Building the Lesbian Community in Colorado, 1970-1980
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Montréal's Gay Village
Produced By: Montréal’s Gay Village Welcoming and Increasing LGBT Visitors March, 2016 Welcoming LGBT Travelers 2016 ÉTUDE SUR LE VILLAGE GAI DE MONTRÉAL Partenariat entre la SDC du Village, la Ville de Montréal et le gouvernement du Québec › La Société de développement commercial du Village et ses fiers partenaires financiers, que sont la Ville de Montréal et le gouvernement du Québec, sont heureux de présenter cette étude réalisée par la firme Community Marketing & Insights. › Ce rapport présente les résultats d’un sondage réalisé auprès de la communauté LGBT du nord‐est des États‐ Unis (Maine, Vermont, New Hampshire, État de New York, Massachusetts, Rhode Island, Connecticut, Pennsylvanie, New Jersey, Delaware, Maryland, Virginie, Ohio, Michigan, Illinois), du Canada (Ontario et Colombie‐Britannique) et de l’Europe francophone (France, Belgique, Suisse). Il dresse un portrait des intérêts des touristes LGBT et de leurs appréciations et perceptions du Village gai de Montréal. › La première section fait ressortir certaines constatations clés alors que la suite présente les données recueillies et offre une analyse plus en détail. Entre autres, l’appréciation des touristes qui ont visité Montréal et la perception de ceux qui n’en n’ont pas eu l’occasion. › L’objectif de ce sondage est de mieux outiller la SDC du Village dans ses démarches de promotion auprès des touristes LGBT. 2 Welcoming LGBT Travelers 2016 ABOUT CMI OVER 20 YEARS OF LGBT INSIGHTS › Community Marketing & Insights (CMI) has been conducting LGBT consumer research for over 20 years. Our practice includes online surveys, in‐depth interviews, intercepts, focus groups (on‐site and online), and advisory boards in North America and Europe. -
Articulating Lesbian Human Rights: the Creation of a Convention on the Elimination of All Forms of Discrimination Against Lesbians
ESSAY ARTICULATING LESBIAN HUMAN RIGHTS: THE CREATION OF A CONVENTION ON THE ELIMINATION OF ALL FORMS OF DISCRIMINATION AGAINST LESBIANS Nadine Gartner, "As lesbians, we are both outside the law and within it. And yet, we are always under it. Sometimes under it in the sense of being beneath notice, not deserving of legal recognition. And at other times, under it in the sense of being under a system2 that dominates, being under its power." - Ruthann Robson "Lesbians have a radical social vision - we are the bearers of a truly new world order, not the stench of the same old world 3 odor." - Urvashi Vaid I. INTRODUCTION Lesbians 4 around the world suffer from a variety of human rights violations based upon their sexual orientation. FannyAnn 1. A.B., 2001, Bryn Mawr College; J.D. candidate, University of Michigan Law School, 2006. I thank Christine Chinkin and Catharine MacKinnon for teaching the course that inspired this project. Special thanks to Jay Surdukowski for reviewing an early draft. 2. RUTHANN ROBSON, LESBIAN (OuT)LAw 11 (1992). 3. Urvashi Vaid, Let's Put Our Own House in Order, in LESBIANS, GAY MEN, AND THE LAW, 566, 568 (William B. Rubenstein ed., 1993). 4. I use the term "lesbian" to connote women-identified individuals who en- gage in romantic and/or sexual relationships with other women-identified persons for any duration at any time of their lives. This is meant to be the broadest and most-inclusive definition so that women who identify as lesbian, bisexual, trans- gender or transsexual, heterosexual, or asexual may be considered, so long as they identify themselves as women and have been, are currently, or desire to be romanti- cally and/or sexually engaged with other women. -
The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
Cultivating the Daughters of Bilitis Lesbian Identity, 1955-1975
“WHAT A GORGEOUS DYKE!”: CULTIVATING THE DAUGHTERS OF BILITIS LESBIAN IDENTITY, 1955-1975 By Mary S. DePeder A Thesis Submitted in Partial Fulfillment of the requirements for the Degree of Master of Arts in History Middle Tennessee State University December 2018 Thesis Committee: Dr. Susan Myers-Shirk, Chair Dr. Kelly A. Kolar ACKNOWLEDGMENTS I began my master’s program rigidly opposed to writing a thesis. Who in their right mind would put themselves through such insanity, I often wondered when speaking with fellow graduate students pursuing such a goal. I realize now, that to commit to such a task, is to succumb to a wild obsession. After completing the paper assignment for my Historical Research and Writing class, I was in far too deep to ever turn back. In this section, I would like to extend my deepest thanks to the following individuals who followed me through this obsession and made sure I came out on the other side. First, I need to thank fellow history graduate student, Ricky Pugh, for his remarkable sleuthing skills in tracking down invaluable issues of The Ladder and Sisters. His assistance saved this project in more ways than I can list. Thank-you to my second reader, Dr. Kelly Kolar, whose sharp humor and unyielding encouragement assisted me not only through this thesis process, but throughout my entire graduate school experience. To Dr. Susan Myers- Shirk, who painstakingly wielded this project from its earliest stage as a paper for her Historical Research and Writing class to the final product it is now, I am eternally grateful. -
Sexual Controversies in the Women's and Lesbian/Gay Liberation Movements
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1985 Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements. Lisa J. Orlando University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orlando, Lisa J., "Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements." (1985). Masters Theses 1911 - February 2014. 2489. Retrieved from https://scholarworks.umass.edu/theses/2489 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POLITICS AND PLEASURES: SEXUAL CONTROVERSIES IN THE WOMEN'S AND LESBIAN/GAY LIBERATION MOVEMENTS A Thesis Presented By LISA J. ORLANDO Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1985 Political Science Department Politics and Pleasures: Sexual Controversies in the Uomen's and Lesbian/Gay Liberation Movements" A MASTERS THESIS by Lisa J. Orlando Approved by: Sheldon Goldman, Member Philosophy \ hi (UV .CVvAj June 21, 19S4 Dean Alfange, Jj' Graduate P ogram Department of Political Science Lisa J. Orlando © 1982, 1983, 1984, 1985 All Rights Reserved iii ACKNOWLEDGEMENTS I would like to thank the following friends who, in long and often difficult discussion, helped me to work through the ideas presented in this thesis: John Levin, Sheila Walsh, Christine Di Stefano, Tom Keenan, Judy Butler, Adela Pinch, Gayle Rubin, Betsy Duren, Ellen Willis, Ellen Cantarow, and Pam Mitchell. -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
Susan Faludi How Shulamith Firestone Shaped Feminism The
AMERICAN CHRONICLES DEATH OF A REVOLUTIONARY Shulamith Firestone helped to create a new society. But she couldn’t live in it. by Susan Faludi APRIL 15, 2013 Print More Share Close Reddit Linked In Email StumbleUpon hen Shulamith Firestone’s body was found Wlate last August, in her studio apartment on the fifth floor of a tenement walkup on East Tenth Street, she had been dead for some days. She was sixtyseven, and she had battled schizophrenia for decades, surviving on public assistance. There was no food in the apartment, and one theory is that Firestone starved, though no autopsy was conducted, by preference of her Orthodox Jewish family. Such a solitary demise would have been unimaginable to anyone who knew Firestone in the late nineteensixties, when she was at the epicenter of the radicalfeminist movement, Firestone, top left, in 1970, at the beach, surrounded by some of the same women who, a reading “The Second Sex”; center left, with month after her death, gathered in St. Mark’s Gloria Steinem, in 2000; and bottom right, Church IntheBowery, to pay their respects. in 1997. Best known for her writings, Firestone also launched the first major The memorial service verged on radical radicalfeminist groups in the country, feminist revival. Women distributed flyers on which made headlines in the late nineteen consciousnessraising, and displayed copies of sixties and early seventies with confrontational protests and street theatre. texts published by the Redstockings, a New York group that Firestone cofounded. The WBAI radio host Fran Luck called for the Tenth Street studio to be named the Shulamith Firestone Memorial Apartment, and rented “in perpetuity” to “an older and meaningful feminist.” Kathie Sarachild, who had pioneered consciousnessraising and coined the slogan “Sisterhood Is Powerful,” in 1968, proposed convening a Shulamith Firestone Women’s Liberation Memorial Conference on What Is to Be Done. -
Lillian Faderman Tells the Gay Story to Date
AUTHOR’S PROFILE Lillian Faderman Tells the Gay Story to Date MARY MERIAM ment in the courts or got elected to public focused on a particular period, or a particu- office so they could fix those injustices. lar aspect of our history, or a particular city ISTORIAN Lillian Faderman is an I think the biggest challenge has been to in which that history happened. I wanted to LGBT culture hero who has won sev- make this a book that tells the story of the write a sweeping history: one that began in Heral lifetime achievement awards for whole struggle—not just as it was fought on the mid-20th century, when things were as her groundbreaking scholarship in LGBT the East and West Coasts, not just as it was bad as could be, and went all the way up to history. Her most recent books are Gay L.A. fought by radicals or by mainstreamers, or the present, when the president of the United (2006), co-authored with Stuart Timmons, by gay men or white people; but the story of States supports us publicly, and the laws that and two memoirs, Naked in the Promised how an incredibly diverse group of individu- made our lives miserable are being struck Land (2003) and My Mother’s Wars.Twoof als—who often had little in common but down all over the country. her earlier books, Surpassing the Love of sexual orientation or gender identity—man- I wrote this book for the same reason I Men (1981) and Odd Girls and Twilight aged to bring about the remarkable changes generally write a book: I’m interested in Lovers (1991), were named “Notable Books that transformed us from pariah status to a finding the answer to a question. -
Is Womanism Feminism?” by Angela Bowen
Journal of International Women's Studies Volume 22 Issue 8 The Practice and Legacy of a Black Lesbian Feminist: Selections from the Archive Article 41 of Dr. Angela Bowen (1936-2018) August 2021 2002 conference talk “Calling the Question; Is Womanism Feminism?” by Angela Bowen Angela Bowen Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Bowen, Angela (2021). 2002 conference talk “Calling the Question; Is Womanism Feminism?” by Angela Bowen. Journal of International Women's Studies, 22(8), 118-130. Available at: https://vc.bridgew.edu/jiws/vol22/iss8/41 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. CALLING THE QUESTION: IS WOMANISM FEMINISM? Panel presentation and workshop; double session NWSA conference. June 15, 2002. Las Vegas, Nevada BOARDROOM C EXPLAIN WHY ELIZABETH HADLEY IS NOT THERE, THEN START WITH INTRO AND A 2-MINUTE REVIEW OF LAST YEAR’S “IS WOMANISM FEMINISM?” I. Where black women were once in the vanguard of a political movement for radical change (Combahee Statement, for instance), addressing race, class, gender, and sexual orientation in a simultaneity of oppression and of consciousness of that oppression, challenging and pushing the edges, we can no longer claim that edge if our feminist politics becomes a matter of identity only. The women of the Combahee River Collective was a group of black lesbian feminists of the 1970s, who used their ethnicity to construct a carefully considered analysis of the simultaneity of oppression, a new concept then but one of the earliest theories that fledgling women’s studies students grasp and reiterate easily. -
Queer Tastes: an Exploration of Food and Sexuality in Southern Lesbian Literature Jacqueline Kristine Lawrence University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2014 Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature Jacqueline Kristine Lawrence University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the American Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Literature in English, North America Commons Recommended Citation Lawrence, Jacqueline Kristine, "Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature" (2014). Theses and Dissertations. 1021. http://scholarworks.uark.edu/etd/1021 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature Queer Tastes: An Exploration of Food and Sexuality in Southern Lesbian Literature A thesis submitted in partial fulfillment of the requirement for the degree of Master of Arts in English By Jacqueline Kristine Lawrence University of Arkansas Bachelor of Arts in English, 2010 May 2014 University of Arkansas This thesis is approved for recommendation to the Graduate Council. _________________________ Dr. Lisa Hinrichsen Thesis Director _________________________ _________________________ Dr. Susan Marren Dr. Robert Cochran Committee Member Committee Member ABSTRACT Southern identities are undoubtedly influenced by the region’s foodways. However, the South tends to neglect and even to negate certain peoples and their identities. Women, especially lesbians, are often silenced within southern literature. Where Tennessee Williams and James Baldwin used literature to bridge gaps between gay men and the South, southern lesbian literature severely lacks a traceable history of such connections. -
Queer Censorship in US LGBTQ+ Movements Since World War II
History in the Making Volume 13 Article 6 January 2020 A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II James Martin CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Martin, James (2020) "A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II," History in the Making: Vol. 13 , Article 6. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol13/iss1/6 This Article is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. A Different Kind of Closet: Queer Censorship in U.S. LGBTQ+ Movements since World War II By James Martin Abstract: Since World War II, there has been an increased visibility of LGBTQ+ communities in the United States; however, this visibility has noticeably focused on “types” of queer people – mainly white, middle class, cisgender gays and lesbians. History remembers the 1969 Stonewall Inn riots as the catalyst that launched the movement for gay rights and brought forth a new fight for civil and social justice. This paper analyzes the restrictions, within LGBTQ+ communities, that have been placed on transpersons and gender nonconforming people before and after Stonewall. While the riots at the Stonewall Inn were demonstrative of a fight ready to be fought, there were many factors that contributed to the push for gay rights. -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library.