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The Manatee PIANO MUSIC of the Manatee BERNARD
The Manatee PIANO MUSIC OF The Manatee BERNARD HOFFER TROY1765 PIANO MUSIC OF Seven Preludes for Piano (1975) 15 The Manatee [2:36] 16 Stridin’ Thru The Olde Towne 1 Prelude [2:40] 2 Cello [2:47] During Prohibition In Search Of A Drink [2:42] 3 All Over The Piano [1:21] Randall Hodgkinson, piano 4 Ships Passing [4:12] (2014) BERNARD HOFFER 5 Prelude [1:24] Events & Excursions for Two Pianos 6 Calypso [3:52] 17 Big Bang Theory [3:15] 7 Franz Liszt Plays Ragtime [3:28] 18 Running [3:19] Randall Hodgkinson, piano 19 Wexford Noon [2:29] 20 Reverberations [3:12] Nine New Preludes for Piano (2016) 21 On The I-93 [2:23] Randall Hodgkinson & Leslie Amper, pianos 8 Undulating Phantoms [1:08] BERNARD HOFFER 9 A Walk In The Park [2:39] 10 Speed Chess [2:17] 22 Naked (2010) [5:05] Randall Hodgkinson, piano 11 Valse Sentimental [3:30] 12 Rabbits [1:06] Total Time = 60:03 13 Spirals [1:40] 14 Canon Inverso [1:44] PIANO MUSIC OF TROY1765 WWW.ALBANYRECORDS.COM TROY1765 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. The Manatee PIANO MUSIC OF The Manatee BERNARD HOFFER WWW.ALBANYRECORDS.COM TROY1765 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. -
University Symphony Orchestra "Encounters"
FierbergerCollegeYEARS of Fine Arts University Symphony Orchestra "Encounters" Timothy Russell, conductor Mischa Semanitzky and Gunther Schuller, guest conductors Kimberly Marshall, organ David Ballou, trumpet Seamus Blake, tenor saxophone Allan Chase, alto saxophone With the ASU Concert Jazz Band School of Music Herberger College of Fine Arts Arizona State University Friday, September 17, 2004 7:30 p.m. Gammage Auditorium ARIZONA STATE M UNIVERSITY Program Overture to Nabucco Giuseppe Verdi (1813 — 1901) Timothy Russell, conductor Symphony No. 3 (Symphony — Poem) Aram ifyich Khachaturian (1903 — 1978) Allegro moderato, maestoso Allegro Andante sostenuto Maestoso — Tempo I (played without pause) Kimberly Marshall, organ Mischa Semanitzky, conductor Intermission Remarks by Dean J. Robert Wills Remarks by Gunther Schuller Encounters (2003) Gunther Schuller (b.1925) I. Tempo moderato II. Quasi Presto III. Adagio IV. Misterioso (played without pause) Gunther Schuller, conductor *Out of respect for the performers and those audience members around you, please turn all beepers, cell phones and watches to their silent mode. Thank you. Program Notes Symphony No. 3 – Aram Il'yich Khachaturian In November 1953, Aram Khachaturian acted on the encouraging signs of a cultural thaw following the death of Stalin six months earlier and wrote an article for the magazine Sovetskaya Muzika pleading for greater creative freedom. The way forward, he wrote, would have to be without the bureaucratic interference that had marred the creative efforts of previous years. How often in the past, he continues, 'have we listened to "monumental" works...that amounted to nothing but empty prattle by the composer, bolstered up by a contemporary theme announced in descriptive titles.' He was surely thinking of those countless odes to Stalin, Lenin and the Revolution, many of them subdivided into vividly worded sections; and in that respect Khachaturian had been no less guilty than most of his contemporaries. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
-•-'" 8ft :: -'•• t' - ms>* '-. "*' - h.- ••• ; ''' ' : '..- - *'.-.•..'•••• lS*-sJ BERKSHIRE MUSIC CENTER see ERICH LEINSDORF, Director Contemporary JMusic Presented under the Auspices of the Fromm zMusic Foundation at TANGLEWOOD 1963 SEMINAR in Contemporary Music Seven sessions will be given on successive Friday afternoons (at 3:15) in the Chamber Music Hall. Four of these will precede the four Fromm Fellows' Concerts, and will consist of a re- hearsal and lecture by the Host of the following Monday Fromm Concert. July 12 AARON COPLAND July 19 GUNTHER SCHULLER July 26 I Twentieth Century Piano Music PAUL JACOBS August 2 YANNIS XENAKIS j August 9 Twentieth Century Choral Music ALFRED NASH PATTERSON & LORNA COOKE de VARON August 16 I LUKAS FOSS August 23 Round Table Discussion of Contemporary Music Yannis Xenakis, Gunther Schuller and lukas foss Composers 9 Forums There will be four Composers' Forums in the Chamber Music Hall: Wednesday, July 24 at 4:00 ] Thursday, August 1 at 8:00 Wednesday, August 7 at 4:00 Thursday, August 15 at 8:00 FROMM FELLOWS' CONCERTS Theatre-Concert Hall Four Monday Evenings at 8:00 'Programs JULY 15 AUGUST 5 AARON COPLAND, Host YANNIS XENAKIS, Host Varese Octandre (1924) Boulez ...Improvisations sur Mallarme, Copland Sextet (1937) No. 2 Chavez Soli (1933) Philippot ...Variations Schoenberg String Quartet No. 2, Op. 10 Mdcbe .. ..Canzone II (1908) Brown, E ...Pentathis Stravinsky Ragtime for Eleven Instruments Marie, E... Polygraphie-Polyphonique (1918) J. Ballif,C ...Double Trio, 35, Nos. 2 and 3 Milhaud... L'Enlevement d'Europe — Op. Xenakis Achorripsis Opera minute (1927) JULY 22 AUGUST 19 GUNTHER SCHULLER, Host LUKAS FOSS, Host Ives Chromatimelodtune Paz .Dedalus, 1950 Schoenberg Herzgewacb.se Goehr... -
MIT Announces: Chisholm, Rivest, and Thompson Appointed As New
MIT Announces: Chisholm, Rivest, and Thompson appointed as new Institute Professors A marine biologist who studies tiny ocean organisms, a computer scientist who developed a global security standard, and an acclaimed violist who has performed with renowned orchestras have been awarded MIT’s highest faculty honor: the title of Institute Professor. Sallie “Penny” Chisholm, Ron Rivest, and Marcus Thompson join a small group of Institute Professors at MIT, now numbering 13, along with 10 Institute Professors emeriti. Their new appointments are effective July 1, making them the first faculty members to be named Institute Professors since 2008. MIT President L. Rafael Reif says, “Although our new Institute Professors were chosen as individuals, it is interesting to consider them together: Penny Chisholm, a pioneering field scientist whose discoveries revolutionized our understanding of the oceans; Ron Rivest, a brilliant theorist and problem-solver who ranks as one of the founding fathers of modern cryptography; and Marcus Thompson, among the most celebrated string performers in the United States today. “Their fields could not be more different,” Reif says. “Yet each is an explorer, creator, and teacher of the first order. Together they reflect the standard of faculty excellence that is a signature of MIT.” The appointments of Chisholm, Rivest, and Thompson as Institute Professors were announced today in an email to the faculty from Provost Martin Schmidt and Steven Hall, chair of the MIT faculty and a professor of aeronautics and astronautics. “This special position is a unique honor bestowed by the Faculty and Administration of MIT,” Schmidt and Hall wrote. “Such appointments recognize exceptional distinction by a combination of leadership, accomplishment, and service in the scholarly, educational, and general intellectual life of the Institute and wider community.” Marcus Thompson “A native of the Bronx, Marcus Thompson has been an influential presence at MIT for over four decades, as both an internationally recognized concert musician and a lauded instructor. -
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – Piano Rolls
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – piano rolls An der schönen, blauen Donau – Walzer, op. 314 (Johann Strauss, Jr., 1825-1899) Wiener Philharmoniker, Carlos Kleiber. Musikverein Wien, 1. 1. 1989 1 intro A 1:38 2 A 32 D 0:40 3 B 16 A 0:15 4 B 16 0:15 5 C 16 D 0:15 6 C 16 0:15 7 D 16 Bb 0:17 8 C 16 D 0:15 9 E 16 G 0:15 10 E 16 0:15 11 F 16 0:14 12 F 16 0:13 13 modul. 4 ►F 0:05 14 G 16 0:20 15 G 16 0:18 16 H 16 0:14 17 H 16 0:15 18 10+1 ►A 0:10 19 I 16 0:17 20 I 16 0:16 21 J 16 0:13 22 J 16 0:13 23 16+2 ►D 0:16 24 C 16 0:15 25 16 ►F 0:15 26 G 14 0:17 27 11 ►D 0:10 28 A 0:39 29 A1 16 0:16 30 A2 0:12 31 stretta 0:10 The Entertainer (Scott Joplin) (copyright John Stark & Son, Sedalia, 29. 12. 1902) piano roll Classics of Ragtime 0108 32 intro 4 C 0:06 33 A 16 0:23 34 A 16 0:23 35 B 16 0:23 36 B 16 0:23 37 A 16 0:23 38 C 16 F 0:22 39 C 16 0:22 40 modul. 4 ►C 0:05 41 D 16 0:22 42 D 16 0:23 43 The Crush Collision March (Scott Joplin, 1867/68-1917) 4:09 (J. -
Rehearing Beethoven Festival Program, Complete, November-December 2020
CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time. -
MBTS 2010 PROGRAMME:MBTS 2010 Programme Inside Pages 6/30/10 1:09 PM Page 1
MBTS 2010 PROGRAMME:MBTS 2010 programme_inside pages 6/30/10 1:09 PM Page 1 2 0 1 0 ATBAMFIELDBRITISHCOLUMBIA CONCERT 1: SATURDAY, JULY 10 8:15 PM (opening).....................2 CONCERT 2: SUNDAY,JULY11 12:00 NOON ..............................4 CONCERT 3: SUNDAY,JULY11 8:30 PM ....................................5 CONCERT 4: MONDAY,JULY12 8:30 PM ....................................6 CONCERT 5: TUESDAY,JULY13 8:30 PM ....................................7 SPECIAL EVENT: WEDNESDAY, JULY 14 8:00 PM ....................................8 CONCERT 6: THURSDAY, JULY 15 8:30 PM ....................................9 CONCERT 7: FRIDAY,JULY16 8:30 PM ..................................10 CONCERT 8: SATURDAY, JULY 17 8:30 PM ..................................12 CONCERT 9: SUNDAY,JULY18 12:00 NOON .............................13 CONCERT 10: SUNDAY,JULY18 8:15 PM (closing) ....................14 ARTIST BIOGRAPHIES .............................................................................17-33 MESSAGE FROM THE DIRECTOR.................................................................34 ALLPROGRAMMINGISSUBJECTTOCHANGE MBTS 2010 PROGRAMME:MBTS 2010 programme_inside pages 6/30/10 1:09 PM Page 2 PRE-CONCERT DINNER Saturday, July 10 ~ 5:30 PM Bamfield Fire Hall, Public Welcome CONCERT 1 Saturday, July 10 ~ 8:15 PM Three Fanfares, for horn in a distant rowboat C. Donison and percussion on the shore (2006) (b. 1952) 8:15 PM I: Call and response between distant rowboat and shore (with cannon start) 8:20 PM II: Call and response between less distant rowboat -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini Heather Koren Pinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Pinson, Heather Koren, "Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini" (2002). LSU Master's Theses. 2589. https://digitalcommons.lsu.edu/gradschool_theses/2589 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ASPECTS OF JAZZ AND CLASSICAL MUSIC IN DAVID N. BAKER’S ETHNIC VARIATIONS ON A THEME OF PAGANINI A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Heather Koren Pinson B.A., Samford University, 1998 August 2002 Table of Contents ABSTRACT . .. iii INTRODUCTION . 1 CHAPTER 1. THE CONFLUENCE OF JAZZ AND CLASSICAL MUSIC 2 CHAPTER 2. ASPECTS OF MODELING . 15 CHAPTER 3. JAZZ INFLUENCES . 25 BIBLIOGRAPHY . 48 APPENDIX 1. CHORD SYMBOLS USED IN JAZZ ANALYSIS . 53 APPENDIX 2 . PERMISSION TO USE COPYRIGHTED MATERIAL . 54 VITA . 55 ii Abstract David Baker’s Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term “third stream.” In regard to classical aspects, Baker’s work is modeled on Nicolò Paganini’s Twenty-fourth Caprice for Solo Violin, itself a theme and variations. -
Gunther Schuller Memorial Concert SUNDAY NOVEMBER 22, 2015 3:00 Gunther Schuller Memorial Concert in COLLABORATION with the NEW ENGLAND CONSERVATORY
Gunther Schuller Memorial Concert SUNDAY NOVEMBER 22, 2015 3:00 Gunther Schuller Memorial Concert IN COLLABORATION WITH THE NEW ENGLAND CONSERVATORY SUNDAY NOVEMBER 22, 2015 3:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY GAMES (2013) JOURNEY INTO JAZZ (1962) Text by Nat Hentoff THE GUARDIAN Featuring the voice of Gunther Schuller Richard Kelley, trumpet Nicole Kämpgen, alto saxophone MURDO MACLEOD, MURDO MACLEOD, Don Braden, tenor saxophone Ed Schuller, bass George Schuller, drums GUNTHER SCHULLER INTERMISSION NOVEMBER 22, 1925 – JUNE 21, 2015 THE FISHERMAN AND HIS WIFE (1970) Libretto by John Updike, after the Brothers Grimm Sondra Kelly Ilsebill, the Wife Steven Goldstein the Fisherman David Kravitz the Magic Fish Katrina Galka the Cat Ethan DePuy the Gardener GIL ROSE, Conductor Penney Pinette, Costume Designer Special thanks to the Sarah Caldwell Collection, Howard Gotlieb Archival Research Center at Boston University. Support for this memorial concert is provided in part by the Amphion Foundation, the Wise Family Charitable Foundation, and the Koussevitzky Music Foundation. THE FISHERMAN AND HIS WIFE Setting: A seaside, legendary times Scene i A humble hut, with net curtains and a plain stool; dawn Scene ii Seaside; water sparkling blue, sky dawn-pink yielding to fair blue Scene iii The hut; lunchtime Scene iv Seaside; sea green and yellow, light faintly ominous Scene v A cottage, with a pleasant garden and velvet chair Scene vi Seaside; water purple and murky blue, hint of a storm Scene vii A castle, with a great rural vista, tapestries, and an ivory canopied bed CLIVE GRAINGER CLIVE Scene viii Seaside; water dark gray, definite howling of sullen wind Scene ix Flourishes and fanfares of brass THIS AFTERNOON’S PERFORMERS Scene x Seaside; much wind, high sea and tossing, sky red along edges, red light suffuses FLUTE TRUMPET HARP Kay Rooney Matthews Sarah Brady Terry Everson Amanda Romano Edward Wu Scene xi OBOE TROMBONE ELECTRIC GUITAR Nicole Parks Jennifer Slowik Hans Bohn Jerome Mouffe VIOLA Scene xii Seaside; storm, lightning, sea quite black. -
String Music by Women Composers Anna Cromwell, Violin Lisa Nelson, Violin and Viola Mira Frisch, Cello
The Department of Music presents The Faculty & Friends Concert Series String Music by Women Composers Anna Cromwell, violin Lisa Nelson, violin and viola Mira Frisch, cello Relays: a duet for two violins Rain Worthington A Dance of Two: duet for two violins Elegy: for violin and cello Adrienne Albert String Trio Julie Mandel I. Contentment II. Longing III. Joyous Dancing on Glass Victoria Bond This concert is sponsored in part by a 2017 Seed Grant from the New York Women Composers. Rowe Recital Hall Monday, September 18, 2017 | 7:30 pm arts.uncc.edu Program Note Dancing on Glass is based on the Chinese folk song Liu Yang River. This song has a fascinating history. It originates from the Hunan Province and was a favorite of street musicians who often sang it accompanied by a drum. However, it became the melody of a famous patriotic song celebrat- ing the most well-known citizen who came from the Hunan province, Mao Ze-Dong. The song makes reference to the nine turns that the Liu Yang River makes before it flows into the lake which is its final destination. Because this work was commissioned by The Jade String Trio, I decided to use both the melodic contour of the folk song and the number 3 as the basic materials. There are 9 sections, consisting of 3 solos, 3 duets and 3 trios. The title derives from the dance of light on the surface of the glass- like river. The sections which flow into each other without a break reflect the changing character of the river as follows: 1. -
ROCKPORT CHAMBER MUSIC FESTIVAL 1992-1996 June 4-28, 1992
ROCKPORT CHAMBER MUSIC FESTIVAL 1992-1996 LOCATION: ROCKPORT ART ASSOCIATION 1992 June 4-28, 1992 Lila Deis, artistic director Thursday, June 4, 1992 GALA OPENING NIGHT CONCERT & CHAMPAGNE RECEPTION New Jersey Chamber Music Society Manhattan String Quartet Trio in C major for flute, violin and cello, Hob. IV: 1 Franz Joseph Haydn (1732-1809) Suite No. 6 in D major, BWV 1012 (arr. Benjamin Verdery) Johann Sebastian Bach, (1685-1750) Trio for flute, cello and piano Ned Rorem (1923-) String Quartet in D minor, D. 810 Franz Schubert (1797-1828) Friday, June 5, 1992 MUSIC OF THE 90’S Manhattan String Quartet New Jersey Chamber Music Society Towns and Cities for flute and guitar (1991) Benjamin Verdery (1955-) String Quartet in D major, Op. 76, No. 5 Franz Joseph Haydn (1732-1809) Quartet in E-flat major for piano and strings, Op. 87 Antonín Dvořák (1841-1904) Saturday, June 6, 1992 New Jersey Chamber Music Society Manhattan String Quartet Sonata in F minor for viola and piano, Op. 120, No. 1 Johannes Brahms (1833-1897) String Quartet No. 4 Dmitri Shostakovich (1906-1975) Trio in E-flat major for piano and strings, Op. 100, D.929 Franz Schubert (1797-1828) Sunday, June 7, 1992 SPANISH FIESTA Manhattan String Quartet New Jersey Chamber Music Society With Lila Deis, soprano La Oración del Torero Joaquin Turina (1882-1949) Serenata for flute and guitar Joaquin Rodrigo (1902-) Torre Bermeja Isaac Albeniz (1860-1909) Cordóba (arr. John Williams) Albeniz Siete Canciones Populares Españolas Manuel de Falla (1876-1946) Navarra for two violins and piano, Op.