Music Supervision Mana Music Chris Gough Julie Spinks Nicky Donoghue

Original Music Composed and Produced by Joost Langeveld

ADR Recordists Music and Effects – Sharon Ryan

“Killa Filla” (M. Conte/G. Danos) Control Performed by Earwax Licensed courtesy of Creative Vibes

“Take Me Away” (Klippel/Palmer/Lash) Universal/MCA Music Publishing Pty Limited/ Festival Music Publishing/Control Performed by Lash Licensed courtesy of Festival Mushroom Records

“Outta My Head” () Sony/ ATV Music Publishing Australia Performed by Spiderbait Licensed courtesy of Universal Music Australia Pty Limited

“Everwonder” (Bowring/Green/Digiacomo) Universal Music Publishing Pty Limited/Control Performed by Lavaland Licensed courtesy of BMG Australia Limited “Smash It Up” (D. Lyxzen/L. Dahlberg/ L.Strombert/I. Johansson/ S.Almgren) Songs & Stories Publishing, sub-published by Shock Music Publishing (Australia) Performed by International Noise Conspiracy Licensed courtesy of Burning Heart Records via Shock Records (Australia)

“1+1+1 (It Ain’t Two)” (MJ Ruys) Control Performed by K’Lee (p) 2001 Universal Music NZ Licensed courtesy of Universal Music NZ

“Hellbender” (Forte) Control Performed by Forte Licensed courtesy of Rhythm Ace Records

“Black River” (A. Czernick/T. Nowen/ S. Korhone/A. Olofsson-Tuisko/ C. Hermansson/J. Filling/ B. Edh/G. Horeman/H. Sjostedt) Shock Music Publishing on behalf of Songs and Stories Publishing Performed by Cigarres Licensed courtesy of Burning Heart Records distributed by Shock Records “So I Cry (Remix)” (L. Williams/M. Young/F. Siloata) Control Performed by Lavina featuring Flowz of The Footsouljah

“Lick a Lounge” (J. Greenslade) Control Performed by James Licensed courtesy of Mai Music

“Getting’ Shit” (P. Jamieson) Shock Music Publishing (Australia) Performed by Licensed courtesy of Universal Music Australia Pty Limited

“Come On” (J. Langeveld/J. Hall) Control Performed by Subware Licensed courtesy of Reliable Recordings 2000

“Red Desert Rolls” (Forte) Control Performed by Forte Licensed courtesy of Rhythm Ace Records Licensed courtesy of EMI Music Australia

“Blast Off” (Danielle Spencer) Mushroom Music Publishing Performed by Danielle Spencer (p) 2000 EMI Music Australia

“Hunger” (MJ Ruys/K. Benton) Control Performed by K’Lee (p) 2002 Universal Music NZ Licensed courtesy of Universal Music NZ

“Third Eye Sight” (C. Marco/Tina) Mai Publishing/ Mushroom Music Publishing Performed by Dubious Bros. Licensed courtesy of Mai Music

“Complete This Progression” (Giants of Science) Control Performed by Giants of Science Licensed courtesy of Rhythm Ace Records

“Growing Pains” (M. Fell/S. Connolly) Mushroom Music Publishing Performed by Butterfly Nine Licensed courtesy of Butterfly Nine/ABC Music

“Home Entertainment System” (Dewey/Pisani/Culpin/ Bishop/Delacy) Leosong Music/ Festival Music Publishing Performed by Lazaro’s Dog Licensed courtesy of Festival Mushroom Records

“The Honeymoon Suite” (MJ Ruys) Control Performed by K’Lee Featuring Matthew Ruys (p) 2002 Universal Music NZ Licensed courtesy of Universal Music NZ “Shock” (S. Cambell Nicholls) Embryo Music Performed by Cartman Licensed courtesy of Embryo Records Licensed courtesy of EMI Music Australia

“Hyperspace” (R. Tucker/P. Maybury/ D. Gray/K. Warhurst) Mushroom Music Publishing Performed by Rocket Science (p) 2001 Modular Recordings

“Anxiety” (Thomson/Mynard/Patton/ Capt/Korman/Thompson) Festival Music Publishing Performed by Full Fathom Five Licensed courtesy of Festival Mushroom Records on behalf of Valve

“Good Thing” (T. Faragher/N. Howard) Control Performed by Grace Licensed courtesy of Polyphony Entertainment

“The Girl of My Dreams (Is Giving Me Nightmares)” (M. Ford/W. Leggo) Mushroom Music Publishing Performed by Machine Gun Fellatio Licensed courtesy of Festival Mushroom Records “Secret Design” (D. Middleton) Festival Music Publishing Performed by Drag Licensed courtesy of Universal Music Australia Pty Limited

“Giddyup” (Katchafire) Mai Publishing/ Mushroom Music Publishing Performed by Katchafire Licensed courtesy of Mai Music

“Theme From Velvet Jones” (C. Wilson/G. Hamwood/ P. Nicholas) Mushroom Music Publishing/ Control Performed by The Daisycutters Licensed courtesy of The Daisycutters

“On The Turntables” (Howard) Festival Music Publishing Performed by 28 Days Licensed courtesy of Festival Mushroom Records

“Hey 29” (MJ Ruys) Control Performed by K’Lee featuring Dei Hamo (p) 2002 Universal Music NZ Licensed courtesy of Universal Music NZ

“Some Kind of Way” (Alien Crime Syndicate) Control Performed by Alien Crime Syndicate Licensed courtesy of Desert Tones “For The First Time” (Jodi Phillis) Sony/ ATV Music Publishing Australia Performed by Jodi Phillis Licensed courtesy of Sony/ATV Music Publishing Australia

“Ridicule” (A. McWilliam/C. Obst/K. Rivas) Control Performed by Razel Licensed courtesy of Big Wig Records

“Rebound Girl” (Matt Handley) Mushroom Music Publishing Performed by Pollyanna Licensed courtesy of Pollyanna

“Anyone But Me” Performed by Jake Jern Written by Jake Jern and M. Sandén Courtesy of LoveCat Music Published by Big Tiger Music (BMI) Sub-published by Shock Music Publishing Pty. Ltd. in Australia

“Machines Don’t Sleep” (Filler) Control Performed by Filler Licensed courtesy of Rhythm Ace Records

“Three Legged Dog” (Cruickshank/Atkins/ Gormly/Elliott) Polygram Music Publ. Pty Limited Administered by Universal Music Publ. Pty Limited Performed by The Cruel Sea Licensed courtesy of Universal Music Australia Pty Limited

“Two Way Action” (Bird) Festival Music Publishing/ Rykomusic Pty Ltd Performed by Andrew Bird’s Bowl Of Fire Licensed courtesy of Festival Mushroom Records

“” (P. Jamieson/P. Davern) Shock Music Publishing (Australia) Performed by Grinspoon Licensed courtesy of Universal Music Australia Pty Limited

“On the Radio” (C. Pilkington/A. Burley) Mushroom Music Publishing Performed by The Killjoys Licensed courtesy of Audrey Records

“Drawback Scars” (R. McLennan) Mushroom Music Publishing Performed by Snout Courtesy of WMinc

Soundtrack CD available through Universal Music Australia Lyrics:

Pre-credits song:

Lash’s Take Me Away runs under the opening ‘schoolies breaking up at school’ scenes. The song is cut, lyrics as heard in the film:

Yeah, yeah Get up, get out Move on, move on, There’s no doubt I’m all wrong & you’re right It’s all the same with you I’m too thin, too fat You ask why, so do I So do I, so do I, so do I Yeah On & on & on & on On & on & on & on On & on & on & on

Chorus: Don’t wanna grow up I wanna get out Hey take me away I wanna shout out Take me away Away away away away ...

The song fades out as the shirtless Pete discards his bicycle, and heads in to his old school room to see a quote on the blackboard: “We know what we are, but know not what we may be.” - Hamlet (1600)

After he rubs out the first half of the line, and contemplates it, music and head titles begin.

Head Titles song:

A shortened version of Spiderbait’s Outta My Head accompanies the head credits, beneath which is a montage of Gold Coast sights, building up to schoolies’ week. Lyrics as heard in the film: I should not be out tonight I should see the morning light I should know what's wrong or right I should be at home tonight But instead I'm goin' outta my head

I should not be out tonight I should be in bed by nine I should try to stay inside I should be at home tonight But instead I'm goin' outta my head Ooh yeah, I feel fine when I'm with you Ooh yeah, I feel fine when I'm with you ...

Extended instrumental, and then fade down as a couple of schoolies - Rodney and Brian - greet each other - “hey brother” - and exchange a fake ID card … The song keeps playing under, as the schoolies joke, score grog, race down the street, and almost get run over by a car. After a screeching of brakes, they shout at the driver, then head off to the same apartment block where Freda is pumping helium into balloons. Freda looks down at the boys arguing by the swimming pool, and then a phone call interrupts the music, and it disappears (coinciding with the director’s credit).

I should not be out tonight I should see the morning light I should know what's wrong or right I should be at home tonight I should not be out tonight I should be in bed by nine I should try to stay inside I should be at home tonight But instead I'm goin' outta my head But instead I'm goin' outta my head Ooh but I feel fine when I'm with Yeah I feel fine when I'm with Yeah I feel fine when I'm with Yeah I feel fine when I'm with you Tail Songs:

There are three songs which run over the tail scenes and then the tail credits:

Song 1:

Chemical Heart by Grinspoon. The original lyrics have a first verse, omitted in the film.

(When Look for a ride and you need to get high my friend Spend all your time just walkin around instead Like black rose there's somebody to hold for them For them)

The movie begins with the second verse, as Pete sits alone on the sitting beach,watches the rising sun, sees a sea-battered sand castle, and then runs into the surf in his clothes:

Let's Go outside have nothin’ to hide for free Can't seem to see the forest from the trees Grass is always greener but how do ya know we'll see We'll see... Can't get started ... chemical heart Every time I get started … (you) pull me apart Can't get started ... chemical heart Every time I get started … you pull me apart …

(Very short musical interlude as Pete plunges into the ocean)

Forgotten Maybe things are right on the other side undone Better off wishin’ for the stars to kill the sun Like black rose if nobody can hold no one No one ... Can't get started … chemical heart

(Pete is joined in the surf by Freda, and they frolic together) Every time I get started ...you pull me apart Can't get started … chemical heart Every time I get started you pull me apart …

Fade down, as we hear Freda, at first in voice over beach shots, an then with Freda and Pete sitting on the beach, talking:

Freda: “My mother’s gunna skin me alive …”(on camera)…”This is not how I expected the first day of the rest of my life to turn out.” Pete: “I know what you mean … I lost my deposit … my stuff …and by two best friends …” (he reaches into his pocket for a Burger Man bag) … Freda: “Oh … you too? (she giggles). That’s it, isn’t it? It’s all over … school …routine … friends…” Pete: “Yeah …yeah, I guess …” (With a provocative glance, Freda lies back down on the sand, Pete hesitates to join her) Freda: “So what about you? You got a place to stay?” Pete: “Ah, no …um, how about yourself?” Freda: “Nup” (she puts on her glasses and sits back up) “Maybe we could?” Pete (with a nervous smile): “What?” Freda: “I don’t know … be friends …” Pete (laughing): “You wanna be my friend?” (he laughs again, and then with a smile) “Okay! That would be good …” (They both smile, Pete stands up, getting sand on her) … “It would be an honour.”

(Instrumental music has already begun as she stands up alongside him, wipes a strand of hair from her forehead and says “My name’s Freda”)

(The first lines of the song begin under Pete saying “My name’s Pete”)

Song 2:

“On the Radio” by The Killjoys:

Remember the sky was it blue or grey? Details I don’t recall …

(Freda and Pete shake hands, and then the music swells, and runs over a series of titles, showing and explaining the fate of the main characters in the film).

But do you remember How it felt? When you first heard them On the radio

(Title: Nine months later, Danny and Lynette had twins).

(Title: Rodney, Brian and Gavin joined the Queensland Police)

Haven’t kept much about you and me …

(Title: Rachelle was arrested for manufacturing pharmaceuticals … by Constables Rodney, Brian and Gavin.)

Or why it all had to end But I do remember …

(Title: Bradley has proposed to Jillian. 238 times.)

How it felt …

(Title: Jillian is writing a girl power book called “The Train Stops Here”. She has an unlisted phone number.)

When we first heard them On the radio ...

(Title: Zack invented a new condom range - “The Zack Sack” - ‘We Should Do it Now’)

Don’t remember the friends we had …

(Title: Yolanda married the Minister for Transport and has had plastic surgery)

Or what we all talked about But do you remember …

(Title: Amanda is now the Elephant Keeper at Taronga Park Zoo.)

How it felt?

(Title: Mason - still missing)

When you first heard them On the radio …

(Title: Pigman is being sought for questioning in regards to Mason)

I haven’t kept much about you and me …

(Title: Wayne and Calvin are now the presenters of the successful Japanese game show - “Hit My Head!”)

Or why it all had to end …

(Title: Pete and Freda lived happily ever after … … but not with each other.)

But I do remember How it felt …

(Last title, over black: Sometimes you have to find new friends)

When we first heard them On the radio ...

(scratchy noises and guitar-led interlude, as end credits roll)

How do you remember How it felt? When you first heard them On the radio ...

Haven’t kept much about you and me Or why it all had to end But I do remember How it felt When we first heard them On the radio ...

Do you remember How it felt? When you first heard them On the radio …

(The song does a quick fade, and is quickly replaced by the next song, as end credits continue to roll)

Song 3:

“Drawback Scars” by Snout:

All right Well all right All right Well all right All right Well all right ...

(Murmured sounds approximating “Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm”)

Scratching Barry’s eyes For a neat disguise To keep feelin’ he’s got too much venom For a man his size I’d have thought it before He’d be out by now But he just squint a little He’s got the drawback scars Chokin’ down cubist cigars (musical interlude)

Turn you in with his tongue With a poison quill Saying he’d be obliged but her money could care I was told it’s so He’d be out by now A little too much for a man his size …yeah For a man his si z z z z e

I got the M.C. and we got the myxomatosis And well we’ve got the academic psychosis He’s got his size 10 slippers with his old French clippers ‘Cause he believes in miracle herbs And self hypnosis …

(musical interlude and “mmm”)

I take the poison in Through my eyelid skin She’s electing what I will and what I won’t take in I suggest that at best He might give it a rest But if you squeal a little We got the drawback scars Chokin’ down cubist cigars

Yeah Yeah All right All right All right All right All right Uh huh

Wayne and Calvin riff:

As the final song dies away, Wayne and Calvin do a riff, which apparently was recorded very late in proceedings, to fill in the gap left by the final song running short and finishing before the end credits did:

(Sounds of crickets, and then a quavering voice):

Wayne: “And the fire slowly dies away …and it is at that point we realise the car has been burnt.”

(Dingo or wolf howl)

Calvin: “What a crock.”

Wayne: “Well, what are we supposed to tell Dad?”

Calvin: “Tell him the truth!”

Wayne: “Truth!? He can’t handle the truth! What about this? We run into a roving pack of gypsies, who teach really good Italian folk songs. Okay, two of them leave and steal the car.”

Calvin: “Now that’s a good idea …” (more crickets)

CD:

A CD of the soundtrack was released:

CD Universal 0696372 2002

Dialogue performed by Mark Priestley, Damien Garvey and Travis Cotton Music Supervision: Julie Spinks Mana Music Productions Pty Ltd. Executive Producers: David Champion & Chris Gough Tracks cleared/compiled & art direction by Kate Hudspeth & Michele Porto

1. Pigman, Dialogue 2. Outta My Head, Spiderbait (Spiderbait), Sony/ATV Music Publishing Pty Ltd., ® 2001 Universal Music Australia 3. Take Me Away, Lash, (Lash / Palmer / Klippel), Festival Music Publishing / Universal Music Publishing / Engineroom, ® 2001 Engineroom / Mushroom Records Pty Limited, licensed courtesy of Festival Mushroom Records 4. Everwonder, Lavaland, (Green / Bowring / Digiacomo), Universal Music, ® 2001 BMG Australia Limited. Under license from BMG Australia Limited 5. The Girl of My Dreams (Is Giving Me Nightmares), Machine Gun Fellatio, (Ford / Leggo), Control, ® 2002 Mushroom Records Pty Ltd., licensed courtesy of Festival Mushroom Records 6. Growing Pains, Butterfly 9, (Connolly / Fell), Mushroom Music. ® 2002 Butterfly 9, exclusively licensed to Australian Broadcasting Corporation, licensed courtesy of Australian Broadcasting Corporation 7. Good Thing (Aotearoa Remix), Grace, (Tommy Faragher / Nick Howard),Sony/ATV Music Publishing, ® 2000 Polyphony Entertainment Co. Pty Ltd., licensed courtesy of Polyphony Entertainment Co. Pty Ltd. 8. Giddy Up, Katchafire (L.Bell / T. Hohepa / J.Bell / J. Ferguson / A. Adams-Tamatea), Control, ®2002 Mal Music Ltd. Licensed courtesy of Shock Records 9. Lick-a-Lounge, J@mes, (J. Greenslade), Mal Publishing Ltd., ® 2002 Mal Music Ltd., licensed courtesy of Shock Records 10. 1+1+1 (It Ain’t Two), K’lee, (M. L. Ruys), Copyright Control, ® 2001 Universal Music NZ 11. Smash It Up, The (International) Noise Conspiracy, (The (International) Noise Conspiracy), Songs & Stories (Burning Heart Publishing) / Air Chrysalis Scandinavia, ® Burning Heart Records, licensed courtesy of Shock Records 12. Shock (Living with You), Cartman, (Scott Nichols), Westlink Multimedia Pty Ltd., Tas Embruo Records, ® 2002 Westlink Multimedia Pty Ltd. Tas Embryo Records, licensed courtesy of Westlink Multimedia Pty Ltd 13. Rebound Girl, Pollyanna, (Matt Handley), Mushroom Music, ® 2000 Pollyanna, taken from the album ‘Didn’t Feel a Thing’ 14. Machines Don’t Sleep, Filler, (Filler), Control, ® Rhythm Ace Records, licensed courtesy of Rhythm Ace Records 15. Complete This Progression, Giants of Science, (Giants of Science), Control, ® Rhythm Ace Records, licensed courtesy of Rhythm Ace Records 16. Hyperspace, Rocket Science, (Rocket Science / Roman Tucker), Mushroom Music Publishing, ® 2001 Modular Recordings, licensed courtesy of EMI Music Australia 17. Three Legged Dog, The Cruel Sea, (Cruickshank / Atkins / Gormly / Elliott), Universal Music Publishing, ® 1995 Universal Music Australia, 18. Home Entertainment System, Lazaro’s Dog, (Lazaro’s Dog), Origin Music Publishing, ® 2002 Origin Music, licensed courtesy of Origin Music 19. Secret Design, Drag, (Darren Middleton), Festival Music Pty Ltd., ® 2002 Universal Music Australia 20. Chemical Heart (Acoustic Mix), Grinspoon, (P. Davern / P. Jamieson), Hello Mr Wilson (Shock Music Publishing), ® 2002 Universal Music Australia 21. Come On (JP Mix), Subware, (Langeveld / Hall), Control, ® 2002 Reliable Recordings 22. F@!✶k Off, Dialogue

Compilation and incidental music composer:

Mana Music did the leg work for acquiring rights to the music featured on the soundtrack, and one of their composers did the incidental music.

Trove here had a link to the company archive which provided these details about the music and composer Joost Langeveld:

"Blurred" - the new Australian film premiered on 31st October 2002. The film and CD are both doing brisk business now that exams have finished and schoolies week is in full swing. The film features an exciting young cast, including Matthew Newton, Petra Yared, Kristian Schmid & Jessica Gower.

Music supervision for the film is by Chris Gough and Julie Spinks from Mana Music. It is the debut feature from Director Evan Clarry and tells the story of a group of teenagers all trying to get to the Gold Coast for "Schoolies Week" (The infamous week long party which attracts school leavers from all around the country)

"Blurred" is loaded with new music and features 40 songs from local Australian and NZ bands - an amazing amount of songs for such a small budget film! Bands like Lash, Spiderbait, Grinspoon, Snout, Butterfly 9, Machine Gun Fellatio all feature in the film and are also included on the Soundtrack album available in stores now on the Universal Label.

Director Evan Clarry comments: "We decided early that Blurred needed a pacy, non-stop soundtrack of current tunes from many different genres to match the energy of the performances as well as the differing story lines. R&B for the Limo stuff, Heavy metal for the country boys, gentle ballads for the love story... even some good old C&W. Mana dispatched Julie Spinks to our aid with a few boxes of music, a mobile phone and an enthusiasm for the project that secured us virtually every track we asked for. Within a strained budget and in record time too! Mana really came to the rescue on the soundtrack for Blurred. The movie is the better for their fantastic input”.

Joost Langeveld composed incidental music for the film.

Joost is one of the leading proponents of New Zealand's burgeoning electronic/dance music scene. He is responsible for the groundbreaking Algorhythm compilations of local house music and has gathered production credits on a wide variety of projects including Strawpeople, TrueBliss, Mark De Clive-Lowe, NV, and produced and released a steady stream of music under many different names (Subware, triggerX, mr.Reliable, ReactorMusic and Wriggler). Another link at Trove here provided more details: Joost is a keen collaborator and regularly works with Mana composer Victoria Kelly. Scoring credits include "The Irrefutable Truth About Demons", "Being Eve" and "Toy Love" in collaboration with Victoria Kelly, "Snakeskin" with Lleyton and animated films "Blinder" and "Infection". Among many TV credits, Joost's "Popstars" theme is used with each "Popstars" production made around the world. Joost is the label manager and A&R person for Kog Transmissions' House Music Label Reliable Recordings. Joost has worked in recording studios in New Zealand, the Netherlands and New York; he continues to explore new routes to produce interesting music. Film Scores TOY LOVE Director, Harry Sinclair (with Victoria Kelly) SNAKESKIN Director, Gillian Ashurst (with Lleyton) (Winner 2001 Nokia NZ Film Award, Best Original Score) THE IRREFUTABLE TRUTH ABOUT DEMONS Director, Glenn Standring (with Victoria Kelly) BLINDER and INFECTION Director, James Cunningham Music for Television & Radio POPSTARS Theme (International) BEING EVE TVNZ series, Produced by South Pacific Pictures, 2001 (with Victoria Kelly) CAR CRAZY Theme Series for TV 3 CLAYBOURNE 96 episode radio drama, Pronoun Productions, 1998 (with Victoria Kelly) Music Releases (Group and Compilations) UNITONE HI-FI 3 , 1 EP ALGORHYTHM 1 & 2 SUBWARE PANORAMA - (with Victoria Kelly) mini album of cinematic/textural compositions More, later, information on Langeveld here, WM here. (Below: Joost Langeveld in the late 1980s, and below that, on the left, with Roger Perry).