THE PROCLAIMERS October 2012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
Blueflint ‘Stories from Home’ Johnny Rock Records Proper Music Distribution (JOROCK 021) Release Date: Mon 30Th March 2015
Press Release Blueflint ‘Stories from Home’ Johnny Rock Records Proper Music Distribution (JOROCK 021) Release date: Mon 30th March 2015 www.blueflint.org.uk March 2015 saw the release of Blueflint's third album ‘Stories from Home.’ Stories of relationships, parenthood and life in a home town form the thread running through this eclectic yet captivating album. With Paul Savage (King Creosote, From Scotland with Love, Mogwai) in the producer's chair, the album sees the band naturally evolving towards an alt folk flavour. The album's atmospheric opener 'King Of My Apple Tree', takes us through the last days of a relationship, with eery, shimmering guitar layers, before bursting into the joyous 'Little Stranger' underpinned by bouncing banjo rhythms and an infectious guitar hook. The quirky and heartfelt 'I Could Have Done More For You' is driven by rhythmic percussion and sparkling piano passages lending a lightness to the more sorrowful lyrics. The uplifting and anthemic 'This Is A Story' is a beautifully candid account of family love. The primal 'Hawk And Eagle' tips its hat to the band's Americana roots. The album's parting note is the sparse and emotive 'Don't Make A Fool Out Of Me' The sound of Blueflint is defined by the sublime close harmonies of Deborah Arnott and Clare Neilson whose voices are accompanied by a five-piece line-up intertwining banjos, fiddle, piano, electric guitar, double-bass and drums in raw, honest and beautifully-crafted songs, imbued with the power of Paul Savage’s new direction in production for the band. -
Journal of Interdisciplinary Science Topics Where Would The
Journal of Interdisciplinary Science Topics Where would The Proclaimers walk to for you? Katherine Davies & Matthew Perkins The Centre for Interdisciplinary Science, University of Leicester 27/03/2018 Abstract The Proclaimers released their no.1 hit song, I’m Gonna Be (500 miles) in 1988, claiming that they would walk 500 miles to “fall down at your door”. In the song, they say this phrase 8 times, totalling 4000 miles of walking. This paper investigates the locations that The Proclaimers could reach, how long it would take them, and the quantities of Scottish delicacies they would need to consume to fuel their journey. It was found that they could reach the major cities of Cairo, New York, and Dubai, with the furthest being Lahore in Pakistan. The journey to Lahore would take them 53.5 days to complete, needing 832.5 bars of deep fried Mars bars, 237.9 kg of haggis, or 249.8 L of Irn-Bru to provide the energy for the journey. Introduction In 1988 The Proclaimers released their hit song, I’m Gonna Be (500 miles) [1]. In the song, they talk about how far they would be willing to walk to “fall down at your door”. Throughout the whole song they mention walking 500 miles several times. Figure 1 – Map of the world, the region Previous papers [2, 3] have worked out the likelihood shaded blue is the places that are located of walking 500 miles and 500 more, without food. The within 4000 miles of Edinburgh, shown by the paper found out that The Proclaimers would lose red dot [4]. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
John Stewart Song Database
This is the version from the "Teresa"-cd Page 1 of 2 Across The Milky Way Written by John Stewart. This is the version from the "Teresa and the Lost Songs" CD, Homecoming Records, 1998. John Stewart plays it in the key of D (first chord G). (C) (G) (D) (G) 5x If you are (D)lost as (G)in a (D)dream And you(C) cannot (D)find your (G)way,(D) (G)All the (D)reasons (G)you are (D)lost Will (C)guide you (G)on your (D)way. If you (C)turn them all to (D)stars (C)Across the (D)milky (G)way,(D) (G)Truly (D)they would (G)make All the (C)night as (D)bright as (C)day.(G) (D) (G) (C) (G) (D) (G) (C) (G) (D) (G) Children (D)come and (G)children (D)go, They´re not(C) children (D)any(G)more.(D) (G)And all I (D)have are (G)photo(D)graphs, I have(C) hundreds (G)on my (D)door. And if I (C)turned them all to (D)stars (C)Across the (D)milky (G)way,(D) (G)Truly (D)they would (G)make All the (C)night as (D)bright as (G)day,(D) (G)Truly (D)they would (G)make All the (C)night as (D)bright as (C)day.(G) (D) (G) (C) (G) (D) (G) (C) (G) (D) (G) (C) (G) (D) (G) If all the (D)hearts that the (G)spirit (D)loves were(C) standing (D)side by (G)side,(D) (G)They would (D)be for(G)ever (D)long And(C) ten thousand (G)miles (D)wide. -
Geografia Del Mississippi Delta Attraverso Il Blues Un'ipotesi Di Relazione Tra Musica E Territorio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenstarTs GEOGRAFIA DEL MISSISSIPPI DELTA ATTRAVERSO IL BLUES UN'IPOTESI DI RELAZIONE TRA MUSICA E TERRITORIO INDICE INTRODUZIONE: IL DELTA E L'OBBIETTIVO DELLA TESI pag. 2 1. IL BLUES 10 1.1. Le fonti del blues 10 1.2. Definizione generale 18 1.3. Le testimonianze 23 1.4. Aspetti musicali 27 1.5. Tematiche e poetica 30 2. IL DELTA BLUES 33 2.1. Problematiche sugli stili 33 2.2. Gli Stili regionali 36 2.3. Il delta tra mito e storia 39 2.4. Tratti stilistici del Delta blues 45 3. LE PROPAGGINI DEL DELTA 48 3.1. Le Hills e Bentonia: due casi differenti 48 3.2. Il fenomeno del blues radiofonico e il caso di Helena 52 3.3. L'evoluzione tra Chicago e il Delta 57 4. IL DELTA OLTRE IL DELTA 64 4.1. Memphis 64 4.2. L' Alabama e la difficile ricerca di una tradizione 68 4.3. La Louisiana 73 5. IL DELTA ATTRAVERSO UNA GEOGRAFIA DEI TESTI pag. 77 5.1. Il viaggio 77 5.2. Le vie di comunicazione 85 5.3. Le “strade musicali” delle città 93 5.4. Musica testi e territorio 98 5.5. I luoghi e le canzoni 103 CONCLUSIONE 119 1. Ipotesi di identità 119 2. Il blues e noi: un “cuore di tenebra”? 127 TESTI 129 BIBLIOGRAFIA 176 DISCOGRAFIA 184 1 “Perhaps on some quiet night the tremor of far-off drums, sinking, swelling, a tremor vast, faint; a sound weird, appealing, suggestive, and wild.” Joseph Conrad, Heart Of Darkness. -
Blueflint Press Release Autumn 2015
Press Release Blueflint ‘Stories from home’ Johnny Rock Records Proper Music Distribution (JOROCK 021) Release date: Mon 30th March 2015 www.blueflint.org.uk March 2015 saw the release of Blueflint's third album ‘Stories from Home.’ Stories of relationships, parenthood and life in a home town form the thread running through this eclectic yet captivating album. With Paul Savage (King Creosote, From Scotland with Love, Mogwai) in the producer's chair, the album sees the band naturally evolving towards an alt folk flavour. The sound of Blueflint is defined by the sublime close harmonies of Deborah Arnott and Clare Neilson whose voices are accompanied by a five‐piece line‐up intertwining banjos, fiddle, piano, electric guitar, double‐bass and drums in raw, honest and beautifully‐crafted songs, imbued with the power of Paul Savage’s new direction in production for the band. 2015 has seen the band touring to promote ‘Stories from home’. Blueflint also performed live at the BBC with performances on BBC Radio 2’s ‘Drivetime with Simon Mayo’ and at 'The BBC Quay Sessions with Edith Bowman.' 'This is a Story' from 'BBC Quay Sessions': https://www.youtube.com/watch?v=cxLWnD5I1B4 'Hawk & Eagle' from 'BBC Quay Sessions': https://www.youtube.com/watch?v=aBkiJiirvIg In previous years Blueflint supported The Proclaimers on their 'Like Comedy' UK tour. Blueflint's atmospheric and evocative performances proved them to be a formidable live act gaining them a strong reputation and following throughout the UK. "If you are going to The Proclaimers get there early to see Blueflint." Steve Lamacq BBC Radio 2 After sell out shows two years running during the Edinburgh Festival fringe in 2012/2013, Blueflint were selected to perform as part of the prestigious 'Made in Scotland' Showcase. -
National Anthems
REVIEWOF88 The Proclaimers: Looking for a clearer vision of an independent Scotland 'We are not a political band,' was Craig and Charlie Reid's oft-repeated exhortation to journalists at the beginning National of the year. By the end of October they were on the streets of Govan with Jim Sillars, dishing out smiles Anthems and autographs and vowing not to pay the poll tax. Hundreds of election leaf- lets carrying their photo- graph told voters: 'We want Jim Sillars to win here in Govan because we don't want In a spectacularly successful year, Scots to watch Scotland die.' Two duo The Proclaimers captured the hearts days before the poll they could be heard blasting out and political instincts of their their song Cap In Hand on an generation. Joan McCourt interviewed SNP party political broad- them cast. We fight when they ask 16 MARXISM TODAY JANUARY 1989 us/We boast/then we cower/ kind of Scottish Red Wedge? half of the 'What's Left' of sentiment from across the We beg/for a piece/of what's Craig: 'Red Wedge didn't event's opening debate in Atlantic, particularly, but already ours . work because if you talk poli- Glasgow was devoted to not exclusively, from that In the crisis which followed tics too much people get pis- attempts to define Scottish- distant cousin of the Scots/ Sillars' elimination of a sed off with it. Then again, ness without descending into Irish folk music: country and 19,000 Labour majority in the Bragg and Weller were doing the sticky quagmire of sen- western. -
Davide-Rossi-Discography.Pdf
Davide Rossi 2016 Superbowl Performance Flight Facilities Live Show Coldplay N/A String Arranger/Performer Debut / Album Flight Facilities x MSO N/A String Arranger/Performer Mylo Xyloto / Lucy O’Bryne Island String Arranger/Performer Coldplay Parlophone Every Teardrop Is A Waterfall Coldplay Parlophone String Arranger/Performer Prospekt’s March Coldplay Parlophone String Arranger/Performer Viva La Vida Coldplay Parlophone String Arranger/Performer Girl On Fire Alicia Keys RCA/Jive String Arranger/Performer The Element of Freedom Alicia Keys RCA/Jive String Arranger/Performer Something Great One Direction Sony String Arranger/Performer Score for the film ‘Monsters’ Jon Hopkins Domino String Arranger/Performer Insides Jon Hopkins Domino String Arranger/Performer If You Wait London Grammar Ministry Of String Arranger/Performer Sound Junior Röyksopp EMI String Arranger/Performer Senior Röyksopp EMI String Arranger/Performer Suite For A Robotic Girl Röyksopp EMI String Arranger/Performer New Shores Black Submarine Kobalt Writer/Producer/String Arranger The Singles Goldfrapp EMI/Mute String Arranger/Performer Head First Goldfrapp EMI/Mute String Arranger/Performer 2010 Believer Goldfrapp EMI/Mute String Arranger/Performer Seventh Tree Goldfrapp EMI/Mute String Arranger/Performer Wonderful Electric: Live in London Goldfrapp EMI/Mute String Arranger/Performer Black Cherry Goldfrapp EMI/Mute String Arranger/Performer Felt Mountain Goldfrapp EMI/Mute String Arranger/Performer Pale Horses Moby Little Idiot String Arranger/Performer Records Mistake -
Gord Downie, the Sadies and the Conquering Sun,Album O
Album of the Week: The Orwells’ Disgraceland Rock ‘n’ Roll from Chicago What do you get when a group of kids in their late teens and early 20s grab a bunch of instruments, turn the amps up to 11 and join forces with a lead singer who looks like Robert Plant? You get a rip- roaring, brain-melting rock ‘n’ roll band from Chicago called The Orwells. They have their second album, Disgraceland, out this week and it’s a doozy of a record. Each track has the right amount of grit, angst and devil-may-care attitude to give your ears exactly what they need. If Disgraceland doesn’t kick popular music on its ass in 2014, I might actually lose faith in humanity. It’s that good. Despite being so young, this quintet has been making music together since high school. Seven years later, you could consider them music vets even though they can’t legally drink. What impresses me the most about The Orwells’ new album is the perfect combination of production quality and powerful songs. Ranging from tales about innocent teenage love, to dramatic suicide and one night stands, Disgraceland is as rock ‘n’ roll as it gets. After listening to this beauty, I can’t imagine a better album coming out in 2014. Racist owners of sports franchises, angry middle-aged men throwing rocks at Ferraris, neo-Nazi reality TV one-hit-nevers and people talking about how World War III is going to happen by the end of the decade. We live on a pretty crazy, messed-up planet. -
International
International EMI U.K.'s Grand Confab EASTBOURNE, England-EMI Records U.K. held its annual conven- tion Sept. 12 -14 at the Grand Hotel here, with product presentations from each of the company's divisions and from sister company Chrysalis Records. Representatives from EMI Music companies worldwide were in attendance, including executives from the U.S., Canada, Germany, Ja- pan, Italy, Hong Kong, and South Africa. The confab included showcase performances by Tim Fiinn, the Proclaimers, Skin, Eternal, and Kenny Thomas, and a gala dinner with numerous EMI artists present. tt- Members of new EMI signing group Eternal meet label Celebrating multiplatinum sales in various markets for executives at the conference. Pictured with the group are Duran Duran's "The Wedding Album" are, from left, Daniel Glass, president /CEO of EMI Records Group, back Rupert Perry, president /CEO, EMI Records Group U.K. row, second from left Eternal manager Dennis Inglesby, and Eire; Clive Black, A &R director, EMI U.K.; John Briley, back row, second from right EMI U.K. A&R erector Clive international director, EMI U.K.; Tom Corson, international Black, back row, right; and Jean -Francois Cecillon, VP, Capitol Records; and Tony Wadsworth, divisional divisional managing director, EMI U.K, label, front row, managing director, Parlophone U.K. right. Conferring over dinner, from left, are Rupert Perry, president /CEO, EMI Records Group U.K. and Eire; Charles Koppelman, chairman /CEO, EMI Records Group North America and Deane Cameron, president, Capitol Records /EMI of Canada. Continental European attendees relax at Eastbourne. Enjoying the festivities, from left, are EMI Records Group Pictured, from left, are Beppe Ciaraldi, marketing director, executive VP of marketing Ken Baumstein and executive EMI Italy; Gerald Seligman, marketing director, EMI Music VP of A &R Fred Davis; Neil Tennant of the Pet Shop Europe; Michele Di Lernia, director of promotion, EMI Italy; Boys; and Jill Wall, Pet Shop Boys management and Malcolm Hill, head of promotions, EMI U.K.