IN ASIA 19 CHAPTER 4. THE WARS IN AFRICA 39 CHAPTER 5.
    [Show full text]