All Exercises in This Workout Are Performed Breathing with the Nose Only
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The Route Towards the Shawshank Redemption: Mapping Set-Jetting with Social Media and Submitted in Partial Fulfillment of the Requirements for the Degree Of
The Route Towards The Shawshank Redemption: Mapping Set-jetting with Social Media Mengqian Yang A Thesis in The Department of Geography, Planning & Environment Presented in Partial Fulfillment of the Requirements for the Degree of Master of Science (Geography, Urban and Environmental Studies) at Concordia University Montreal, Quebec, Canada August 2015 © Mengqian Yang, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Mengqian Yang Entitled: The Route Towards The Shawshank Redemption: Mapping Set-jetting with Social Media and submitted in partial fulfillment of the requirements for the degree of Master of Science (Geography, Urban and Environmental Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Dr. Pascale Biron Chair Dr. Thierry Joliveau Examiner Dr. Christian Poirier Examiner Dr. Sébastien Caquard Supervisor Approved by Chair of Department or Graduate Program Director Dean of Faculty 2015 Date ABSTRACT The Route Towards The Shawshank Redemption: Mapping Set-jetting with Social Media Mengqian Yang With the development of the Web 2.0, more and more geospatial data are generated via social media. This segment of what is now called “big data” can be used to further study human spatial behaviors and practices. This project aims to explore different ways of extracting geodata from social media in order to contribute to the growing body of literature dedicated to studying the contribution of the geoweb to human geography. More specifically, this project focuses on the potential of social media to explore a growing tourism phenomenon: set-jetting. -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Scary Movies at the Cudahy Family Library
SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS -
The King and His Minions: Thoughts of a TWILIGHT ZONE Reviewer
On SF by Thomas M. Disch http://www.press.umich.edu/titleDetailDesc.do?id=124446 The University of Michigan Press, 2005 The King and His Minions: Thoughts of a TWILIGHT ZONE Reviewer “The time has been,” Macbeth reminisces in Act V, “my senses would have cool’d to hear a night-shriek, and my fell of hair would at a dismal treatise rouse and stir as life were in it.” Read a few too many dismal trea- tises, however, and you may ‹nd, along with Macbeth, that: “I have sup- p’d full with horrors; direness, familiar to my slaughterous thoughts, cannot once start me.” It may be, however, that this disclaimer, coming just before his “tomor- row and tomorrow and tomorrow” speech, is the theatrical equivalent to the obligatory false alarm in every horror movie when the cat leaps out from behind the curtains and we all shriek, and then have to laugh to reas- sure ourselves that “It’s only the cat!”—though we know quite well that there is enough direness ahead of us to cool our senses to freezing. Not only such basic physical direness as death, disease, the frailty and corrup- tion of the ›esh, the hunger of various predators, and the dangers posed by psychopaths at loose after dark, but the further, horrible suspicion that the social system we are necessarily a part of, which is supposed to keep these dangers at bay, may instead have formed some kind of unholy alliance with them—the suspicion, to put it another way, that Macbeth may be the person who’s answering the phone when we dial 911. -
Physical and Moral Survival in Stephen King's Universe
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2012-03-06 Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe Jaime L. Davis Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Davis, Jaime L., "Monsters and Mayhem: Physical and Moral Survival in Stephen King's Universe" (2012). Theses and Dissertations. 2979. https://scholarsarchive.byu.edu/etd/2979 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Carl Sederholm, Chair Kerry Soper Charlotte Stanford Department of Humanities, Classics, and Comparative Literature Brigham Young University April 2012 Copyright © 2012 Jaime L. Davis All Rights Reserved ABSTRACT Monsters and Mayhem: Physical and Moral Survival in Stephen King’s Universe Jaime L. Davis Department of Humanities, Classics, and Comparative Literature, BYU Master of Arts The goal of my thesis is to analyze physical and moral survival in three novels from King’s oeuvre. Scholars have attributed survival in King’s universe to factors such as innocence, imaginative capacity, and career choice. Although their arguments are convincing, I believe that physical and moral survival ultimately depends on a character’s knowledge of the dark side of human nature and an understanding of moral agency. -
Level 5 – the Body
Fall from Innocence: The Body STEPHEN KING Level 5 Retold by Robin Waterfield Series Editors: Andy Hopkins and Jocelyn Potter Pearson Education Limited Edinburgh Gate, Harlow, Essex CM20 2JE, England and Associated Companies throughout the world. ISBN 0 582 41817 8 Fall from Innocence: The Body from DIFFERENT SEASONS by Stephen King Copyright © Stephen King 1982 Published by arrangement with Viking Penguin, a division of Penguin Books USA, Inc. This adaptation first published by Penguin Books 1994 Published by Addison Wesley Longman Limited and Penguin Books Ltd. 1998 New edition first published 1999 9 10 Text copyright © Robin Waterfield 1994 Illustrations copyright © Ian Andrew 1994 All rights reserved The moral right of the adapter and of the illustrator has been asserted Typeset by RefineCatch Limited, Bungay, Suffolk Set in 11/14pt Monotype Bembo Printed in Spain by Mateu Cromo, S.A. Pinto (Madrid) All rights reserved; no part of this publication may he reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Publishers. Published by Pearson Education Limited in association with Penguin Books Ltd., both companies being subsidiaries of Pearson Plc For a complete list of titles available in the Penguin Readers series please write to your local Pearson Education office or contact: Penguin Readers Marketing Department, Pearson Education, Edinburgh Gate, Harlow, Essex, CM20 2JE. Contents page Introduction -
Letters to S the Chronicles
argue that the Hughes. Martin and Paschall films were also altered to conceal something? Mr. Fetzer proves himself quite good at cheap shots when he refers to reliance on the photographic evidence as "the Warren Commission's position." In the research community, it has long been regarded as "the responsible position." by many of us who reject the Warren Commission. Court rules don't help much here. Letters to however many Mr. Fetzer cites. as the photographic evidence is being used to clarify situations where the eyewitnesses contradict each other. He poses the situation as one in which the eyewitnesses ■ the report one thing, and the photographic evidence shows something else, which 1 consider to be a dishonest presentation of the matter. In point of fact, the Warren Commission took shaky eyewitnesses like Howard Brennan and Helen Markham seriously, Chronicles while ignoring most of the photographic evidence. Mr. Fetzer assumes that those who disagree with him are relying solely on a set of Zapruder frames at the National Archives. while in fact I and others have consulted at least three separate complete frame sets, only one of them being at the Archives. In this Martin Shackelford Responds to comments matter. Mr. Fetzer has absolutely no idea what he is talking about. on the Zapruder Film: From my prior writings, it should have been apparent that I was consulting multiple sources, but he apparently is more interested in criticizing my "shoddy research" than in reading it. In his letter to the editor, James Fetzer refers to my "off- Finally, his latest "revelation" is indicative of his entire handed rejection" of work by Noel Twyman and David Mantik. -
Summer Reading 2020-2021 Fiction 11/22/63
SUMMER READING 2020-2021 FICTION 11/22/63--Stephen King UG - BL: 5.4 - AR Pts: 42.0 RP When English teacher Jake Epping discovers a portal to the past, he decides to use it to prevent the John F. Kennedy assassination. 23 minutes--Vivian Vande Velde MG+ - BL: 5.9 - AR Pts: 7.0 RP Zoe can go back in time for twenty-three-minute periods. So, when she witnesses a deadly bank robbery, she replays the event, but the outcome is worse than before . A Curse So Dark and Lonely-Brigid Kemmerer UG - BL: 4.2 - AR Pts: 17.0 RP Prince Rhan has been eighteen years old three hundred twenty-seven times. He despairs of breaking the curse that turns him into a beast, until feisty Harper enters his life. A Heart in the Body of the World--Deb Caletti UG - BL: 4.6 - AR Pts: 12.0 RP Eighteen-year-old Annabelle runs from Seattle to Washington, DC, becoming a reluctant activist as people connect her journey to her recent trauma. A Match Made in High School--Kristin Walker UG - BL: 4.2 - AR Pts: 9.0 RP When the high-school principal announces that every senior must participate in a year-long marriage education program, Fiona learns some lessons about people, friendship, crushes, and cheerleading. A Moment Comes--Jennifer Bradbury UG - BL: 4.8 - AR Pts: 9.0 RP As the partition of India nears in 1947 bringing violence even to Jalandhar, Tariq, a Muslim, finds himself caught between his forbidden interest in Anupreet, a Sikh girl, and Margaret, a British girl whose affection for him might help him get to Oxford. -
The 15Th International Gothic Association Conference A
The 15th International Gothic Association Conference Lewis University, Romeoville, Illinois July 30 - August 2, 2019 Speakers, Abstracts, and Biographies A NICOLE ACETO “Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut”: The Terror of Domestic Femininity in Shirley Jackson’s The Haunting of Hill House Abstract From the beginning of Shirley Jackson’s The Haunting of Hill House, ordinary domestic spaces are inextricably tied with insanity. In describing the setting for her haunted house novel, she makes the audience aware that every part of the house conforms to the ideal of the conservative American home: walls are described as upright, and “doors [are] sensibly shut” (my emphasis). This opening paragraph ensures that the audience visualizes a house much like their own, despite the description of the house as “not sane.” The equation of the story with conventional American families is extended through Jackson’s main character of Eleanor, the obedient daughter, and main antagonist Hugh Crain, the tyrannical patriarch who guards the house and the movement of the heroine within its walls, much like traditional British gothic novels. Using Freud’s theory of the uncanny to explain Eleanor’s relationship with Hill House, as well as Anne Radcliffe’s conception of terror as a stimulating emotion, I will explore the ways in which Eleanor is both drawn to and repelled by Hill House, and, by extension, confinement within traditional domestic roles. This combination of emotions makes her the perfect victim of Hugh Crain’s prisonlike home, eventually entrapping her within its walls. I argue that Jackson is commenting on the restriction of women within domestic roles, and the insanity that ensues when women accept this restriction. -
Steven Peacock
Peacock: 1 Two Kingdoms, Two Kings Steven Peacock This article compares two contemporary television dramas of the global age: the Danish miniseries Riget/The Kingdom (1997) and the US serial Kingdom Hospital (2004), or rather, to give the programme its full title, Stephen King’s Kingdom Hospital.1 The analysis considers both dramas as individual projects with distinct forms and concerns, but also explores the close relationship of the original Danish miniseries and the later US remodelling or ‘reimagining’, in terms of the effects of this transition. In particular, and following Glen Creeber’s work on the Danish miniseries in Serial Television,2 Riget is seen as deeply concerned with matters of national identity, of Denmark’s historical and cultural markers. Contrastingly, under the guidance of renowned horror writer Stephen King, Kingdom Hospital is understood to abandon the distinctively local, European considerations of Lars von Trier’s miniseries, in a search for global recognition. Latterly, the US serial extends beyond cultural theory to offer an alternative way of viewing King’s remake. While global in its reach and concerns, Kingdom Hospital relates to a particular national sensibility in its connections to American Transcendentalism and, in particular, displays evidence of Emersonian influence. A re-appraisal of Kingdom Hospital through its parallels with Ralph Waldo Emerson allows for a critical re-evaluation of this overlooked and undervalued television serial. First though, to retrace the rise of the original Kingdom: Riget is an eight-part miniseries (with a sequel released in 1997), created by the controversial self- appointed (or self-anointed) king of European art-house cinema Lars von Trier. -
Sample Chapter
Copyrighted material – 9781352006056 Contents List of Figures x Acknowledgements xi Preface xiii 1 The non-introduction 1 There’s something about speculative fiction … 10 The structure of this book 11 Chapter by chapter synopsis 12 The writing exercises 13 2 There’s a story in you 15 Writing—the basics 15 Other fundamentals to writing compelling speculative fiction 24 Voice as integral to a writer’s identity 30 An author’s style 32 3 Vogler’s hero/ine’s journey 41 Charting your speculative fiction 41 Vogler’s writer’s journey 42 Why archetypes 47 Plots that work 47 4 The speculative: A problem with definitions 53 The implied author/reader 55 Commercialization 56 5 Genres and subgenres of speculative fiction 59 Fantasy 59 Science fiction 63 Horror and the paranormal 67 Cross genre 68 vii Copyrighted material – 9781352006056 Copyrighted material – 9781352006056 viii Contents 6 Fantasy 70 Are there rules in fantasy? 71 7 Science fiction 77 Let’s talk about science 78 Let’s talk about ‘the alternate’ 82 Are there rules in science fiction? 83 8 Horror and the paranormal 92 The paranormal 94 Are there rules in horror and the paranormal? 96 9 Cross genre 107 Are there rules in cross genre? 108 10 Literary speculative fiction 115 Are there rules in literary speculative fiction? 115 Literary writing outside speculative fiction 121 11 Short story 124 Are there rules in a short story? 126 Stories within a story 130 12 Targeting young adults and new adults 133 YA literature—an important conversation 134 Adapting adult themes to young adult fiction -
The Origins of Evil in Stephen King's the Stand and Desperation
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2001 Morality in the American West: The Origins of Evil in Stephen King's The Stand and Desperation Stuart Allen Morris University of Tennessee-Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Morris, Stuart Allen, "Morality in the American West: The Origins of Evil in Stephen King's The Stand and Desperation" (2001). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/481 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. UNIVERSITY HONORS PROGRAM SENIOR PROJECT .. APPROVAL "J'iln1f\: ~S...£-l.·e~M"",----M----,o,"---AA--=\ S=--- __ College 1\f\.h ;- S~; ~"'C.ES_ Department: E NGLlS H Faculty Mentor: D1\ . tr:;('tG-¥ 'iJ lJ,6t6l ~ AI L €\I PROJECT TITLE: ~Df\AL1:r"f iN -rt\t-. AMe:f\ \tftN WaIT: ::1£n ()rd fl1 N.~ 09EV f l 1N &1i EPUe-N J~ \NG~ 'h~ 8t~N~. - ANO. b~~£f\ffT {OIY I have reviewed this comp~ted senior honors thesis with this student and certify that it is a project co ensurate i honors vel dergraduate research in this field. I Signed:.