The Decameron of Giovanni Boccaccio, by 1
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Successe in Valdichiana
Successe in Valdichiana Copyright - © - 2010 - Thesan & Turan S.r.l. Via San Donato, 12 - 53045 Montepulciano (Si) www.thesaneturan.it ISBN 9 Alessandro Angiolini SUCCESSE IN VALDICHIANA Storie, luoghi e personaggi THESAN & TURAN EDITORE Prefazione dell’autore Ho raccolto in questo libro quasi un decennio di scritti nati dalla passione per la storia della mia terra, la Valdichiana. Una ela- borazione di una parte dei testi pubblicati negli anni su giornali e periodici toscani ai quali ancora oggi collaboro, o meglio, una dovuta rielaborazione con aggiunte di notizie e approfondimenti descrittivi resi possibili dalla libertà di battute che ti può concede- re una pubblicazione. Forse non leggerete nulla di nuovo di quello che è già stato scritto su questa terra da autori illustri negli anni e nei secoli pas- sati, ma nonostante questo credo di essere riuscito, senza lode e senza infamia, in modo scorrevole e semplice, a descrivere una serie di avvenimenti con una visione diversa dal solito raccontare, con qualche piccola ed inedita scoperta e con la consapevolezza che la storia, a volte, è anche intuizione. In queste pagine ho riversato il mio amore per la storia studiata in centinaia di libri e documenti, vecchi e nuovi, validi e meno validi, intonsi e strappati, appunti scarabocchiati da chissà chi, magari alcuni rarissimi recuperati per volontà del destino dall’oblio della spazzatura della carta straccia. E i protagonisti che troverete nei trentadue capitoli di questo libro saranno i nomi di vecchie strade e i loro millenari percorsi, i toponimi dimenticati che indicano ancora il passaggio di perdute vie etrusche e romane, le vicende di antichi luoghi abitati e oggi sconosciuti, le pionieristiche ferrovie con le loro stazioni nate e abbandonate, sognate o mai realizzate. -
Boccaccio, Dante, and the Visual Arts
humanities Article Canines in the Classroom: Boccaccio, Dante, and the Visual Arts Julia Cozzarelli Department of Modern Languages and Literatures, Ithaca College, 953 Danby Rd, Ithaca, NY 14850, USA; [email protected]; Tel.: +1-607-274-3513 Academic Editor: Patricia Emison Received: 19 January 2016; Accepted: 15 August 2016; Published: 18 August 2016 Abstract: The article has two primary objectives: it presents an analysis of the representation of animals in selected Italian literary works; and it utilizes that analysis as an example of how to incorporate the visual arts in teaching literature in the undergraduate classroom. The literary works discussed include Dante’s Inferno and the myth of Romulus and Remus as preparation for Boccaccio’s Decameron, specifically novelle IX.7 and V.8, with a thematic focus on portrayals of canines. The article argues that the use of artwork from the medieval and Renaissance periods, such as statuary, illustrated manuscripts, images in bestiaries, and works by Botticelli and other well-known artists, can be used to complement and reinforce interpretations of the texts, and are a powerful and effective tool in the learning process. Keywords: Boccaccio; Decameron; Dante; Botticelli; dogs and wolves; visual imagery; pedagogy 1. Introduction Literary scholars consider Boccaccio’s Decameron to be one of the seminal works that ushered in the Italian Renaissance, marking Florence as its very birthplace. The Decameron is situated on the threshold of humanism, and of a prolific period of transformation not only in literature, but also in the fine arts. Given the intimate relationships between written literary works and the visual arts, instructors are not limited to presenting Italian literature as an independent discipline whose interpretation is sought and expressed through text alone. -
The Arno River Floods
Giornale di Geologia Applicata 1 (2005) 177 –192, doi: 10.1474/GGA.2005-01.0-18.0018 The Arno River Floods Enrica Caporali1, Massimo Rinaldi1, Nicola Casagli2 1Department of Civil Engineering, University of Firenze, Via S.Marta 3, 50139 Firenze, Italy 2Department of Earth Sciences, University of Firenze, Via La Pira 4, 50121 Firenze, Italy ABSTRACT. The flood history of the Arno River, Italy, is initially described in the wider context of the river system evolution and its interactions with natural and human causes, with particular attention to the last two millennia. A description of the flood history is then reported, using the original data of Morozzi (1762) integrated with more recent data. Eight flood events can be defined as exceptional, but Florence was also inundated in 48 other minor floods. The flood of 4 November 1966 is described in detail, with particular focus on the meteorological causes that determined the exceptionality of the event. After the flood of 1966, other significant events occurred in 1992 over the whole Arno watershed, particularly upstream of Florence. The prevention measures (structural and non-structural measures for flood mitigation) carried out from 1966 to the present day are also described. Key terms: Arno River, Floods, Florence, Flood mitigation Introduction General Setting The Arno River basin in Italy is a quite particular case in The Arno River is almost entirely situated within Tuscany, terms of flood risk issues. Most of the territory is prone to Central Italy. The river is 241 km long while the catchment frequent flood hazards, with high levels of risk due to the has an area of about 8830 km2 and a mean elevation of 353 vulnerability of a unique artistic and cultural heritage. -
Homer's Odyssey and the Image of Penelope in Renaissance Art Giancarlo FIORENZA
223 Homer's Odyssey and the Image of Penelope in Renaissance Art Giancarlo FIORENZA The epic heroine Penelope captured the Renaissance literary and artistic imagination, beginning with Petrarch and the recovery of Homer's poetry through its translation into Latin. Only a very small number of humanists in the 14'h century were able to read Homer in the Greek original, and Petrarch's friend Leontius Pilatus produced for him long-awaited Latin translations of the Iliad 1 and Odyssey in the 1360s • Profoundly moved by his ability to finally compre hend the two epics (albeit in translation), Petrarch composed a remarkable letter addressed to Homer in which he compares himself to Penelope: "Your Penelope cannot have waited longer nor with more eager expectation for her Ulysses than I did for you. At last, though, my hope was fading gradually away. Except for a few of the opening lines of certain books, from which there seemed to flash upon me the face of a friend whom I had been longing to behold, a momen tary glimpse, dim through the distance, or, rather, the sight of his streaming hair, as he vanished from my view- except for this no hint of a Latin Homer had come to me, and I had no hope of being able ever to see you face to face"'. The themes of anticipation and fulfillment, and longing and return that are associated with the figure of Penelope coincide with the rediscovery of ancient texts. To encounter Homer for the first time in a language with which one was 3 familiar was as much a personal as a literary experience • As Nancy Struever observes, Petrarch's Le Familiari, a collection of letters addressed to contemporary friends and ancient authors, values friendship and intimate exchange because 4 it leads to knowledge and affective reward • Books on their own (Le Familiari, XII, 6) constituted surrogate friends with whom Petrarch could correspond, con verse, exchange ideas, and share his affections. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
Mappa Del Parco
Napoleonico Elisa Baciocchi, Granduchessa di Toscana dal 1807 HISTORICAL HINTS al 1815, trasforma definitivamente le Cascine in Parco Pubblico, Le Cascine was once the property of Alessandro and Cosimo I dimostrando una concezione di rara modernità. de’ Medici (sixteenth century) who purchased the land, using it A Giuseppe Poggi si deve l'idea del grande piazzale di accesso as a hunting ground and a place to farm and breed cattle. al Parco da cui deriva, se pur con riduzioni e modifiche, la During the 18th century, thanks to Pietro Leopoldo, the sistemazione attuale del Piazzale Vittorio Veneto. Alla fine Habsburg-Lorraine Grand Duke of Tuscany, the area was degli anni '30 l'architetto Raffaello Fagnoni realizza la scuola di accessible to the public, although only in some occasions (Court guerra aerea, commissionata nel 1935 e finita nel 1938. È Feasts, Ascension day). In the same period (1785) the architect Il Parco delle Cascine è il polmone verde della città, a due passi questo l'ultimo intervento architettonico significativo Giuseppe Manetti created important buildings such as the dal centro. Il più ampio parco pubblico di Firenze con una all’interno del parco. “Palazzina Reale” and the “Ghiacciaia-Piramide”. Elisa superficie di oltre 130 ettari che corre parallela al fiume Arno. Baciocchi, sister of Napoleon, Grand Duchess of Tuscany Caratterizzato da una ricca vegetazione, da vasti prati, viali e FLORA E FAUNA transformed definitely the Cascine in a public park vialetti, è il luogo ideale dove praticare sport (liberamente o Ricchissimo è il patrimonio arboreo del parco, con oltre 19 mila (1807-1815), thus giving the city a vast green area. -
Leggi Ilcittadinonline 26.08.2015
ILCITTADINOONLINE.IT(WEB) Data 26-08-2015 Pagina Foglio 1 / 3 HOME CHI SIAMO REDAZIONE EDITORIALI CONTATTACI CRONACA PALIO ECONOMIA CULTURA TUTTO AGENDA LAVORO SCIENZA NON SOLO NEWS QUI TERZO SULLA E PROVINCIA E CONTRADE E POLITICA E SPETTACOLI SPORT ED EVENTI E FORMAZIONE E AMBIENTE SIENA DAL MONDO COLDIRETTI SETTORE TAVOLA LE VOCI FOTO DEGLI ALTRI GALLERY Home Manifestazioni ed Eventi LiberaMente Massoneria: il Grande Oriente d’Italia incontra la società Data: 26 agosto 2015 11:08 in: Manifestazioni ed Eventi 3 Letture Il Grande Oriente a Radicofani: un posto dove rivivere le atmosfere magiche del Medioevo in compagnia della Massoneria. RADICOFANI. Fortunatamente, nel nostro Paese, esistono molti luoghi che per la loro storia richiamano alla mente personaggi, azioni, idee e principi, luoghi che sono capaci di regalare sensazioni ed atmosfere assai suggestive e ricche di emotività. Il piccolo e caratteristico centro di Radicofani, nel sud della provincia senese, durante il Medioevo è stato teatro di avvenimenti curiosi legati ad una figura tanto nota ai contemporanei quanto dimenticata ai giorni nostri, Messer Ghino di Tacco, ghibellino convinto, eroina del popolo, dannazione del potere guelfo e papale. La maggioranza di coloro che ricordano il nome di Ghino di Tacco al giorno d’oggi, lo collegano a Bettino Craxi che amava Radicofani e la sua storia, tanto da firmarsi con questo pseudonimo che, appunto, richiamava nello statista -che ne conosceva bene la biografia- un “personaggio condannato ingiustamente” e paladino di alcuni valori a lui assai graditi. Quest’uomo che molti definirono un Robin Hood, dopo esser fuggito dalla condanna capitale che colpì l’intera famiglia, conquistò la fortezza di Radicofani in modo da controllare il vicino tratto di Via Francigena (la romana Cassia) che tutti conosciamo per l’importanza rivestita nella viabilità dell’epoca, indomito assertore degli ideali ghibillini fece della roccaforte la base delle sue scorrerie che colpivano i ricchi viandanti che la percorrevano in viaggio da e per Roma. -
Petrarch and Boccaccio: the Rewriting of Griselda's Tale
Heliotropia 16-17 (2019-20) http://www.heliotropia.org Petrarch and Boccaccio: The Rewriting of Griselda’s Tale (Dec. 10.10). A Rhetorical Debate on Latin and Vernacular Languages∗ he story of Griselda has always raised many interpretative problems. One could perhaps suggest that when Boccaccio has his storytellers T quarrel over the meaning of the last novella, he is anticipating the critical controversy that this text has sparked throughout its long and suc- cessful career in Europe. The first critic and reader of Boccaccio’s tale was Petrarch, whom Boc- caccio met for the first time in Florence in 1350. The following year, Boccac- cio met the elder poet in Padua to invite him, unsuccessfully, to assume a position as a professor at Florence’s Studium. The cultural and personal bond between Boccaccio and Petrarch dates back to that time.1 This friend- ship, marked by intense correspondence and mutual invitations, was always affected by an inherent tension over Dante’s poetics. For Petrarch, the Com- media was irreconcilable with his well-known aristocratic and elitist con- ception of literature; Boccaccio, however, soon became Dante’s ‘advocate,’ promoting the poetics of the Commedia.2 The Dante debate between Boccaccio and Petrarch expresses a differ- ence of opinion concerning vernacular literature, its dignity and its appro- priateness for dealing with issues traditionally entrusted to Latin. Famili- ares 21.15, addressed to Boccaccio, is an important token of Petrarch’s atti- tude towards Dante. Rejecting any charge of envy, Petrarch presents the is- sue of language as the real reason he dismisses Dante’s poetry: ∗ I would like to thank Prof. -
Jennifer Rushworth
Jennifer Rushworth Petrarch’s French Fortunes: negotiating the relationship between poet, place, and identity in the sixteenth and nineteenth centuries This article reconsiders Petrarch’s French afterlife by juxtaposing a time of long-recognised Petrarchism — the sixteenth century — with a less familiar and more modern Petrarchist age, the late eighteenth and early nineteenth centuries. Of particular interest is how French writers from both periods understand and represent Petrarch’s associations with place. This variously proposed, geographically defined identity is in turn regional (Tuscan/Provençal) and national (Italian/French), located by river (Arno/Sorgue) and city (Florence/Avignon). I argue that sixteenth-century poets stress Petrarch’s foreignness, thereby keeping him at a safe distance, whereas later writers embrace Petrarch as French, drawing the poet closer to (their) home. The medieval Italian poet Francesco Petrarca (known in English as Petrarch, in French as Pétrarque) is the author of many works in Latin and in Italian, in poetry and in prose (for the most complete and accessible account, see Kirkham and Maggi). Since the sixteenth century, however, his fame has resided in one particular vernacular form: the sonnet. In his poetic collection Rerum vulgarium fragmenta, more commonly and simply known as the Canzoniere, 317 of the total 366 are sonnets. These poems reflect on the experience of love and later of grief, centred on the poet’s beloved Laura, and have been so often imitated by later poets as to have given rise to a poetic movement named after the poet: Petrarchism. In the words of Jonathan Culler, “Petrarch’s Canzoniere established a grammar for the European love lyric: a set of tropes, images, oppositions (fire and ice), and typical scenarios that permitted generations of poets throughout Europe to exercise their ingenuity in the construction of love sonnets” (69). -
Full Name Field Dates Project Title Abbondanza, Roberto History 1964
Full Name Field Dates Project Title Abbondanza, Umanesimo giuridico, giovinezza di history 1964/1965 Roberto Andrea Alciato George Eliot, the Florentine Abbott, Ruth literature 2016/2017 Renaissance, and the History of Scholarship Literary criticism of the Hungarian Acs, Pal literature 1993/1994 Renaissance Addona, Victoria art history 2015/2016 Dissemination of the Manner of the Adelson, Candace art history 1976/1977 1st School of Fontainebleau as evidenced in 16th-c Italian art The Bolognese villa in the age of Aksamija, Nadja art history 2012/2013 Cardinal Gabriele Paleotti I Disegni di Michelangelo per il Alberio, Elena art history 2017/2018 Cristo Risorto: Problemi di committenza e sviluppi iconografici Histoire de la dépose des peintures Albers, Geraldine art history 2001/2002 murales en Italie. Mémoire des lieux, voyage de oeuvres The humanist and his dog: the social and anthropological aspects of Almasi, Gabor literature 2006/2007 scholarly dogkeeping in the Italian Renaissance American Drawing, Renaissance Anania, Katie art history 2017/2018 Historiography, and The Remains of Humanism in the 1960s 1. A monograph on Giovanni Bellini 2. An exhibition on late Titian to Anderson, Jaynie art history 2000/2001 travel to Canberra and Melbourne, Australia A biography of Giovanni Morelli Anderson, Jaynie art history 2008/2009 (1816-1891) 'Florentinis ingeniis nihil ardui est': Andreoli, Ilaria art history 2011/2012 The Florentine Illustrated Book (1490-1550) Andreoni, Benedetto Varchi lettore di Dante e literature 2007/2008 Annalisa Petrarca all'Accademia Fiorentina The employment of 'religiosi' by Andrews, Frances history 2004/2005 governments of early Renaissance Italy Religion and Public Life in Late Andrews, Frances history 2010/2011 Medieval Italy Andrews, Noam history 2015/2016 Full Name Field Dates Project Title Genoese Galata. -
Locating Boccaccio in 2013
Locating Boccaccio in 2013 Locating Boccaccio in 2013 11 July to 20 December 2013 Mon 12.00 – 5.00 Tue – Sat 10.00 – 5.00 Sun 12.00 – 5.00 The John Rylands Library The University of Manchester 150 Deansgate, Manchester, M3 3EH Designed by Epigram 0161 237 9660 1 2 Contents Locating Boccaccio in 2013 2 The Life of Giovanni Boccaccio (1313-1375) 3 Tales through Time 4 Boccaccio and Women 6 Boccaccio as Mediator 8 Transmissions and Transformations 10 Innovations in Print 12 Censorship and Erotica 14 Aesthetics of the Historic Book 16 Boccaccio in Manchester 18 Boccaccio and the Artists’ Book 20 Further Reading and Resources 28 Acknowledgements 29 1 Locating Boccaccio Te Life of Giovanni in 2013 Boccaccio (1313-1375) 2013 is the 700th anniversary of Boccaccio’s twenty-first century? His status as one of the Giovanni Boccaccio was born in 1313, either Author portrait, birth, and this occasion offers us the tre corone (three crowns) of Italian medieval in Florence or nearby Certaldo, the son of Decameron (Venice: 1546), opportunity not only to commemorate this literature, alongside Dante and Petrarch is a merchant who worked for the famous fol. *3v great author and his works, but also to reflect unchallenged, yet he is often perceived as Bardi company. In 1327 the young Boccaccio upon his legacy and meanings today. The the lesser figure of the three. Rather than moved to Naples to join his father who exhibition forms part of a series of events simply defining Boccaccio in automatic was posted there. As a trainee merchant around the world celebrating Boccaccio in relation to the other great men in his life, Boccaccio learnt the basic skills of arithmetic 2013 and is accompanied by an international then, we seek to re-present him as a central and accounting before commencing training conference held at the historic Manchester figure in the classical revival, and innovator as a canon lawyer. -
Lawyers in the Florence Consular District
Lawyers in the Florence Consular District (The Florence district contains the regions of Emilia-Romagna and Tuscany) Emilia-Romagna Region Disclaimer: The U.S. Consulate General in Florence assumes no responsibility or liability for the professional ability, reputation or the quality of services provided by the persons or firms listed. Inclusion on this list is in no way an endorsement by the Department of State or the U.S. Consulate General. Names are listed alphabetically within each region and the order in which they appear has no other significance. The information on the list regarding professional credentials, areas of expertise and language ability is provided directly by the lawyers. The U.S. Consulate General is not in a position to vouch for such information. You may receive additional information about the individuals by contacting the local bar association or the local licensing authorities. City of Bologna Attorneys Alessandro ALBICINI - Via Marconi 3, 40122 Bologna. Tel: 051/228222-227552. Fax: 051/273323. E- mail: [email protected]. Born 1960. Degree in Jurisprudence. Practice: Commercial law, Industrial, Corportate. Languages: English and French. U.S. correspondents: Kelley Drye & Warren, 101 Park Avenue, New York, NY 10178, Gordon Altman Butowski, 114 West 47th Street, New York, NY 10036- 1510. Luigi BELVEDERI – Via degli Agresti 2, 40123 Bologna. Tel: 051/272600. Fax: 051/271506. E-mail: [email protected]. Born in 1950. Degree in Jurisprudence. Practice: Freelance international attorney since 1978. Languages: English and Italian. Also has office in Milan Via Bigli 2, 20121 Milan Cell: 02780031 Fax: 02780065 Antonio CAPPUCCIO – Piazza Tribunali 6, 40124 Bologna.