Tayler & Fletcher

London House, High Street, Bourton on the Water, Glos. GL54 2AP Tel: 01451 821666; Fax 01451 820818; Email [email protected]

Results: Thursday 23rd June 2016

The Pittville Pump Room, Cheltenham

Lot Description Sale Price 1 A large 20th Century hand decorated heavy ceramic Model of Shou Xing approx. 49cm high 2 A 19th Century provincial Chinese porcelain Jar and Cover hand decorated with 15 boating scenes etc 3 A 19th Century octagonal baluster hand decorated Imari porcelain Jar and Cover, the panels decorated with chrysanthemums and other flowers etc., (possibly Chinese), 23cm high 4 A 19th Century gilt metal mounted Sevres porcelain Cabinet Comport, the beaded edge around a central quarter length female portrait study hand decorated in enamels, the elaborate gilded base foliate cast and terminating in scrolls, various printed and painted marks to underside including Sevres interlaced 'L', the other side also marked with the name of the sitter S.M. Marie Leczinska, 25cm diameter 5 A Samson porcelain gilt metal mounted Trinket Box and Cover, hand decorated in enamels in 18th Century Qianlong style with central armorial, marks to underside, 14cm diameter 6 A pair of early 20th Century Meissen porcelain Candlesticks hand painted in underglaze blue with foliate designs etc., approx. 15cm high, hand painted cross sword marks to underside of base 7 A selection of Meissen porcelain including six Tea Cups, six Saucers together with a cream Boat and one further Saucer, each finely hand decorated in underglaze blue and white with various floral designs etc., (14 pieces)

8 Karl Ens A porcelain Model of the Asiatic Pheasant decorated in polychrome 70 and perched on a foliate tree stump, printed and impressed marks to base, 30.5cm high 9 A porcelain Model of a yellow breasted Macaw decorated in polychrome on a 75 fruiting branch with fruit in claw, printed and impressed marks to base, 31.5cm high 10 A porcelain Model of a Cockatoo perched on a blace de chine tree stump, 55 decorated in polychrome with printed mark to base, 27cm high

11 A porcelain Model of a pair of playful Budgerigars on a tree stump decorated in matt polychrome, printed, impressed marks and company label to base, 16.5cm high 12 A Royal Worcester porcelain Model of a green and yellow Budgerigar perched 50 on a tree stump, decorated in polychrome with gilt highlights, puce marks to base, Model No. 2063, 17cm high 13 A pair of Crown Staffordshire bone china Models of Grey Cockatoos, designed and modelled by J T Jones and decorated in polychrome, perched on blanc de chine tree stumps, printed and script marks to bases, both 25.5cm high

14 An early/mid 19th Century blue and white transfer decorated oval Meat Platter 35 depicting a boating scene before a bridge and a church and other buildings etc., 48cm wide (hairline crack, crazing and discolouration to underside)

15 A 19th Century Chinese porcelain Bowl hand decorated in underglaze blue and white with figures before a pine tree in Kangxi style, four character mark to underside, three hairlines emanating from lip of bowl and with some rim fritting/minor chips etc., 21.5cm diameter 16 A late 19th Century hand decorated Continental porcelain Piano Ornament modelled as a young Dutch girl with woven basket and wearing clogs (possibly by Heubach Gebruder), 19cm high 17 A late 19th Century German porcelain boat shaped Dish and Cover, the finial 50 modelled and decorated as a goldfinch upon a bounty of fruit and vegetables etc., incised mark and painted cross swords mark to underside of base, (damage and reparations to goldfinch finial), 16cm wide

18 A fine 19th Century Wedgwood black basalt Coffee Can and Saucer, each 110 decorated with vitruvian scrolls and with ram's heads and swags in relief in Robert Adam style, each with impressed upper case Wedgwood mark to underside, the Saucer 13.5cm diameter 19 A pair of 18th Century Chinese Qianlong period porcelain Dishes, each 35 delicately hand decorated in famille rose enamels with floral sprigs within a 'flower head' style edge, 23cm diameter 20 A 1920's/30's Clarice Cliff circular ceramic Pin Tray hand decorated in typical 5 fashion, stamps to underside, (large crack running almost full length of diameter), 7.75cm 21 A Chinese porcelain underglaze decorated blue and white Dragon Plate, four 10 character mark to underside (probably modern) 22 A late 19th Century stoneware Tyg having a silver plated rim typically decorated 25 in relief with hunting and tavern scenes etc., 14cm diameter (not including handles) 23 A late 18th/early 19th Century porcelain Figure, a Classical style maiden in a yellow robe and embracing a late 18th Century neo-Classical urn on plinth, square base (hairline to urn), 23cm high 24 A neo-Classical style Urn and Cover, the two handles modelled as horned ram's 35 heads linked by fruiting fine swag, on circular laurel leaf cast foot, together with an earlier two handled transfer decorated Loving Cup (Wedgwood), the Loving Cup with 6.5cm hairline (2) 25 A selection of late 18th/early 19th Century ceramics including Worcester etc., Tea Bowls, Cups, Saucers, some with damage, (11 items)

26 A large Belleek two handled lattice work weave oval Basket, the pierced 60 intertwined horizontal border decorated in relief with various flowers and flanked by two encrusted handles, on rope work style oval foot, impressed marks to underside, 32cm wide 27 A Royal Doulton Canton fine bone china Dinner Service, ten place settings to 120 include Vegetable Dishes, Coffee Cups and Saucers< (in excellent condition)

28 An 18th Century leaf shaped porcelain Pickle Dish transfer decorated with floral 40 sprigs etc., cobalt blue marks to underside of base, 8.5cm long 29 A 19th Century Chinese Canton porcelain style circular Chamber Pot and Cover, 90 the domed top with gilded handle above tapering base, decorated all over in enamels in the Famille Rose palette with figures and animals with reserves etc., 21.5cm (widest diameter) 30 A large late 19th Century blue and white transfer decorated ceramic Vase 10 (reparations), 59cm high 31 A large and fine 19th Century Continental porcelain Lamp Base, the sectional column fluted and with gilt highlights and gilt metal beaded style horizontal mounts above four delicately modelled cherubic figures allegorical of the Seasons, raised on short beaded gilt metal circular rim, (possibly Meissen/Dresden?), total height 49.5cm (including gilt metal bulb fitting)

32 A 19th Century biscuit porcelain circular Bowl and Cover on Stand, each piece 25 moulded in relief with flower heads, tulips, leaves etc., the underside of the Bowl together with Stand with central diamond lozenge registration mark, the Stand 19.5cm wide 33 A fine pair of late 19th/early 20th Century Doulton Lambeth stoneware Vases, 1,300 sgraffito incised with children in a field playing with lambs and sheep, decorators mark to underside of Hannah Barlow, together with impressed and incised marks etc., each Vase approx. 26.5cm high

34 A large and rare Doulton Lambeth stoneware Jug with two side handles, the 550 main body sgraffito incised with a horse putting up ducks before reeds etc., a cobalt blue glaze band of leaves below, decorators mark to underside for Hannah Barlow, 29cm high 35 A Doulton Lambeth stoneware Vase dated 1883 and sgraffito incised with a 500 continuous band of wild horses, decorators mark to underside for Hannah Barlow, 22.5cm high 36 A Doulton Lambeth stoneware Vase dated 1881, sgraffito incised decoration of 420 various figures outside with trees etc., various impressed and incised marks to underside of base, monograms MM (Mary Mitchell?) and MA (Apple Pickers Sgraffito), 25cm 37 A Doulton Lambeth stoneware Vase, of baluster form and beautifully decorated 170 with three panels of lilies, various impressed and incised marks to underside of base, monogram RB |(possibly for Rosina Brown), 25.5cm high

38 A Royal Doulton Slaters Patent stoneware Vase of baluster form and decorated with flowering branches, various impressed marks to underside of base, monogram possibly for Helena L M Pennett?, 27cm 39 A Doulton Lambeth stoneware Vase dated 1884, the trumpet shaped neck 100 above an ovoid body decorated with four blue flower heads, various impressed and incised marks to underside with monogram for Mary Ann Thompson, 26cm

40 A Doulton Lambeth stoneware Vase dated 1882, of baluster form and incised 45 with leaves and flowers etc., various impressed and incised marks to underside of base, possibly Helena M Pennett, 21.5cm high 41 A Doulton Lambeth stoneware Ewer, high arching handle above a baluster 110 shaped body decorated with stylised anthemion's, on circular foot, various incised and impressed marks to underside, 26cm high

42 A Doulton Lambeth stoneware Vase of baluster form, beautifully decorated 550 with song birds perched upon branches of an olive tree, impressed marks and incised monogram to underside, probably for Florence E Barlow, 17cm 43 A large Doulton Slaters Patent stoneware Vase of baluster form freely 100 decorated with various flowers and cobalt blue leaves etc., various impressed marks to underside of base, monogram probably for Emma A Burrows, 31.5cm high 44 A Doulton Lambeth stoneware Ewer dated 1882, the high arched scrolling 100 handle above a circular spreading body incised with various flowers and leaves etc., impressed and incised marks to underside, monograms for Martha M Rogers and Elizabeth J Adams, 29cm 45 A Doulton Lambeth stoneware Vase dated 1876, of ovoid form and incised with 95 a decorative band of oak leaves etc., various impressed and incised marks to underside of base, monograms for Mary Ann Thompson and Edith D Lupton, 19cm high 46 A Doulton Lambeth stoneware Vase dated 1884, the waisted neck decorated 60 with plantain style stiff leaves above further flowers and leaves in relief etc., various impressed and incised marks to underside of base, monograms for Harriet E Hibbut and Margaret Aitken, 24cm

47 A Doulton Lambeth stoneware Bottle Vase, impressed mark ''Art Union of 55 London'' mark to underside, monogrammed for Emily E Stomor, 21.5cm high

48 A Doulton Lambeth stoneware Vase dated 1877, of particularly pleasing form 100 the main elongated baluster shaped body incised and decorated with stylised flower heads and leaves etc., impressed and incised marks to underside of base, monogram possibly for John Broad, 22cm

49 A Doulton Lambeth stoneware Vase dated 1883, of baluster form, various 70 impressed and incised marks to underside, monograms possibly for Clara S Barker and Jane Rumbol? 17.5cm high 50 A Doulton Lambeth two handled stoneware Flagon dated 1875, impressed and 420 incised marks to underside of base, monogrammed for Frank Butler, 18cm high

51 A two handled Doulton Lambeth stoneware Vase dated 1878, various 85 impressed and incised marks to underside of base, monograms possibly for Emily A London and Mary Ann Thompson, 22.5cm high 51 A ADDED LOT A 19th Century Doulton stoneware Vase decorated with donkeys in a field by Hannah Barlow (drilled base) 51 B ADDED LOT A pair of 19th Century Doulton stoneware Vases decorated with deer and stags by Hannah Barlow (damage to one Vase)

52 A 19th Century cut glass Jug, the yellow tinge glass cut with hob nails and on 35 circular foot with star cut base, 21cm high 53 A collection of 19th and 20th Century Cranberry Glass (various) including an 65 interesting Mary Gregory style tapering Beaker hand decorated and with the cipher of the Isle of Man, together with various Drinking Glasses, a Comport and a pair of silver mounted circular Cranberry Salts with cut glass bases, (22 items) 54 A selection of 19th and 20th Century glassware (mostly Liqueurs, Wines, 65 Cordials and Drinking Glasses etc.,) to include various and a large 19th Century Rummer and a Decanter hand engraved with fruiting vine etc., (selection, approx. 41 pieces) 55 A selection of five 19th Century green glass Georgian Wine Glasses together 45 with later similar sized Glasses and a set of four Bristol blue glass Dishes and one larger Wine Glass engraved with fruiting vine (18 pieces)

56 A selection of Bristol blue and other glass Eye Baths (10) 30 57 A 19th Century Nailsea glass Flask together with one other Venetian style Vase 45 with Latticinio style decoration and a pair of Cameo glass Bells with suspension rings and clappers (4) 57 A ADDED LOT A good pair of hand cut Waterford Crystal Ship's Decanters and 140 Stoppers 58 A set of six fine 19th Century Wines, each very finely engraved with flowers and 140 foliage etc., and on tapering faceted stem, each with circular Intaglio engraved floral decoration, together with a selection of similar period engraved and gilt highlighted Bowls and a Vase etc., (12)

59 A selection of cut glassware including boat shaped Salts, a large hobnail cut 45 Beaker, early 19th Century glass Rinser etc., and a hobnail cut Vase (14 items)

60 A modern fine quality hand cut Waterford electric Lamp comprising base and 65 Shade, 35cm high 61 A large conical shaped Drinking Glass, the gilded rim above initials ''SO'' and tapering down to a facet cut stem and circular foot, 28cm high

62 A large early 20th Century circular hand cut pedestal Fruit Bowl on circular style 75 cut base, 27.5cm diameter (some chipping and damage etc.,)

63 An unusual c.1950s ruby red Glass Fruit Bowl with dodecagon lobed rim and corresponding berry appliqués below, decorative reeded swirl handles, mounted on gilded 'caryatid' tripod feet in the form of sphinx like creatures united by Adamesque style swags of fruit garlands , 31cm diameter

64 A good 19th Century cast iron Coal Scuttle, hinged lid with foliate style designs and handles etc., raised on three foliate cast legs, 65 A very fine 19th Century gilt bronze Lamp in Renaissance style, the circular neck flanked by open mouthed mythical creatures and the main circular body with applied roundel's and finely engraved with a multitude of varying sized anthemion's, raised on oval pierced base with four cast scrolling feet (with shade) 66 A large 19th Century Chinese patinated and verdigris'd metal two handled 30 tripod Censer, angular lip above a body decorated repousse style with dragons etc., the handles cast as stylised clouds, 36cm diameter (to handles, small dent/split to underside) 67 An unusual pair of 19th Century Chinese copper, brass and white metal Wine 10 Cups, each decorated repousse style with a scaly mythical beast amongst stylised foliage etc., each on circular white metal reeded foot, each 9cm diameter 68 A pair of First French Empire period style ormolu Candlesticks of neo-classical inspiration, tapering main bodies with restrained beading and reeded decoration, spreading circular bases, (now as Lamps, drilled bases for leads), with pleated shades, 43cm high (including bulb fitting but not shade)

69 Antonio Giovanni Lanzirotti, (born in Palermo, 1839-1921), a large and heavy 280 patinated Bronze Sculpture, ''Venus Out of The Bath'', she sits on a stone pedestal with flowers and foliage around etc., signed Lanzirotti to back of pedestal, 37.5cm high 70 An antique heavily verdigris'd octagonal bronze Sun Dial, the scrolling gnomen above engraving and increments etc., the dial engraved Anno Dom 1676, Ye Shade Teecheth, 28cm wide 71 A brass Sun Dial mounted on a square wooden block, the shaped gnomen above a dial engraved with increments and script, J Bryant Fecit, the brass dial 18cm wide 72 An early 19th Century copper and ivory mounted two handled Samovar, on 90 quatreform platform base with concave sides and squat bun feet, approx. 40cm high x 37cm wide (including handles) 73 An interesting early/mid 20th Century brass Filter manufactured by Endecotts 20 Limited, London, the outer ring with informational plate with various details etc., (approx. 8cm crack to outer rim), 21.5cm diameter

74 An early 20th Century brass and copper Lamp Standard in Arts and Crafts style, together with pleated silk Shade 75 An early 20th Century Chinese circular cloisonne Box and Cover, the Cover 65 decorated with an open mouthed five clawed Imperial yellow dragon chasing the flaming sacred pearl of wisdom, together with a later period Chinese Bowl decorated with flowers and leaves, one further smaller Chinese cloisonne Bowl, a Japanese baluster shaped cloisonne Vase with lilies against a red ground and two turned wooden Stands (6) (some damage etc.,)

76 A large early 20th Century Chinese cloisonne Bowl decorated to the interior 120 with an open mouthed five clawed dragon contesting the sacred pearl of wisdom, the lip decorated with a continuous ruyi band above further Imperial yellow dragons and flaming pearls etc., four character mark to underside, upon carved Chinese hardwood Stand with a pierced Lingzhi border, 30cm diameter (2) 77 A fine and large pair of heavy bronze Sculptures, stag and hind by Antonio Olivio (each animal signed to rear leg), the stag 151cm (highest point, to tip of antlers) and approx. 103cm (longest point), (2)

78 A large 19th Century style (modern) brass Lantern with four hand bevelled glass 200 panels, approx. 90cm high 79 A very large 19th/early 20th Century Eastern copper Table Top/Tray, the pie 140 crust edge raised top above a central circular panel and one further circular band detailing Arabic script, profuse verdigris and minor split to raised edge, 98.5cm diameter 80 A large set of early 20th Century brass Scales together with various sized 40 Weights, on a rectangular mahogany plinth style base 81 A rare early/mid 19th Century copper Jelly Mould, the top moulded with various fruits, with suspension loop, 22cm diameter 82 Two hallmarked Swedish silver Toddy Ladles 83 An early 19th Century style (mid 20th Century) two handled campana shaped 60 silver plated Wine Cooler 84 A pair of repousse decorated silver Table Candlesticks, 9.5cm high 50 85 An unusual and heavy 19th Century two handled double spouted circular Boat 80 Vessel, makers mark GF, London assay marks 1885, 11cm diameter (spout to spout) 86 A heavy thick gauge hallmarked silver Cigarette Box, foliate cast edges, engine 130 turned decoration and with central rectangular cartouche (engraved with monogram), assayed London 1934, 14.5cm wide

87 A pair of early 19th Century Sheffield plated Candlesticks with foliate style cast 100 bases, each approx. 28.5cm high 88 A mid 18th Century George II period cluster column silver Lamp on square 340 stepped base, with later crimped vaseline glass shade, the silver column approx. 34cm high 89 A very fine three piece 19th Century silver plated Coffee Service comprising 240 Coffee Pot, two handled Sugar and Cream Jug, the Sugar and Cream Jug with gilded interiors, each very finely cast and decorated with scrolling foliage in neo- Gothic design, the very heavy Coffee Pot approx. 25cm high to tip of finial

90 A late 19th Century oval silver plated two handled Serving Tray by Elkington & 95 Co., in neo-Classical style, the laurel leaf pierced border surrounding similar foliate style decoration and with marks to underside, 63cm wide

91 A late 18th Century hallmarked silver helmet shaped Cream Jug, engraved with 65 initials and date, high arched handle (repaired) and on square foot, makers mark CH, assayed London 1787, 14cm to top of handle

92 An unusual late 19th Century hallmarked silver Box and hinged Cover in the 65 form of a miniature tea caddy, the swing handle above a rectangular body with canted corners, assayed Birmingham 1897, some minor dents to front, 8cm high 93 An unusual late 19th Century novelty silver plated Cruet Set modelled as thistle 30 heads and leaves, 11.5cm high, makers mark of James Dixon & Sons to underside 94 A George III period two part silver Wine Funnel the larger section with London 220 assay marks (rubbed), 12cm 95 A George III period cut glass and silver mounted Cruet Stand, the silver Stand and cut glass Cruets with makers mark AK, assayed London 1815 (probably one Cruet replaced, the other glassware in relatively good order overall), 19cm wide x 19.5cm high (to tip of handle)

96 A fine late 19th/early 20th Century Chinese baluster shaped silver Vase by 1,000 Wang Hing, the waisted neck leads down to a key fret band and two finely modelled lion mask and ring handles, the main body profusely decorated repousse style with figures before buildings and with bamboo trees and pine trees, various marks to underside of base (base with small central drill hole), 21.5cm high, approx. 466g 97 A two handled silver presentation Trophy Cup on turned ebonised socle, 65 Birmingham assay marks, the silver Cup (including handles) 26cm high, approx. 294g 98 An Eastern circular white metal Pot and Cover repousse decorated with various 35 animals within continuous landscape etc., 9cm high, approx. 114.9g

99 A pair of late 19th Century hallmarked silver Salts in the shape of late 50 17th/early 18th Century two handled porringers, each repousse decorated with scrolls and flowers, each with engraved armorial crest and retailers marks of Goldsmiths and Silversmiths Company, 112 Regent Street, London, together with a pair of hallmarked silver Salt Spoons similarly engraved, the Salts assayed London 1892 100 An 18 carat white gold diamond Cluster Ring set with princess cut diamond and brilliant cut diamonds 101 A Victorian style gold Locket set with sapphires, on a gold Chain 102 A pair of good quality diamond and pearl Earrings, approx 1 carat diamonds

103 A 9 carat gold ruby and diamond cluster Necklace and Earrings 104 An early gold cased Masonic Locket 200 105 A large Pendant set with early rose cut diamonds 106 A large 18 carat white gold rubylite and diamond Cluster Ring 107 A superb 18 carat gold ladies Ring, the centre 5 carat sapphire bordered by fourteen fine diamonds 108 An 18 carat gold marquise shape Ring set with three large diamonds in a 1,700 diamond filigree style setting, 1.3 carat diamonds 109 An Art Deco style 18 carat gold Ring set with emeralds and diamonds 110 An 18 carat white gold diamond and sapphire flower head Cluster Ring 500

111 A heavy 9 carat gold Ring set with 38 yellow and 54 white diamonds 112 A pair of peridot, diamond and seed pearl Earrings 85 113 A 9 carat gold Bracelet with aquamarine links 114 A 14 carat white gold yellow topaz Bracelet 115 A fine 18 carat gold filigree cased Portrait set with diamonds and ruby on a 9 carat Chain 116 A platinum and diamond Ring set with 21 diamonds 117 A heavy 14 carat white gold Ring set with three white diamonds 118 An 18 carat gold designer Ring set with onyx, jade, diamonds and pearls

119 A ladies 9 carat gold Omega Wristwatch and Bracelet 120 A 9 carat gold engraved decorated Bangle 121 A pair of onyx and diamond drop Earrings 130 122 A rate and unusual St Johns Ambulance silver Albert 123 A heavy silver ''Buckle'' style Bangle 60 124 A Victorian style peridot, diamond and seed pearl Necklace 170 125 A fine quality Murrle Bennett ''Liberty's'' style amethyst and diamond Necklace 320 with matching Earrings 126 An 18 carat white gold, diamond and pearl Necklace and Earrings 127 An 18 carat white gold double Cluster Ring set with two fine diamonds surrounded by emeralds and sapphires 128 An 18 carat gold sapphire and diamond Cluster Ring 129 A 9 carat gold Ring set with a large kunzite and opal cluster 130 An unusual 9 carat gold Masonic Ring centrally set with a dark blue stone of 110 good colour 131 An 18 carat white gold large zultanite and diamond Cluster Ring 132 An 18 carat white gold Ring set with a green diamond marquis shaped centre stone surrounded by diamonds 133 Cased 9 carat gold Masonic Cuff Links in a ''Harrods'' box 134 A pair of gold opal and diamond set drop Earrings 120 135 A Victorian gold Brooch set with large amethyst and pearls 136 A Victorian 15 carat gold Pendant/Brooch set with turquoise and pearls on a gold Chain 137 A magnificent 18 carat white gold Ring, the centre 1 carat fine diamond surrounded by rubies and diamonds 138 A fine 18 carat Art Deco style ladies Ring set with a large emerald centre stone bordered by emeralds and fine diamonds 139 A ''Boodles'' style 18 carat Ring set with nine diamonds 140 A 14 carat gold Ring half carat princess cut diamond centre with baguette diamond shoulders 141 An 18 carat white gold Ring set with a row of diamonds and a row of coloured sapphires 142 A superb 14 carat gold Necklace set with 69 opals 143 A Victorian style opal and diamond Pendant on a 9 carat Chain 144 A fine 18 carat gold Ring set with large opalised Australian wood opal and diamonds 145 A pair of carved jade, enamel and diamond Earrings 146 Goebels A porcelain Model of a green Budgerigar perched on a branch with applied hand crafted flowers, the whole decorated in polychrome, printed and impressed marks and company label to base, 18cm high 147 A variety of Eastern style white metal Neck Chains, Bracelets and Fob Watch 400 style Albert Chains etc., housed within a gilt framed and glazed octagonal display case 148 A large early 20th Century white metal Brooch set with a blue and green Ruskin style stone, the stone 3.5cm diameter 149 A ladies 'Pandora' style silver and glass bead Charm Bracelet, the many various 20 Charms all hallmarked etc., 150 A Chinese jade and 14 carat yellow gold mounted Bangle, the stone of apple 160 green with lighter hues etc., with safety chain, (boxed) 151 A pair of ladies 18 carat yellow gold mabe pearl, diamond and enamel Ear Clips, each designed as a mabe pearl within a brilliant cut diamond hexagonal surround, (estimated total diamond weight for the two Earrings 1.2 carats)

152 A stylish pair of ladies see pearl and peridot drop Earrings 153 A pair of 18 carat white and yellow gold drop Earrings, each with hand cut central oval aquamarine framed by a tear drop shaped panel of diamonds (total weight of aquamarines approx. 1.38 carats), the loop adorned with four graduated pearls 154 An unusual multi-band turquoise beaded Bracelet, with ornate yellow metal barrel snap fastener naively decorated in Etruscan style 155 A coral bead Necklace with a triple elongated shape coral Pendant on a yellow gold suspension 156 A ladies fine white metal Bracelet designed as a series of scrolling fancy links, each link set with an old cut diamond collet, to the push-piece clasp, (estimated total diamond weight approx. 2.3 carats), 17cm, total weight approx. 32.7g

157 A pair of carved jade and 18 carat yellow gold drop Earrings, decorated with an elongated fruit and flower heads etc., length 6cm 158 A beautiful and heavy diamond set Belle Epoch Brooch modelled as a bow (estimated total diamond weight approx. 1.7 carats), the Brooch weight approx. 11.3g 159 A pair of ladies 18 carat yellow gold diamond and ruby hoop Earrings (estimated rubies weight 1.10 carats, estimated total diamond weight 0.84 carats) 160 A pair of ladies cased diamond drop Earrings, each with a single diamond suspended above a trefoil shape and further single diamond dropper below (10 diamonds), (total estimated diamond weight 1.2 carats)

161 A fine diamond and ruby floral Brooch designed as a brilliant cut diamond floral spray, each flower head with a central circular ruby highlight (one diamond deficient), (estimated total diamond weight approx. 2 carats), within fitted blue velvet case 162 An unusual Scottish hardstone and white metal Bracelet, the central panel 280 flanked by drum barrel and crescent links, rectangular returns, the whole inset with polished and carved bloodstone chalcedony and agate panels, with a heart shaped padlock clasp engraved with a thistle, 21.5cm

163 A pearl and diamond Necklace, the suspension with pearl and old cut diamonds and a rose cut diamond curved line, suspending a similarly set cluster to the pearl and onyx bead sides and Belcher link back chain, (estimated total old cut diamond weight 0.85 carats) 164 A jadeite Pendant carved as a flowering double gourd, on a double strand seed 140 pearl Necklace 165 A 14 carat white gold Pendant, the central oval quartz cabouchon stone surrounded by a band of eight vibrant blue zircons and interspersed with eight small diamonds, suspended from a 9 carat white gold Italian Neck Chain

166 A small yellow gold Brooch, the central circular cabouchon garnet surrounded by a decorative band of five flower heads 167 A fine coral and yellow metal mounted Brooch, the central cherub holding a serpent in both hands and surrounded by a spray of various sized roses and leaves etc., the revers with yellow metal mount with a multitude of stalks rising up to the flower heads, 5cm high 168 A good 18 carat yellow gold sapphire and diamond Cluster Ring, the cushion shaped sapphire within an old cut diamond border and with fine pierced scrolling shoulder mounts, the sapphire of 1.22 carats and the total estimated diamond weight approx. 0.72 carats, Ring size M

169 An 18 carat yellow gold Dress Ring, the central hand cut ruby of approx. 0.30 carats and flanked by two further diamond with an estimated total weight of 0.4 carats, Ring size K 170 A fine Cluster Ring, the large central hand cut 2.3 carat ruby surrounded by a diamond border, total estimated diamond weight approx. 2.15 carats, all within a claw setting and white metal ring, Ring size N

171 A gold solitaire diamond Ring, the diamond with an estimated weight of 0.55 carats and in a platinum claw set mount, Ring size L/M 172 A 14 carat yellow gold Ring (marked 585) centrally set with an oval cabouchon coral within a larger concentric oval mount, Ring size L 173 A ladies 9 carat yellow gold Ring set with four diamonds in an illusion setting (size N), together with a ladies yellow metal Ring set with three diamonds (size P) 174 A ladies 9 carat white gold Ring centrally set with a large hand cut light blue 90 stone (possibly an aquamarine), with diamond chip shoulders to each side, size J 175 A heavy 14 carat yellow gold Ring centrally set with an oblong wine red stone of very good colour (possibly a ruby), the stone flanked by two further smaller white stones each in a triangular setting, ring size J, total weight approx. 6.57g

176 A ladies 14 carat yellow gold Dress Ring set with a cluster of seven cabouchon stones (probably tigers eye), size J 177 A ladies 9 carat rose gold Dress Ring centrally set with an emerald cut stone 120 flanked by further smaller pear shaped stones (probably amethysts), size J

178 A ladies 9 carat yellow gold Dress Ring centrally set with a baguette cut green stone (possibly a tourmaline or a peridot), and flanked by triangular shoulders set with two further vertical bands of white stones and similarly sized green stones (one small green stone missing) within an open work basket style setting, ring size J 179 A good 18 carat yellow gold diamond solitaire Ring, the diamond approx. 1 carat and the total approx. weight 7.82g, Ring size T/U 180 A ladies 18 carat yellow gold Bracelet set with a profusion of diamonds (approx. 1.50 carats), total weight approx. 26.4g, 18cm (boxed)

181 A ladies 18 carat yellow gold diamond cluster Ring approx .85 carats, the central stone surrounded by eight further smaller stones in a basket style setting, the Ring having pierced shoulders, Ring size P, (boxed) 182 An antique 18 carat yellow gold diamond solitaire Ring set with a single stone (approx. 2 carats) in pierced scrolling shoulders, Ring size P, (boxed)

183 A ladies 18 carat yellow gold half Eternity Ring set with 16 diamonds (approx. .35 carat), Ring size P, approx. 6.05g, (boxed) 184 A fine quality 18 carat yellow gold diamond solitaire Ring complete with GIA (Gemological Institute of America) certification, 1.08 carats, colour H, clarity SI1, cut grade excellent round brilliant cut diamond, Ring size N (boxed)

185 A fine quality triple graduated marine cultured pearl Necklace having an ornate diamond side clasp with safety chain, within Perry Greaves box

186 A ladies 18 carat yellow gold diamond Ring, the single central stone flanked by four smaller diamond chips either side set into platinum, Ring size J/K (boxed)

187 A high carat (14 or 18 carat) Bar Brooch, the three good diamonds and two pearls set into platinum, the central diamond approx. .35 carats and flanked by two further diamonds of approx. .15 carats each (boxed)

188 A ladies 18 carat yellow gold half Eternity Ring set with alternating diamonds and sapphires (approx. .25 carats), Ring size P, (boxed) 189 A ladies 18 carat yellow gold ruby and diamond Cluster Ring, the diamonds approx. 1.25 carats and the ruby approx. .40 carats, Ring size O, (boxed)

190 A fine amethyst and seed/half pearl 18 carat yellow gold Brooch, the large central oval amethyst set with pearls as a flower head and leaves etc., (boxed)

191 A ladies 18 carat yellow gold 19 stone diamond Cluster Ring, the diamonds of approx. 1 carat total in a basket setting and flanked by an unusual pierced design Ring, Ring size N, (boxed) 192 A fine diamond Pendant, the central champagne stone of .98 carats (weighed) surrounded by further smaller diamonds of approx. .5 carats into 18 carat white gold, suspended from a 9 carat white gold Chain (boxed)

193 A ladies hallmarked 18 carat white and yellow gold diamond Bracelet, the diamonds approx. .60 carats, approx. total weight 13.95g, 18cm (boxed)

194 A pair of very fine diamond Stud Earrings each Earring with central champagne coloured diamond (one stone 1.11 carats, weighed, the other stone approx. 1.10 estimated), and surrounded by further quality diamonds in a lozenge shape, the outside diamonds of approx. 1.30 carats total, matches previous champagne diamond Pendant and Chain (boxed)

195 A heavy 18 carat yellow gold diamond Cluster Ring (the diamonds of approx. 1 carat), Ring size Q/R, total weight approx. 8.60g (boxed) 196 A ladies 18 carat yellow gold Dress Ring, the central square emerald (chipped) flanked by three smaller diamond chips each side, Ring size R (boxed)

197 An 18 carat yellow gold solitaire diamond Ring (approx. .55 carats), Ring size L (boxed) 198 A heavy silver Charm Bracelet with a multitude of Charms, approx. 86.8g 65

199 A heavy contemporary silver (marked 925) Bangle set with a turquoise and 70 cobalt blue cabouchon stone, approx. 52.2g total weight 200 A heavy silver Chain Bracelet with heart shaped Pendant (probably by Tiffany & 30 Co., New York), approx. 37g 201 A heavy contemporary oval silver Pendant set with a heart shaped dropper, 15 makers mark LMM, hallmark silver Chain, total weight approx. 25.8g

202 An engraved 9 carat circular yellow gold Pendant suspended from a yellow 30 metal Chain, total weight approx. 9.1g 203 An early 20th Century hallmarked silver table Cigar Lighter in the form of an 100 aeroplane, presentation plaque to one side of ebonised plinth base detailing Mayor, Councillor, Deputy Mayor, Alderman, other Councillors and Dignitaries etc., the underside of the wing with makers mark S & M (probably Samson Mordan), assayed Birmingham 1936, (minor dent to fuselage and now minus interior workings), wing span of plane 21cm

204 A long hallmarked silver Albert Chain mounted with two Fob Seals, one rose 40 gold coloured the other white metal and intaglio engraved with a sailing ship and the verse ''Such Is Life'', total length approx. 150cm, total weight approx. 65.9g 205 Four Rings to include a 9 carat gold Signet Ring (cut), a small 9 carat rose gold 60 Cameo Ring, a 9 carat rose gold Ring set with a navette shaped amethyst and one other cross over Ring (4) 206 A Danish sterling silver and enamelled Bar Brooch modelled as three flower 45 heads, a pair of 9 carat Stud Earrings set with yellow stones (possibly citrine) and two rose gold Stick Pins, one terminal formed as a horseshoe set with seed pearls and coral, the other set with an amethyst surrounded by six further smaller seed pearls (small selection)

207 A 9 carat yellow gold Neck Chain, 77cm, approx. 21.6g 180 208 A ladies Omega Constellation Wristwatch with mother of pearl dial 209 A large and showy carved giltwood Empire style eight day Wall Clock of large and showy proportions, the pierced wheat sheaf pediment above a cream dial with Arabic numerals and signed Tsak and Mobeck, (Norrkoping), the dial flanked by Classical style urns and columns, the gilded movement striking on a bell, approx. 89cm full height

210 A fine 18th Century style carved giltwood eight day Swedish Cartel Clock (20th Century), the ornately carved pierced pediment with flower heads above a cream dial signed Standard (Stockholm), the gilded movement striking on a bell, full height approx. 65cm 211 A good late 19th Century gilt metal mounted ceramic cased eight day hanging 300 Wall Clock, the cream dial with Arabic numerals and flanked by gilt metal caryatid's as handles, the gilded movement striking on a bell and signed Japy Freres, on original gilded hanging chain, the Clock height (including gilded pediment and base but not chain) 37cm high

212 A ladies gold cased open faced Fob Watch, the white enamel dial with Roman 300 numerals, the back of the case with large monogram in relief, the case opening and marked to the inside ''Brequet 1027'', the watch suspended from a 9 carat yellow gold rope twist Chain with 'T' bar and terminating in an hexagonal yellow metal cigar cutter 213 A late 19th Century oak cased eight day Mantel Clock with original pendulum 40 and key, the movement striking on a gong, the silvered chapter ring with Arabic numerals in Arts and Crafts style and flanked by pierced gilt metal spandrels, 31cm high 214 A ladies 18 carat yellow gold cased Rolex Wristwatch, 18 jeweled movement 480 (signed), the textured bezel surrounding a gold colour dial also signed Rolex Precision and with baton markers, on black leather Rolex strap and together with spare buckle 215 A gentleman's yellow gold cased Omega Seamaster Wristwatch, the textured cream dial signed Omega Automatic Chronometer officially certified and with baton markers, on Omega red calf crocodile style strap (boxed), (appears in good working order) 216 A gentleman's 14 carat yellow gold cased Wristwatch, the gold coloured dial 320 signed Girard Perregaux, Gyromatic, with baton markers, upon a brown mock alligator calf skin strap, (appears in good working order)

217 A gentleman's 14 carat yellow gold cased Wristwatch, the textured cream 240 coloured dial signed Wittnauer, with Arabic and baton markers and subsidiary seconds hand above the 6 o'clock position, (appears in good working order), on black crocodile style strap 218 A gentleman's Omega Automatic Seamaster Calendar Watch, the signed silver coloured dial with baton markers and date aperture at the 6 o'clock position, on black leather strap, (appears in good working order)

219 A gentleman's steel cased Omega Automatic Seamaster Wristwatch, the signed bronze dial with Arabic numerals and baton markers, the back of the case signed Seamaster Waterproof, on a black leather strap trimmed with red sides, (appears in good working order) 220 A gentleman's Omega Automatic Wristwatch, the cream coloured dial signed Omega Automatic and with mostly baton markers, on brown leather strap, (appears in good working order) 221 A gentleman's steel cased Omega Automatic Wristwatch, the silver coloured dial signed and with baton markers, subsidiary seconds hand at the 6 o'clock position, on faux crocodile style strap, (appears in good working order)

222 A gentleman's Omega Constellation Dress Watch, the dial signed Omega 300 Automatic Chronometer officially certified and with the calendar date aperture at the 3 o'clock position, with baton markers, on brown crocodile effect leather strap, (boxed and appears in good working order)

223 A gentleman's 18 carat yellow gold cased Omega Constellation Wristwatch, the 750 dial signed Omega Automatic Chronometer officially certified and with baton markers, the calendar date aperture at the 3 o'clock position, on brown crocodile effect leather strap, (appears in good working order, boxed)

224 A ladies Omega Wristwatch, the dial signed Omega and with Arabic numerals, on crocodile effect leather strap, (appears in good working order, boxed)

225 A good 19th Century French pink and white marble and ormolu mounted Clock 200 Garniture, the white enamel dial with Roman numerals and decorated with floral garlands, the gilded French movement striking on a bell

226 An early 20th Century French gilt metal mounted Cartel Clock in Classical style, 100 the gilt metal ribbons above a white enamel dial with Roman numerals and signed underneath the 12 o'clock position (possibly Guell?) and surrounded by a further gilt metal mounted circular ribbon, the gilded French movement signed Samuel Marty & Co., and striking on a bell, with keys and original pendulum etc., approx. 55cm high 227 A fine Jaeger-Le Coultre Atmos Clock, gilt metal and with four glass sides in 800 usual style, the cream chapter ring with Arabic numerals and baton markers and signed Swiss made, the gilt metal movement also fully signed, in as new condition within original box and also with accompanying booklets/paperwork etc., the Clock 22cm high 228 A pair of silver (935) folding Pince Nez 229 A signed Miniature in ormolu oval easel framed 230 A 9 carat gold engine turned Cigar Cutter 231 A late 19th/early 20th Century gilt metal mounted tortoiseshell Jewellery Box on four bun feet, 6.5cm wide 232 A Chinese ceramic baluster shaped 18th/19th Century Snuff Bottle and Cover, hand decorated with a Qilin flying amongst stylised flames against an Imperial yellow ground, 7cm high 233 A brand new, boxed and unused Prada (Milan) Wallet with zipper, complete 110 with all relevant original paperwork and wrapping etc. (new retail price of this wallet approx. £390) 234 A Corgi die cast Model ''The Beatles Yellow Submarine'' in fairly good original condition with the two pop up hatches showing the band and the four periscopes together with the rear propeller spinning round when the vehicle is pushed, (red and white hatch version) 235 An original black and white photograph of Marilyn Monroe, signed in blue ink 340 'Love + Kisses Marilyn Monroe'. The vendor states that this was given to her as a young girl in the 1950's by her uncle who was then general manager of The Queens Hotel in Southsea, a very popular venue for stars of stage and screen to frequent and board at this period, 14.5cm x 9.75cm

236 A George V Naval Reserve Long Service and Good Conduct Medal to 283434 55 D.S. Stubbington S.P.O. - HMS Blake. Obverse depicts G V as the Admiral of the Fleet (1st 1911-31) as opposed to 2nd coinage version of 1931-37

237 A George V Army Long Service and Good Conduct Medal to Pte. T.M. Maguire - 50 R. SCOTS 238 A George V India General Service Medal with North West Frontier 1930 - 31 85 clasp to 1070408 GNR. R. Thornhill - R.A . together with a 1914 'Mons' Star numbered MS - 1182 to PTE. G. Morton, A.S.C. (2) 239 The British War Medal 1914 - 18 and the Victory Medal 'The Great War for 40 Civilisation', both to 168436 CPL. K. Morman R.A., together with the 1914 - 15 Star M2 - 0811939 to J.W. Bolderson, A.S.C. and a George VI Defence Medal (4)

240 India General Service Medal with North West Frontier 1936 - 1937 clasp to L. 50 Naik (Lance Corp.) Gurbaksh Singh - 5-12 F.F.R. 241 A Mercantile Marine 1914 - 1918 Medal and a British War Medal, both to John 40 B. Smith together with a G VI Defence Medal (3) 242 A George V Royal Fleet Reserve Long Service Medal 'Diuturne Fidelis' to P.A. 45 Hewitt - A.B.R.F.R. (2nd version, coinage profile) 243 A George V Naval General Service Medal with Persian Gulf 1909 -1914 clasp (for 110 operations against pirates, gun-runners and slavers) to 344870 - S Robertson - PTR. 1CL - HMS Fox 244 A George VI Regular Army Long Service and Good Conduct Medal to 7583712 50 W.O. Cl. 1. - C. O'Kane 245 A George VI Territorial Army Efficiency Medal 'For Efficient Service' to 858562 35 BDR. W.C. Todd R.A. 246 An Elizabeth II General Service Medal (Army RAF) with Malaya clasp to 55 PA001367 HG. Loh Chong MALAYA HG, together with another with a Northern Ireland clasp 'For Campaign Service' to 24548908 PTE. S.S. Holcombe R.P.C. (2) 247 Four World War II medals: the France and Germany Star, the Africa Star, the 50 1939-1945 Star and the 1939-1945 War Medal (4) 248 Three World War II medals: The Burma Star, the Italy Star and the 1939-1945 50 War Medal (3) 249 Four World War II medals: the Pacific Star, the Atlantic Star, the India Service 50 Medal 1939-45 and the 1939-1945 War Medal (4) 250 Four Special Constabulary Long Service Medals 'For Faithful Service in the 55 Special Constabulary' awarded to Chief Inspector Walter J. Crook (G V), Henry A. Owen (G V), Section Leader William Dallas (G VI) and James B Mair (E II). (4)

251 A George V 1911 Coronation Medal (Scottish Police) awarded to PC J Thomson 45 to commemorate The King and the Queen's visit to Edinburgh from July 17th to July 21st 252 A George VI silver Coronation Medal 'Crowned 12th May 1937', together with 40 an Elizabeth II silver Coronation Medal 'Crowned 2nd June 1953' (2)

253 Two Imperial Service Medals awarded to William Alexander Bragg (G V) and 30 Thomas Frost (E II) 'For Faithful Service' (2) 254 A silver George V Silver Jubilee 1910-1935 Commemorative Medal 25 255 A General Service Medal with Palestine clasp to Sjt. N Barnett R.A.S.C. 256 A heavy oval gilt metal Continental Snuff Box, bright cut engraved with various 75 decorative vignettes, the central vignettes depicting an arrow and heart together with a quiver and torch etc., (possibly late 18th Century), 7.25cm wide

257 An early/mid 19th Century shoulder length Portrait Miniature within gilded oval 65 mount and ebonised frame (possibly Wellington) 258 A 19th Century ebonised framed pentagonal reverse glass Painting, seated 30 piper in a wide brimmed hat, the image 12cm x 18cm (widest) 259 Three Jacob's head clay tobacco Pipe Bowls by Louis Fiolet (1834-92) of St Omer, Pas-de-Calais, all with 'LF' monograms and shape numbers on the two larger bowls (3) 260 A 19th Century Naval General Service Medal, 1848, awarded to G.A. (George 17,000 Augustus) SCHULTZ, LIEUT R.N. (eventually obtaining the rank of Commander) with bar, NASSAU 22 MARCH 1808. Commissioned in 1775, the 'Holsteen' was a 60 gun ship of the line in the Royal Dano-Norwegian Navy and was captured by the British Royal Navy in the battle at Copenhagen Roads on 2nd April 1801 and subsequently re-named HMS Holstein and then HMS Nassau. On 12th April, the British sent Holstein back to Britain as she was the only one of the ships-of-the- line that the British chose to keep. Between March and September 1805, Perry & Co., Blackwell, repaired her at a cost of £22,022 and she was re-named ''Nassau'' and commissioned in September under Captain Robert Campbell for the North Sea. On 18th April 1806, Nassau was in company with Majestic, Agincourt, Dictator, Orpheus, Sparrow and the hired armed cutter Florence and helped capture the Prussian galliot Jonge Bartels, five days later, the Nassau captured the Vissery then on 2nd May, she captured the Nicholai and Martha with several other British warships sharing in the proceeds of the prize .In the late summer of 1807, she returned to Copenhagen where she participated in the second battle of Copenhagen and after the surrender of the Danish fleet, Nassau, on 21st October 1807, was one of the vessels that escorted the surrendered Danish ships from Holmen to Kronborg. On 22nd March 1808, Nassau and the 64 gun Stately destroyed the the last Danish ship-of-the-line, Prins Christian Frederik at Grenaa, off the east Jutland coast in a battle at Zealand Point. The battle cost Nassau one man killed, one man missing and sixteen men wounded. In 1847, the Admiralty awarded the Naval General Service Medal with clasps ''Stately 22 March 1808'' and ''Nassau 22 March 1808'' to any still surviving crew members of those vessels that chose to claim them. It is recorded on the Medal Roll that only 31 men claimed the medal with the ''Nassau 22 March 1808'' clasp. This Naval General Service Medal is 261 Aparticularly 19th Century interesting yellow metalbecause Etui its Case recipient, decorated Commander with bright George cut style Augustus 0 engraving, 11.5cm 262 Norris of London, a steel and rosewood No. 22 Shoulder Plane with 1.25'' blade, 0 stamped 'NORRIS LONDON', '22' and '3' 263 A circular red Morocco cased late 19th/early 20th Century gilt metal Travelling 30 Barometer, the dial signed and the case with inside paper label for makers ''Robert Ballantine, Glasgow'', minor discolouration to outer increment scale, the reverse engraved with monogram and dated 15.9.32

264 A pair of ormolu mounted cylindrical onyx Vases, each with two hanging 140 pierced handles and on ornately pierced base cast with prunus, raised on three legs, each approx. 18cm high 265 A pair of framed and glazed (later) hand coloured 18th Century Engravings, 90 ''The North-East Prospect of The City of Norwich'' and ''The South-East Prospect of The City of Norwich'', each Engraving approx. 30cm x 80cm

266 An interesting 19th Century Folk Art style horn handled Knife, the folding blade 120 engraved with script to one side and stylised vernacular patterns etc., some of which are highlighted in red paint, the bowed horn handle surmounted with engraved brass terminals, full length (blade extended) 54cm

267 A yellow metal mounted leather handled 19th Century Riding Crop, the terminal decorated repousse style with scrolling foliage and with military related engraving reading 'Divisional Foot Races, Aldershot, June 23rd / 64' , Hurdle Race', the dividing ferrule engraved 'Farewell Stakes, Perth - Oct. 1868', length 87cm 268 A Limited Edition (marked to inside label 358/600) Avirex City Series 75 Limited 20 Edition heavy ''Atlanta'' American style leather Bomber Jacket complete with badges and original labels etc., size M for medium (although quite large fitting), in worn condition, (the present vendor informs that this Jacket cost almost £500 when originally brought new)

269 A highly unusual Edwardian oak cased and glazed Dolls House Georgian style 280 Room Interior, the wainscot oak panelling on all walls and above the open fireplace a gilt framed picture hangs, two alcoves and a stairway through an arched door and with individually laid oak floorboards, the front glazed panel folding down on a hinge to reveal the interior, the Georgian style room is fitted with an electric light to the ceiling, (in working order), 77cm wide x 45cm deep x 37cm high 270 A late 18th Century mahogany and boxwood strung square Tea Caddy for 60 restoration, 13cm diameter 271 An unusual Sculpture Bust, the elongated gilded male plaster head resting upon a stained pine block base, total height 58cm 272 An interesting early 20th Century bamboo and brass mounted Shooting Stick in 90 good original order, 90cm 273 A 19th Century Chinese export lacquer ware Work Box of octagonal form, the hinged lid opening to reveal compartmentalised interior with various carved bone sewing requisites, the front section with further drawer revealing central hinged rising section flanked by two smaller compartments, raised on four carved and gilded animal's paw style feet

274 A 19th Century figured walnut and Tunbridgeware style banded two division Tea Caddy together with one other smaller sarcophagus shaped Box with boxwood strung rosewood lid headed with a marquetry conch shell and an early 19th Century two division rosewood Tea Caddy having two brass carrying handles and on four squat bun feet (3)

275 NOT FORWARD A good and large early 19th Century brass bound and figured walnut Campaign Writing Slope for restoration 276 A 19th Century Thomason Patent Brass Barrel Corkscrew, turned bone handle 75 (lacking brush) and the barrel with patent brass crest and motto (the worm sharp and intact) 277 A George III period mahogany and crossbanded two division Tea Caddy, the 20 hinged lid decorated with an elliptical marquetry patera with a bird on a branch and opening to reveal two lidded compartments (lined), the front with two boxwood conch shells flanking a kite shaped escutcheon

278 A John Maltby (signed to reverse) Ship Automaton ''Wind Fresh to Strong'', 160 36.5cm wide 279 A heavy Southeast Asian carved white marble Model of The (Gautama) 260 Buddha's Head (now away from the original statue), the face wears a calm, serene expression below tightly knotted hair, the elongated ears with earrings, approx. 22cm high x 14cm wide 280 An early 20th Century French style lace and silk Brise Fan, centrally hand 50 decorated with a maiden seated and attendant cherubs etc., within original case displaying label of Melliship & Harris, Fan Makers and Jewelers, 111 Westbourne Grove, London West, widest diameter 60cm

281 An early 20th Century mahogany Artist's Box, the hinged front opening to reveal removable trays, Artist's pallet, various accessories and Tools and some Tubes of Paint etc., 282 An unusual early 20th Century oak cased portable Gramophone with Records, 140 makers label ''Trench'', Model 4, the interior with the detachable record deck and the single front door opening to reveal needle arm and other gramophone requisites etc., 283 A Chinese hardwood Carving, young smiling boy upon the back of a recumbent 10 water buffalo on an unassociated Chinese hardwood Stand carved as gnarled branches, together with one further Chinese Carving of a Lohan and young boy next to his right foot, (damage to both pieces), the Lohan 28cm high

284 A large and heavy Chinese hardwood Carving of an immortal (probably Shou 30 Xing) in his left hand he holds a large fruit and a crane starts to climb his gnarled wooden staff, his robes profusely inlaid with silver coloured wire depicting Shou characters, flowers and other similar stylised patterns etc., (mounted as a lamp), the wooden Carving alone 51cm high

285 A Hogarth framed and glazed (later) hand coloured Map Engraving by John 220 Speede ''The Countye Palatine of Chester'', 39cm x 51cm, (the rear also glazed and revealing the Hundreds in Cheshire) 286 A good collection of about 74 Signed Photographs from the 30s and 40s of musicians and stars of the screen and stage - mounted in an album including: Rex Harrison, John Mills, Jane Crawford, Lauren Bacall, Stewart Granger, Vera Ellen, Percy Kahn, Toni, Arthur Ashton, Cedric Connor, Mary Jarred, Margaret O'Brien, George Scott-Wood, Harry Roy, Paul Rich, Douglas Reeve, Alfredo Campoli, Anne Crawford, Felton Rapley, Patricia Roc, Robinson Cleaver, Harold Callum, Jane Withers, Isobel Baillie, Phyllis Calvert, Pat Frost et cetera.

287 An extensive collection of about 120 Signed and Unsigned Photographs, mostly of British musicians, broadcasters and stars of the screen and stage from the 30s and 40s, mounted in an album and including: Arthur Askey, Al Bolington, Harry Davidson, George Formby, Dulcie Gray, Doris Hare, Harry Korris, Vera Lynn, Charles Shadwell, Jessie O'Shea, Stanley Black et cetera.

288 A quantity of both Signed and Unsigned Photographs from the 30s and 40s, mostly of British and American musicians and stars of the screen and stage; 13 are large (20 x 16 cm) and the rest smaller, including Isabelita Alonso, BC Hilliam, Bob Hope clearly signed ''Thanks for the memory, Bob Hope'', Janis Carter, Harriet Cohen, Sidney Davey, Trevor Howard, Patric Knowles, Alan Ladd, Carole Landis, 'Dottie' Lamour, Benny Lee, Ted Lewis, Billy Mayerl, Gerald Moore, Joan Bennett, Pat O'Brien, Eric Portman, Dennis Price, Basil Radford, Ted Ray, Elisabeth Risdon, Albert Sammons, Ted Teare, Franchot Tone, Jacques Vallez, Naunton Wayne, Hugh Williams et cetera.

289 A circa 1947 signed photograph of Vivien Leigh together with another of Laurence Olivier (2) 290 A circa 1947 signed photograph of Isabelita Alonso together with another dated 1947 of the famous journalist, Alexander Werth, author of The Year of Stalingrad (2) 290 A ADDED LOT A set of six early 20th Century Croquet Balls together with Marker 30 and seven painted iron Hoops 290 B ADDED LOT A late 19th/early 20th Century Eastern hardwood Walking Stick 25 profusely inlaid to the handle and beginning of the Stick with a multitude of brass pins, scrolls and geometric designs etc., (Eastern, possibly Indian), 91cm (small minor splits etc., commensurate with age) 290 C ADDED LOT An early 20th Century leather cased (with canvas cover)Travelling Vanity Case comprising Clothes Brushes, Hair Brush, hand held Mirror, Manicure Set and five cut glass dressing table requisite Bottles with silver lids (each lid with engraved monogram and dated March 1924)

291 A pair of contemporary Chinese hardwood Stands, each with pierced scrolling 40 frieze and and raised on four cabriole legs terminating in animal's paw style feet, each approx. 26cm wide 292 A gilt framed and glazed Japanese silk work Study, an open winged crane above a tree looking down upon a tortoise (a symbol of wisdom and knowledge), the work 39cm x 36cm 293 A gilt box framed and glazed Japanese colour silk work Print depicting prunus blossom emanating from fan like shapes, 43cm x 36.5cm 294 A wonderful Japanese mid 20th Century Kimono decorated with prunus blossom, other plants and flowers and a stylised stream, the back decorated with several open winged cranes, approx. 170cm high 295 A very fine mid 20th Century Japanese Kimono, profusely decorated with gold 90 coloured thread and depicting cranes amongst various blossom and foliage etc., approx. 180cm tall 296 A 19th Century leather Driving Crop, the carved horn handle (possibly whale bone?) set with white metal makers roundel (Swaine & Co. London), the white metal ferule below mounted with a fox mask head in relief, total length (including later blue rope edition) approx. 228cm

297 A late 19th/early 20th Century Chinese stained red and natural ivory part Chess 40 Set (although intricately carved, significant pieces missing and broken etc., quantity) 298 A 19th Century conical shaped horn Shot/Powder Flask (possibly) with silver 20 mounts, (the mounts rubbed with London assay office), within original hand stitched leather case, (5cm vertical split to base of flask), the Flask with circular glass base, the Flask 20.5cm 299 A traditional Omani style white metal Dagger (Khanjar) with sheath, the 160 waisted horn handle above a horizontal band of stylized flower heads, the sheath decorated with foliate style scrolling and chasing in relief and with horizontal fastening rings and a (worn) felt back, curved stainless steel blade, total height 31.5 cm 300 A 19th Century silver plated foliate cast Applique mounted with an early 19th Century Sheffield plated Button repousse decorated with an armorial crest, on later grey variegated marble base (now as a paperweight), 16.5cm long

301 A matched pair of late 18th/early 19th Century Terrestrial and Celestial Table 480 Globes, the Terrestrial Globe (approx. 30cm diameter, not including stand, approx. 39cm high including stand) with makers label of Malby's (Charring Cross, London) and on a four legged oak stand, the Celestial Globe on an ebonised tripod stand (later stands), the equatorial arc graduated in degrees, (condition commensurate with age)

302 A pair of early 20th Century Firemen's Helmets, retailers/makers mark of Merryweather & Sons Ltd, London (condition commensurate with age)

303 A good ebony and bell metal Coaching Plane, makers mark of Ward and the tool stamped several times with the craftsman's initials C.J.W, the bell metal (minus removable blade) 9.5cm 304 A mid 20th Century silver plated Rolls Royce ''Spirit of Ecstasy'' Figure, 11.5cm 150 (not including circular base mount) (polished nimonic steel) 305 An early 20th C bisque head Doll marked 'Germany 11/0' to her nape (probably 20 by Heubach Koppelsdorf ) and her extensive wardrobe, all contained in a three- compartment 40 cm doll's trunk 306 Second China War Medal (Second 'Opium' War 1857-1860) unnamed 100 307 Egypt Medal with El-Teb clasp to 5162 Private G Sturgeon of the Camel 140 Transport Company, second version without '1882' engraved below the sphinx. (The battle of El-Teb 1884 was the first battle of the Sudan campaign during which the British square and line formations were adopted against the Sudanese jihadist tribesmen. The battle is perhaps best known from its recreation in the various film versions of The Four Feathers)

308 Afghanistan Medal 1878-1880 (Second Anglo-Afghan War) name machined off 50

309 The Queen's South Africa Medal to Leader Robert Henry of the Natal Volunteer 200 Ambulance Corps with Relief of Ladysmith and Tugela Heights clasps (Second Boer War) 310 The Queen's South Africa Medal to 216 3rd Class Trooper T Draper of the South 100 Africa Constabulary with four clasps - Transvaal, Cape Colony, South Africa 1901 and South Africa 1902 311 India Medal to 2798 Private E Tillen of the 3rd Battalion Rifle Brigade with 130 Punjab Frontier 1897-98 clasp. The 3rd famously averaged thirteen miles a day in stifling heat and choking dust on their eight-day march to Bannu to join the Tochi Valley troops. Rifleman Earnest Tillen is confirmed on the medal roll and according to The Rifle Brigade Chronicle died of heart disease in Aden in 1905

312 King's South Africa Medal to 12626 Corporal H. Heald of the Royal Army 75 Medical Corps with South Africa 1901 and South Africa 1902 clasps

313 1911 Delhi Durbar Medal to 413 Lance Naik (Lance Corp.) Naranjan Singh of the 55 74th Punjabis, struck in silver to commemorate George V's coronation celebrations in British India, with Persian script on the reverse which translates as ''The Durbar of George V, Emperor of India and Master of the British Isles''

314 1887 Metropolitan Police Medal to Police Constable J Cowling of H Division 55 (Stepney) to commemorate the Golden Jubilee of Queen Victoria (H Division was made up of four police stations that covered an area of a mile and a quarter and was responsible for investigating the Jack the Ripper murders of 1888) together with a 1902 Metropolitan Police Medal to Inspector T Robson of V Division (Wandsworth) to commemorate the Coronation of Edward VII. (2)

315 1936 Service Medal of the Order of St John to 17179 Private H Smith of the 55 Ravensthorpe (Australia) Division together with a Voluntary Medical Service Medal to William Newman Cross (obverse bears a symbolic representation of Florence Nightingale with lamp and the reverse a design encompassing the Geneva and St Andrew's crosses) (2)

316 **L.S.Lowry, (1887 - 1976), a framed and glazed colour print, 'A Fight', within original frame, circa 1970's, 30cm x 22.5cm (some fading) 317 A framed and glazed (later) Rembrandt (Harmenszoon van Rijn) monochrome Etching, self portrait of the Artist, signed upper left, the Etching image size 22.5c, x 18cm (the image with darker colouration where it once had a smaller frame and with prevalent foxing throughout) 318 ***Julian Trevelyan RA (British 1910-1988), a mid 20th Century framed and 320 glazed (original untouched frame) Limited Edition (13/50) coloured etching/aquatint ''The Palio, Siena'' titled in pencil and also signed in pencil lower right, original gallery paper label verso of Eveling & Tress Ltd, London W.1, image size 50cm x 41cm 319 A gilt framed late Victorian Portrait in Oils of a lady seated at a keyboard (some 300 restoration), 65cm x 74cm, image size 35cm x 44cm 320 **Henri Matisse (1869-1954), ''L'Escargot'', a framed and glazed signed colour 180 Lithograph from the Verve Portfolio of 1958, dedicated to the last works of Matisse and printed under his direct supervision, labelled verso, 46cm x 57cm, image size 24cm x 24cm 321 A pair of Edwardian oak framed and glazed colour Prints after Stanley Cook ''Trumped'' and ''The Connoisseurs'' (some staining to interior surround), each published 1903 by Landeker & Brown, London, England, each colour image size approx. 36cm x 51cm each frame size approx. 64.5cm x 78cm (2)

322 A pair of gilt framed and glazed Limited Edition (1/500) colour Prints by John Blockley, Cotswold country scenes, each signed lower right in pencil in the margin by the Artist, each image approx. 22.5cm x 54cm (2)

323 A pair of framed and glazed Artist's Proof colour Prints by John Blockley 45 ''Cotswold Farm, Taddington'' No. 1 and 2, each signed lower right in pencil in the margin by the Artist, each image size approx. 22.5cm x 54cm each with annotation label verso 324 *Philippe Auge (French, b.1951) ''Regard Insolite sur Le Coeur'', Oil on Canvas, signed and annotated on the stretcher verso, gallery label for Wally Findlay, 2 Avenue Matignon, Paris 8, Chicago, New York, Palm Beech, Beverly Hills, signed lower right Auge, gilt box framed, 54cm x 64.5cm ''Philippe Augé is one of the most accomplished painters of our time and a colorist of rare quality.'' With this unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950's has catapulted him into a meaningful position in the contemporary art arena. Braque's assessment represents the quintessence of all the qualities associated with Augé's work today.

325 *Maurice Douard (French, b1951) ''Paysage Chromatique'', a suite of three landscapes, Acrylic and Mixed Media on Canvas signed Maurice Douard verso and dated '94 (1994), black box framed, 40cm x 40cm (3) 326 *Maurice Douard (French, b. 1951), Landscape, Acrylic and Mixed Media on 80 Canvas, untitled, from the ''Paysage Chromatique'' series, signed lower right ''Douard'', black box framed, 41cm x 33cm 327 Dia Al - Azzawi (Iraqi, b1939), a large abstract Figural Study, Gouache on Paper 8,000 with gold leaf, a composition depicting a large geometric figure against a black ground, signed lower right Azzawi 1983, mounted framed and glazed, annotated verso ''No. 25'', 158cm x 58cm. (this work originally exhibited in Kuwait) Dia Azzawi (Iraqi, b.1939) graduated with a degree in archaeology from the Baghdad University in 1962, and a degree in Fine Art from the Institute of Fine Arts, Baghdad in 1964. In 1969, he formed the art group New Vision with some of his contemporaries; among them Rafa Nasiri, Muhammad Muhyiddin, Ismail Fattah, Hashem al-Samarchi, and Saleh Al-Jumaie. He later joined the One Dimension group, created by Shakir Hassan al-Said, but remained closely connected to New Visions until 1972. 328 *Maurice Douard (French, b.1951), ''Cubist Standing Child Figure in a Beach Landscape'', Acrylic and Mixed Media, signed left ''Douard'' and dated '96 (1996), black box framed, 55cm x 44.5cm 329 *Maurice Douard (French, b.1951), ''Cubist Seated Child Figure in a Beach Landscape'', Acrylic and Mixed Media, signed right ''Douard'' and dated '96 (1996), black box framed, 42cm x 70cm 330 *Philippe Auge (French, b. 1935) ''Melancholie du Coeur'', No. 834, signed lower left Auge, moulded gilt frame with a linen fillet, annotated, numbered 834 and signed on the stretcher verso, 63cm x 52cm, ''Philippe Augé is one of the most accomplished painters of our time and a colorist of rare quality.'' With this unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950's has catapulted him into a meaningful position in the contemporary art arena. Braque's assessment represents the quintessence of all the qualities associated with Augé's work today.

331 *Philippe Auge (French, b. 1935) ''Silence Des Souges'', No. 225, Oil on Canvas, signed lower left, Wally Findlay gallery labels verso, signed annotated and numbered on stretcher verso, dated Feb. 9-82, moulded gilt frame with linen fillet, 71.5cm x 90.5cm, ''Philippe Augé is one of the most accomplished painters of our time and a colorist of rare quality.'' With this unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950's has catapulted him into a meaningful position in the contemporary art arena. Braque's assessment represents the quintessence of all the qualities associated with Augé's work today.

332 *Yvonne Khoury (20th Century), ''Composicao 3 Cavalos Detalhe ampliado do 100 quadro Anjo & Pandeiro'', Oil on Canvas, blue geometric forms on a black ground, signed and annotated verso and dated Rio 2-9-88 (1988), unframed, 79.5cm x 130cm 333 *A 20th Century Limited Edition Fine Art Print, three quarter length nude Study of a female, indistinctly signed lower right to the margin in pencil and numbered 70/250, 76cm x 53cm 334 *A 20th Century Oil on Canvas, nude female figure upon horseback in a dark landscape, unsigned and unframed, 153cm x 107cm 335 *A 20th Century Composition inspired by the lyrics 'Dreamtime' by The Heart Throbs, possibly a design for an album cover depicting a female holding a sword against a black background, signed with a monogram ''PS'' lower right and dated 1995, annotated with a lyrics from ''Dreamtime'' verso, unframed, 152cm x 91cm 336 **Attributed to Josef Sima (Czech, 1891 - 1971) Composition (Foret Oublieuse), Watercolour on paper, Blue Square and Brown Circle on a mottled Brown Background, indistinctly signed and scratched with a monogram lower left, silver framed and glazed 68cm x 53cm Josef Šíma (March 18, 1891 - July 24, 1971) was a renowned Czech painter, an important figure of modern European art. 337 *A 20th Century Impasto Portrait of an elderly gentleman, Oil on Panel, signed 80 lower right in red 'Moydis'???? , oil gilt framed, 45cm x 47cm 338 A very large and impressive black painted terracotta Vase of circular section, 230 the overhanging lip above three panels decorated in relief, the top panel with a Classical style hunting scene, the semi-clad male warrior upon a horse with bow etc., chasing deer and a similar chariot scene to the rear, the middle band with winged mythical beasts opposing each other and above a lower band with opposing bulls locking horns and stylised flowers and vertical stylised flowers below, 83cm (diameter of top lip) x 193cm high

339 George Henry Jenkins (British 1843 - 1914) a framed Oil on Canvas coastal seascape, possibly Point Robert lighthouse in Sark, with wreckers in their rowing boat close to the foot of the cliff, signed GH Jenkins lower left (53 x 93 cm) 340 Frank Hider (British 1861 - 1933) a Pair of gilt framed and glazed Watercolours depicting a highland riverside scene, both signed and dated 1916 lower left (30 x 43 cm) (2) 340 A ADDED LOT Elioth Gruner (Australian 1882-1939), a framed and glazed colour Print ''The Beach, 1918'', image size 47cm x 71.5cm 341 A good gilt framed Oil on Canvas French Impressionist style coastal Study with 75 figures on a cliff edge looking out to yachts sailing in the sea, (apparently unsigned), 39.5cm x 49.5cm 342 C F Buckley (Charles Frederick Buckley, 1812-1869), a gilt framed and glazed 100 (later) Watercolour Study, figures on a high country path before mountains and trees etc., signed lower right, 36cm x 50cm 343 C F Buckley (Charles Frederick Buckley, 1812-1869), a gilt framed and glazed 100 (later) Watercolour Study, a lone female figure with sheep on a country path before a loch and mountainous terrain etc., signed lower right, 36cm x 50cm

344 Harold W.A. Lawes (1865-1940), a gilt framed and glazed (later) pair of 50 Watercolour Studies ''The Millpond, Gonishall'' and ''Shere Church, Surrey'', each image size approx. 13.5cm x 22cm 345 Colin Graeme (1858-1910), a gilt framed (later) uncleaned Oil on Canvas Study 460 of a gun dog in rocky country terrain, signed and dated lower right '92 (the surface dirty and minor paint work away to middle right end section)

346 In the style of George Armfield (1808-1893), a gilt framed and glazed (later) Oil 140 on Canvas study ''Hunting Scene With Terrier Before at a Burrow'', the work is signed G Armfield in pencil to the lower stretcher, visible verso, 24.5cm x 34.5cm 347 Ethnographical Aboriginal circle and dot Art, synthetic polymer paint, a 80 depiction of three spade headed snakes/serpents writhing around similarly decorated coloured circles of slightly varying size, Artist unknown, glazed and within professional brushed steel frame, image size 81.5cm x 57.5cm

348 NOT FORWARD A 1938 ''Pauvre Pierrot'' Byrrh aperitif magazine advertisement (34 x 25 cm), a Nigel Hemming coloured print of Otters signed in pencil by the artist (29 x 40 cm), and a 1868 print from the Illustrated London News, ''New Buildings of Christ Church College, Oxford'' (17 x 24 cm) (3)

349 A 19th Century gilt framed Oil on Canvas Study, seated Jester playing a lute with his dog before him within a panelled room interior, (reparations and minor craquelere), 39cm x 49cm 350 A mounted (unframed) Watercolour Study of a golden eagle, signed and dated 80 lower right Jacko '91, 60cm x 48cm 351 A mounted (unframed) Watercolour Study of a Osprey, signed and dated lower 75 right Jacko '90, 60cm x 48cm 352 A mounted (unframed) Watercolour Study of a Peregrine, signed and dated 50 lower right Jacko '90, 60cm x 48cm 353 Sir Thomas Lawrence PRA, 1769-1830, (Attrib.), a gilt framed Oil on Canvas half length Portrait Study of Lady Page, she sits and gazes at the Artist, a string of pearls adorns her long dark curly hair and she wears a necklace of pearls from which an oval locket of her husband in military uniform hangs, the lower left annotated LADY PAGE BY SIR THOs. LAWRENCE, in untouched condition and with various paper labels verso including one numbered '25' and detailing Mary Albinia - Lady Page, nee Woodward, painter THOs. Lawrence and dated 1913, canvas size 74cm x 62cm

354 ***David Michael Jones (British, 1895-1974), a framed and glazed copper plate 650 Engraving ''Bride Kneeling'' (1928), an illustration for The Rime of The Ancient Mariner, Douglas Cleverdon, 1929, this proof from the Estate of the Artist, exhibited Westminster School of Art June-July 1991 (No. 71), provenance Sally Hunter Fine Art, 11 Halkin Arcade, London SW1, label verso, image size 17.75cm x 14cm 355 A charming early 20th century gilt framed and mounted oil painting of three 55 kittens stalking a bumble bee, 13cm x 18cm 356 T B Hardy (British 1842-1897) a late 19th Century charcoal and pastel on paper 160 depicting a coastal scene with ship and castle, signed in ink to the lower left, framed, mounted and glazed, 29cm x 44cm. Thomas Bush Hardy was Sheffield born and a member of the Royal Society of British Artists, who travelled and painted in the Netherlands, France and Italy as well as in the United Kingdom. Best known for his coastal scenes in a variety of media, many of his paintings hang in museums including the V & A and the Maritime Museum.

357 A framed Oil on Canvas Study ''Hertfordshire Landscape'' by Robin Wallace, 220 signed lower right, gallery label verso, 39.5cm x 50cm 358 A.R. Klitz, a framed Oil on Canvas Study ''The Off'', signed lower right and dated 180 verso 1977, 47cm x 75.5cm 359 Robert Morden (c. 1650 - 1703) a hand coloured County Map engraving ''Worcester Shire by Robt. Morden - Sold by Abel Swale Awnsham & John Churchil'' with interesting amateur historian handwritten annotations (front borders) alluding to the extent of the Roman occupation of the county 38 x 44 cm 360 A large Cubist style framed Oil on Canvas (some damage, paint away and 50 scratches etc.,) signed lower right J J Harris, 90cm x 182cm 361 **Henry Scott (British, 1911 - 2005, Fellow of the Royal Society of British 1,800 Artists) ''The Night Watch'', an atmospheric oil on canvas seascape depicting an iron clipper in full sail, signed to the lower right; original, quality frame with the MacConnal-Mason and Son, 14 Duke Street gallery label to verso and hand written annotations: ''Iron clipper 'Wellington' 1,247 tons built 1874 by Robert Duncan, Clyde shipbuilder'' 29cm x 44cm. (The Wellington's dramatic thirty-two year career, mostly spent between the United Kingdom and New Zealand, is recounted in Basil Lubock's book, The Colonial Clippers) 362 **Henry Scott (British, 1911 - 2005, Fellow of the Royal Society of British 2,200 Artists) ''Crossing the Line'', a dramatic oil on canvas seascape depicting a fast moving tea clipper in full sail, signed to the lower right; original, quality frame with the MacConnal-Mason and Son, 14 Duke Street gallery label to verso and hand written annotations: ''Tea clipper 'Spindrift' built 1867, wrecked on Dungeness in 1870'' 29cm x 44cm. (The Spindrift was built by Charles Connell & Co of Scotstoun for James Findlay & Co of Greenock. Sailing with up to thirty-six sails, she was one of the fastest tea clippers of her day carrying cargoes to London from Shanghai and Foochow. Nicknamed ''Giblet Pie'' because she was ''all wings and legs'', she was also one of the finest looking tea clippers. Her career however was short lived - in 1869 she foundered off Dungeness and was subsequently abandoned as a complete wreck. A 1:48 scale model is held in the Glasgow Museum of Transport.)

363 A framed Oil on Canvas Abstract style Study of various chickens etc., 70 (apparently unsigned), 68.5cm square 364 Mary Browning, a gilt framed and glazed Pastel Study ''Lord Gyllene'', signed and dated '98 lower left, 66.5cm x 43.5cm 365 An oak framed and glazed Lionel Edwards colour fox hunting Print, (possibly the 30 Twyford?), signed in pencil by the Artist lower right in the margin, 28cm x 49cm

366 A Hogarth framed and glazed Lionel Edwards colour fox hunting Print signed 35 lower right in the margin by the Artist, 36cm x 53cm 367 A framed and glazed Lionel Edwards colour fox hunting Print ''The Sinnington at 50 Rookbarugh'', 33cm x 49cm 368 A gilt framed and glazed Graphite and Pastel Study ''The Tennis Player'', a 85 gentleman seated in a deck chair and with tennis racket, signed lower left M Barba, 55cm x 46.5cm 369 A gilt framed and glazed Limited Edition (48/75) coloured Etching ''Hound with 30 Pheasant'', signed by the Artist in pencil in the margin lower right Tom Carr, 25cm x 30cm 370 *Snaffles (Charles Johnson Payne 1884 -1967), an ebonised framed and glazed 190 colour Print '''Andsome Is--Wot 'Andsome Does'', signed in pencil lower left by Snaffles and with blind stamp etc., image size 25.5cm x 30cm

371 A Hogarth framed and glazed Lionel Edwards colour fox hunting Print ''The Belvoir'', signed lower left in the margin in pencil by the Artist, paper gallery label of J S Maas & Co. Ltd., New Bond Street, London, 33cm x 49cm

372 A Hogarth framed and glazed Lionel Edwards colour fox hunting |Print ''The North Warwickshire Near Redditch'', signed in pencil lower left by the Artist, paper gallery label of J S Maas & Co. Ltd., New Bond Street, London, 32.5cm x 49cm 373 A gilt framed Oil on Artists Board ''Four Horses Cultivating'', 29cm x 39cm 25

374 A good set of three framed and glazed (later) 19th Century Japanese colour 95 woodblock Prints each one signed and with a block seal, each depicting Geishas etc., in fabulous dress, each approx. 28cm x 18cm 375 A good but slightly faded late 19th C Watercolour of a lakeside pastoral scene in 30 the Romantic style with cattle watering , their stockman and a boat in full sail (40 x 57 cm) 376 John Lancaster (British 20th C) a gilt framed oil on board Still Life of Flowers in a 320 glass vase, in excellent condition and signed and dated 1962 to lower right (35 x 45 cm) 377 *Edward H Thompson (British 1879 -1949) a Pair of gilt framed and glazed 300 Watercolours of the Lake District, both signed lower left (21 x 26 cm)

377 A ADDED LOT Manel Anoro (Spanish, b.1945 Barcelona), a modernist red box framed and glazed Acrylic still life Study, ''dos Mesas suite'' bottles, fruits and three lemons and grapes within a decorated bowl etc., 73cm x 59cm

378 An elaborate 19th Century oval mahogany Swing Mirror, scrolling supports above two circular compartments with swing style lids, raised on four short foliate carved legs, 72cm high x 58cm (widest) 379 A large 19th Century gilt framed oval topped overmantel Looking Glass, frame 240 surmounted with a carved giltwood Pheasant, its head turned to sinister and standing on rockwork surrounded by oak leaves and acorns etc., the whole of the frame similarly moulded, frame size approx. 192cm x 135cm

380 A fine contemporary hand carved lime and painted wall hanging Looking Glass, the pediment modelled with two cooing 'loving doves' above a waterfall scene below with lilies and flanked by rockwork and daffodils etc., total height approx. 100cm x 63cm (widest) 381 A fine hand carved lime wood and painted maritime theme Overmantel/Hall Mirror, 'Spirit Wind', three naturalistically carved Terns in flight above a three masted sailing vessel in stormy seas flanked by clouds etc., approx. 81cm (highest) x 136cm (widest) 382 A large late Regency period mahogany framed Cheval Mirror on four 300 downswept legs, total height 152cm 383 A large and fine Regency period gilt framed Overmantel Looking Glass, the 850 outset columns below a frieze with moulded foliate style decoration, the columns each with three bands of horizontal swirling acanthus below a Classical style capital with outset corners, full external width 179cm x 130cm high (original plate) 384 A large and showy white painted late 19th Century Overmantel Mirror, the 340 central broken arch decoration with moulded acanthus leaves and with a panel of fruit in relief, two columns flanking headed by ''green man'' style masks issuing further tendrils, fruit and flowers etc., (original plate), external dimensions 156cm wide x 129cm (highest)

385 A Regency period gilt framed Overmantel Looking Glass, central scallop shell style motif below gilded spheres and a lattice work design flanking, three sectional plate below (with small break to central section) flanked by columns, 136cm x 65.5cm 386 An early 20th Century (London 1909) full vellum bound Limited Deluxe Edition (limited to 260 copies) Volume ''The Water Babies'' by Charles Kingsley, illustrated by Warwick Goble, with gilt picture board and titles, many illustrative colour plates, 29.5cm high x 24cm wide 387 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Adventures of Two Dutch Dolls and a Golliwogg'' (1895) 388 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg's Bicycle Club'' (1896) 389 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Vege-Men's Revenge'' (1897) 390 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg at The Seaside'' (1898) 391 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg's in War'' (1899) 392 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg's Polar Adventure'' (1900) 393 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg's Auto-Go-Kart'' (1901) 394 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg's Airship'' (1902) 395 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg's Circus'' (1903) 396 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg In Holland'' (1904) 397 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg 's Fox Hunt'' (1905) 398 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg 's Desert Island'' (1906) 399 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg 's Christmas'' (1907) 400 Upton (F & B) Golliwogg Series, Londmans Green & Co, London (First Edition), ''The Golliwogg in The African Jungle'' (1909) 401 A large and heavy Chinese woollen Carpet decorated in typical style with 100 flowers and scrolling foliate style ornament against a light mustard and central light blue ground, with similar light blue borders, approx. 270cm wide

402 A French Aubusson style Tapestry, cream and green ground with foliate style 50 designs etc., 250cm x 154cm 403 A hand knotted Eastern Runner, three lozenges against a red and blue ground, 55 295cm x 85cm 404 A hand knotted Eastern Runner the lozenges, salmon, cobalt blue and cream 65 against a cream border within varying stylised patterns and other borders etc., 310cm x 85cm 405 A good modern and large Casa Pupo Rug chain stitched with a multitude of 55 stylised trees against a white ground, approx. 270cm x 173cm

406 A blue ground Keshan Carpet, 2.80 x 2.00 407 A beige ground Keshan Carpet, 2.80 x 2.00 408 A red ground Keshan Carpet, 2.80 x 2.00 409 A beige ground Heriz Rug, 1.90 x 1.40 410 A red ground hand made Persian Heriz Runner, 2.02 x 0.65 411 A large hand knotted Pakistan wool pile Carpet, central rectangle with 50 repeating gul pattern against a red ground and within varying sized borders with stylised repeating patterns within, approx. 4.45 metres x 3.18 metres (some wear) 412 A large and impressive 20th Century Berlin work woollen Panel designed by Elizabeth Bradley, the nine sectional work decorated with a Cat, a Spaniel, Pugs, Squirrel, Cockerel, a Dalmatian etc., approx. 125cm square

412 A ADDED LOT A hand knotted Persian Rug, the central dark blue lozenge against 40 a red ground and cornered by four further red lozenge shaped spandrels and multi-coloured varying sized borders, approx. 210cm x 146cm (some wear)

413 An antique mahogany Bureau Cabinet, the arching swan neck pediment above 600 two highly figures arched panelled doors opening to reveal shelf space etc., further over an angular fall opening to reveal central cupboard door ''secret'' drawers, pigeonholes and a further array of flat fronted and ogee angular drawers, with a well and slide further over two half width and two full width graduated drawers with ovolo moulding's raised on bracket feet (basically 18th Century with restorations and some new wood/parts etc.,) 239cm high x 100cm wide x 56cm (deepest) 413 A ADDED LOT A pair of late 18th/early 19th Century George III period mahogany Library Steps, the two steps each with reeded edges and the slender annulated turned supports of very good colour, in original condition (very minor repair to one leg), 43.5cm wide 414 Almost certainly Designed by LUCIEN LEVY DHURMER 1865 - 1953 (and possibly made by Edouard-Louis Collet), a large and beautifully proportioned French Partner's Desk with softly angled corners and ten pull out drawers (five either side) in the Art Moderne style of the Nancy School, early 1900's, the rectangular top delicately veneered overall with various exotic South American fruitwoods in an opulent design of squares, oblongs and elegantly shaped abstract ovals within quartered panels, the Desk ends each with large brushing slide, raised on tapered and grooved legs terminating in sturdy feet of abstract cruciform design, the cross shapes echoed in the banding's of decorative veneers that decorate both the table frieze and top rail of the (later) upholstered companion Desk Chair which exhibits curved open arms and square tapering moulded front legs terminating in short square block feet, dimensions 159cm wide x 99cm deep x 75cm high, Provenance: ex. an Eastern Royal Family.

415 A very fine opposing pair of mahogany and white marble topped Side Cabinets, 380 each with three quarter gallery above three drawers and an overhanging white marble top and four further full width graduated drawers below, each raised on plinth base, the lower drawers with Welling chest style locking bar, each also with singular brushing slide to one side, some drawers stamped with the makers mark of Doveston, Bird & Hull, each approx. 116cm high x 47cm x 61cm deep 416 A good late Regency period rosewood Teapoy, sarcophagus form top with 0 hinged lid opening to reveal two apertures (for mixing bowls, now absent) and with four cut glass tea caddies with mushroom style stoppers, turned reeded stem leading down to a lotus bulb, platform base and four scrolling feet terminating in castors 417 A late 17th Century oak Chest, the irregular planked top above four full width 280 geometrically fronted drawers flanked by split turned moulding's and bobbin turned moulding's, raised on large front bun style feet, with panelled sides, 100cm wide x 53cm deep x 93cm high (with restorations)

418 A very fine mid/late 18th Century style (contemporary) hand carved Brazilian 0 mahogany Footstool, the overstuffed seat above a frieze carved with foliate leaves, the cabriole legs with scrolling ear pieces and headed with further foliate style carving with a central swag and terminating in tightly carved French style scrolls with acanthus, 64cm wide

419 A late 18th Century George III period mahogany Chest on Chest, the dentil cornice above two half width and six full width graduated drawers with brass swan neck handles, the lower section with brushing slide and raised on high bracket feet, 120cm wide x 195cm high

420 An early 18th Century walnut Chest on Stand, the cross cut moulded top above 500 two half width and five further drawers, shaped apron and raised on cabriole legs terminating in pad feet with circular blocks, 96cm wide 421 A George I style walnut Writing Bureau, the crossbanded top and fall also with 200 feather banding and the fall opening to reveal a stepped interior of varying sized drawers and pigeonholes etc., further over two half width and one full width drawer below, raised on slender cabriole legs terminating in pad feet (veneers and moulding away, some pieces of veneers in various drawers etc.,) 55.5cm wide 422 A good Regency period fold over top mahogany Card Table, the gadrooned top 260 above four supports leading down to quatreform base and downswept reeded legs terminating in brass castors, 92cm wide 423 Leonard Wyburd for Liberty & Co., an oak 'Thebes number 2' stool, circa 1884, 110 labeled underside, (some chipping to outside seat edge and a repair to one leg)

424 A fine quality late Regency period mahogany Library Bookcase of generous 500 proportions, the shaped cornice above a figured frieze and two glazed doors with finely carved foliate spandrels enclosing shelves, similar blind doors below (enclosing interior drawer), with both sets of doors flanked by moulded vertical decoration with foliate style terminals mirroring the door spandrels, raised on plinth base, 133cm wide x 59cm (deepest) x 230cm high

425 A Louis XV style Kingwood Centre Table of small proportions, the shaped top 180 with marquetry decoration of a flower, a quill and stand and a music book above a single end drawer and with four slender canted cabriole legs united by similar undertier and terminating in gilt metal sabots, 42cm wide

426 A good early 20th Century original Swedish pine carved and gilded five tier mirror backed waterfall style Whatnot on short French cabriole style legs headed with shells and terminating in scrolls, 180cm high

427 A pair of late 19th/early 20th Century stained wood Arts and Crafts Bedroom 35 Chairs in Liberty's style, each with original rush seat and turned tapering legs united by turned stretchers, the vertical splat back rests exceeding beyond the seat and half way down the rear legs in the style of Charles Rennie Mackintosh, each Chair approx. 93cm high

428 A George III style oak Welsh Dresser, (19th Century), the flaring cornice above shelving and an arrangement of six drawers in a 'T' shaped arrangement flanked by panelled cupboard doors, raised on stile feet, 160cm wide x 48cm deep x 203cm high 429 A good pair of 19th Century single door walnut Wardrobes, the flaring cornices 100 above blind strapwork style decoration of flower heads and trailing leaves etc., each door with hand bevelled mirror plate and above single full width base drawer, each raised on plinth style base with rounded cornice, each with panelled sides, each approx. 206cm high x 108cm wide x 54cm deep

430 A George III period oak Dresser, three frieze drawers with brass swan neck 480 handles, raised on square legs, 182cm wide 431 A mid 19th Century mahogany Sideboard, galleried back above three cushion 180 moulded frieze drawers and panelled cupboard doors below, raised on plinth base, 158cm wide 432 An unusual Regency period painted Bedroom Chair with rattan cane seat, the 95 concave top rail decorated with flowers above an unusual metal work spindle back and turned tapering front legs headed with lotus bulbs and slightly splaying to the ends, (original paint work) 433 A 'country house style' early/mid 20th Century miniature Suit of novelty brass Armour on angular ebonised wooden plinth base, total height approx. 123cm 434 An unusual George III brass bound mahogany oval Cellerette with two brass lion 260 mask and rink handles, 56cm wide 435 A 19th Century four tier mahogany Whatnot, the third tier with full width 130 drawer, raised on short turned feet terminating in brass castors, 49cm wide

436 A late 18th Century serpentine fronted mahogany Corner Stand, galleried top 100 above single central bow fronted drawer, two dummy concave drawers flanking and raised on square tapering slightly splaying legs united by a shaped stretcher

437 An early 19th Century George III period mahogany and satinwood crossbanded 150 octagonal Work Table, the ebony strung and banded hinged top above a single true compartmentalised drawer below and dummy drawers flanking, the top and lower moulding with decorative anthemion bands, raised on turned tapering annulated legs headed by star motifs, 51cm wide

438 A mid 18th Century circular top mahogany 'bird cage' Table, elm block and 90 turned gun barrel type stem leading down to tripod base, 74cm diameter

439 A mid 19th Century Windsor Armchair having shaped elm seat and bow, with 80 turned legs and united by a double 'H' form stretcher 440 A matched pair of 19th Century comb backed Windsor Armchairs, each with shaped elm seat and turned slightly splaying legs united by turned 'H' form stretcher (2) 441 A mid 19th Century smokers Bow Armchair, the unusual yew-wood bow above 220 turned spindles and a shaped elm seat, the turned splaying yew-wood legs united by an 'H' form stretcher, (original paper label to underside of seat detailing travelling upon the Great Northern Railway)

442 A pair of French marble topped and walnut Bedside Cabinets, each with 200 moulded top above single frieze drawer and single falls below pulling down to reveal marble lining, each raised on turned tapering legs, each approx. 41cm wide 443 A 19th Century rosewood Occasional Table, the associated carved framed top glazed and with a needlework decoration of a country house above a very finely turned stem with a crisp lotus bulb, triform gadrooned base with carved feet terminating in French style scrolls, 43cm wide

444 A fine marble topped walnut and boxwood strung bombe shaped Commode in 480 mid 18th Century French style (mid 20th Century), the gilt metal chutes and sabots flanking a shaped apron and splaying legs, 92cm wide

445 A gilt metal mounted Uplighter, 172cm high 446 A fine mid 20th Century dapple grey Rocking Horse, fully refurbished to a very 400 high standard with horse hair mane and tail, red leather saddle and stirrups with red leather adjustable straps, 120cm (highest) x 143cm (longest point of stand) 447 An early 18th Century patinated oak Aumbry, the outset cornice above two 90 elongated panelled doors with incised lozenges centred by flower heads, the top batons with initials L LL and dated 1722, the lower base section with incised lunette's and four panelled front with late 17th/early 18th Century style motifs, raised on stile feet, 136cm wide x 178cm high (of good originality although requiring restoration) 448 A good late 19th Century aesthetic style Wash Stand, the white Carrara marble 120 three quarter galleried top above two panelled doors with ebonised frames, mahogany sides and satinwood front, raised on turned inverted conical shaped legs, 107cm wide 449 A late 19th/early 20th Century three tier mahogany Buffet on baluster turned 100 supports terminating in castors, with galleried top and pierced scrolling ear brackets, 107cm wide 450 A fine mid 18th Century style (contemporary) hand carved solid English walnut open Armchair (for re-upholstery), the gently arching back above shepherd's crook style arms and Venetian style cabriole legs terminating in spherical scrolls, the main seat of good and large comfortable proportions, one inside rail carved with the initials JGS 451 A pair of early 19th Century Regency style (contemporary) painted Salon Chairs, concave top rails, similarly conforming crest rails below and on sabre front legs (for upholstery etc.) 452 A late 17th Century style walnut Stool, the upholstered top above barley twist legs united by stretchers, 58cm wide 453 A fine contemporary glass topped and wrought iron Occasional/Coffee Table having shaped burr-elm supports in loose Renaissance style, 125.5cm wide x 54cm deep x 49cm high 454 A George III style (mostly made up from old/period wood) Dresser Base, with 130 three frieze drawers and raised on baluster turned front legs with blocks, 178cm wide x 55cm deep x 75cm high 455 A Regency style rectangular tilt-top mahogany Occasional Table, the reeded 45 edge top above a turned stem and tripod base, 79cm wide 456 A George III period circular oak tilt-top Occasional Table, baluster turned stem 65 and tripod base terminating in elongated pad feet, 76cm diameter

457 An unusual early George III period circular drop leaf Occasional Table, two 30 dummy drawers opposing and on baluster turned stem leading to tripod base with three downswept legs carved with ear pieces and terminating in brass cap castors, (reparations to one end of leg), 89cm long x 72cm high

458 A late 18th/early 19th Century George III period mahogany hanging Corner 30 Cupboard having single glazed door with thirteen panels and astragal glazing bars 459 A George III period oak and mahogany crossbanded hanging Corner Cupboard, 50 the central fielded panel door with a marquetry conch shell and opening to reveal shaped shelves in typical fashion, 85ch high

460 WITHDRAWN A Regency period mahogany Centre Table, two end drawers and turned stem leading down to four downswept reeded legs terminating in brass cap castors, 106cm 461 A pair of 19th Century style (modern) gilded Blackamoor Stands, each on foliate 340 style tripod base headed with an oval flanked by 'C' scrolls, each approx 93.5cm high 462 A pair of heavy oak slightly tapering circular Plinths, each approx. 74cm high 70 (some splitting across grain etc.,) 463 A ornate painted cast iron Stick/Umbrella Stand, the base modelled as two 220 writhing serpents, 174cm high 464 A pair of 19th Century ebonised French Side Tables, each with single end 50 drawer with blue Jasperware style applique and raised on turned tapering fluted legs united by a cross frame stretcher having central brass finial in neo- Classical style, the legs terminating in brass castors 465 A 19th Century painted Continental Chest, the front incised with a central 95 flower head and with carved friezes etc., raised on squat bun style feet, 70cm wide 466 An Edwardian upholstered wing back Armchair in early 18th Century style, raised on square, tapering mahogany legs terminating in castors, (seat requires attention and back leg repaired) 467 A mahogany and silver gilt open Armchair, the top rail carved with flowers and leaves above a stuff-over back and seat, the shaped arms leading down to square section legs headed with Regency style stars and Gothic style arches

468 A late 19th Century (later leather upholstered) mahogany Desk Chair, the 'U' 300 shaped spindled back above button down seat and bowed front rail, raised on turned tapering legs terminating in brass castors (minus one rear brass castor)

469 A pair of Art Deco style upholstered and gold coloured cast iron Theatre Chairs, 95 each individually numbered and originally from the Everyman Theatre in Cheltenham, each Chair with folding seat, (three more singular pairs of two are available together with one other conjoined pair)

470 A pair of early of 20th Century darkened ash vernacular Chairs in Arts and Crafts 50 style, each with squab cushion etc., 471 A pair of Savonarola style upholstered open Armchairs 50 472 A pair of Louis XVI style carved walnut and upholstered Tub Chairs, the top rails 230 carved with laurel leaves leading down to acanthus scrolling handles and turned tapering fluted legs 473 An 18th Century style large and very impressive oval topped cherry wood 700 Harvest Table, the double gate leg action legs with baluster turning and united by flat rectangular stretchers, (modern), 274cm long x 184cm (leaves up)

474 A fine and large Renaissance style Hall/Dining Table, the one piece figured cedar top above bulbous waisted inset supports united by an arcaded stretcher, 244.5cm long x 91.5cm wide x 74cm high 475 A very fine contemporary (drawing from earlier styles including Arts and Crafts etc.,) solid English elm Refectory/Dining Table on vertical style moulded supports united by a raised stretcher, 244.5cm long x 91.5cm wide x 74cm high

476 A fine contemporary Italianate style painted mahogany two seater Canape, the 320 rattan caned back above overstuffed seat and square tapering fluted legs terminating in small shaped blocks, 110cm wide 477 A fine contemporary Dining Suite comprising bevelled glass topped Table with two painted Classical style supports as scrolling foliage and together with eight (6+2) matching Dining Chairs, the open armed Carvers with turned wrythern verticals leading to turned tapering fluted front legs (chip to edge of glass table top), Table top dimensions 199cm long x 100cm wide x 75cm high

478 A mid 19th Century style extending mahogany Dining Table having three extra 460 leaves, moulded edge above four bulbous baluster shaped gadrooned legs terminating in brass and china castors, length 293cm (leaves in) x 124cm

479 In the manner of Hans Wegner for Fritz Hansen, a four legged circular teak 400 dining table and four stackable 'heart' chairs, c.1960's/70's, 105 cm diameter x 74 cm high 480 A large and very fine 19th Century extending mahogany Dining Table (probably 1,200 Cuban mahogany) with three extra leaves, the thumbnail moulded top above four turned tapering fluted legs terminating in oversized original brass castors, with original winding handle, the three ''extra'' leaves within original lockable mahogany leaf cabinets raised on plinth base, approx. 304cm (leaves in) x 122cm 481 A Regency period mahogany Pembroke Table, two end flush drawers and on 100 turned stem with four downswept legs leading to foliate cast brass castors, 111cm long (reparations) 482 A fine early 20th Century carved French walnut double Bedstead, the 0 headboard with crisply carved foliate designs and with further carving flanking allegorical of music etc., the headboard 154cm wide 483 A late 19th/early 20th Century French walnut Armoire, the pierced scrolling 210 foliate style pediment above a single mirrored door with hand bevelling, single full width flush drawer below centrally carved with a scallop shell style motif, raised on angular moulded feet, approx. 232cm high x 100cm wide