DNMGA Spring 2021 Newsletter
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TN Bluesletter Week 10 080310.Cdr
(About the Blues continued) offered rich, more complex guitar parts, the beginnings of a blues trend towards separating lead guitar from rhythm playing. Shows begin at 6:30 unless noted Texas acoustic blues relied more on the use of slide, In case of inclement weather, shows will be held just down the and artists like Lightnin' Hopkins and Blind Willie street at the Grand Theater, 102 West Grand Avenue. Johnson are considered masters of slide guitar. Other June 1 Left Wing Bourbon local and regional blues scenes - from New Orleans MySpace.com/LeftWingBourbon June 8 The Pumps to Atlanta, from St. Louis to Detroit - also left their mark ThePumpsBand.com on the acoustic blues sound. MySpace.com/ThePumpsBand When African-American musical tastes began to June 15 The Blues Dogs change in the early-1960s, moving towards soul and August 3, 2010 at Owen Park MySpace.com/SteveMeyerAndTheBluesDogs rhythm & blues music, country blues found renewed June 22 Pete Neuman and the Real Deal popularity as the "folk blues" and was sold to a PeteNeuman.com June 29 Code Blue with Catya & Sue primarily white, college-age audience. Traditional YYoouunngg BBlluueess NNiigghhtt Catya.net artists like Big Bill Broonzy and Sonny Boy Williamson July 6 Mojo Lemon reinvented themselves as folk blues artists, while MojoLemon.com Piedmont bluesmen like Sonny Terry and Brownie MySpace.com/MojoLemonBluesBand McGhee found great success on the folk festival July 13 Dave Lambert DaveLambertBand.com circuit. The influence of original acoustic country July 20 Deep Water Reunion blues can be heard today in the work of MySpace.com/DWReunion contemporary blues artists like Taj Mahal, Cephas & July 27 The Nitecaps Wiggins, Keb' Mo', and Alvin Youngblood Hart. -
Disability and Music
th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves. -
Trypsin-Like Proteases and Their Role in Muco-Obstructive Lung Diseases
International Journal of Molecular Sciences Review Trypsin-Like Proteases and Their Role in Muco-Obstructive Lung Diseases Emma L. Carroll 1,†, Mariarca Bailo 2,†, James A. Reihill 1 , Anne Crilly 2 , John C. Lockhart 2, Gary J. Litherland 2, Fionnuala T. Lundy 3 , Lorcan P. McGarvey 3, Mark A. Hollywood 4 and S. Lorraine Martin 1,* 1 School of Pharmacy, Queen’s University, Belfast BT9 7BL, UK; [email protected] (E.L.C.); [email protected] (J.A.R.) 2 Institute for Biomedical and Environmental Health Research, School of Health and Life Sciences, University of the West of Scotland, Paisley PA1 2BE, UK; [email protected] (M.B.); [email protected] (A.C.); [email protected] (J.C.L.); [email protected] (G.J.L.) 3 Wellcome-Wolfson Institute for Experimental Medicine, School of Medicine, Dentistry and Biomedical Sciences, Queen’s University, Belfast BT9 7BL, UK; [email protected] (F.T.L.); [email protected] (L.P.M.) 4 Smooth Muscle Research Centre, Dundalk Institute of Technology, A91 HRK2 Dundalk, Ireland; [email protected] * Correspondence: [email protected] † These authors contributed equally to this work. Abstract: Trypsin-like proteases (TLPs) belong to a family of serine enzymes with primary substrate specificities for the basic residues, lysine and arginine, in the P1 position. Whilst initially perceived as soluble enzymes that are extracellularly secreted, a number of novel TLPs that are anchored in the cell membrane have since been discovered. Muco-obstructive lung diseases (MucOLDs) are Citation: Carroll, E.L.; Bailo, M.; characterised by the accumulation of hyper-concentrated mucus in the small airways, leading to Reihill, J.A.; Crilly, A.; Lockhart, J.C.; Litherland, G.J.; Lundy, F.T.; persistent inflammation, infection and dysregulated protease activity. -
Blues Legacy of Phil Wiggins | Smithsonian Folkways Magazine
Winter 2018 Blues Legacy of Phil Wiggins by Jeff Place When one thinks of country blues, the usual thought is of the music of the Mississippi Delta. While many wonderful blues men and women have come out of the Delta over the last century, there has been a wonderful parallel style that exists on the East Coast of the United States, “East Coast blues,” or more recently called “Piedmont Blues”. The Piedmont is a geographic region that exists up and down the East Coast between the coastal tidewater region and the Appalachian Mountains. It includes the cities of Atlanta, Charlotte, Washington, D.C. and Baltimore. In the twentieth century many African Americans left the racial climate of the south and moved north to eastern cities like Washington. There were defense jobs in Washington and Baltimore to be had. Some of the great early East Coast blues musicians were Blind Blake from Florida, Willie McTell from Atlanta, Blind Boy Fuller and Sonny Terry from Durham, and Brownie McGhee from Knoxville. Phil Wiggins was born in Washington, D.C. in May of 1954. There was music in the house, his father, a government worker with the Department of the Interior, played piano. The Piedmont blues scene has always been strong, and still is, around Washington. In the 9th grade he discovered the harmonica and shortly thereafter met his first musical partner, Flora Molton, a street evangelist who played on an F Street corner in the shopping district. He began to play harmonica with Molton. From 1972 to 1976, he accompanied Molton at the then Smithsonian Festival of American Folklife. -
Notes to Flyright LP 4705 "New York Country Blues"
_ YORK COUNTRY BLUES Higration patterns showing movements of negroes from rural to urban settlements and from South to North and West have not only helped to interweave regional blues styles but have frequently concentrated artists from specific southern rural areas into certain ei ties . Obvious routes 11e westwards from Texas and the Southwest into California; from the Deep South of the Mississippi bottomlands and Alabama to Chicago _ perhaps the hest documented of all - and from the southeastern states to New York. :lUl selections on this anthology typify the general drift from rural southern communi ties into the New York metropolis. Sometimes the rural roots are more in evidence but nowhere are the compldte urban influences which dominated the blues in the e1 ty by the 1960s. These sides from the 1940s and 19508 show the breadth and wealth of musical talent in this city of supposed greater opportunity in the immediate postwar years - and the bulk reflect the gentle, lH ting sounds of the southeastorn states. Some of the artists had moved into the city some time before they r ocorded there. Alec Seward has made his home there since 1 924, although his first journoy to the city was in 1922. From Newport News, Virginia, Seward recalls many fine artists from the Chesapeake Bay area (none of whom have ever been recorded) yet it waB with the rougher voiced Louis &yes, a guitarist from North Carolina, that he teamed up in 1947. Their two-guitar sides epitomise the relaxed and deceptively languid blues style of the Piedmont, issued as the Back Porch Boys, this pseudonym was merely one of many colourful ones that were used on their releases. -
“Statesboro Blues”—Blind Willie Mctell (1928) Added to the National Registry: 2015 Essay by Brian Bader
“Statesboro Blues”—Blind Willie McTell (1928) Added to the National Registry: 2015 Essay by Brian Bader Blind Willie McTell Blind Willie McTell was born May 5, 1901 in Thomson, Georgia. Though there is some uncertainty about his birth year, his comparatively long life (he died on Aug. 19, 1959, in Milledgeville, Georgia), his prolific recording career, the memories of numerous acquaintances, and McTell’s own recorded reminiscences, allow for a full picture of his life. His skillful fingerpicking guitar style ranks high with the playing of other acoustic blues artists, both blind (Blind Boy Fuller, Blind Blake, Reverend Gary Davis) and sighted (Josh White, Brownie McGhee). Hard to categorize, McTell embodied Piedmont blues, as well as ragtime, and gospel/spiritual/religious music, and may best be described as a mid-twentieth century American songster. One of his tunes--“covered,” or more accurately freely adapted, in a powerful electric blues rendition by the Allman Brothers Band-- is his legacy. This number most familiar to modern blues and rock fans: “Statesboro Blues.” Recorded by McTell and self-accompanied on twelve- string guitar in 1928 for Victor records, it showcases his distinctive voice and his talented guitar playing. The Allman Brothers later credited their cover of the song to “Will McTell” on their live two-record album “At Filmore East” released in 1971 on Capricorn Records. Guitarists Duane Allman (using a slide) and Dickey Betts cut loose with their trademark twin lead guitar line up in a memorable reading as a jumping blues shuffle. In an analysis of the history of “Statesboro Blues,” however, it is important to note that between the McTell recording and the Allman Brothers, there is a version from 1968 by Taj Mahal on his debut album. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
Essential Blues Discography
ESSENTIAL BLUES DISCOGRAPHY ESSENTIAL BLUES DISCOGRAPHY Edited by Francesco Piccolo First Edition July2015 Second Edition May 2016 Third Edition October 2016 Reference Book Francesco Piccolo - STORIA DEL BLUES - Gli Eventi, gli Stili, i Protagonisti Web Site www.thesixstrings.com This Book is available for free download at www.thesixstrings.com Contents 1 PREFACE .......................................................................................... 3 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS ..... 5 3 COUNTRY BLUES ............................................................................ 7 4 CLASSIC BLUES ERA .................................................................... 13 5 URBAN BLUES ............................................................................... 15 6 RHYTHM AND BLUES, ROCK 'N' ROLL ,SOUL, FUNK ................ 25 7 ROCK BLUES ................................................................................. 33 1 PREFACE The following discography has no pretensions of completeness but just wants to be a guide providing suggestions to understand the various styles of Blues. For a more complete discography please refer to the discographies of individual artists, sites and specialized publications. 3 4 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS BALLADS Ol'Riley Frankie and Albert "Ballad of John Henry Midnight Special SPIRITUALS Go down Moses Steal Away to Jeasus Nobody knows the trouble I've seen Deep River Swing Low, Sweet Chariot Shout for Joy Joshua Fit the Battle of Jerico The Great Camp -
GTL PI Meeting 2009 Abstracts
DOE/SC-0110 Joint Meeting Genomics:GTL Awardee Workshop VII and USDA-DOE Plant Feedstock Genomics for Bioenergy Awardee Workshop 2009 Bethesda, Maryland February 8–11, 2009 Prepared for the Prepared by U.S. Department of Energy Genome Management Information System Office of Science Oak Ridge National Laboratory Office of Biological and Environmental Research Oak Ridge, TN 37830 Office of Advanced Scientific Computing Research Managed by UT-Battelle, LLC Germantown, MD 20874-1290 For the U.S. Department of Energy Under contract DE-AC05-00OR22725 http://genomicsgtl.energy.gov Contents Introduction to Workshop Abstracts....................................................................................................................................... 1 Systems Biology for DOE Energy and Environmental Missions ..................................................................... 3 Bioenergy Biofuels > Bioenergy Research Centers Joint Bioenergy Institute (JBEI) Systematic Characterization of Glycosyltransferases Involved in Plant Cell Wall Biosynthesis ..........................3 Henrik Vibe Scheller1* ([email protected]), Ai Oikawaa, Lan Yin,1,2 Eva Knoch,1,2 Naomi Geshi,2 Carsten Rautengarten,1 Yuzuki Manabe,1 and Chithra Manisseri1 Analysis of Putative Feruloyltransferase Transcript Levels and Cell Wall Composition During Rice Development ................................................................................................................................................................................................3 Laura -
2012 Kaiser Permanente-Authored Publications Alphabetical by Author
2012 Kaiser Permanente-Authored Publications Alphabetical by Author 1. Aaronson DS, Odisho AY, Hills N, Cress R, Carroll PR, Dudley RA, Cooperberg MR Proton beam therapy and treatment for localized prostate cancer: if you build it, they will come Arch Intern Med. 2012 Feb 13;172(3):280-3. Northern California 22332166 KP author(s): Aaronson, David S 2. Abbas MA, Cannom RR, Chiu VY, Burchette RJ, Radner GW, Haigh PI, Etzioni DA Triage of patients with acute diverticulitis: are some inpatients candidates for outpatient treatment? Colorectal Dis. 2012 Oct 12. Southern California 23061533 KP author(s): Abbas, Maher A; Chiu, Vicki Y; Burchette, Raoul J; Radner, Gary W; Haigh, Philip I 3. Abbas MA, Tam MS, Chun LJ Radiofrequency Treatment for Fecal Incontinence: Is It Effective Long-term? Dis Colon Rectum. 2012 May;55(5):605-10. Southern California 22513440 KP author(s): Abbas, Maher A; Tam, Michael S; Chun, Linda J 4. Abdulla FR, Sarpa H, Cassarino D The expression of ALK in mycosis fungoides, stage IA J Cutan Pathol. 2012 Dec 4. Southern California 23205942 KP author(s): Abdulla, Farah R; Sarpa, Hege G; Cassarino, David S 5. Abraham AG, Strickler HD, Jing Y, Gange SJ, Sterling TR, Silverberg M, Saag M, Rourke S, Rachlis A, Napravnik S, Moore RD, Klein M, Kitahata M, Kirk G, Hogg R, Hessol NA, Goedert JJ, Gill MJ, Gebo K, Eron JJ, Engels EA, Dubrow R, Crane HM, Brooks JT, Bosch R, D'Souza G, for the North American AIDS Cohort Collaboration on Research and Design (NA-ACCORD) of IeDEA Invasive cervical cancer risk among HIV-infected women: A North American multi-cohort collaboration prospective study J Acquir Immune Defic Syndr. -
BRI00006.Pdf
-_" .~ ~- ..fo-~ . ... - No state can boast of longer-lasting and more varied folk traditions than Virginia. Many of her material traditions - SIDE 1 such as barns, houses and plows - remain as permanent, un changed documents of her early settlers' life styles. Her per 1. LEAVING YOU, MAMA - Carl Hodges .. .......... ..... ... ... 3:11 formance traditions - songs, tales and fiddle tunes - also help * A BOOKLET OF FULL DESCRIPTIVE * 2. ALBEMARLE COUNTY RAG - Henry Harris ..... .. ........ 1:19 us understand something of the everyday social life and AND ANALYTIC NOTES IS ENCLOSED 3. I'D FEEL MUCH BETTER - The Virginia Four ............. 2:27 beliefs of Virginia's people. These performance traditions, 4. BLIND LOVE - Pernell Charity .... .. .. .. ................... ... .. 2:52 however, because they have been continually changing and 5. BARBERSHOP RAG - William Moore .. ... ......... .. .. ...... 2:53 developing from the moment of their creation, are difficult to ••• Front cover - Cultivating tobacco in Caroline 6. KING KONG BLUES - The Back Porch Boys ....... ... ...... 2:51 identify and document accurately. THE BLUE RIDGE County, Virginia, courtesy The Valentine 7. BLACKRATSWING-JohnCephas ... .... .................... 3:04 INSTITUTE of FERRUM COLLEGE exists to seek out and Museum, Richmond, Virginia. 8. GOING DOWN THE ROAD FEELING GOOD - document both the material and performance traditions found Comer Morris ............ ....... ............................ ........ 2:03 in Virginia. ••• Back cover - Oyster tonging on the Potomac River, This album features music from the black culture of Tide courtesy The Mariners Museum, Newport News, SIDE 2 water Virginia - that area from the coast to the fall line. Blues Virginia. music has long been an important element in Virginia culture, 1. WARBLUES-PernellCharity ..... ............................. 2:49 expressing feelings about everyday life and events in a very ••• This record produced under National Endowment 2. -
Blind Boy Fuller North Carolina Freedom Monument Project Lesson Plan
TheAFRICAN Culture AMERICAN EXPERIENCE in North Carolina Blind Boy Fuller North Carolina Freedom Monument Project Lesson Plan OBJECTIVE: To better understand Evaluation and appreciate the contributions of ■ Student participation in reading and discussion of Blind Boy Fuller to the history of North Blind Boy Fuller Carolina and the United States. ■ Student performance on the Activities page ■ Student participation in the “Menu of Activities for North Carolina African American Musicians” Social Studies Objectives: 9.02 Social Studies Skills: 1, 2, 3, 5 Language Arts Objectives: 1.03, 1.04, 2.01, 5.01, 6.01, 6.02 Bibliography “Blind Boy Fuller.” MSN Entertainment-Music: Resources / Materials Blind Boy Fuller. 10 March 2003. ■ Biographical sketch http://entertainment.msn.com/Artist/Default.aspx? ■ Internet access (optional) artist=106239 ■ Activities page “Blind Boy Fuller.” Blind Boy Fuller and North Carolina Blues Historical Marker Projects. ■ Menu of Activities for North Carolina African 10 March 2003. American Musicians http://members.aol.com/Trucknlittlemama/ bbfhmps.htm Procedures “Blind Boy Fuller.” 10 March 2003. ■ Students will read and discuss the biographical http://www.oafb.net/onceblu21.html sketch of Blind Boy Fuller either as a whole class or Bickley, Rah. “Encore for a Bull City Bluesman.” in groups. Reading can also be done independently. The News and Observer. 16 June 2001. ■ Students will complete Activities page as designated 10 March 2003. by the teacher. http://members.aol.com/_ht_a/Jukebaby/rah.htm? mtbrand=AOL_US ■ Students will complete one or more projects in the “Menu of Activities for North Carolina African American Musicians” as designated by the teacher. COPYRIGHT © 2004 THE NORTH CAROLINA FREEDOM MONUMENT PROJECT TheAFRICAN Culture AMERICAN EXPERIENCE in North Carolina Blind Boy Fuller North Carolina Freedom Monument Project Biographical Sketch lind Boy Fuller was once the best-known blues 130 songs between 1935 and 1941.