Yoruba People
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Yoruba Art & Culture
Yoruba Art & Culture Phoebe A. Hearst Museum of Anthropology University of California, Berkeley Yoruba Art and Culture PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen Editors Liberty Marie Winn Ira Jacknis Special thanks to Tokunbo Adeniji Aare, Oduduwa Heritage Organization. COPYRIGHT © 2004 PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY AND THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY ◆ UNIVERSITY OF CALIFORNIA AT BERKELEY BERKELEY, CA 94720-3712 ◆ 510-642-3682 ◆ HTTP://HEARSTMUSEUM.BERKELEY.EDU Table of Contents Vocabulary....................4 Western Spellings and Pronunciation of Yoruba Words....................5 Africa....................6 Nigeria....................7 Political Structure and Economy....................8 The Yoruba....................9, 10 Yoruba Kingdoms....................11 The Story of How the Yoruba Kingdoms Were Created....................12 The Colonization and Independence of Nigeria....................13 Food, Agriculture and Trade....................14 Sculpture....................15 Pottery....................16 Leather and Beadwork....................17 Blacksmiths and Calabash Carvers....................18 Woodcarving....................19 Textiles....................20 Religious Beliefs....................21, 23 Creation Myth....................22 Ifa Divination....................24, 25 Music and Dance....................26 Gelede Festivals and Egugun Ceremonies....................27 Yoruba Diaspora....................28 -
Nja...I Am the Ancient Mother of Fishes. 1 In
Janet Langlois F'olklore Institute Indiana University 1 I am Yem?nja....I am the Ancient Mother of Fishes. In YorubaLand, her devotees honor the origa Yempnja as a source of life, of fertility, of abundance. Some Bee her in the depths of the river Ogun near the city Abeokuta, Nigeria, where they have built her principal temple in the Ibora quarter.2 Some feel her presence in the small stream near one of her Ibadan temples. Others know she comes to them from the sea when they call her to their temple in Ibadan city.3 They sing her praises in Abfokuta, Ibadan, Porto-Novo, Ketou, Adja Wbrb, and Ouidah. They know her to be powerful and her very name symbolizes this p wer: "~emoJa"fuses "yeye" which ie "mother" with "eja" which is She is the source of food and drink -- of life. When Yorubaland extended and fragmented itself in the New World, Ycmoja and her memory extended and fragmented, too. When her devotees, caught in the olave traffic and channeled through port cities on the Slave Coast of West Africa, reached ports in Brazil, Cuba, Haiti, and Trinidad; they maintained her cult as well as those of the other origa. Their descendants too are faithful to her. Yet she is not in the New World what ahe was in the old one. She has become fragmented and fused into a greater whole. She has lost and she has gained. The fragmentation of her name in the New World is indicative. She is "~emaya"in Cuba. She is "~emanjQ," "1emanj6," "~emanja,"etc. -
AFN 121 Yoruba Tradition and Culture
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Borough of Manhattan Community College 2021 AFN 121 Yoruba Tradition and Culture Remi Alapo CUNY Borough of Manhattan Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bm_oers/29 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Presented as part of the discussion on West Africa about the instructor’s Heritage in the AFN 121 course History of African Civilizations on April 20, 2021. Yoruba Tradition and Culture Prof. Remi Alapo Department of Ethnic and Race Studies Borough of Manhattan Community College [BMCC]. Questions / Comments: [email protected] AFN 121 - History of African Civilizations (Same as HIS 121) Description This course examines African "civilizations" from early antiquity to the decline of the West African Empire of Songhay. Through readings, lectures, discussions and videos, students will be introduced to the major themes and patterns that characterize the various African settlements, states, and empires of antiquity to the close of the seventeenth century. The course explores the wide range of social and cultural as well as technological and economic change in Africa, and interweaves African agricultural, social, political, cultural, technological, and economic history in relation to developments in the rest of the world, in addition to analyzing factors that influenced daily life such as the lens of ecology, food production, disease, social organization and relationships, culture and spiritual practice. -
Ọbè ̣Dú Festival in Ọ̀bà-Ilé in Ọ̀ṣun State, Nigeria
In Honour of a War Deity: Ọbèdụ́ Festival in Òbạ̀ -Ilé in Òṣuṇ State, Nigeria by Iyabode Deborah Akande [email protected] Department of Linguistics and African Languages Ọbáfémị Awólówọ̀ ̣University, Ilé-Ifè,̣ Nigeria Abstract This paper focuses on an account of Ọbèdú,̣ a deity in Yorùbá land that is popular and instrumental to the survival of the Òbạ̀ -Ilé people in Òṣuṇ State, Nigeria. Data for the study was drawn from interviews conducted with eight informants in Òbạ̀ -Ilé which comprised of the king, three chiefs, three Ọbèdụ́ priests, and the palace bard. Apart from the interviews, the town was visited during the annual festival of Ọbèdụ́ and where the performances were recorded. In paying attention to the history and orature of Ọbèdú,̣ it was found out that Ọbèdụ́ who was deified, was also a great herbalist, warrior and Ifá priest during his life time. It was concluded that the survival of Òbạ̀ -Ilé and the progress achieved, could be linked to the observance of the Ọbèdụ́ festival, and that a failure not continue the event would be detrimental to the community. Introduction The worldview of the Yorùbá, a race which is domiciled mainly in the Southwestern part of Nigeria, cannot be properly understood without a good knowledge of their belief about their deities and gods. In Yorùbá mythology, gods and deities are next to Olódùmarè and, as such, they are revered and worshipped (Idowu 1962). The Yorùbá believe in spirits, ancestors and unseen forces and whenever they are confronted with some problems, they often seek the support of gods and deities by offering sacrifices to them and by appeasing them. -
“YORUBA's DON't DO GENDER”: a CRITICAL REVIEW of OYERONKE OYEWUMI's the Invention of Women
“YORUBA’S DON’T DO GENDER”: A CRITICAL REVIEW OF OYERONKE OYEWUMI’s The Invention of Women: Making an African Sense of Western Gender Discourses By Bibi Bakare-Yusuf Discourses on Africa, especially those refracted through the prism of developmentalism, promote gender analysis as indispensable to the economic and political development of the African future. Conferences, books, policies, capital, energy and careers have been made in its name. Despite this, there has been very little interrogation of the concept in terms of its relevance and applicability to the African situation. Instead, gender functions as a given: it is taken to be a cross-cultural organising principle. Recently, some African scholars have begun to question the explanatory power of gender in African societies.1 This challenge came out of the desire to produce concepts grounded in African thought and everyday lived realities. These scholars hope that by focusing on an African episteme they will avoid any dependency on European theoretical paradigms and therefore eschew what Babalola Olabiyi Yai (1999) has called “dubious universals” and “intransitive discourses”. Some of the key questions that have been raised include: can gender, or indeed patriarchy, be applied to non- Euro-American cultures? Can we assume that social relations in all societies are organised around biological sex difference? Is the male body in African societies seen as normative and therefore a conduit for the exercise of power? Is the female body inherently subordinate to the male body? What are -
Ibadan, Nigeria by Laurent Fourchard
The case of Ibadan, Nigeria by Laurent Fourchard Contact: Source: CIA factbook Laurent Fourchard Institut Francais de Recherche en Afrique (IFRA), University of Ibadan Po Box 21540, Oyo State, Nigeria E-mail: [email protected] [email protected] INTRODUCTION: THE CITY A. URBAN CONTEXT 1. Overview of Nigeria: Economic and Social Trends in the 20th Century During the colonial period (end of the 19th century – agricultural sectors. The contribution of agriculture to 1960), the Nigerian economy depended mainly on agri- the Gross Domestic Product (GDP) fell from 60 percent cultural exports and on proceeds from the mining indus- in the 1960s to 31 percent by the early 1980s. try. Small-holder peasant farmers were responsible for Agricultural production declined because of inexpen- the production of cocoa, coffee, rubber and timber in the sive imports and heavy demand for construction labour Western Region, palm produce in the Eastern Region encouraged the migration of farm workers to towns and and cotton, groundnut, hides and skins in the Northern cities. Region. The major minerals were tin and columbite from From being a major agricultural net exporter in the the central plateau and from the Eastern Highlands. In 1960s and largely self-sufficient in food, Nigeria the decade after independence, Nigeria pursued a became a net importer of agricultural commodities. deliberate policy of import-substitution industrialisation, When oil revenues fell in 1982, the economy was left which led to the establishment of many light industries, with an unsustainable import and capital-intensive such as food processing, textiles and fabrication of production structure; and the national budget was dras- metal and plastic wares. -
Transnational Yoruba Revivalism and the Diasporic Politics of Heritage
KAMARI MAXINE CLARKE Yale University Transnational Yoruba revivalism and the diasporic politics of heritage ABSTRACT f an anthropological study of a “village,” however rendered, can pro- This article explores the making of social vide a statement about the world writ small, what message can the membership in U.S.-based deterritorialized contexts world at large offer to a small community constructed on the his- and interrogate the ways that black-Atlantic torical abyss of the triangular slave trade? Oyotunji African Village is diasporic imaginaries are intertwined to produce a Yoruba community in South Carolina created by black Americans transnational notions of linkage. In charting a Iwho, although born in the United States, have set the goal of reclaiming the genealogy of a transnational orisa movement that orisa-voodoo spiritual practices of Nigeria as their own.1 Although the site came of age in a moment of black-nationalist typifies the very small rural community that the sociological literature often protest, I pose questions about how such a study refers to as an “intentional community,” in the sense of providing a sepa- should be understood in relation to ethnographies of rate domestic arena both within and outside of a nation-state, it is neither global networks. I argue that, despite their a local village with regional community ties nor a homogenized population seemingly thin representations of broad forms of reducible to a single location. linkage, transnational orisa networks produce In this article, I discuss the significance of Oyotunji Village as a site within culturally portable practices that articulate networks of Yoruba revivalism throughout the United States and as a man- important transformations: They shape institutions ifestation of contemporary global mobilizations of orisa spiritualism. -
Art in Ancient Ife, Birthplace of the Yoruba
Art in Ancient Ife, Birthplace of the Yoruba Suzanne Preston Blier rtists the world over shape knowledge and ancient works alongside diverse evidence on this center’s past material into works of unique historical and the time frame specific to when these sculptures were made. importance. The artists of ancient Ife, ances- In this way I bring art and history into direct engagement with tral home to the Yoruba and mythic birthplace each other, enriching both within this process. of gods and humans, clearly were interested in One of the most important events in ancient Ife history with creating works that could be read. Breaking respect to both the early arts and later era religious and political the symbolic code that lies behind the unique meanings of Ife’s traditions here was a devastating civil war pitting one group, the Aancient sculptures, however, has vexed scholars working on this supporters of Obatala (referencing today at once a god, a deity material for over a century. While much remains to be learned, pantheon, and the region’s autochthonous populations) against thanks to a better understanding of the larger corpus of ancient affiliates of Odudua (an opposing deity, religious pantheon, Ife arts and the history of this important southwestern Nigerian and newly arriving dynastic group). The Ikedu oral history text center, key aspects of this code can now be discerned. In this addressing Ife’s history (an annotated kings list transposed from article I explore how these arts both inform and are enriched by the early Ife dialect; Akinjogbin n.d.) indicates that it was during early Ife history and the leaders who shaped it.1 In addition to the reign of Ife’s 46th king—what appears to be two rulers prior core questions of art iconography and symbolism, I also address to the famous King Obalufon II (Ekenwa? Fig. -
UC Irvine Journal for Learning Through the Arts
UC Irvine Journal for Learning through the Arts Title UNITY IN DIVERSITY: THE PRESERVED ART WORKS OF THE VARIED PEOPLES OF ABEOKUTA FROM 1830 TO DATE Permalink https://escholarship.org/uc/item/2fp9m1q6 Journal Journal for Learning through the Arts, 16(1) Authors Ifeta, Chris Funke Idowu, Olatunji Adenle, John et al. Publication Date 2020 DOI 10.21977/D916138973 eScholarship.org Powered by the California Digital Library University of California Unity in Diversity: Preserved Art Works of Abeokuta from 1830 to Date and Developmental Trends * Chris Funke Ifeta, **Bukola Odesiri Ochei, *John Adenle, ***Olatunji Idowu, *Adekunle Temu Ifeta * Tai Solarin University of Education, Ijagun, Ijebu-Ode, Ogun State, Nigeria. **Faculty of Law, University of Ibadan, Ibadan, Oyo State, Nigeria ** *University of Lagos, Lagos State Please address correspondence to funkeifeta @gmail.com additional contacts: [email protected] (Ochei); [email protected] (Adenle); [email protected] (Ifeta, A.) Abstract Much has been written on the history of Abeokuta and their artworks since their occupation of Abeokuta. Yoruba works of art are in museums and private collections abroad. Many museums in the Western part of Nigeria including the National Museum in Abeokuta also have works of art on display; however, much of these are not specific to Abeokuta. Writers on Abeokuta works of art include both foreign and Nigerian scholars. This study uses historical theory to study works of art collected and preserved on Abeokuta since inception of the Egba, Owu and Yewa (Egbado) occupation of the town and looks at implications for development in the 21st century. The study involved the collection of data from primary sources within Abeokuta in addition to secondary sources of information on varied works of art including Ifa and Ogboni paraphernalia. -
Earth Ascending (Jose Arguelles)
Contents Foreword by Charles T. Tart viii Introduction to the Second Edition ix Part I: Geomancy is to History, What Grammar is to Language Two Introductory Essays I. The Roots of Unity: Geomancy and World Order 2 II. From Geomancy to Holonomics 15 The Discovery of the Psi Bank 15 The Search for History 18 The Holonomic Equation: Art, Science, and Sacred Order 23 Part II: The Maps I. Nature Presents Itself 28 Prelude: The Code, the Key, the Model 1. Psi Bank Matrix, the Warp Demonstrating the Fourfold Polar Seasonal Pattern of the Binary Triplet Configuration 30 2. Binary Triplet Configuration-The Code and the Key 32 3. Resonant Field Model, Derived from Binary Triplet Configuration 34 4. Psi Bank Matrix Generated as Binary Resonance of Radiation Belts 36 5. Ceomantic Flow Chart and Model of Evolved Psi Rings 38 6. Holonomic Brain and Demonstration of Psi Circulation within Electromagnetic Field 40 7. I Ching as Description of Holonomic Space-Time Matrix and as Description of Genetic Code 42 8. Random Psi Transmission Example: Ben Franklin's Magic Square with an Array of 8 and Pulse of 260 44 9. Tzolkin, the Mayan Version of the Sacred Calendar Written in Binary Mathematical Notation with Mayan Day Glyphs 46 II. Man Learns from Nature 48 Prelude: From Primary Attunement to Psychosensory Elaboration 10. Rhythmic Movement of the Sacred Calendar as Pattern of Primary Attunement 50 11. Shaman Shirt and Tree of Life: Interpenetration of Man and Nature 52 12. Aboriginal Attunement Templates 54 13. Primary Attunement and Geomancy 56 14. -
Yoruba Culture of Nigeria: Creating Space for an Endangered Specie
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 9, No. 4, 2013, pp. 23-29 www.cscanada.net DOI:10.3968/j.ccc.1923670020130904.2598 www.cscanada.org Yoruba Culture of Nigeria: Creating Space for an Endangered Specie Adepeju Oti[a],*; Oyebola Ayeni[b] [a]Ph.D, Née Aderogba. Lead City University, Ibadan, Nigeria. [b] INTRODUCTION Ph.D. Lead City University, Ibadan, Nigeria. *Corresponding author. Culture refers to the cumulative deposit of knowledge, experience, beliefs, values, attitudes, meanings, Received 16 March 2013; accepted 11 July 2013 hierarchies, religion, notions of time, roles, spatial relations, concepts of the universe, and material objects Abstract and possessions acquired by a group of people in the The history of colonisation dates back to the 19th course of generations through individual and group Century. Africa and indeed Nigeria could not exercise striving (Hofstede, 1997). It is a collective programming her sovereignty during this period. In fact, the experience of the mind that distinguishes the members of one group of colonisation was a bitter sweet experience for the or category of people from another. The position that continent of Africa and indeed Nigeria, this is because the ideas, meanings, beliefs and values people learn as the same colonialist and explorers who exploited the members of society determines human nature. People are African and Nigerian economy; using it to develop theirs, what they learn, therefore, culture ultimately determine the quality in a person or society that arises from a were the same people who brought western education, concern for what is regarded as excellent in arts, letters, modern health care, writing and recently technology. -
Durham E-Theses
Durham E-Theses TIME, IDENTITY AND NATION IN GERMAN TRAVEL WRITING ON AFRICA 1848-1914 Reimann-Dawe, Tracey How to cite: Reimann-Dawe, Tracey (2009) TIME, IDENTITY AND NATION IN GERMAN TRAVEL WRITING ON AFRICA 1848-1914, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/165/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 TIME, IDENTITY AND NATION IN GERMAN TRAVEL WRITING ON AFRICA 1848-1914 THESIS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY TRACEY REIMANN-DAWE DURHAM UNIVERSITY SCHOOL OF MODERN LANGUAGES AND CULTURES 2009 ABSTRACT Between 1848 and 1914 a wave of German explorers travelled to Africa, enticed by the promise of geographical, botanical and anthropological discovery. Each Afrikareisender composed a narrative account of his German-African encounters and so produced a characteristic mode of travel writing.