A Comparison of Relations Between Abrahamic Religions in Medieval Spain and Its Reflection in Odat Y’S Israel-Palestine Relations
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Must Satan Be Released? Indeed He Must Be: Toward a Biblical Understanding of Revelation 20:3 Gregory H
Volume 25, Number 1 • Spring 2014 Must Satan Be Released? Indeed He Must Be: Toward a Biblical Understanding of Revelation 20:3 Gregory H. Harris Regaining Our Focus: A Response to the Social Action Trend in Evangelical Missions Joel James and Brian Biedebach The Seed of Abraham: A Theological Analysis of Galatians 3 and Its Implications for Israel Michael Riccardi A Review of Five Views on Biblical Inerrancy Norman L. Geisler THE MASTER’S SEMINARY JOURNAL published by THE MASTER’S SEMINARY John MacArthur, President Richard L. Mayhue, Executive Vice-President and Dean Edited for the Faculty: William D. Barrick John MacArthur Irvin A. Busenitz Richard L. Mayhue Nathan A. Busenitz Alex D. Montoya Keith H. Essex James Mook F. David Farnell Bryan J. Murphy Paul W. Felix Kelly T. Osborne Michael A. Grisanti Dennis M. Swanson Gregory H. Harris Michael J. Vlach Matthew W. Waymeyer by Richard L. Mayhue, Editor Michael J. Vlach, Executive Editor Dennis M. Swanson, Book Review Editor Garry D. Knussman, Editorial Consultant The views represented herein are not necessarily endorsed by The Master’s Seminary, its administration, or its faculty. The Master’s Seminary Journal (MSJ) is is published semiannually each spring and fall. Beginning with the May 2013 issue, MSJ is distributed electronically for free. Requests to MSJ and email address changes should be addressed to [email protected]. Articles, general correspondence, and policy questions should be directed to Dr. Michael J. Vlach. Book reviews should be sent to Dr. Dennis M. Swanson. The Master’s Seminary Journal 13248 Roscoe Blvd., Sun Valley, CA 91352 The Master’s Seminary Journal is indexed in Elenchus Bibliographicus Biblicus of Biblica; Christian Periodical Index; and Guide to Social Science & Religion in Periodical Literature. -
In the Year 710 in the Iberian Peninsula, Rodrigo Came to the Throne of the Visigothic Kingdom After Killing the Previous King
2º E In the year 710 in the Iberian Peninsula, Rodrigo came to the throne of the Visigothic Kingdom after killing the previous King. A group of nobles decided to called the muslims for military help to depose Rodrigo. The emir of North Africa, Musa, sent an army of berbers led by Tariq. Then Rodrigo with his own army went to confront the muslims in the Battle of Guadalete. During the battle, some visigothic nobles betrayed Rodrigo and left the battle; because of that Rodrigo died and his army was defeated. After the battle, the muslims continue conquering the Iberian Peninsula, with the help of a powerful army led by the Emir Musa. They reached Toledo and in less than three years they controlled almost the whole of the Iberian Peninsula, except the mountainous areas in the north west. There the muslims found resistance and they fought against the astures, led by Pelayo, in the battle of Covadonga (722). The muslim army was defeated and expelled from the region. The muslims left the zone and advanced to the north, crossing the Pyrinees, but they had to return after being expelled by the Franks (Battle of Poitiers, 732). After that, they returned to the Iberian Peninsula and started to organize their new territories. 2º C In the year 710, the Visigothic Kingdom was suffering a civil war. When the noble Rodrigo was appointed as the King, a minority of visigothic nobles who supported his enemy, Achilla, looked for the military help of the muslims to deposed Rodrigo. The north-african emir Musa sent a berber army lead by Tariq. -
Misdemeanor Warrant List
SO ST. LOUIS COUNTY SHERIFF'S OFFICE Page 1 of 238 ACTIVE WARRANT LIST Misdemeanor Warrants - Current as of: 09/26/2021 9:45:03 PM Name: Abasham, Shueyb Jabal Age: 24 City: Saint Paul State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/05/2020 415 Bench Warrant-fail to appear at a hearing TRAFFIC-9000 Misdemeanor Name: Abbett, Ashley Marie Age: 33 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 03/09/2020 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Abbott, Alan Craig Age: 57 City: Edina State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 09/16/2019 500 Bench Warrant-fail to appear at a hearing Disorderly Conduct Misdemeanor Name: Abney, Johnese Age: 65 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/18/2016 100 Bench Warrant-fail to appear at a hearing Shoplifting Misdemeanor Name: Abrahamson, Ty Joseph Age: 48 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/24/2019 100 Bench Warrant-fail to appear at a hearing Trespass of Real Property Misdemeanor Name: Aden, Ahmed Omar Age: 35 City: State: Issued Date Bail Amount Warrant Type Charge Offense Level 06/02/2016 485 Bench Warrant-fail to appear at a hearing TRAFF/ACC (EXC DUI) Misdemeanor Name: Adkins, Kyle Gabriel Age: 53 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 02/28/2013 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Aguilar, Raul, JR Age: 32 City: Couderay State: WI Issued Date Bail Amount Warrant Type Charge Offense Level 02/17/2016 Bench Warrant-fail to appear at a hearing Driving Under the Influence Misdemeanor Name: Ainsworth, Kyle Robert Age: 27 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 11/22/2019 100 Bench Warrant-fail to appear at a hearing Theft Misdemeanor ST. -
Teachers Book
teachers book PRIMARY 5 COMUNIDAD DE MADRID 149790_BMLT_5PRIM_SSm_TB_Prelim.indd 1 24/7/18 13:02 2 TABLE OF CONTENTS Introduction 3 Course components 4 How to use the Pupil's Book 8 How to use the Teacher's Book 14 360º evaluation 16 Cooperative Learning 18 Project Based Learning 20 Helpful tips 22 Welcome letter 26 149790_BMLT_5PRIM_SSm_TB_Prelim.indd 2 24/7/18 13:02 14 HOW TO USE THE TEACHER’S BOOK The Teacher’s Book is specially designed to help Science teachers and provide English language support. It includes easy-to-follow lesson plans and practical support through each activity, highlighting teaching suggestions and tips. CONTENT MAPS Each unit begins with a content map, fully compatible with the LOMCE curriculum, to help the teacher see at a glance the contents, evaluation criteria, learning standards and key competences ahead. UNIT STRUCTURE CONTENTS, EVALUATION CRITERIA, LEARNING It provides a quick overview of STANDARDS AND KEY COMPETENCES the different sections within the All key elements of the LOMCE curriculum unit. are clearly mapped out for each unit. UNIT SUMMARY LANGUAGE FOCUS & KEY STRUCTURES DIGITAL RESOURCES TRACK LIST It provides an overview It presents a summary of the key An index of the An index of the of what the pupils will language and structures covered in materials and audio tracks on learn in the unit. the unit. activities available the Teacher's CD. for each unit through the Digital Resources. 149790_BMLT_5PRIM_SSm_TB_Prelim.indd 14 24/7/18 13:03 SOCIAL SCIENCE LEARN TOGETHER PRIMARY 5 15 LESSON PLANS LESSON INFORMATION AT A GLANCE Lesson summary, language focus and materials to help prepare lessons ahead of time. -
Medieval Spain
1 MEDIEVAL SPAIN 6 Which photos show legacies from the Visigothic period? LET’S BEGIN 1 Do you recognise the building in the large photo? Does the architectural style look the same or different to buildings in your town? 2 Which of these periods came before the Middle Ages? Which one came after? the Modern Age • Ancient History 3 What are some of the legacies of the Roman Empire that we can find in Spain today? 4 Which groups of people do you think lived in the Iberian Peninsula during the Middle Ages? What do you know? Let’s find out! Useful language I think … came before / after the Middle Ages. 7 Reflect 1 Look at the timeline and match the sentences in your notebook. 218 BC AD 711 1492 Roman rule Moorish rule Christian rule 200 400 600 800 1000 1200 1400 1500 ANCIENT HISTORY MIDDLE AGES AD 476 Visigothic rule a The Visigoths ruled in the Iberian Peninsula … 1 … in Ancient History. b The Visigoths and the Moors ruled … 2 … in the Iberian Peninsula in the Middle Ages. c The Romans ruled in the Iberian Peninsula … 3 … around 1,000 years. d The Middle Ages in Spain lasted for … 4 … after the fall of the Western Roman Empire. 2 Say what each photo is. Order the photos from oldest to newest. a b c 3 What is the centre of your town like? a Are the streets narrow or wide? b Does the centre of your town look the same as it does in the suburbs? How are they different? c Think of two famous monuments in your town. -
Heaven's Got Talent
HEAVEN’S GOT TALENT by Brian Yapko Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Christian Publishers. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Christian Publishers. Questions concerning other rights should be addressed to Christian Publishers. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Christian Publishers. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Song of El Cid
Eleventh Century Spain was fragmented into kingdoms and other domains on both the Christian and Muslim sides. These realms were continually at war among themselves. El Cid was a soldier- adventurer of this time whose legend endured through the centuries and became a symbol of the Christian Reconquest. This is his story as told by himself in the guise of a medieval troubadour – but with some present-day anachronisms creeping in. Song of El Cid I’m Rodrigo Díaz de Vivar; Prince Sancho was the one I served, my fame has spread to lands afar. my qualities were well observed, that’s why you’re sitting here with me so when he became the king in turn to listen to my soliloquy. I had but little left to learn about the matters of warfare, To Moors I’m known as El Sayyid and to him allegiance I did swear. (though I am no Almorávide). El Cid, the lord or leader who As his royal standard bearer, I is invincible in warfare too. was one on whom he could rely to wage the battles against his kin, To Christians I’m El Campeador, which it was paramount to win. now what that means you can be sure. I’m champion of the field of battle, For in the will of Ferdinand, reducing all my foes to chattel! he had divided all his land; to García - Galicia, to Elvira – Toro, Confuse me not with Charlton Heston, to Alfonso - León, to Urraca - Zamora. my story’s not just any Western. His culture centers round the gun, So Sancho was left with Castile alone but I have owned not even one. -
El Cid and the Circumfixion of Cinematic History: Stereotypology/ Phantomimesis/ Cryptomorphoses
9780230601253ts04.qxd 03/11/2010 08:03 AM Page 75 Chapter 2 The Passion of El Cid and the Circumfixion of Cinematic History: Stereotypology/ Phantomimesis/ Cryptomorphoses I started with the final scene. This lifeless knight who is strapped into the saddle of his horse ...it’s an inspirational scene. The film flowed from this source. —Anthony Mann, “Conversation with Anthony Man,” Framework 15/16/27 (Summer 1981), 191 In order, therefore, to find an analogy, we must take flight into the misty realm of religion. —Karl Marx, Capital, 165 It is precisely visions of the frenzy of destruction, in which all earthly things col- lapse into a heap of ruins, which reveal the limit set upon allegorical contempla- tion, rather than its ideal quality. The bleak confusion of Golgotha, which can be recognized as the schema underlying the engravings and descriptions of the [Baroque] period, is not just a symbol of the desolation of human existence. In it transitoriness is not signified or allegorically represented, so much as, in its own significance, displayed as allegory. As the allegory of resurrection. —Walter Benjamin, The Origin of German Tragic Drama, 232 The allegorical form appears purely mechanical, an abstraction whose original meaning is even more devoid of substance than its “phantom proxy” the allegor- ical representative; it is an immaterial shape that represents a sheer phantom devoid of shape and substance. —Paul de Man, Blindness and Insight, 191–92 Destiny Rides Again The medieval film epic El Cid is widely regarded as a liberal film about the Cold War, in favor of détente, and in support of civil rights and racial 9780230601253ts04.qxd 03/11/2010 08:03 AM Page 76 76 Medieval and Early Modern Film and Media equality in the United States.2 This reading of the film depends on binary oppositions between good and bad Arabs, and good and bad kings, with El Cid as a bourgeois male subject who puts common good above duty. -
Apartheid, Liberalism and Romance a Critical Investigation of the Writing of Joy Packer
UNIVERSITY OF UMEÅ DISSERTATION ISSN 0345-0155 ISBN 91-7191-140-5 From the Department of English, Faculty of Humanities, Umeå University, Sweden Apartheid, Liberalism and Romance A Critical Investigation of the Writing of Joy Packer AN ACADEMIC DISSERTATION which will, on the proper authority of the Chancellor’s Office of Umeå University for passing the doctoral examination, be publicly defended in hörsal F, Humanisthuset, on Friday, 23rd February 1996, at 3.15 p.m. John A Stotesbury Umeå University Umeå 1996 Abstract This is the first full-length study of the writing of the South African Joy Packer (1905-1977), whose 17 works of autobiography and romantic fiction were primarily popular. Packer’s writing, which appeared mainly between 1945 and 1977, blends popular narrative with contemporary social and political discourses. Her first main works, three volumes of memoirs published between 1945 and 1953, cover her experience of a wide area of the world before, during and after the Second World War: South Africa, Britain, the Mediterranean and the Balkans, and China. In the early 1950s she also toured extensive areas of colonial "Darkest Africa." When Packer retired to the Cape with her British husband, Admiral Sir Herbert Packer, after an absence of more than 25 years, she adopted fiction as an alternative literary mode. Her subsequent production, ten popular romantic novels and a further three volumes of memoirs, is notable for the density of its sociopolitical commentary on contemporary South Africa. This thesis takes as its starting-point the dilemma, formulated by the South African critic Dorothy Driver, of the white woman writing within a colonial environment which compels her to adopt contradictory, ambivalent and oblique discursive stances and strategies. -
LAS DAMAS DE EL CID: EL ALZAMIENTO DE LA VOZ FEMENINA Jorge González Del Pozo the University of Michigan-Dearborn
Libro Siglo XXI Num. 6 23/9/10 09:59 Página 189 LAS DAMAS DE EL CID: EL ALZAMIENTO DE LA VOZ FEMENINA Jorge González del Pozo The University of Michigan-Dearborn … toda historia es siempre una relación, toda historia es partidista y selecciona … (Ortiz en Fleisler 316-17). Una historia es un relato que puede ser verdadero o falso, con una base de reali- dad histórica, o meramente imaginario, y este puede ser un relato histórico o bien una fábula. (Le Goff 21-2). La utilización de un personaje real del pasado como punto de partida a la hora de crear una novela de las llamadas “históricas”, es algo muy frecuente en la actualidad. Esta corriente de creación, que se antoja tan atractiva para los lecto- res, como beneficiosa para los editores, desarrolla la más común de sus aplica- ciones que consiste en retomar un personaje, unos hechos o un contexto determi- nado. Mediante un giro hacia la actualidad, un guiño al lector con temas que le afectan y una revisión de la historia, consigue que esta forma de producción lite- raria adquiera un auge y una dimensión que ni el personaje, ni el período, ni el con- texto histórico habían alcanzado con anterioridad. Este estudio analiza los personajes femeninos que rodean a El Cid en las obras Doña Jimena Díaz de Vivar. Gran señora de todos los deberes (1960) de María Te- resa León, Anillos para una dama (1973) de Antonio Gala y Urraca (1982) de Lourdes Ortiz, para mostrar cómo la agencia de la voz femenina cercana a la figura de Rodrigo Díaz de Vivar crece y se hace más determinante a medida que las condiciones socio-políticas cambian en el s. -
The Berber Identity: a Double Helix of Islam and War by Alvin Okoreeh
The Berber Identity: A Double Helix of Islam and War By Alvin Okoreeh Mezquita de Córdoba, Interior. Muslim Spain is characterized by a myriad of sophisticated and complex dynamics that invariably draw from a foundation rooted in an ethnically diverse populace made up of Arabs, Berbers, muwalladun, Mozarebs, Jews, and Christians. According to most scholars, the overriding theme for this period in the Iberian Peninsula is an unprecedented level of tolerance. The actual level of tolerance experienced by its inhabitants is debatable and relative to time, however, commensurate with the idea of tolerance is the premise that each of the aforementioned groups was able to leave a distinct mark on the era of Muslim dominance in Spain. The Arabs, with longstanding ties to supremacy in Damascus and Baghdad exercised authority as the conqueror and imbued al-Andalus with culture and learning until the fall of the caliphate in 1031. The Berbers were at times allies with the Arabs and Christians, were often enemies with everyone on the Iberian Peninsula, and in the times of the taifas, Almoravid and Almohad dynasties, were the rulers of al-Andalus. The muwalladun, subjugated by Arab perceptions of a dubious conversion to Islam, were mired in compulsory ineptitude under the pretense that their conversion to Islam would yield a more prosperous life. The Mozarebs and Jews, referred to as “people of the book,” experienced a wide spectrum of societal conditions ranging from prosperity to withering persecution. This paper will argue that the Berbers, by virtue of cultural assimilation and an identity forged by militant aggressiveness and religious zealotry, were the most influential ethno-religious group in Muslim Spain from the time of the initial Muslim conquest of Spain by Berber-led Umayyad forces to the last vestige of Muslim dominance in Spain during the time of the Almohads. -
Chronica Adefonsi Imperatoris, En "Corpus Christianorum
ELIAS, CANÓNIGO ROTENSE, POSIBLE AUTOR DE LA CHRONICA ADEFONSIIMPERATORIS JOSÉ MARÍA CANAL SÁNCHEZ-PACÍN SUMARIO A) Los autores propuestos.- B) Elias, canónigo rotense.- C) Elias, canónigo de Roda, corno escritor e historiador.- D) Posible relación de Elias con la CAI.- E) Semejanzas y afinidades entre la CAI y la Vita.- F) Estructura de la CAI y de la Vita.- G) La relación de la CAI con la Historia Roderici y el Carmen Campidoctoris.- H) La cuestión del lugar de origen y del autor de la Historia Roderici.- Bibliografía. Vale la pena seguir discutiendo sobre quién fue el autor de la Crónica de Alfonso VII el Emperador, Chronica Adefonsi Imperatons (en adelante CAI), ludí cuestión no está aún resuelta, ni muchísimo menos, y la importancia de la obra nos pide nuevos esfuerzos para llegar a descubrir a su verdadero autor, si ello fuese posible. Porque esta crónica nos describe todo un reinado y uno de los más importantes de la edad media hispánica, y además lo describe con muchos detalles y con un latín elegante y sonoro. Los estudiosos han propuesto ya a varios personajes como posibles autores de la misma, pero ninguno de ellos, a nuestro juicio, ofrece serias garantías para ser candidato. Por ello ofrecemos aquí este breve estudio, que en el fondo es una seria sugerencia^ *Cf. Infra Bibliografía, donde se elencan algunos editores y estudiosos de la CAL "Anuario de Estudios Medievales", 30/2 (2000) (c) Consejo Superior de Investigaciones Científicas http://estudiosmedievales.revistas.csic.es Licencia Creative Commons 3.0 España (by-nc) 736 JOSÉ MARÍA CANAL SÁNCHEZ-PAGÍN A) Los AUTORES PROPUESTOS El genealogista José Pellicer pensó en Julián Pérez, como autor de la CAI, que fue el supuesto autor de un falso cronicón, inventado por el jesuíta Jerónimo Román de la Higuera a fines del siglo XVI.