When Adolf 'Adi' Dassler Founded Adidas in 1949 His
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
GRAMMY Salute to Music Legends ™ Comes to THIRTEEN’S Great Performances Friday, October 14 at 9 P.M
Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Neda Azarfar, The Recording Academy 310-392-3777 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS GRAMMY Salute to Music Legends ™ Comes to THIRTEEN’s Great Performances Friday, October 14 at 9 p.m. on PBS Ruth Brown, Celia Cruz, Earth, Wind & Fire, Herbie Hancock, Jefferson Airplane, Linda Ronstadt, Run-DMC, and John Cage Among Distinguished Honorees Live performances by Ry Cooder, Lila Downs, Earth, Wind & Fire, Andy Garcia and The CineSon All Stars, Herbie Hancock, Jefferson Airplane, Kris Kristofferson, Lucrecia, Martina McBride, Magnolia Sisters, JD Souther, and more In collaboration with The Recording Academy, Great Performances presents "GRAMMY Salute To Music Legends ™," a special all-star concert offering a primetime spotlight for The 2 Academy's 2016 Special Merit Awards recipients. The celebration and tribute concert features rare performances by honorees and never-before-seen renditions by those they've inspired. The celebration, recorded at Dolby Theatre in Los Angeles, will air Friday, October 14 from 9-11:30 p.m. on PBS. (Check local listings.) Previously held during GRAMMY ® Week, this is the first time The Recording Academy has celebrated the Special Merit Awards with a stand- alone event and musical tribute. This year's Lifetime Achievement Award honorees are Ruth Brown, Celia Cruz, Earth, Wind & Fire, Herbie Hancock, Jefferson Airplane, Linda Ronstadt , and Run- DMC . John Cage, Fred Foster , and Chris Strachwitz are Trustees Award honorees; and EMT and Dr. -
UNIVERSITY of CALIFORNIA Los Angeles Rice and Rap: Hip Hop
UNIVERSITY OF CALIFORNIA Los Angeles Rice and Rap: Hip Hop Music, Black/Asian American Racialization, and the Role of the U.S. Multicultural Neoliberal State A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian American Studies by Michelle Mihwa Chang 2015 © Copyright by Michelle Mihwa Chang 2015 ABSTRACT OF THE THESIS Rice and Rap: Hip Hop Music, Black/Asian American Racialization, and the Role of the U.S. Multicultural Neoliberal State by Michelle Mihwa Chang Master of Arts in Asian American Studies University of California, Los Angeles, 2015 Professor Kyungwon Hong, Chair This paper explores Black and Asian American racialization within the multicultural neoliberal state. Looking at Los Angeles in the 1980s and early 1990s, I examine the rise of multiculturalism and neoliberalism within the US as it parallels the rise and commercialization of hip hop music sub-genre, gangsta rap. By examining the multicultural neoliberal state, and its consequences for communities of color, I look at the ways in which Black/Asian American racialization occurred through the tropes of the gangster and the model minority, respectively. Moreover, I contend that the multicultural neoliberal state relied on popular constructions of Asianness and Blackness in order to maintain whiteness, conceal state-violences, and define its national borders of inclusion and exclusion, and gangsta rap provided an ideal space for this. My project also explores progressive rap and the ways in which it ii manifested from the same conditions of gangsta rap, yet managed to produce itself differently. Lastly, I conclude with a close examination of the hip hop duo Blue Scholars (featuring Asian American emcee Prometheus Brown) and their song, “Morning of America,” which addresses and challenges this particular moment of the 1980s through the lens of the colonized subject and racialized other. -
ANNUAL Report 2011
ANNUAL REPORT REPORT annual 2011 2011 Incorporated in France as a “Société Anonyme” with registered capital of 120,596,816.40 euros 632 012 100 R.C.S. Paris Headquarters: 41 rue Martre 92117 Clichy – France Tel.: +33 1 47 56 70 00 Fax: +33 1 47 56 86 42 Registered office: 14 rue Royale 75008 Paris – France www.loreal.com www.loreal-finance.com YOUR CONTACTS INDIVIDUAL SHAREHOLDERS AND FINANCIAL ANALYSTS AND FINANCIAL MARKET AUTHORITIES INSTITUTIONAL INVESTORS Jean Régis Carof Françoise Lauvin [email protected] Tel.: +33 1 47 56 86 82 [email protected] Carolien Renaud-Feitz [email protected] Investors Relations Department L’Oréal Headquarters From France: toll-free number for 41, rue Martre shareholders: 0 800 666 666 92117 Clichy Cedex – France From outside France: +33 1 40 14 80 50 JOURNALISTS Service Actionnaires L’Oréal Corporate Media Relations BNP Paribas Securities Services Stéphanie Carson Parker Service Emetteurs Tel.: +33 1 47 56 76 71 Grands Moulins de Pantin [email protected] 9, rue du Débarcadère 93761 Pantin Cedex – France Corporate Media Relations L’Oréal Headquarters 41, rue Martre 92117 Clichy Cedex – France Published by the Administration and Finance Division and by the Image and Corporate Information Department. This is a free translation into English of the L’Oréal 2011 Annual Report issued in the French language and is provided solely for the convenience of English speaking readers. In case of discrepancy the French version prevail. Photograph credits: Josemar Alves (p.57), Syed Muhammad Anas (p.17, 51), Chung Anh (p.57, 70), David Arky/Tetra Images/GraphicObsession/ Photononstop (p.66), David Arraez (p.57), Leandro Bergamo (p.9, 21, 46, 63), Jean-Christian Bourcart/Interlinks Image (p.17), Anthony Bradshaw/ Getty Images (p.55), Alain Buu (p.11, 79), Stéphane Coutelle/D. -
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (Guest Post)*
“Raising Hell”—Run-DMC (1986) Added to the National Registry: 2017 Essay by Bill Adler (guest post)* Album cover Label Run-DMC Released in May of 1986, “Raising Hell” is to Run-DMC what “Sgt. Pepper’s” is to the Beatles--the pinnacle of their recorded achievements. The trio--Run, DMC, and Jam Master Jay--had entered the album arena just two years earlier with an eponymous effort that was likewise earth-shakingly Beatlesque. Just as “Meet the Beatles” had introduced a new group, a new sound, a new language, a new look, and a new attitude all at once, so “Run-DMC” divided the history of hip-hop into Before-Run-DMC and After-Run-DMC. Of course, the only pressure on Run-DMC at the very beginning was self-imposed. They were the young guns then, nothing to lose and the world to gain. By the time of “Raising Hell,” they were monarchs, having anointed themselves the Kings of Rock in the title of their second album. And no one was more keenly aware of the challenge facing them in ’86 than the guys themselves. Just a year earlier, LL Cool J, another rapper from Queens, younger than his role models, had released his debut album to great acclaim. Run couldn’t help but notice. “All I saw on TV and all I heard on the radio was LL Cool J,” he recalls, “Oh my god! It was like I was Richard Pryor and he was Eddie Murphy!” Happily, the crew was girded for battle. Run-DMC’s first two albums had succeeded as albums, not just a collection of singles--a plan put into effect by Larry Smith, who produced those recordings with Russell Simmons, the group’s manager. -
Hip-Hop Sneaker Collaborations
Intertext Volume 28 Issue 1 Article 10 5-1-2020 Hip-Hop Sneaker Collaborations Wallace Burgess Follow this and additional works at: https://surface.syr.edu/intertext Part of the Fiction Commons, and the Nonfiction Commons Recommended Citation Burgess, Wallace (2020) "Hip-Hop Sneaker Collaborations," Intertext: Vol. 28 : Iss. 1 , Article 10. Available at: https://surface.syr.edu/intertext/vol28/iss1/10 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Intertext by an authorized editor of SURFACE. For more information, please contact [email protected]. Burgess: Hip-Hop Sneaker Collaborations Hip-Hop Sneaker collaborations WALLACE BURGESS hat’s the most expensive pair of shoes you’ve ever bought? $150 running shoes that you wore until they fell Wapart? $250 Italian leather loafers? How about a used pair of the Air Yeezy 2s for $4,600? (“Air Yeezy 2 Solar Red”). I hope you’re a size 13. As absurd as that price tag sounds, these are not just a pair of expensive shoes. That’s because the Air Yeezy 2 is rapper Kanye West’s second collaboration with the sneaker brand Nike and is a perfect example of how popular the collaborations between hip-hop figures and shoe compa- nies are. Although it was once unusual for hip-hop artists to negotiate a deal to brand and design sneakers, such joint efforts have resulted in some of the most coveted and highly-priced shoes in the world. According to Stephen Albertini’s “An Abridged History of Photograph by Hannah Frankel. -
Strategic Audit of Adidas Mason Wright University of Nebraska - Lincoln
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors Theses, University of Nebraska-Lincoln Honors Program Spring 4-11-2019 Strategic Audit of Adidas Mason Wright University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/honorstheses Part of the Strategic Management Policy Commons Wright, Mason, "Strategic Audit of Adidas" (2019). Honors Theses, University of Nebraska-Lincoln. 135. https://digitalcommons.unl.edu/honorstheses/135 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors Theses, University of Nebraska-Lincoln by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Strategic Audit of Adidas An Undergraduate Honors Thesis Submitted in Partial Fulfillment of University Honors Program Requirements University of Nebraska-Lincoln by Mason Wright, BS Computer Science College of Arts and Sciences April 11, 2019 Faculty Mentor: Sam Nelson, Ph.D., Management Abstract Adidas is a well-established brand in the world of sportswear and lifestyle clothing. In recent years, the company has been regaining success after a period of stagnation. Spurring this success is the renewed popularity of old classic shoe models and a surge in the lifestyle clothing trend. While adidas is doing well, it is not the top sportswear company in the world and is far behind in North America. In an attempt to boost the recent success even further, this thesis analyzes the current situation that adidas faces including its strengths, weaknesses, opportunities, and threats. With this information as a background, this paper then discusses potential new strategies for adidas, ultimately deciding that obtaining a larger number of star athlete endorsements is a strategy that could quickly make a large impact for the company. -
Adidas Olympic Games Heritage
adidas Olympic Games Heritage 1920 Herzogenaurach Adi Dassler Adi Dassler made his first ‘handmade’ training shoe in his parents’ 20-square metre washroom. 1928 Amsterdam Lina Radke Eight years on and adi's shoes made their debut at the Amsterdam Olympic Games with immediate success as Karoline Radke-Batschauer “Lina Radke” won Gold in the first ever Women’s 800m competition in World Record time. 1932 Los Angeles Arthur Jonath As the Great Depression gripped the world, Hollywood welcomed the Olympic Games and Adi Dassler crafted a new track spike, featuring stitched “stripes” and reinforced eye-stays. Two athletes won medals in Adi’s shoes: Germany’s Arthur Jonath and American Wilhelmina von Bremen both clinched gold in their respective 100m finals. 1936 Berlin Jesse Owens As politics and sport collided in Berlin, Adi Dassler remained focused on making the best footwear products for athletes including James Cleveland “Jesse” Owens. The young American was the most successful athlete in Berlin, winning four gold medals in front of Adolf Hitler in shoes that boasted specially positioned spikes and low-cut upper. 1948 London Emil Zátopek Post World War II the Olympic Games were seen as a way of reuniting the world through athletic competition and the spirit of true sportsmanship. In a glimpse of things to come, Emil Zátopek, the young “Czech Locomotive”, ran to Gold in the 10,000m and Silver in the 5,000m wearing Dassler’s lightweight shoes. In the same year, “adidas” was registered as the brand with the three stripes. 1952 Helsinki Bob Mathias In one of the greatest performances of all time, Emil Zátopek pulled off an incredible triple at the Helsinki Olympic Games winning Gold in the 5,000m, 10,000m, and the marathon over the course of seven days. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Hip Hop Style and Run-DMC
Hip Hop Style and Run-DMC Hank Williams Hunter College, CUNY AFPRL 290: Hip Hop History and Culture Ways Run DMC and Def Jam redefine Hip Hop • New Visual aesthe-c • Hard core look based on Adidas, black, and black leather • New sonic aesthe-c • Hard-edged, rock-influenced sound: shaped by Rick Rubin • Helps cross-over to general audiences/ MTV • MTV breakthrough: first Hip Hop video on the network • Sales breakthrough: Run DMC albums have unprecedented sales • Marke-ng/merchandising • $1 million deal with Adidas • Crossover success Run DMC’s New Visual aesthe>c • Hard core look based on Adidas, black, and black leather • Black hats/Kangol hats • Adapted from street styles • Clean, uncluMered, hardcore • Promo-on via MTV airplay and starring role in Krush Groove film spreads their look as the “real”/ “authen-c” B-Boy look Run DMC’s New sonic aesthe>c • Hard-edged, rock-influenced sound: shaped by Rick Rubin • Simple focus on drum-machine beats, guitar, lyrics • Call-and-response rhyming • Helps cross-over to general audiences/ MTV Run DMC Sales/ marke>ng breakthroughs • MTV (Music Television channel) • first Hip Hop video: “Rock Box” (King of Rock album, 1985) • Marke-ng/merchandising • $1.5 million Adidas deal: first hip hop group; opens door for others • Magnifies impact of DMC as official trend-seMers • Adidas’s cross-promo-on expands DMC’s reach (see Adidas’s commercial) • Sales • Raising Hell (1986): first double-planum rap album • Hits Top 10 in Billboard charts • “Walk This Way” single hits Top 20 (Billboard #4) • “My Adidas” (Billboard #5) Run DMC crossover success • “Walk This Way” Single with rock group Aerosmith • Billboard #4 • Heavy MTV rotaon for video • Aerosmith literally breaks through wall • Expands Run DMC’s audience base to young white rock fans Revised March, 2014! Some rights reserved! This work is licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. -
JÖRN CLAUSEN Gefahr, Sich Zu Verzetteln: Die Marke Adidas Ist Extrem Weitläufig
JÖRN CLAUSEN Gefahr, sich zu verzetteln: Die Marke Adidas ist extrem weitläufig. Sie bedient Jung wie Alt. Für den Sport, aber auch als Hometrainer. Zudem greift Konkurrent Nike Adidas immer stärker auf dem eigenen Territorium an, im Fussball. Für Adidas spielt Beckham, für Nike spielt Ronaldinho. Jörn Clausen, Adidas Head of Global Trend & Lifestyle Marketing, sagt “persönlich”, wo die Prioritäten lie- gen und wie er seine Trend-Scouts führt. Interview: Oliver Prange Fotos: Marc Wetli, 180 Amsterdam Sie sind bei Adidas für Trend und Lifestyle zuständig. Wie spürt Style im Allgemeinen betrifft als auch auf die man Trends auf? Demografie der Personen bezogen. Dadurch wird es für “Ich mag das Wort eigentlich gar nicht, weil es oft kom- eine Marke auf der einen Seite einfacher, eine breites merzialisiert wurde. Konkret auf Adidas bezogen heisst Publikum zu erreichen, die Differenzierung im Konkre- das: Wir beobachten, ob sich gewisse Bewegungen und ten ist dann jedoch auf der anderen Seite wesentlich Strömungen mit der Marke vertragen. Meine Haupt- komplexer und vielseitiger.” aufgabe ist die Entwicklung von international umsetz- baren Lifestyle-Strategien für die Marke Adidas. Unser Von wo gehen die Strömungen derzeit aus? Team entwickelt relevante Themen in Kooperation mit “Asien, insbesondere Japan und Korea haben nach wie einem Netzwerk, das in den wichtigsten Metropolen der vor einen starken Einfluss auf Streetfashion, Berlin Welt vertreten ist. Wir kommunizieren Schwerpunkt- inspiriert und fasziniert weltweit wenn es um Musik themen der Marke Adidas an Multiplikatoren, und und Mode geht.” zwar in deren Sprache. Es ist nicht so, dass wir in mei- nem Bereich Trendscouts haben, die irgendwo in der Können Sie ein konkretes Beispiel geben? Weltgeschichte unterwegs sind, in Internetcafés sitzen “Ein aktuelles Beispiel ist Adicolor, unser grosses und mit ihren Laptops die coolsten Sachen herausfin- Projekt im Bereich Originals, welches 1983 in München den. -
Stella Mccartney Fonde Sa Marque Éponyme
LA FICHE MAISON En 2001, Stella McCartney fonde sa marque éponyme. Avant-gardiste, Stella McCartney met en avant ses convictions environnementales et affirme ses positions en décidant de n'utiliser aucune matière d'origine animale. Sa marque devient ainsi la pionnière, mais aussi la figure de la mode éco-responsable. Connue pour ses nombreuses collaborations, notamment avec la marque de sportswear Adidas, Stella McCartney évolue aussi dans la mode féminine et masculine, la maroquinerie, la parfumerie, les lunettes, la lingerie et a aussi une ligne pour enfants. LES PIÈCES EMBLÉMATIQUES Stellawear #stansmith Stella Falabella Tote Bag La collection de lingerie a été Stella McCartney et Adidas Le Falabella est littéralement lancée en 2008. Reflétant les collaborent de façon le best-seller de la maison. besoins de la femme, c'est permanente depuis 2005. C'est Lancé en 2010 et une lingerie fine, confortable en 2018 que la première Stan exclusivement conçu en cuir et féminine, conçue en Smith est lancée, composée végétal il a été décliné dans matière biodégradable; uniquement de cuir vegan. de nombreuses versions (tiny, mini, crossbody, etc.). ACTUELLEMENT "A" T-shirt "E" T-shirt "G" T-shirt La collection printemps 2021 "A to Z Manifesto", imaginée pendant le premier confinement de l'épidémie de la Covid-19 est une collaboration avec 26 artistes différents, chacun travaillant sur une lettre de l'alphabet qui discute des valeurs de la marque. FEVRIER 2021 LA FICHE MAISON LE STYLE LES VALEURS Effortless Engagement Elégant Durabilité Ethique Responsabilité Stella McCartney Gabriele Maggio Fondatrice de la marque en CEO depuis 2019 2001 QUELQUES ANECDOTES Pour les Jeux Olympiques de 2012 Stella McCartney est nommée Directrice création de la délégation britannique et c'est la première fois de l'histoire qu'une créatrice réalise les tenues des sportifs pour un tel évènement. -
Taking a Closer Look at the Moral Fabric of Athletic Footwear an INDUSTRY ANALYSIS
Taking a Closer Look at the Moral Fabric of Athletic Footwear AN INDUSTRY ANALYSIS © 2020 Center for a Humane Economy. All Rights Reserved. SUMMARY Signicant developments in plant-based fabrics, plastics, and other synthetic products have spurred a sharp reduction in the amount of leather in footwear in the last decade, particularly in athletic shoes. The total number of shoes containing leather has declined by tens of millions in recent years. When you hear the name Stella McCartney, you might initially think of a high-end fashion show with models striding down the runway, cameras clicking, from New York to Paris to Milan. McCartney is also known for items suited to a dierent kind of runway — the track and eld kind. Her latest collection of shoes and athletic wear for adidas launched in March 2009, marking over a decade of collaboration between the fashion icon and the tness powerhouse. McCartney’s athletic wear line does not just strive for good-looking apparel. It’s also animal-friendly. Her line shuns leather, fur, feathers, wool, or other animal products. The McCartney brand equals cruelty-free. Adding to the sustainability credentials of these products, about 70 % of the fabrics McCartney uses come from recycled materials. Last year adidas released a cruelty-free shoe assembled with heat rather than glue that also addresses the international disposal of millions of pairs headed for landlls. According to Eric Leidtke, adidas’ executive board member responsible for global brands, “Futurecraft Loop is [the] rst running shoe that is made to be remade.” The key to its recyclability is the shoe’s design, which utilizes only a single ingredient – thermoplastic polyurethane – rather than the typical 12-15 materials which make recycling so dicult.