Quiz Answers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Swagger Like Us: Black Millennials' Perceptions of 1990S Urban Brands
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2018 Swagger like us: Black millennials’ perceptions of 1990s urban brands Courtney Danielle Johnson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Material Culture Commons, and the Fashion Design Commons Recommended Citation Johnson, Courtney Danielle, "Swagger like us: Black millennials’ perceptions of 1990s urban brands" (2018). Graduate Theses and Dissertations. 16600. https://lib.dr.iastate.edu/etd/16600 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Swagger like us: Black millennials’ perceptions of 1990s urban brands by Courtney Danielle Johnson A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising and Design Program of study committee: Eulanda A. Sanders, Co-major Professor Kelly L. Reddy-Best, Co-major Professor Tera Jordan The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2018 Copyright © Courtney Danielle Johnson, 2018. All rights reserved. ii DEDICATION This thesis is dedicated to Black folks. -
Unlocking the Reuse Revolution for Fashion: a Canadian Case Study
Unlocking the Reuse Revolution for Fashion: A Canadian Case Study by Laura Robbins Submitted to OCAD University in partial fulfillment of the requirements for the degree of Master of Design in Strategic Foresight & Innovation Toronto, Ontario, Canada, 2019 Copyright Notice This document is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International (CC BY-NC-SA 4.0). https://creativecommons.org/licenses/by-nc- sa/4.0/ You are free to: • Share — copy and redistribute the material in any medium or format • Adapt — remix, transform, and build upon the material Under the following conditions: • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. • NonCommercial — You may not use the material for commercial purposes. • ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. ii ABSTRACT This research aims to explore the potential of clothing reuse as a stepping stone towards a more circular economy for fashion. A systems approach to problem finding, framing, and solving is applied to explore how we might increase fashion reuse behaviours amongst consumers and industry alike. This research includes an analysis of the key barriers that prevent higher rates of participation in fashion reuse despite the potential economic, environmental, and social benefits of doing so (Part 2), and identifies areas of opportunity to focus innovation (Part 3). Research methodology included more than 30 one-on-one consumer interviews, 20 interviews with industry professionals along the fashion value chain, and an extensive environmental scan with a particular focus on the Canadian market. -
Is Sustainability in Fashion? Industry Leaders Share Their Views
Is Sustainability in Fashion? Industry leaders share their views Written by Contents Acknowledgements 3 Executive Summary 4 1. A Global Problem 7 2. Ever Onwards? Can the fashion and textiles industry become more sustainable? What the leaders say 11 Change in Three Parts: The role of consumers, brands & policymakers 11 Raising the Standard: The need for better, more consistent data 17 Financial Realities: The true cost of sustainability 21 Turbocharging Change: Does technological innovation hold the key? 25 The Last Word 29 Appendix 30 2 Acknowledgements Is sustainability in fashion? Industry leaders share their views was written by The Economist Intelligence Unit (The EIU) and sponsored by the U.S. Cotton Trust Protocol, a new system that uses verified data to encourage more sustainable growth of cotton. The findings are based on a literature review, a survey and a comprehensive interview programme conducted by The EIU between May and September 2020. The EIU bears sole responsibility for the content of this report. The findings and views expressed herein do not necessarily reflect the views of the partners and experts. The report was produced by a team of EIU researchers, writers, editors and graphic designers, including: Katherine Stewart Tom Nolan Isabel Moura Project Director Survey Manager Graphic Designer Antonia Kerle Mike Jakeman Emma Ruckley Project Manager Contributing Writer Sub-editor Interviewees Our thanks are due to the following people for their time and insights: Stefan Seidel Katrin Ley Kimberly Smith Head of Corporate Managing Director, Chief Supply Chain Officer, Sustainability, PUMA Fashion for Good Everlane Dr. Jurgen Janssen Franke Henke Indi Davis Head of the Secretariat of Senior Vice President of Head of Program, Strategy, the German Sustainable Sustainability, adidas Zilingo Textile Partnership Kathleen Talbot Chief Sustainability Officer, Reformation 3 Executive Summary Arguably the fashion and textile industry is What can be done to address these myriad and not sustainable in its current form. -
Ethical Fashion in the Age of Fast Fashion Sophie Xue Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Art Honors Papers Art Department 2018 Ethical Fashion in the Age of Fast Fashion Sophie Xue Connecticut College, [email protected] Follow this and additional works at: https://digitalcommons.conncoll.edu/arthp Part of the Ethics and Political Philosophy Commons, and the Fashion Design Commons Recommended Citation Xue, Sophie, "Ethical Fashion in the Age of Fast Fashion" (2018). Art Honors Papers. 26. https://digitalcommons.conncoll.edu/arthp/26 This Honors Paper is brought to you for free and open access by the Art Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Art Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Ethical Fashion in the Age of Fast Fashion Sophie Xue Connecticut College Art Honor Thesis, 2017-2018 3 Acknowledgements Thank you Professor Pamela Marks for generously supporting and encouraging me to pursue this topic. I wouldn’t have come this far without your guidance. Thank you Professor Sabrina Notarfrancisco for introducing me to the world of fashion and teaching me how to sew. Thank you Professor Assor, Professor Bailey, Professor Barnard, Professor McDowell, Professor Gilbert, Professor Hendrickson, Professor Pelletier, Professor Shockey, Professor Wollensak for never failing to provide answers to my queries that fell within your broad areas of expertise. Thank you mom and dad for granting me the freedom to chase my wildest dreams and giving me a Connecticut College education. And finally thank you my friends, especially Nicolae Dorlea, you have inspired me and helped me tremendously along this journey. -
Final Thesis
AN EXAMINATION OF INDIVIDUAL DIFFERENCES IN ITALIAN AND AMERICAN FASHION CULTURES: PAST, PRESENT, AND PROJECTIONS FOR THE FUTURE BY: MARY LOUISE HOTZE TC 660H PLAN II HONORS PROGRAM THE UNIVERSITY OF TEXAS AT AUSTIN MAY 10, 2018 ______________________________ JESSICA CIARLA DEPARTMENT OF TEXTILES AND APPAREL SUPERVISING PROFESSOR ______________________________ ANTONELLA DEL FATTORE-OLSON DEPARTMENT OF FRENCH AND ITALIAN SECOND READER TABLE OF CONTENTS Abstract…………………………………………….…………………………………………….…………………………………… 3 Acknowledgements………………………………………….…………………………………………….…………..……….. 4 Introduction………………………………………….…………………………………………….…………………….…….…. 5 Part 1: History of Italian Fashion……...……...……..……...……...……...……...……...……...……...... 9 – 47 AnCiEnt Rome and thE HoLy Roman EmpirE…………………………………………………….……….…... 9 ThE MiddLE AgEs………………………………………….……………………………………………………….…….. 17 ThE REnaissanCE……………………………………….……………………………………………………………...… 24 NeoCLassism to RomantiCism……………………………………….…………………………………….……….. 32 FasCist to REpubLiCan Italy……………………………………….…………………………………….……………. 37 Part 2: History of American Fashion…………………………………………….……………………………… 48 – 76 ThE ColoniaL PEriod……………………………………….……………………………………………………………. 48 ThE IndustriaL PEriod……………………………………….……………………………………………………….…. 52 ThE CiviL War and Post-War PEriod……………………………………….……………………………………. 58 ThE EarLy 20th Century……………………………………….………………………………………………….……. 63 ThE Mid 20th Century……………………………………….…………………………………………………………. 67 ThE LatE 20th Century……………………………………….………………………………………………………… 72 Part 3: Discussion of Individual -
Urban Representation in Fashion Magazines
Chair of Urban Studies and Social Research Faculty of Architecture and Urbanism Bauhaus-University Weimar Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines Doctoral dissertation presented in fulfillment of the requirement for the degree of Doctor philosophiae (Dr. phil.) Maria Skivko 10.03.1986 Supervising committee: First Supervisor: Prof. Dr. Frank Eckardt, Bauhaus-University, Weimar Second Supervisor: Prof. Dr. Stephan Sonnenburg, Karlshochschule International University, Karlsruhe Thesis Defence: 22.01.2018 Contents Acknowledgements ................................................................................................................................. 5 Thesis Introduction .................................................................................................................................. 6 Part I. Conceptual Approach for Studying Fashion and City: Theoretical Framework ........................ 16 Chapter 1. Fashion in the city ................................................................................................................ 16 Introduction ....................................................................................................................................... 16 1.1. Fashion concepts in the perspective ........................................................................................... 18 1.1.1. Imitation and differentiation ................................................................................................ 18 1.1.2. Identity -
The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention
THE FASHION INDUSTRY AS A SLIPPERY DISCURSIVE SITE: TRACING THE LINES OF FLIGHT BETWEEN PROBLEM AND INTERVENTION Nadia K. Dawisha A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Patricia Parker Sarah Dempsey Steve May Michael Palm Neringa Klumbyte © 2016 Nadia K. Dawisha ALL RIGHTS RESERVED ii ABSTRACT Nadia K. Dawisha: The Fashion Industry as a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention (Under the direction of Dr. Patricia Parker) At the intersection of the glamorous façade of designer runway shows, such as those in Paris, Milan and New York, and the cheap prices at the local Walmart and Target, is the complicated, somewhat insidious “business” of the fashion industry. It is complicated because it both exploits and empowers, sometimes through the very same practices; it is insidious because its most exploitative practices are often hidden, reproduced, and sustained through a consumer culture in which we are all in some ways complicit. Since fashion’s inception, people and institutions have employed a myriad of discursive strategies to ignore and even justify their complicity in exploitative labor, environmental degradation, and neo-colonial practices. This dissertation identifies and analyzes five predicaments of fashion while locating the multiple interventions that engage various discursive spaces in the fashion industry. Ultimately, the analysis of discursive strategies by creatives, workers, organizers, and bloggers reveals the existence of agile interventions that are as nuanced as the problem, and that can engage with disciplinary power in all these complicated places. -
Innovating a 90'S Streetwear Brand for Today's Fashion Industry
FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses. -
It's Time for a Fashion Revolution White Paper
THE STATE OF THE INDUSTRY A IT’S TIME FOR A FASHION REVOLUTION WHITE PAPER DECEMBER 2015 FASHION REVOLUTION | IT’S TIME FOR A FASHION REVOLUTION 1 CREDITS CONTENTS Written by Sarah Ditty with special thanks 02 EXECUTIVE SUMMARY for words from Lucy Siegle and research support from Emilie Schultz and 04 WHY DO WE NEED A fashion REvolution? Carry Somers. Acknowledgements: Thanks to Maher Anjum, Sass Brown, 06 MoDEL: THE BUSINESS OF fashion Becky Earley and Mo Tomaney for their invaluable input and feedback. 08 MatERIAL: PEOPLE AND PLANET Designed by Heather Knight 16 MinDSET: SHIFTING THE waY WE THINK ABOUT fashion www.fashionrevolution.org 18 WE ARE THE Fashion REvolution The content of this publication can in no way 20 WHO MADE MY ClothES? THE FOCUS THROUGH 2020 be taken to reflect the views of the European Union, Concord Alliance, C&A Foundation or 21 OUR THEORY OF CHANGE any of the funders of Fashion Revolution. 22 What Fashion REvolution DOES © Fashion Revolution CIC 2015. 24 What MAKES Fashion REvolution UNIQUE All rights reserved. This document is not to be copied or adapted without permission 25 AREas FOR FURTHER RESEARCH & THOUGHT from Fashion Revolution CIC. 26 FINAL woRDS... 27 APPENDIX 28 REFERENCES FASHION REVOLUTION | IT’S TIME FOR A FASHION REVOLUTION 2 EXECUTIVE SUMMARY 3 EXECUTIVE SUMMARY In the two years since this tragedy, tens of thousands of people have taken to social media, to the streets, to their It has been more schools and to halls of government to uncover the stories behind the things we wear. -
Scenario of Fashion Industry & Fashion Trends: Post Covid-19
Quest Journals Journal of Research in Humanities and Social Science Volume 9 ~ Issue 1 (2021)pp: 38-43 ISSN(Online):2321-9467 www.questjournals.org Research Paper Scenario of Fashion Industry & Fashion Trends: Post Covid-19 Dr. Kavita Patil Vice-Prin. & Head, Asso. Professor, Textile Science and Apparel Design Department, SMRK-BK-AK Mahila Mahavidyalaya, Nashik-5 ABSTRACT: As the world faces this pandemic in unified isolation, we at fashion revolution are focusing on how the unfolding situation is affecting the people who make our clothes. Retailers are shutting their doors around the world, encouraging their customers to shop online instead. E-commerce is the need of the hour, and those retailers who do not want their brand to sink, need to create channels in the virtual market as well to retain their customers. The COVID-19 pandemic and the resulting societal and economic shutdowns required to contain it present the apparel, footwear, and textile industries with unprecedented challenges. But while this crisis strains their commitment to sustainability, it simultaneously demands that companies accelerate their progress on sustainable initiatives in order to be competitive in the market that will emerge after the pandemic. This review paper focuses on change in fashion world during Covid- 19 pandemic, economic impact of pandemic on fashion industry and strategies of Fashion industry to move from survival to revival Post COVID- 19. KEYWORDS: Fashion trend, Fashion industry, Covid-19 pandemic Received 15 Jan, 2021; Revised: 28 Jan, 2021; Accepted 31 Jan, 2021 © The author(s) 2021. Published with open access at www.questjournals.org I. -
2019 Update Pulse of the Fashion Industry
PULSE OF THE FASHION INDUSTRY 2019 UPDATE 2019 UPDATE Publisher Acknowledgments Global Fashion Agenda, Boston Consulting The authors would like to thank all of those Group, and Sustainable Apparel Coalition who contributed to this update. Special thanks go to Global Fashion Agenda’s Authors Strategic and Associate Partners, as well as Morten Lehmann, Gizem Arici, Sebastian the industry experts and the broader fashion Boger, Catharina Martinez-Pardo, Felix community who have contributed their time, Krueger, Margret Schneider, Baptiste insight and expertise to this update and/or Carrière-Pradal, and Dana Schou took part in the Pulse survey and interviews. Copywriter Global Fashion Agenda team Thomas Tochtermann, Jonas Eder-Hansen, Christine Hall Alice Roberta Taylor, Anne-Lieke van Cover Leeuwen and Eva Kruse Good for You Boston Consulting Group team Dr Javier F. Seara, Christine Barton, Pascal Art direction Enohnyaket, Kelli Gould, Imogen Price, Mario Thomas Blankschøn Simon, and Sarah Willersdorf Graphic design Sustainable Apparel Coalition team Daniel Siim, IDna Group Alexandra Rosas and Veronique Tjon 2019 Copyright © Global Fashion Agenda, Boston Consulting Group, Inc. and Sustainable Apparel Coalition All rights reserved. Reproduction is strictly prohibited without prior written permission from the publishers. Every effort has been made to trace the copyright holders for this publication. Should any copyright holders have been inadvertently overlooked, Global Fashion Agenda, Boston Consulting Group and Sustainable Apparel Coalition will make the necessary changes. CONTENT INTRODUCTION TAKING THE PULSE THE PULSE CURVE CONSUMER OF THE FASHION AND THE ROADMAP SENTIMENT INDUSTRY TO SCALE P. 01 P. 03 P. 07 P. 11 PRIORITIES TO DRIVE ENDNOTES APPENDIX GET IN TOUCH FUNDAMENTAL CHANGE P. -
FASHION REVOLUTION QUIZ 2019 2 Quiz 2019 | Instructions
NAME / TEAM NAME: 1 FASHION REVOLUTION QUIZ 2019 2 Quiz 2019 | Instructions PLEASE NOTE: This quiz has been written for contestants aged 16 and over. For those who would like to create a shorter and/or more age-appropriate quiz for younger contestants, editable inDesign, Word and Powerpint versions are available here. HOW TO PLAY We hope you’ll enjoy — Organize a time and place to meet and playing this quiz! invite people to join and make a team — Post on your country Fashion Revolution Facebook page to let them know about your Whether you’re an event — The answers are available when you register ethical fashion know-it- at http://fashionrevolution.org/education. It’s up to you to keep them secret! all or new to the game, — There are 4 rounds of 10 questions we know you’ll find — We advise allowing 1 minute per question — Post pictures and updates from some interesting facts your Quiz on social media using the hashtags #FashionRevolution and be challenged to #FashionRevolutionQuiz think more about #whomademyclothes NAME / TEAM NAME: 3 Round 1 | Who Made My Clothes? tick the answer you think is correct 1. From Australia to Brazil, Uruguay to Vietnam, in April 2018 6. According to Fashion4Change, 83% of all of our waters how many people engaged with Fashion Revolution events, contain plastic microfibers. What proportion is said to come social media posts, videos, and resources? from the fashion industry? a) 2.75 million a) one thirtieth b) 27.5 million b) one thirteenth c) 275 million c) one third d) 2.4% 2.