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Only Believe Song Book from the SPOKEN WORD PUBLICATIONS, Write To
SONGS OF WORSHIP Sung by William Marrion Branham Only Believe SONGS SUNG BY WILLIAM MARRION BRANHAM Songs of Worship Most of the songs contained in this book were sung by Brother Branham as he taught us to worship the Lord Jesus in Spirit and Truth. This book is distributed free of charge by the SPOKEN WORD PUBLICATIONS, with the prayer that it will help us to worship and praise the Lord Jesus Christ. To order the Only Believe song book from the SPOKEN WORD PUBLICATIONS, write to: Spoken Word Publications P.O. Box 888 Jeffersonville, Indiana, U..S.A. 47130 Special Notice This electronic duplication of the Song Book has been put together by the Grand Rapids Tabernacle for the benefit of brothers and sisters around the world who want to replace a worn song book or simply desire to have extra copies. FOREWARD The first place, if you want Scripture, the people are supposed to come to the house of God for one purpose, that is, to worship, to sing songs, and to worship God. That’s the way God expects it. QUESTIONS AND ANSWERS, January 3, 1954, paragraph 111. There’s something about those old-fashioned songs, the old-time hymns. I’d rather have them than all these new worldly songs put in, that is in Christian churches. HEBREWS, CHAPTER SIX, September 8, 1957, paragraph 449. I tell you, I really like singing. DOOR TO THE HEART, November 25, 1959. Oh, my! Don’t you feel good? Think, friends, this is Pentecost, worship. This is Pentecost. Let’s clap our hands and sing it. -
UC Santa Barbara Dissertation Template
UNIVERSITY OF CALIFORNIA Santa Barbara Protestant Missions, Seminaries and the Academic Study of Islam in the United States A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Religious Studies by Caleb D. McCarthy Committee in charge: Professor Juan E. Campo, Chair Professor Kathleen M. Moore Professor Ann Taves June 2018 The dissertation of Caleb D. McCarthy is approved. _____________________________________________ Kathleen M. Moore _____________________________________________ Ann Taves _____________________________________________ Juan E. Campo, Committee Chair June 2018 Protestant Missions, Seminaries and the Academic Study of Islam in the United States Copyright © 2018 by Caleb D. McCarthy iii ACKNOWLEDGEMENTS While the production of a dissertation is commonly idealized as a solitary act of scholarly virtuosity, the reality might be better expressed with slight emendation to the oft- quoted proverb, “it takes a village to write a dissertation.” This particular dissertation at least exists only in light of the significant support I have received over the years. To my dissertation committee Ann Taves, Kathleen Moore and, especially, advisor Juan Campo, I extend my thanks for their productive advice and critique along the way. They are the most prominent among many faculty members who have encouraged my scholarly development. I am also indebted to the Council on Information and Library Research of the Andrew C. Mellon Foundation, which funded the bulk of my archival research – without their support this project would not have been possible. Likewise, I am grateful to the numerous librarians and archivists who guided me through their collections – in particular, UCSB’s retired Middle East librarian Meryle Gaston, and the Near East School of Theology in Beriut’s former librarian Christine Linder. -
School of Music and Dance Symphonic
OREGON SYMPHONIC BAND PERSONNEL FLUTE HORN TUBA Aubrey Dutra. Spencer Krumpeck, Andrew Eason, principal principal principal Sahalee McFarland Everett Davis Penn Armstrong Alyssa Vann Laar TRUMPET Yuuki Divers Katie Pratt Sierra Sparrow, principal PERCUSSION OBOE Eli Simantel Graeme Pennington, Zach Fitzgerald Mark Adams principal Emily Iversen Luceil (Lucy) Rice BASSOON Patrick Horve Paige Madden Katherine Cummings, Andy Georghui principal TROMBONE Daniel Surprenant SYMPHONIC Tristian Lee Nick Ivers, Jared Alls principal CLARINET Otmar Borchard BAND McKenna Cromwell Alan Wood Rodney Dorsey, conductor principal Daven Hernandez Nicole Lockhart Taylor Noah Michael Feeny Colin Hurowitz Logan McClain Michael Roseberg EUPHONIUM Charles Demonnin, SAXOPHONE principal Kaitlynn Riehl, Preston Wysopal principal Pat Gordon Madeline Krafve Josh Kuhl Recording of UO concerts and events without prior permission is prohibited. Performances sponsored by the UO School of Music and Dance are sometimes video recorded and photographed for a variety of uses, including both live simulcast and digital archive on the UO website, or for publicity and publications. Images of audience members may be included in these recordings and photos. By attending this event, audience members Beall Concert Hall imply approval for the use of their image by the UO and the School of Music and Dance. Tuesday, March 1, 2016 | 7:30 p.m. Season 115, Program 53 SCHOOL OF MUSIC AND DANCE PROGRAM OREGON SYMPHONIC BAND PERSONNEL Despite the financial difficulties of the depression of the early 1930’s, Williams fared well in school, learning the piano, mellophone, and French horn. In his senior class of 600, he was voted the most outstanding in artistry, talent, and versatility. -
Upon This Rock the Passion Play
UPON THIS ROCK SCRIPT DRAFT #8 2/21/2018 6:08:29 AM ` TABLE OF CONTENTS Prologue Selection: Calvary (4) Soliloquy: He Chose Us (Renee Jefferson) (4) ACT I Act I Scene I (5) Jesus Teaches the Multitude (5) Soliloquy: The Cure for Hatred (Todd Trabue)(6) Soliloquy: Calvary: His Death, My Freedom (Lynetta Bowman) (8) Act I Scene II (11) A Trilogy of Miracles Selection: The Heavens Are Telling (9) (Felecia, Terilyn, Krista) Act I – Scene III: The Great Revelation (11) Selection: Upon This Rock (Brian Kelly) (13) Soliloquy: The GOD Ride (Adriane Young) (14) Act I – Scene IV (17) Peter Walks on Water Selection: Love Lifted Me (18) (A. Thomas Hill) - 1 - UPON THIS ROCK SCRIPT DRAFT #8 2/21/2018 6:08:29 AM Commented [ST1]: Music Cues Script: Upon This Rock Passion Play Tech Cues Act I – Scene V (18) Raising of Lazarus Selection: Oh Mary Don’t You Weep (22) Reprise Choreography Soliloquy: In Christ: Loved Fearless Brave (23) Primary: (Alex) Front of curtain Support: (Lionel, Tisha, Niah, Demitric) Choreography Selection: Over and Over (25) Soloist: Tasha Page-Lockhart (27) Act I – Scene VI (27) Choreography (Dancers to Triumphal Entry start in front of curtain) Selections: Victory Chant (A. Thomas Hill) (27) Celebrate the King (Tony Bowman) (28) INTERMISSION (20 Minutes) (28) ACT II Act II – Scene I (29) The Passover Selection: There is a Fountain (29) Selection: Drink the Wine (Steven Randolph) (30) Soliloquy: A Certain Woman (Pamela Yancy) (31) Act II – Scene II (33) Gethsemane (33) Selection: Don’t Cry for Me (Gina Nelson)(33) Soliloquy: Judas (35) (Vincent Brown) Selection: For God So Loved the World (36) (Sharon Rimmer) - 2 - UPON THIS ROCK SCRIPT DRAFT #8 2/21/2018 6:08:29 AM Music Cues Script: Upon This Rock Passion Play Tech Cues Act II – Scene III (37) Peter Denies Christ Selection: 70 X 7 Kind of Love (A. -
Love Lifted Me
Love Lifted Me Count: 48 Wall: 2 Level: Improver waltz Choreographer: Heather Barszuskyj (AUS) - April 2020 Music: Love Lifted Me - Kenny Rogers : (Album:The Very Best of Kenny Rogers) Intro: 12 counts. Weight on Right 1 2 3 Step Fwd on Left, Turn ¼ left Point Right to side. Hold 4 5 6 Turn ¼ Right Step Right fwd, Turn ¼ Point Left to side. Hold 3.00 1 2 3 Turn ¼ left Step Fwd Left, Point Right to Side. Hold 4 5 6 Turn ¼ right Step Fwd Right, Turn ¼ Right Point left to side . Hold.6.00 1 2 3 Step Left across Right,step right to side, step left behind Right 4 5 6 Turn ¼ right Step Fwd Left Pivot 1/2 3.00 1 2 3 Step Left across Right, Step Right to side,Step Left behind Right 4 5 6 Turn ¼ Right Fwd Left pivot ¼ .9.00 1 2 3 Step fwd Left, point right to side. Hold 4 5 6 Step Back Right, point Left to side . Hold 9.00 1 2 3 Fwd Waltz left, Right, Left 4 5 6 Turning 1/2 Left, Step Back Right, Left, Right .3.00 1 2 3 Step Fwd Left, Point Right to Side. Hold 4 5 6 Step Back on Right, Point Left to Side. Hold 3.00 1 2 3 Turn ¼ Left Fwd Waltz Left, Right, Left 4.5.6 Turning ½ Left step back Right, Left Right. 6.00 *24 count Tag End of Wall 4 facing Front 1 2 3 Left Diagonal 10:30 Step Fwd left, point Right to Side. -
1 Alliance Theology and History
1 ALLIANCE THEOLOGY AND HISTORY (Outline by Dr. Harold Shelly) AN ALLIANCE OF CHRISTIANS AT HOME AND MISSIONARIES OVERSEAS THE INSPIRATION (THE MAN): ALBERT BENJAMIN SIMPSON (1843-1919) Student of Theology Poet - Preacher Convention Leader Deeper Life and Missionary Conference “Fourfold Gospel” THE MOVEMENT: “ALLIANCE” to Denomination Truly an Alliance 1887-1920 Uncertain direction 1920-1960 Certainly a Denomination 1960 - present Doctrinal Statement, 1965, 66 (11 points of Evangelical theology) (Potential merger) Organization & Church Planting at home THE MESSAGE: THE GOSPEL OF JESUS (Savior, Sanctifier, Healer, and Coming King) The Preeminence of Jesus: "Wherefore God has also highly exalted him, and given him a name which is above every name; that at the name of Jesus every knee should bow, of things in heaven, and thing in earth, and things under the earth; and that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father" Phil. 2:9-11 The Fullness of Jesus: "and to know the love of Christ, which passes knowledge, that ye may be filled with all the fullness of God." Eph. 3:19 The Commission of Jesus: "All authority has been given to me in heaven and on earth. Go therefore, and make disciples of all nations, baptizing them in the name of the Father and of the Son, and of the Holy Spirit; teaching them to observe all things that I have commanded you; and lo, I am with you always, even unto the end of the age." Matt. 28:18b-30 NKJV THE INFLUENCE OF THE C&MA Mission Conventions Deeper Life Movement(s) Pentecostalism and the Baptism of the Holy Ghost (Azusa, 1906 to the Assemblies of God, 1914) INTRODUCTION: ROOTS OF THE ALLIANCE Nineteenth Century Sources (George Pardington) 1. -
FULL ISSUE (48 Pp., 2.6 MB PDF)
Vol. 25, No.4 nternatlona• October 2001 etln• Mission, the DivinelHuDlan Enterprise handsomely produced volume recently reached our Not everyone will see God's hand in mission. But in our Adesk. Edited by an admired colleague and boasting a postmodem age, maybe the historian of mission can afford to be roster of expert authors for its several chapters, it offers a fresh at least cautiously open to evidence from beyond the global world history of Christianity. The controlling idea behind its stage. planningand productionwasto providea historyof Christianity that would be truly global in scope, avoiding the tendency of most such histories to invest the largest share of attention on Europe and North America. For that focus it is most welcomed. But one can hardly see, through the prism used by the authors, that the Christian God has had much to do with the On Page history of the globalcommunitythat namesJesus Christ as Lord. It's all just history-documentation of the varied, fascinating, 146 Miracles and Missions Revisited mixed phenomena of human actions, of social movements, of GaryB.McGee upheavals, retreats, advances, and declines on the human stage. Everything seems autonomous and, well, haphazard, explained 150 Adrian Hastings Remembered entirely by the actors on the world stage. Kevin Ward The openingfeature of this issue challenges such a flattened 157 Women Missionaries in India: Opening Up view of mission and the church. Gary McGee, a contributing the Restrictive Policies of Rufus Anderson editor, confronts mission historians with evidence that the Lord Eugene Heideman of the church has been playing a direct role all along. -
Kenny Rogers Daytime Friends Mp3, Flac, Wma
Kenny Rogers Daytime Friends mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Daytime Friends Country: US Released: 1977 Style: Country MP3 version RAR size: 1593 mb FLAC version RAR size: 1928 mb WMA version RAR size: 1599 mb Rating: 4.2 Votes: 331 Other Formats: XM RA MIDI FLAC AHX DXD AUD Tracklist Hide Credits Daytime Friends A1 3:10 Written-By – B. Peters* Desperado A2 3:44 Written-By – D. Henley*, G. Frey* Rock And Roll Man A3 2:46 Written-By – K. O'Dell* Lying Again A4 2:41 Written-By – C. Moman*, L. Butler* I'll Just Write My Music And Sing My Songs A5 2:55 Written-By – T. Cain* My World Begins And Ends With You A6 2:43 Written-By – L. Keith*, S. Pippin* Sweet Music Man B1 4:16 Written-By – K. Rogers* Am I Too Late B2 3:31 Written-By – J. Hurt*, L. Keith* We Don't Make Love Anymore B3 3:51 Written By – M. GordonWritten-By – K. Rogers* Ghost Of Another Man B4 2:57 Written-By – F. Dycus*, G. Richey*, R. Bowling* Let Me Sing For You B5 4:39 Written-By – C. Kelly*, J. Didier* Companies, etc. Distributed By – Columbia House Recorded At – Jack Clement Recording Studios Recorded At – American Studios, Nashville Mastered At – Master Control, Nashville Manufactured By – United Artists Music Phonographic Copyright (p) – United Artists Music Credits Arranged By [Strings] – Bill Justis Art Direction – Ria Lewerke Backing Vocals – Bergen White, Bobby Daniels , Buzz Cason, Don Gant, Gene Golden, Johnny MacCrae*, Larry Keith, Randy Rogers, Sandy Rogers, Steve Glassmeyer, Steve Pippin, The Jordanaires Bass – Bob Moore, Joe Osborn, Mike Leech Bass Guitar – Tommy Allsup Design [Album] – Bill Burks Drums – Bobby Daniels , Jerry Carrigan, Kenny Malone Engineer – Billy Sherrill, Harold Lee Guitar – Billy Sanford, Dave Kirby*, Jerry Shook, Jimmy Capps, Jim Colvard*, Johnny Christopher, Larry Keith, Reggie Young, T.G. -
Pg0140 Layout 1
New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
I Know Whom.Pages
I Know Whom I Have Believed Words by Daniel Whittle (1840-1901), Music by James McGranahan (1840-1907) Daniel Webster Whittle was born in 1840 in New England, but moved to Chicago to work. He joined the Union Army in 1861. He lost his right arm at the Battle of Vicksburg and was taken to a prisoner of war camp. One day, when looking for reading material, he came across a New Testament. He appreciated what he read, but he was not ready to make any commitment to God. However, God was at work in the heart of Whittle. A hospital orderly had seen him reading the Bible. Whittle was asleep one night when the orderly woke him. Another soldier was dying and wanted Whittle to pray with him. He hesitated, and the orderly protested, “But I thought you were a Christian; I have seen you reading your Bible.” What else could Whittle do? He went to the dying boy. Whittle described the scene at his bedside: “I dropped on my knee and held the boy’s hand in mine. In a few broken words I confessed my sins and asked Christ to forgive me. I believed right there that He did forgive me. I then prayed earnestly for the boy. He became quiet and pressed my hand as I prayed and pleaded God’s promises. When I arose from my knees, he was dead. A look of peace had come over his troubled face, and I cannot but believe that God who used him to bring me to the Savior, used me to lead him to trust Christ’s precious blood and final pardon. -
Christianity, Islam, and Nationalism in Indonesia
Christianity, Islam, and Nationalism in Indonesia As the largest Muslim country in the world, Indonesia is marked by an extraordinary diversity of languages, traditions, cultures, and religions. Christianity, Islam, and Nationalism in Indonesia focuses on Dani Christians of West Papua, providing a social and ethnographic history of the most important indigenous population in the troubled province. It presents a captivating overview of the Dani conversion to Christianity, examining the social, religious, and political uses to which they have put their new religion. Farhadian provides the first major study of a highland Papuan group in an urban context, which distinguishes it from the typical highland Melanesian ethnography. Incorporating cultural and structural approaches, the book affords a fascinating look into the complex relationship among Christianity, Islam, nation making, and indigenous traditions. Based on research over many years, Christianity, Islam, and Nationalism in Indonesia offers an abundance of new material on religious and political events in West Papua. The book underlines the heart of Christian–Muslim rivalries, illuminating the fate of religion in late-modern times. Charles E. Farhadian is Assistant Professor of Religious Studies at Westmont College, Santa Barbara, California. Routledge Contemporary Southeast Asia Series 1 Land Tenure, Conservation and Development in Southeast Asia Peter Eaton 2 The Politics of Indonesia–Malaysia Relations One kin, two nations Joseph Chinyong Liow 3 Governance and Civil Society in Myanmar Education, health and environment Helen James 4 Regionalism in Post-Suharto Indonesia Edited by Maribeth Erb, Priyambudi Sulistiyanto, and Carole Faucher 5 Living with Transition in Laos Market integration in Southeast Asia Jonathan Rigg 6 Christianity, Islam, and Nationalism in Indonesia Charles E. -
PP Bliss, His Life & Life Work
www.WholesomeWords.org edition 2010 P. P. Bliss, His Life & Life Work Edited by Major Whittle and W. Guest Contents Introduction by D. L. Moody Prefactory by William Guest Chapter 1 Mr. Bliss's Ancestry—His Father, John Bliss—His Early Days—Love for Music— First Sight of a Piano— Connection with the Church—Influence of a Pious Father's Example—First Musical Instruction—W. B. Bradbury; and Mr. Bliss's Tribute to his Memory. Chapter 2 Teaching in Rome, Pa.—Acquaintance with and Marriage to Lucy Young—Her Character— Working upon the Farm and Teaching Music—Letter from Rev. Darwin Cook—Mr. Bliss in his new Home—His Father 's Last Days —"Grandfather's Bible." Chapter 3 Mr. Bliss's First Musical Composition—Twelve Years' Song Writing—Removes to Chicago—First Meeting with Mr. Moody—Memorial by Dr. Goodwin—Mr. Bliss as a Clorister, and Sunday School Superintendent. Chapter 4 His Evangelistic Work—Mr. Moody's Appeal to Mr. Bliss— The Turning Point—An Experimental Meeting at Waukegan—Bliss's Consecration of Himself to God's Service—His Faith and Self-denial—Working for the Young—An Incident—His Methods of Teaching. Chapter 5 Mr. Bliss as a Composer and Author—His first Sunday- school Hymns—His Habits and Manner of Writing— Incidents that suggested his Hymns—Letter from Mr. Sankey—Last Hymn he Wrote. Chapter 6 The Work of an Evangelist—Gospel Meetings—Visit to Kenesaw Mountain—At Chicago—At Home—Philadelphia Exhibition—Night Scene—Dr. Vincent's Tribute. Chapter 7 The Last Earthly Labours—In Chicago with Evangelists— In Michigan—Impressive Scenes in Farwell Hall, Chicago.