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African American History Month Resources & Support Guide
African American History Month Resources & Support Guide A Selected List of Resources Library Hours Contact Us Monday—Friday 7:30 am-10:00pm Website http://www.ntc.edu/library Saturday—Sunday 9:00am-3:00pm Email [email protected] Phone 715.803.1115 SUGGESTED TERMS 14th Amendment Black Influence on Pop Culture Shirley Chisholm Abolition/Abolitionists Black Lives Matter Jazz Slavery and Europe Abraham Lincoln Black Panther Party Jim Crow Slavery and United States African American Brown v. Board of Education Loving v. Virginia, 1967 Slaves and War African American migration Civil Rights Movement Malcolm X Suffrage 1940 and 1960 Civil War National Association for the State of Florida v. George Zim- African Americans and sports Advancement of Colored Peo- merman Dr. Martin Luther King Jr. ple (NAACP) African Americans and war Underground Railroad Emancipation Proclamation Nelson Mandela Antebellum Urban housing Equal Protection Clause Poverty Apartheid Vel Phillips (Milwaukee) Frederick Douglass Sedition Barack and Michelle Obama Harlem CURRENT EVENTS As Barack Obama comes to Philadelphia, a look at his legacy Inside the Museum of African American History and Culture July 26, 2016 September 22, 2016 Source: Philadelphia Inquirer Source: Washington Informer Restoring Rights The new movie Loving chronicles the lengthy fight for interracial couples to get married in the U.S. Mildred and Richard Loving October 11, 2016 are the couple behind the landmark Supreme Court case Source: Wausau Daily Herald November 22, 2016 Source: CBS This Morning STREAMING -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
John Henrik Clarke: a Great and Mighty Walk
AFRICAN DIASPORA ANCESTRAL COMMEMORATION INSTITUTE 25th Annual Commemoration for the Millions of African Ancestors Who Perished in the Middle Passage – the Maafa – and Those Who Survived Saturday – 10 June and Sunday – 11 June 2017 The Ancestors Speak: A Message of Renewal, Redemption and Rededication Saturday – 10 June 2017 • 9:30am – 1pm River Walk and Spiritual Healing Ceremony – Anacostia Park Assemble at 9:30am Union Temple Baptist Church • 1225 W Street SE • Washington, DC Libations • Prayers • Ceremonial Drumming • Procession to Anacostia River – 10:30am – 1pm Babalawo Fakunle Oyesanya – Officiating Reception – Lite Refreshments • Anacostia Arts Center – 1231 Good Hope Road SE ATTENDEES ARE ASKED TO WEAR WHITE CLOTHING Simultaneous Commemoration Activities at ADACI Sites in Detroit, Senegal, Nigeria, Brazil and Cuba Honorees ADACI Walking in the Footsteps of the Ancestors Award to Michael Brown ADACI annoD Sister of Strength Awards to Nana Malaya Rucker-Oparabea • Afua MonaCheri Pollard • Lydia Curtis • Akilah Karima Cultural Presentations KanKouran Children’s Company – Ateya Ball-Lacy – Dance Instructor • Celillianne Greene – Poet African Diaspora Ancestral Commemoration Institute Info: 202.558.2187 • 443.570.5667 (Baltimore) • www.adaciancestors.org. • [email protected] For worldwide middle passage remembrance activities see www.RememberTheAncestors.com International Coalition to Commemorate the African Ancestors of the Middle Passage (ICCAAMP) The Smithsonian National Museum of African Art in cooperation with the African Diaspora Ancestral Commemoration Institute (ADACI) presents the documentary John Henrik Clarke: A Great and Mighty Walk OHN HENRIK CLARKE Sunday • 11June 2017 JA GREAT AND MIGHTY WALK 12:30pm – 4:30pm Smithsonian National Museum of African Art 950 Independence Avenue SW Washington, DC 20560 Lecture Hall – 2nd Level This 1996 documentary chronicles the life and times of the noted African-American historian, scholar and Pan-African activist Dr. -
The Beautiful Struggle of Black Feminism: Changes in Representations of Black Womanhood Examined Through the Artwork of Elizabet
Wayne State University Wayne State University Theses 1-1-2017 The Beautiful Struggle Of Black Feminism: Changes In Representations Of Black Womanhood Examined Through The Artwork Of Elizabeth Catlett And Mickalene Thomas Juana Williams Wayne State University, Follow this and additional works at: https://digitalcommons.wayne.edu/oa_theses Part of the African American Studies Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Williams, Juana, "The Beautiful Struggle Of Black Feminism: Changes In Representations Of Black Womanhood Examined Through The Artwork Of Elizabeth Catlett And Mickalene Thomas" (2017). Wayne State University Theses. 594. https://digitalcommons.wayne.edu/oa_theses/594 This Open Access Thesis is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Theses by an authorized administrator of DigitalCommons@WayneState. THE BEAUTIFUL STRUGGLE OF BLACK FEMINISM: CHANGES IN REPRESENTATIONS OF BLACK WOMANHOOD EXAMINED THROUGH THE ARTWORK OF ELIZABETH CATLETT AND MICKALENE THOMAS by JUANA WILLIAMS THESIS Submitted to the Graduate School Of Wayne State University, Detroit, Michigan In partial fulfillment of the requirements For the degree of MASTER OF ARTS 2017 MAJOR: ART HISTORY Approved By: __________________________________________ Advisor Date © COPYRIGHT BY JUANA WILLIAMS 2017 All Rights Reserved DEDICATION To Antwuan, Joy, Emee, and Ari. ii ACKNOWLEDGEMENTS I wish to thank my advisor Dr. Dora Apel for her guidance, encouragement, and support throughout my graduate career, especially during the period of writing my thesis. Her support has been invaluable and I am eternally grateful. I also wish to thank my second reader Dr. Samantha Noel for always offering insightful commentary on my writings. -
Malcolm X Bibliography 1985-2011
Malcolm X Bibliography 1985-2011 Editor’s Note ................................................................................................................................... 1 Books .............................................................................................................................................. 3 Books in 17 other languages ......................................................................................................... 13 Theses (BA, Masters, PhD) .......................................................................................................... 18 Journal articles .............................................................................................................................. 24 Newspaper articles ........................................................................................................................ 32 Editor’s Note The progress of scholarship is based on the inter-textuality of the research literature. This is about how people connect their work with the work that precedes them. The value of a work is how it interacts with the existing scholarship, including the need to affirm and negate, as well as to fill in where the existing literature is silent. This is the importance of bibliography, a research guide to the existing literature. A scholar is known by their mastery of the bibliography of their field of study. This is why in every PhD dissertation there is always a chapter for the "review of the literature." One of the dangers in Black Studies is that -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
DOC510 Prisons the Freedom Archives [email protected]
DOC510 Prisons Organizational Body Subjects ABC Anarchist Black Cross; Anarchist Prisoners' Legal Aid Network; Critical Resistance; Green Anarchy; Barricada Collective; Attica Committee to Free Black Liberationl Civil Rights; Dacajeweiah; Attica Defense Committee; National Lawyers Guild; Women of Youth Against War & Fascism; National Coalition of Concerned Legal Drugs; Human Rights; Professionals; Black Cat Collective, Nightcrawler ABC; Paterson anarchist Collective; Arm the Spirit; Bulldozer; Buffalo Chip; California Prison focus; Break Indiginous Struggle; Native The Chains Collective; Human Rights Research Fund; National Task Force for COINTELPRO Litigation & Research; Youth Law News; American Friends Service American; Political Prisoners; Committee; Prisoners Rights Union; Brothers for Awareness; Committee to Close MCU; Amnesty International; Health Committee of the Campaign to Prison; Women; Anti- Abolish Lexington Control Unit; Spear & Shield; International concerned Family and Friends of Mumia Abu Jamal; Pacifica Campaign; Free the Five Imperialism; Anti-Racism; Committee; Miami Coalition Against the US Embarcargo of Cuba; Free the Five Committee; New Orleans Time Pcayuue; Organizatio in Solidarity with the COINTELPRO; Resistance; Peoples of Africa, Asia and Latin America; Western Region United Front to Free All Political Prisoners; Tear down the Walls; The Jericho Movement; Unions; Torture California Coalition for Women Prisoners; Legal Services for Prisoners with Children; Families Against Mandatory Minimums, Lindesmith Center-Drug -
A Dramatic Exploration of Women and Their Agency in the Black Panther Party
Kennesaw State University DigitalCommons@Kennesaw State University Master of Arts in American Studies Capstones Interdisciplinary Studies Department Spring 5-2017 Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party. Kristen Michelle Walker Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/mast_etd Part of the African American Studies Commons, American Studies Commons, Playwriting Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Walker, Kristen Michelle, "Revolutionary Every Day: A Dramatic Exploration of Women and Their Agency in The lB ack Panther Party." (2017). Master of Arts in American Studies Capstones. 12. http://digitalcommons.kennesaw.edu/mast_etd/12 This Capstone is brought to you for free and open access by the Interdisciplinary Studies Department at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Master of Arts in American Studies Capstones by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. REVOLUTIONARY EVERY DAY: A DRAMATIC EXPLORATION OF WOMEN AND THEIR AGENCY IN THE BLACK PANTHER PARTY A Creative Writing Capstone Presented to The Academic Faculty by Kristen Michelle Walker In Partial Fulfillment Of the Requirements for the Degree Master of Arts in American Studies Kennesaw State University May 2017 1 TABLE OF CONTENTS Introduction…………………………………...…………………………………………...……. -
Magazines Timeline Workflow
Black Magazines As a Mirror to 1960-1970s American History A Statistical Approach Kushal K Dey1, Lei Sun1 and Lauren M. Jackson2 1 Department of Statistics, 2 Department of English Word frequency analysis Word pair associations Timeline We apply word2vec on yearly text data, which learns vector embeddings for words and then computes cosine of angle between the embedded Relative frequencies of (black) vectors for a word pair to determine their association score - the higher and (negro) related words show the score, the more similar are the words contextually an identity shift towards the dr. king vs assassination trend plot dr. king vs assassination trend plot 0.8 end of civil rights movement 0.5 (martin luther king) 0.6 0.4 vs 0.3 Assassination of 0.4 Moon 1st Cuban missile Assassination of Dr. King and Watergate landing Negro Digest / Black World Ebony (assassination) 0.2 Earth 0.2 crisis John F. Kennedy score association Robert Kennedy scandal score association Day 0.1 0.0 Trend in association 0.0 1964 1968 1972 1976 Upon removing black and negro related words terms 1964 1968 1972 1976 year score across time year Clustering of texts (K=2) from each of the 2 magazines using their yearly data on frequencies Ebony Negro Digest / Black of the different words in the vocabulary (topic models). R package : CountClust World 1976 1975 1974 1973 1970 1971 1972 1965 1967 1962 1964 1963 1968 1961 1966 1969 Black, negro identity influencing associations Ebony Negro Digest / Black World Civil rights movement Ebony_1976 BL_1976 theater, watergate, -
This Is Mumia Abu-Jamal Milton Wood Mcgriff Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Live from death row: this is Mumia Abu-Jamal Milton Wood McGriff Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation McGriff, Milton Wood, "Live from death row: this is Mumia Abu-Jamal" (1998). Retrospective Theses and Dissertations. 16142. https://lib.dr.iastate.edu/rtd/16142 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Live from death row: This is Mumia Abu-Jamal by Milton Wood McGriff A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Major Professor: Joseph Geha Iowa State University Ames,Iowa 1998 Copyright © Milton Wood McGriff, 1998. All rights reserved. ii Graduate College Iowa State University This is to certify that the Master's thesis of Milton Wood McGriff has met the thesis requirements of Iowa State University Signatures have been redacted for privacy 111 This work is dedicated to Joan Colvard Lambright, who is my inspiration on a daily basis IV TABLE OF -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFO RM A TIO N TO U SER S This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fromany type of con^uter printer. The quality of this reproduction is dependentquality upon o fthe the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inqjroper alignment can adverse^ afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one e3q)osure and is included in reduced form at the back of the book. Photogr^hs included inoriginal the manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aiy photographs or illustrations appearing in this copy for an additional charge. Contact UMI direct^ to order. UMJ A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 LAWLESSNESS AND THE NEW DEAL; CONGRESS AND ANTILYNCHING LEGISLATION, 1934-1938 DISSERTATION presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Robin Bernice Balthrope, A.B., J.D., M.A.