DOCSLIB.ORG

In Association with Motto Pictures -- 19340

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
In Association with Motto Pictures -- 19340 A Fishbowl Films Production -- In Association With Motto Pictures -- 19340 Productions -- Shark Island Institute -- HHMI Tangled Bank Studios -- A Laura Nix Film --- Directed by LAURA NIX --- Produced by DIANE BECKER, p.g.a. MELANIE MILLER, p.g.a. LAURA NIX, p.g.a. --- Executive Producers JULIE GOLDMAN CHRISTOPHER CLEMENTS DAVID J. CORNFIELD LINDA A. CORNFIELD SHARON CHANG --- Executive Producers IAN DARLING DAVID GUY ELISCO DENNIS LIU PATTY QUILLIN ANDREA VAN BEUREN --- Edited by HELEN KEARNS Co-Editors GERAUD BRISSON MATTHEW MARTIN LANGDON PAGE --- Director of Photography MARTINA RADWAN --- Original Music by LAURA KARPMAN --- Funding Provided Through Generous Support of Helen Gurley Brown’s Glassbreaker Films --- Additional Funding by the Lagralane Group JASON LEE YVONNE HUFF LEE --- Co-Producer BETH MCNAMARA --- Co-Executive Producers LESLIE BERRIMAN NANCY BLACHMAN CAROLYN HEPBURN NION MCEVOY LYNDA WEINMAN JENIFER WESTPHAL --- Associate Producers ELEASE LUI STEMP ANN ROGERS --- Supervising Field Producer CHRISTOPHER BUCHANAN --- Featuring SHOFI LATIFAH NUHA ANFARESI JESÚS ALFONSO MARTÍNEZ ARANDA JOSÉ MANUEL ELIZALDE ESPARZA JARED GOODWIN SAHITHI PINGALI INTAN UTAMI PUTRI FERNANDO MIGUEL SÁNCHES VILLALOBOS M. AKZARHAN MARÍA INÉS ISABEL HERNÁNDEZ AMÉSQUITA DEBRA DENISSE MARTÍNEZ ARANDA MIREYA ANNETT MARTÍNEZ ARANDA TAYLOR BENNING MEGHANA BOLLIMPALLI MAGDALENA ARANDA ESCALÓN BRUNO ARMANDO ELIZALDE ESPARZA CRISTHIAN ISABEL ELIZALDE ESPARZA DARÍO SAMUEL ELIZALDE ESPARZA JIMMY GOODWIN JOY GOODWIN CRISTHIAN JEANNETTE ESPARZA HERNÁNDEZ JUAN MANUEL ELIZALDE HERNÁNDEZ VENANCIO MARTÍNEZ JIMÉNEZ CORRY KRISTHNA, S.H TERESO SANCHEZ LUNA DR. STEVE LUNDBLAD DR. AZAEL MARTÍNEZ DE LA CRUZ ERALÚ VILLALOBOS MERCADO ARUNA PINGALI GOPAL PINGALI LALITHA PINGALI SREEKARI PINGALI MANU PRAKASH DR. TV RAMACHANDRA PRASHAANT RANGANATHAN DR. LUTGARDE RASKIN RENIATI MARCELA DEL ROCÍO ROSAS DEL REAL FADILLAH SABRI ADAM SKORA DR. RUDI SUBAGJA CHRISTINE TAYLOR EDGARDO ALONSO SÁNCHEZ VILLALOBOS VICTOR ULISES SÁNCHEZ VILLALOBOS TAYLOR WILSON LILLIAN YAMASHITA India Production Unit Mexico Production Unit Michigan Production Unit Field Producers Field Producers Field Producer SATYEN BORDOLOI ANALUCIA ALBO DOMENE SEAN LYNESS CHRISTOPHER BUCHANAN MIGUEL VELASCO JAVIER TRUJILLO Director of Photography Director of Photography MARTINA RADWAN MARTINA RADWAN Co-Directors of Photography SHANA HAGAN Assistant Camera Assistant Camera ALISON KELLY AUSTIN PRUETT SATISH VENKATARAMANA Production Sound Mixer Assistant Camera Production Sound Mixer GILES KHAN FELIX CANTU RICHARD POOLER Interpreter DIT Production Assistant MOHIT KAYCEE BERENICE JARAMILLO JENNY LARSON Production Sound Mixers CARLOS VALDEZ BERRUETO RODRIGO J. DE VEGA BENAVIDES Interpreters MARIA DEL SOCORRO PEREZ DANIEL CLINGAN Indonesia Production Unit Hawaii Production Unit Additional U.S. Production Unit Field Producers Field Producer Field Producers RAMA ARDANA CHRISTOPHER BUCHANAN CHRISTOPHER BUCHANAN CHRISTOPHER BUCHANAN SEAN LYNESS Director of Photography Director of Photography MARTINA RADWAN Additional Cinematography MARTINA RADWAN JOSH SALZMAN Assistant Camera Assistant Camera GARETH SHEEHAN Assistant Camera RESHA PERKASA JONATHAN TAYLOR Production Sound Mixers Production Sound Mixer TOM VISSER Production Sound Mixer GILES KHAN PRAHLAD STRICKLAND THERESA RADKA JOSHUA GLADU Interpreters WIDYA HANDINI Production Coordinator FRANSISKA KHOE ERICA CRABB RIKO SULAIMAN Production Assistant MATTHEW COLE Los Angeles Production Unit Unit Production Manager Production Sound Mixers DIANE BECKER THERESA RADKA BRENT CALKIN Field Producers GILES KHAN CHRISTOPHER BUCHANAN CALEB MOSE RAMA ARDANA SEAN LYNESS DIT ANAYANSI PRADO TYLER GURD CIARAN VEJBY Director of Photography MARTINA RADWAN Key Set PA JOSHUA OGNER Additional Cinematography SHANA HAGAN Production Assistants JERRY HENRY KYLE DARE ALISON KELLY KATHY ESQUENAZI MIKE PARRY TJ GROF ROBERT SCHNEEWEIS Assistant Camera DEVON YOUNG ALEX CASON DARYOUSH HOSSEINI MATT ISGRO JOEL JUAREZ Brazil Production Unit China Production Unit Researcher Field Producers ALICE SPITZ RICHARD LIANG RONGFEI GAO Production Services GIROS PRODUCTIONS BELISARIO Camera Operator FRANCE CLÁUDIA LIMA ZHAO WEI CAROLINA FRIGATA Assistant Camera Camera Operator RUNZE YU MÁRIO FRANCA Production Sound Mixer LIMING FAN Assistant Production Office Coordinator CHRIS NGUYEN --- Associate Editor DAVID ARISTIZABAL --- Additional Editing JEFF GILBERT REJH CABRERA --- Assistant Editors BERENICE CHAVEZ CIARAN VEJBY LOUIS LEE --- Graphics by LEANNE DARE Animator DAN MEEHAN VFX By DAVE VAMOS MARK TEAGUE --- Sample Reel Editors FAROUKH VIRANI BARNABY LEVY ALEX JUUTILAINEN MARAH STRAUCH --- Translations LIAA RAQUEL CRUZ WIDYA HANDINI FRANSISKA KHOE YANTING LI SEKAR SOSRONEGORO RIKO SULAIMAN ERIKA SUWARNO TRANSWORDS TRANSLATIONS LLC IRENE WEI MING YANG RUOLIN YU --- Researchers HAYA FATIMA IQBAL NICOLE KARSIN --- Science Advisors BILL & LORNA GLAUNSINGER --- Production Assistants KATHY ESQUENAZI CHRISTINE MELTON RACHEL “RAE” PECKHAM JEE WOO CHOI PAUL PHOU --- Digital Intermediate by DIFFERENT BY DESIGN Digital Intermediate Colorist LUKE CAHILL Online Editor HARRY LOCKE IV & SEAN MEYERS Digital Intermediate Producers MATT RADECKI & GREG LANESEY --- Post-Production Sound Services by SKYWALKER SOUND A LUCASFILM LTD. COMPANY MARIN COUNTY, CALIFORNIA Supervising Sound Editor E. LARRY OATFIELD Sound Designer LEFF LEFFERTS Re-Recording Mixer PETE HORNER Foley Artists JANA VANCE GEOFF VAUGHAN Foley Mixer BLAKE COLLINS Sound Effects Editors SHAUN FARLEY MAC SMITH Assistant Re-Recording Mixer DUSTIN CAPULONG Engineering Services BRIAN LONG Digital Editorial Support IVAN PIESCH Post Production Sound Accountant DANIELA PONTORIERO Post Production Finance Manager MIKE PETERS Client Services EVA PORTER Scheduling CARRIE PERRY Skywalker Sound Executive Staff General Manager JOSH LOWDEN Head of Production JON NULL Head of Engineering STEVE MORRIS --- FAME'S — Macedonian Symphonic Orchestra Conductor OLEG KONDRATENKO Sound Engineer GIORGI HRISTOVSKI Pro Tools Operator ATANAS BABALESKI Stage Managers RISTE TRAJKOVSKI - ILIJA GRKOVS Score Mixed by NORA KROLL – ROSENBAUM Assistant to the Composer and Music Preparation KYLE LA PORTE Orchestrater and Pianist LAURA KARPMAN --- Choir Contracted and Conducted by JASPER RANDALL Choir YONI FOGELMAN JORDYN HOLT MIRANDA HYMAN JULIAN JENSEN SAGE MCNEELY GRACE SESSINGHAUS COEN SOSA ZOE ANN SPARKS --- VAMOS A CANTARTE Performed by YUSMATT Written by JESUS ALFONS MARTINEZ ARANDA Under Copyright Control --- Production Accountant PROTEA GROUP ANDREW LAZARIAN Production Legal Services REDER & FEIG LLP NOOR AHMED NICOLE PAPINCAK --- Insurance Provided by MIB INSURANCE SERVICES, INC. --- End Titles Created with ENDCRAWL.COM --- For HHMI Tangled Bank Studios Managing Director ANNE TARRANT Director of Communications ANNA IRWIN Director of Public Relations & Impact JARED LIPWORTH --- For Motto Pictures MARISSA ERICSON SAMANTHA BLOOM --- Festival Publicity RYAN WERNER LAURA SOK --- Sales Representation by SUBMARINE JOSH BRAUN DAN BRAUN BEN BRAUN MATT BURKE --- Impact Strategists MICHAEL BRACY TRACY TUCKER --- Additional Fundraising Support JENNIFER KANE AMANDA MCINTYRE --- Fiscal Sponsorship Provided by INTERNATIONAL DOCUMENTARY ASSOCIATION This Film was Supported by SUNDANCE CATALYST SUNDANCE INSTITUTE DOCUMENTARY FILM PROGRAM with support from OPEN SOCIETY FOUNDATIONS JUSTFILMS| FORD FOUNDATION SCIENCE SANDBOX, AN INITIATIVE OF THE SIMONS FOUNDATION THE KENDEDA FUND DISCOVERY IMPACT FELLOWSHIP SUNDANCE INSTITUTE DOCUMENTARY FILM CREATIVE PRODUCING FELLOWSHIP THE KENDEDA FUND DISCOVERY IMPACT FELLOWSHIP SUNDANCE INSTITUTE DOCUMENTARY FILM CREATIVE PRODUCING FELLOWSHIP --- Very Special Thanks CAROLINE LIBRESCO --- The Producers Wish to Thank HOPPER-DEAN FAMILY FUND MAYA AJMERA KATHLENE COLLINS AMY HALPIN NATALIA ALMADA LAURA COLUCCI ZHANG HAOYU ANSHUL AMAR JENNIFER CRUZ DANTE HARPER KATE AMEND JACQUELINE DALGLEISH RYAN HARRINGTON JEN ARNOLD ANDRE DES ROCHERS LISA HASKO JOSÉ ASUNCIÓN STEPHANIE DEVAAN KATE HAUG JEANELLE AUGUSTIN RAMONA DIAZ ALANA HAUSER GREG BARKER CLAIRE DIDIER TZEITEL HIRNI AMANDA BASKETT THE DININNO FAMILY JOHNY HO JOHN BATTSEK ARTHUR DIX JOHN HOFFMAN RYAN BEARDSLEY KATIE DOERING ROZ HUDNELL CAROL & GERALD BECKER LAUREN DOMINO LISA ICENROAD MIRANDA BECKER GAIL DUNDAS TABITHA JACKSON DENISE BELL BEN-ALEX DUPRIS AVIVA JACOBS TONI BELL STEPHEN EGTS MARY JACOBS BILL BENNING BENNETT ELLIOTT ANDY JONES KELLY BENNING KERSTIN EMHOFF LIZA JOHNSON DANIELLE RENFREW BEHRENS MALINA FAGAN CAROLYNE JURRIAANS JASON BERMAN JINNY FARRELL ZHOU KAINING JOHN & SHERI BERRY TRISHA FAST GAYLE KANSAGOR JOSEPH BEYER KRISTIN FEELEY JUNE KEE SRIRAM BHAT CHARLIE FEENEY SENAIN KHESHGI PALOMA BILSON BEN FEINGOLD STEPHEN KIJAK HILARY BIRMINGHAM VIOLET FENG SIMON KILMURRY PIA WILSON - BODY ANDREA NIX FINE & SEAN FINE JENNIFER KUWABARA SCOTT BOLEN TIM FINO GRACE LEE RYAN BORING HEIDI FLEISHER MEG LONGO HENRY BORNSTEIN MELISSA FONDAKOWSKI CODY LUCICH SHONALI BOSE DWIGHT FUJIMOTO JOHN MABRY ENRIQUE PEDRÁZA BOTERO KEITH FULTON SCOTT MACAULAY NEIL BRANDT LAURA GABBERT JEFF MALMBERG ALI BROWN ELISA GAMBINO NATASHA MARTELL KARIA BROWN JOSÉ ANTONIO HERNÁNDEZ STEVE MATOUSEK LIZ BROWN GARCÍA THE MAXWELL FAMILY TOM, TJ, AND LUKE BRUNELLE CESAR GARCIA RYAN MCARDLE-JAIMES MIA BRUNO MARK GARCIA JAMIE MCBRIETY BRENDAN BURCH ADAM PAJOR GENDRON CARRIE MCCARTHY BRUNI BURRES JENNIFER GETZINGER ANDREA MEDITCH JUAQUIN CAMBRON MICHELE GLIDDEN JULIA MELTZER JOHN CARDELLINO KRISTIAN GODDARD EUNICE AMISADAI PADILLA CAIT GOLDBERG MARTH
Load more

Recommended publications
  • Dr. Katie Bird Curriculum Vitae, Sept 2019
    Dr. Katie Bird Curriculum Vitae, Sept 2019 Department of Communication University of Texas – El Paso 301 Cotton Memorial El Paso, TX 79968 kebird[at]utep.edu EDUCATION Ph.D. Film and Media Studies, Department of English. University of Pittsburgh. August, 2018 Dissertation: “‘Quiet on Set!: Craft Discourse and Below-the-Line Labor in Hollywood, 1919- 1985” Committee: Mark Lynn Anderson (chair), Adam Lowenstein, Neepa Majumdar, Randall Halle, Daniel Morgan (University of Chicago), Dana Polan (New York University) Fields: Filmmaking, Media Industries, Technology, American Film Industry History, Studio System, Below-the-Line Production Culture, Cultural Studies, Exhibition/Institutional History, Labor History, Film Theory M.A. Literary and Cultural Studies, Department of English, Carnegie Mellon University, 2010 Thesis length project: “Postwar Movie Advertising in Exhibitor Niche Markets: Pittsburgh’s Art House Theaters, 1948-1968” B.A. Film Production, School of Film and Television, Loyola Marymount University, 2007 B.A. Creative Writing, English Department, Loyola Marymount University, 2007 PROFESSIONAL APPOINTMENTS 2019 TT Assistant Professor, Film Studies and Digital Media Production. Department of Communication. University of Texas, El Paso (UTEP) 2018 Visiting Lecturer, Film and Media Studies/Filmmaking. Department of English. University of Pittsburgh 2017 Digital Media Learning Coordinator, Visiting Instructor. Department of English. University of Pittsburgh PUBLICATIONS 2021 Forthcoming. “Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator.” Bird 1 Journal of Cinema and Media Studies/Cinema Journal. Spring 2021. 2020 Forthcoming. “Steadicam Style, 1972-1985” [In]Transition. Spring 2020. 2018 “The Editor’s Face on the Cutting Room Floor: Fredrick Y. Smith’s Precarious Promotion of the American Cinema Editors, 1942-1977.” The Spectator (special issue: “System Beyond the Studios,” guest edited by Luci Marzola) 38, no.
    [Show full text]
  • Usc Sca Ctpr 507 Production I -‐ Fall 2011
    USC SCA CTPR 507 PRODUCTION I - FALL 2011 COURSE DESCRIPTION and OUTLINE (Section 18603 – Pollard/KositcHek) 4 units INSTRUCTORS: Cinematography: Robert KositcHek Email: [email protected] Phone: (310) 315-9465 Day/Time: Mon, 2:00 – 5:00 Location: SCA Stage 2 Producing/Directing: StU Pollard Email: [email protected] Phone: (310) 344-9380 Day/Time: Mon/Wed, UsUallY 2:00pM – 5:50pm (see Course Outline below) Location: SCA 362 Office Hours: By AppointMent OnlY SA: Christine Moitoso Phone: (209) 484-7508 Email: [email protected] WitH facUltY gUests: Editing: Reine-Claire Dousarkissian / 310-435-8216 / [email protected] SoUnd: Midge Costin / 310-890-2353 / [email protected] SoUnd: Doug Vaughan / 310-413-9181 / [email protected] Required text book: Voice & Vision, Second Edition: A Creative Approach to Narrative Film and DV Production by Mick Hurbis-Cherrier AtHletic SHoes and long pants MUST be worn to all CineMatograpHY classes USE OF LAPTOPS, CELL PHONES, TABLETS, ETC. NOT ALLOWED DURING CLASS Hello and welcome to 507! There is no better way to learn how to make a picture, than actually going through the process of doing it… Be patient and open to new ideas as you embark on this creative and personal journey of discovery. OVERVIEW: Production I (CTPR 507) is about ideas and your ability to communicate effectively through the language of cinema. It combines introductions to the five major disciplines within the cinematic arts: producing, directing, editing, cinematography, and sound with guided opportunities to create individual and small group projects. Students will make two short HD projects as part of an exploration of visual storytelling, as well as shoot a directing an exercise in the Fundaments of Directing (production students only).
    [Show full text]
  • Production Handbookfinaldraft
    PRODUCTION HANDBOOK SCHOOL OF THEATRE AND DANCE KENT STATE UNIVERSITY 2010-2011 TABLE OF CONTENTS INTRODUCTION 1 Mission of The School of Theatre and Dance 1 PROFESSIONAL BEHAVIOR 1 A Code of Ethics for Theatre Professionals 1 PRODUCTION FACULTY AND STAFF 3 Contact Information 3 ORGANIZATION OF THE SCHOOL OF THEATRE AND DANCE 5 The Faculty and Staff Production Organization 5 Faculty and Staff Production Positions 5 Producing Director/School Director (Administrative Staff) 5 Managing Director (Professional Staff) 5 Production Manager (Professional Staff) 5 Director 5 Artistic Director (Dance Concert) 6 Choreographer (Dance Concert) 6 Choreographer (Theatre Production) 6 Vocal Coach 6 Fight or Movement Coach 6 Resident (Faculty) Designers 7 Resident (Faculty) Set Designer 7 Resident (Faculty) Costume Designer 7 Scene Shop Supervisor 8 Costume Shop Supervisor 8 Lighting and Sound Supervisor 8 Marketing Coordinator (College of the Arts Administrative Staff) 9 School Administrative Assistant (Classified Staff) 9 SCHOOL OF THEATRE AND DANCE PRODUCTION POLICIES AND PROCEDURES 10 Participation Policies 10 Auditions 11 Casting Policies 11 Conflicts 11 Computer Lab Policies 12 Key Policies 12 Theatre and Rehearsal Space Policies 12 Rehearsal Policies 13 Theatre and Dance Space Policies 13 Matinee and Touring Production Policies 15 Purchasing Policies and Procedures 15 School Charge Accounts 15 Production Spread Sheet 15 Petty Cash 16 Expense Reimbursements 16 School of Theatre and Dance Box Office Policies 16 i School of Theatre and Dance Complimentary
    [Show full text]
  • Production Staff Job Descriptions
    Production Staff Job Descriptions The following pages contain information about basic duties and expectations for various volunteer and paid staff positions relevant to shows. • Producer • Production Coordinator • Assistant Director • Cast Board Committee Chair • Cast Management Committee Chair • Cast Party Committee Chair • Choreographer • Concessions Committee Chair • Costume Committee Chair • Costume Designer • Costume Organizer • Director • Hair and Make-up Committee Chair • House Manager • Microphone Manager • Musical Director • Photographer • Playbill Committee Chair • Props Committee Chair • Publicity Committee Chair • Set Building, Move-in and Strike Committee Chair • Set Designer • Set Painting Committee Chair • Stage Crew Manager Auxiliary Board • Group Sales Coordinator • Publicity Coordinator 1 Producer Reports to: Children’s Theatre of Elgin Board of Directors Job Description: The Producer is ultimately responsible for the entire production, including the financial performance. Producer should ensure that the production breaks even or generates a modest gain as dictated by the Board. Responsibilities: ◊ Provide a show budget for approval by the board; establish and adhere to the production budget ◊ Pay royalties for the show ◊ Hire (If appropriate): Director Orchestra Conductor, Orchestra Production Coordinator Vocal Director Script Writer (If required) Photographer Set Designer Musical Arranger Costume Designer Master Carpenter Choreographer Sound Engineer Stage Manager Lighting Designer Audition Accompanist Graphic Designer
    [Show full text]
  • Glossary of Filmmaker Terms
    Above the Line Clapboard Generally the portion of a film's budget that covers A small black or white board with a hinged stick on the costs associated with major creative talent: the top that displays identifying information for each shot stars, the director, the producer(s) and the writer(s). in the movie. Assists with organizing shots during (See also Below the Line) editing process; the clap of the stick allows easier Art Director synchronization of sound and video within each shot. The crew member responsible for the design, look Construction Coordinator and feel of a film's set. Includes props, furniture, sets, Also known as the construction manager, this person etc. Reports to the production designer. supervises and manages the physical construction of Assistant Director (A.D.) sets and reports to the art director and production Carries out the director’s instructions and runs the set. designer. The first A.D. is responsible for preparing the Dailies production schedule and script breakdown, making The rough shots viewed immediately after shooting sure shooting stays on schedule and on budget. The each day by the director, along with the second A.D. is responsible for distributing information cinematographer or editor. Used to help ensure and cast notifications, keeping track of hours worked proper coverage and the quality of the shots gathered. by cast and crew, management of extras, signing Director actors in and out and preparing call sheets. The The person in charge of the overall cinematic vision of second A.D. is also in charge of the production the film and the performance of the actors.
    [Show full text]
  • Almost an Angel Tail Credits
    Cast of Characters Terry Dean Paul Hogan Steve Elias Koteas Rose Garner Linda Kozlowski Mrs Garner Doreen Lang Father Douglas Seale Irene Bealeman Ruth Warshawsky George Bealeman Parley Baer Sergeant Freebody Michael Alldredge Detective Bill David Alan Grier Teller Larry Miller Bubba Travis Venable Guido Robert Sutton Reverend Barton Ben Slack Tom the Guard Troy Curvey, Jr, Young Guard Trainee Eddie Frias Thug Peter Mark Vasquez Thug’s Crony Lyle J. Omori Prisoner #1 Joseph Walton 2nd Male Teller Steven Brill Uniformed Cop Richard Grove Mother Susie Duff Small Boy Justin Murphy Driver (Van) Greg Barnett Doctor Ray Reinhardt Young Nurse Laurie Souza Pop Hank Worden Bank Customer #1 Vickilyn Reynolds Bank Customer #2 Shawn Schepps Bank Teller Candi Milo Hood Nervo at Bank Randy Vasquez Hood Driver at Bank Mike Runyard Wino in Lane Tony Veneto Man with “T” Shirt Doug Ford Homeless Man Charles David Richards Bonzo Burger Server Brian Frank Female TV Reporter Linda Kurimoto Diner Waitress Stephanie Hodge Moses Bros. Truck Driver Bob Minor Paradise Bar Bartender Leslie Morris Man at Bar Don G. Ross Paradise Bar Local Hal Landon, Jr. Paradise Bar Pool Player Steph Duvall Small Town Older Hood William DeAcutis Small Town Younger Hood Sean Faro Boxing Boy Christian Benz Belnavis Girl Jeri Windom Boy #1 E’Lon Boy #2 Jason Marsden Boy #3 Bert David DeFrancis Boy #4 Anthony Trujillo Terry’s Hit Truck Driver Peter Stader Paramedic Joey LeMond Special Appearance by Joe Dallesandro as Bank Hood Leader Stunt Players Noon Orsatti Jack Gill Ernie Orsatti James Halty Rawn Hutchinson Andy Gill Gene LaBelle Ronnie Rondell Mike DeLuna Chris Nielsen R.
    [Show full text]
  • Direct Impact FM Server 2
    International Cinematographers Guild - I.A.T.S.E. Local 667 Page 1 August 1, 2013 Bailout - T: LB Feature , F: Possibility Sept 2013 , Production Manager TBC Director TBC Production Coordinator TBC Producer TBC Director of Photography TBC Camera Operator TBC 1st Assistant TBC 2nd Assistant TBC Publicist TBC Still Photographer TBC Trainee TBC Beauty and the Beast - Season 2 Jul 22, 2013 - Apr 22, 2014 T: 416-239-9938 CBS TV Series 22 x 1-hr eps 777 Kipling Avenue, Suite 102, F: 416-239-5366 Arri Alexa Toronto, ON M8Z 5Z4 [email protected] Production Manager David Till Director Various Production Coordinator Janet Gaylord Producer Kevin Lafferty DOP (alternating episodes) Bruce Chun B Operator/Steadicam Jason Vieira DOP (alternating episodes) David Makin (starting eps. 6) B Camera 1st Assistant Ryan Gillard Camera Operator Roger Finlay B Camera 2nd Assistant Angel Gonzalez Jr. 1st Assistant Gottfried Pflugbeil 2nd Assistant Sarah Lollar Publicist - Still Photographer Various Data Management Technician Morning Glory 24 Frame Playback Gyorgy Darvas Trainee Daniel Adlam Beethoven's Treasure Sep 04, 2013 - Oct 08, 2013 T: 902-406-3180 NBC Universal Feature 640 Francklyn Street, F: 902-406-3181 Direct to DVD Halifax, NS B3H 3B5 Production Manager Margaret Harrison Director Ron Oliver Production Coordinator Cathy Grant Producer Al Dickerson Director of Photography C. Kim Miles (669) B Camera Operator Gordon Miller, csc Camera Operator Doug Schwartz (669) 1st Assistant John Cochrane 2nd Assistant TBC Publicist Sue Baldaro Still Photographer Chris Helcermanas-Benge (669) Data Management Technician Daniel Buchanan Trainee TBC International Cinematographers Guild - I.A.T.S.E.
    [Show full text]
  • Download and Fill out the PRODUCTION
    AN ONLINE E-BOOK WITH 1,000 9,500+ 2,200 PRINTED DIRECTORIES UNIQUE VISITORS ANNUALLY LISTINGS 100+ 284 ADVERTISERS IN THE BOOK & ONLINE PAGES AN ONLINE, SEARCHABLE DATABASE ACCESSED BY VISIT OZONLINE.TV TENS OF THOUSANDS TO GET LISTED ANNUALLY Oz Publishing, Inc - Charlotte Regional Film & Video Guide Media Kit 2018–2019 2 Dear Film & Television Professional: The Charlotte Regional Film & Video Guide and Ozonline.tv showcase the production services and industry professionals that make Charlotte the production and gaming center of the East. The Guide and website are THE ultimate resources for producers and industry decision-makers. Help us present a strong and unified marketplace – and generate business for yourself. Get listed in the Charlotte Regional Film & Video Guide! Gary Powell, Publisher I moved to Charlotte from L.A. I began listing in the Charlotte The Production Guide and in 2002. I use the Charlotte Regional Film and Video Guide a online listings have created an Regional Film and Video Guide to number of years go. Now, I purchase incredible response and interest in hire crew and vendors. The more display advertising in the printed Eagle Eye Productions, more than any people and companies we have and online version of the Guide. I other advertising outlet that we have listed, the more Charlotte will grow have always been pleased with the found anywhere!” as a production destination.” results. Year after year, the Guide has consistenly shown a significant return Rob Fleeger, Owner and President, Jennifer Oates, Production on
    [Show full text]
  • DOCUMENT RESUME CE 056 758 Central Florida Film Production Technology Training Program. Curriculum. Universal Studios Florida, O
    DOCUMENT RESUME ED 326 663 CE 056 758 TITLE Central Florida Film Production Technology Training Program. Curriculum. INSTITUTION Universal Studios Florida, Orlando.; Valencia Community Coll., Orlando, Fla. SPONS AGENCY Office of Vocational and Adult Education (ED), Washington, DC. PUB DATE 90 CONTRACT V199A90113 NOTE 182p.; For a related final report, see CE 056 759. PUB TYPE Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus PoQtage. DESCRIPTORS Associate Degrees, Career Choice; *College Programs; Community Colleges; Cooperative Programs; Course Content; Curriculun; *Entry Workers; Film Industry; Film Production; *Film Production Specialists; Films; Institutional Cooperation; *Job Skills; *Occupational Information; On the Job Training; Photographic Equipment; *School TAisiness Relationship; Technical Education; Two Year Colleges IDENTIFIERS *Valencia Community College FL ABSTRACT The Central Florida Film Production Technology Training program provided training to prepare 134 persons for employment in the motion picture industry. Students were trained in stagecraft, sound, set construction, camera/editing, and post production. The project also developed a curriculum model that could be used for establishing an Associate in Science degree in film production technology, unique in the country. The project was conducted by a partnership of Universal Studios Florida and Valencia Community College. The course combined hands-on classroom instruction with participation in the production of a feature-length film. Curriculum development involved seminars with working professionals in the five subject areas, using the Developing a Curriculum (DACUM) process. This curriculum guide for the 15-week course outlines the course and provides information on film production careers. It is organized in three parts. Part 1 includes brief job summaries ofmany technical positions within the film industry.
    [Show full text]
  • Collective Agreement Film
    Collective Agreement Film between Alliance québécoise des techniciens de l’image et du son and Association québécoise de la production médiatique From October 5, 2015 to September 30, 2018 Table of Contents Chapter 1 Purpose and Scope of Application ................................................................................1 1.1 Purpose .................................................................................................................................................... 1 1.2 Scope of Application ................................................................................................................................ 1 1.3 Producers Bound ..................................................................................................................................... 1 1.4 Employees Not Covered .......................................................................................................................... 1 1.5 Trainees and Apprentices Not Covered ................................................................................................... 1 1.6 Foreign Resident ...................................................................................................................................... 1 1.7 Quebec Resident ...................................................................................................................................... 2 1.8 Application to Live Performance Recordings ........................................................................................... 2 1.9
    [Show full text]
  • Production Audio High Performance Tools for Professionals
    PRODUCTION AUDIO HIGH PERFORMANCE TOOLS FOR PROFESSIONALS ® Sound Devices was founded in 1998 to fulfill a single promise - design and build robust field-production tools, that offer superb audio quality and improve our customers’ work lives. Today, Sound Devices’ family of portable audio mixers, recorders, preamps, and computer interfaces is trusted by professionals worldwide. ® Special thanks to our customers’ who shared their thoughts and photos of our audio products in action. DEFINING PRODUCTION AUDIO™ 6-SERIES 688 Key Features Likewise, Dan Dugan is a name synonymous with automixing. • 12 analog inputs: Six mic/line preamps plus His well-respected auto mixer algorithm is an audio industry six line inputs all with front-panel faders & PFLs standard. Sound Devices is proud to have collaborated with Dan • 16-track recording to SD & CompactFlash® Dugan Sound Design on making the 688 the first ever portable cards; Timecode-stamped WAV & MP3 files mixer/recorder to offer built-in Dugan automixing. With Dugan • MixAssist & Dugan 12-input auto mixers auto mixer, multi-mic speech applications are mixed with smooth • Eight output buses: L/R mix plus Aux 1-6; automatic cross-fades for clear, optimized audio recordings. transformer-balanced XLR & Hirose outs for freedom from ground loops • Two AES42/AES3 inputs, Unsurpassed Recording The 688 offers 16-track, polyphonic eight AES3 outputs or monophonic broadcast WAV file recording to SD and • Direct menu control of SuperSlot-compatible CompactFlash cards. The memory cards can be set wireless (with the SL-6) See page 9. independently, recording either identical material for real-time • PowerSafe™ protects files with a 10 second backup, or combinations of WAV and MP3 files.
    [Show full text]
  • FAQ About Film Production — 1 Action Movie Makers Training
    Action Movie makers training © 2016 FAQ About Film Production — www.actionmoviemakerstraining.com 1 Action Movie makers training FAQ About Film Production By Philippe Deseck July 2016 Content • About the Author • What is a Producer? • What is an Executive Producer? • What is a Line Producer? • What is a Supervising Producer? • What is a Co-Producer? • What is a Director? • What is a Unit Production Manager? • What is a 2nd Unit Director? • What is an Action Director? • What is an Assistant Director? • What is a Director of Photography? • What is a Script Supervisor? © 2016 FAQ About Film Production — www.actionmoviemakerstraining.com 2 Action Movie makers training • What is Sound Recordist? • What is a Video Split Operator? • What is a Key Grip? • What is a Gaffer? • What is a Safety Supervisor? • What is a Stunt Coordinator? • What is a Stunt Double? • What is a Stunt Rigger? • What is a Choreographer? • When is a Stunt Co-ordinator required on your Production? • An Example of all the Different Departments that work on a Feature Film © 2016 FAQ About Film Production — www.actionmoviemakerstraining.com 3 Action Movie makers training About the Author IMDB PROFILE: http://www.imdb.com/name/nm3455222/?ref_=fn_al_nm_1 Since a very young age Philippe has had a love for movies, particularly action movies from Hong Kong. Since 1994 Philippe has been actively involved in film, TV and radio whilst living in Thailand. Philippe’s movie credits include Street Fighter - where he was first introduced to stunt man Ronnie Vreeken, Operation Dumbo Drop and The Quest - where he met stunt man Alex Kuzelicki.
    [Show full text]