Böll-Stiftung, Dossier: Border Politics
Border Politics Migration in the Mediterranean DOSSIER Impressum Herausgeber Heinrich-Böll-Stiftung Schumannstraße 8 10117 Berlin www.boell.de Das Online-Dossier wurde veröffentlicht auf www.migration-boell.de im Juli 2009. Direktlink: http://www.migration-boell.de/web/migration/46_2173.asp V.i.S.d.P. Olga Drossou, MID-Redaktion, Heinrich-Böll-Stiftung Dossier-Redakteur: Timon Mürer Picture credits Cover photo: home to go, 2001, Plaster, marble, dust, tiles, rope, dimensions variable p. 4: The Line 2007; Dyptich framed photograph, cm 60 x 74.5 each (framed), p. 34: Centro di permanenza temporanea, 2007, Video still p. 49: Centro di permanenza temporanea, 2007, Video still They appear by courtesy of gallery Francesca Kaufmann, Milan. The art works presented in this dossier are all by Adrian Paci, an Albanian artist born 1969 in Shkoder and now based in Milan. Among other awards, he is has won the Prize of the Quadrennial of Rome 2008. Of growing international renown, his work has been exhibited all across Europe, in Israel, Australia, and the United States. In his work, Adrian Paci frequently makes reference to the experience and fate of migrants, as for example in his prize-winning video “Centro di Permanenza Temporanea” (2007). The title refers to the Italian name for the temporary camps for migrants arriving daily on the Italian coast. Linguistically, it offers a paradox, a tension between a temporary and permanent existence, a tension Paci maintains in this film, where men and women board a plane to nowhere. They remain trapped between the transitory and the fixed, a state which speaks to the dislocation of migrants across the globe.
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