Bob Dylan Släpper Bootlegserien the Cutting Edge 1965-1966: the Bootleg Series Vol
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Durham E-Theses
Durham E-Theses `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia KOUVAROU, MARIA How to cite: KOUVAROU, MARIA (2011) `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1391/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Maria Kouvarou MA by Research in Musicology Music Department Durham University 2011 Maria Kouvarou ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Abstract Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
1987 Determined to Stand LETTER.Pdf
DETERMINED TO STAND BOB DYLAN 1987 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2004 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Determined To Stand – Bob Dylan 1987 CONTENTS 1 INTRODUCTION .............................................................................................................................................. 3 2 1987 AT A GLANCE .......................................................................................................................................... 3 3 THE 1987 CALENDAR ..................................................................................................................................... 3 4 DOWN IN THE GROOVE ................................................................................................................................ 4 5 SUMMER TOUR WITH THE GRATEFUL DEAD ...................................................................................... 6 5.1 INTRODUCTION ............................................................................................................................................ 6 5.2 THE MUSICIANS ........................................................................................................................................... 6 5.3 THE SHOW ................................................................................................................................................... -
Bob Dylan: Nobility, Lyrics and Ghosts
ISSN 2513-8537 DOI: 10.13140/RG.2.2.15941.04327 Bob Dylan: Nobility, Lyrics and Ghosts David Kane Introduction The news that Bob Dylan had been awarded the 2016 Nobel Prize for literature prompted a healthy response. Comments ranged from the congratulatory to the critical, the latter, while acknowledging Dylan’s talent, argued that his work could not be considered as literature. The former stoutly defended the Nobel committee’s decision, often citing the importance of Dylan in personal biographies and championing his right to be acknowledged as a poet. The award and subsequent debate have resonance with a number of topics that deserve further consideration. In the following, I examine Dylan’s unique status in the history of rock that often focuses on his songwriting, particularly his lyrics, and the manner in which he in- fluenced other musicians. I also consider how responses to Dylan’s Nobel can be construed as illustrating the gap that continues to exist between the supposed high cultural value of literature and the low value of rock music. Further, I explore how continued acknowledgement of Dylan’s work can be viewed as affirming a rock ‘golden age’ that peaked in the 1960s and which, for some commentators, results in contemporary replication of the past that acts to hold back innovation. This is most noticeable in the concept of hauntology, which, in this context, promotes a desire to resurrect a time in which music really mattered. These musings are interspersed with my personal experience of Dylan’s music that while ren- dering me unqualified to hold an objective view, enable an understanding of the polar posi- tions often taken in any discussion of Dylan and his work and his ability to delight, dismay, enthrall and frustrate in equal measure. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
A MADONNA with GYPSY BLOOD the Love Ideal in Bob Dylan's Songs
A MADONNA WITH GYPSY BLOOD The love ideal in Bob Dylan ’s songs Jan-Hendrik Bakker It was during one of the Poetry International Festivals in the early nineties. Students from the academy for cinematographic art were preparing a documentary about people and their poetic favorites. Their approach was to surprise festival attendees by asking them to recite a poem they knew by heart. Later their recitations would be recorded on video. I still remember it really turned out to be a nice documentary. I happened to become one of their victims. Walt Whitman is my favorite poet, but, unfortunately in this case, I do not know by heart the huge amounts of text that this nineteenth century, bearded bard had produced. So I hesitated for awhile, but after a short time these words came up: Nobody feels any pain,/ tonight as I stand inside the rain/ Everybody knows,/ that baby ’s got new clothes/ but lately I ’ve seen her ribbons and her bows/ have fallen from her curls... One of the young men looked at me as if I had just made a joke. No sorry, this was not what he meant. I said I was sorry too, couldn ’t help it. This kind of poetry is part of my inner system, more than Nijhoff and Hendrik de Vries 1, who, I have to confess, are beautiful poets as well. It must be due to my generation; while others were exposed to the poetry of Jacques Pr évert or Jacques Brel in their childhood days, it was the songs of Bob Dylan, especially his love songs that left their imprints in my blood. -
Bob Dylan – the Original Mono Recordings
Bob Dylan – The Original Mono Recordings by Roger Ford The eight albums in this box are of course the foundation of a sound that was still integrated but with added presence Bob Dylan’s career and legend, the records that made him and depth. famous. But more specifically, these are the records that made him famous – not the albums as they sound on the But technology marched on, and the mono versions of standard CDs today, not the earlier generation of CDs from Dylan’s LPs were discontinued in 1968 in the US, a year later the late ’80s, not even the stereo LPs that came out as each in the UK, and as far as I know had disappeared from all other record was made. It was the mono LPs (and the singles taken parts of the world by the mid -’70s. For the last quarter of the from them) that people heard on the radio, round at friends’ 20 th century they were completely unavailable, and once houses, in record shops. These were the sounds that were people realised what had been lost, good condition original engraved into the memory of anyone who listened to Dylan copies became increasingly sought after. in the sixties. The mono albums were eventually reissued by the US specialist reissue label Sundazed between 2001 and 2004, though only in vinyl format. They were remastered by Sundazed owner Bob Irwin, a well-respected audio engineer in his own right. Irwin put a lot of work into finding the right master tapes as well as into the remastering process itself, but nonetheless these editions evoked a somewhat mixed response, with some albums better received than others. -
The Allman Brothers Band
THE ALLMAN BUFFALO SPRINGFIELD RODNEY CROWELL BROTHERS BAND For What its Worth Till I Gain Control Again Black Hearted Woman Kind Woman Blue Skies DEREK AND THE Little Martha JIMMY BUFFET DOMINOS One Way Out Come Monday Tell the Truth Ramblin Man Margaritaville Statesboro Blues Pirate Looks at Forty WILLIE DIXON Whippin Post Volcano Built for Comfort You Don't Love Me RAY CHARLES THE DOOBIE BROTHERS THE BAND Georgia On My Mind Long Train Running Don't Do It Let's Go Get Stoned Hang Up My Rock and Roll Lonely Avenue BOB DYLAN Shoes You Don't Know Me Forever Young Mystery Train Knockin on Heaven's Door The Night They Drove Old ERIC CLAPTON Like a Rolling Stone Dixie Down After Midnight My Back Pages The Weight Positively 4th Street Up on Cripple Creek JIMMY CLIFF Tonight I'll Be Staying Harder They Come Here With You THE BEATLES When I Paint My Blackbird PATSY CLINE Masterpiece Don't Let Me Down You Belong To Me You Ain't Going Nowhere Get Back Hide Your Love Away BRUCE COCKBURN THE EAGLES I Need You Pacing the Cage Desperado I've Just Seen a Face Wondering Where the Peaceful Easy Feeling The Long and Winding Lions Are Take It Easy Road Tequila Sunrise Rain RY COODER We Can Work it Out Don't Mess Up a Good JONATHAN EDWARDS You Won't See Me Thing Shanty The Tattler HARRY BELAFONTE FLEETWOOD MAC Jamaica Farewell ELVIS COSTELLO Landslide Allison CHUCK BERRY THE FLYING BURRITO C'est La Vie CREEDANCE BROTHERS Johnny B. -
Snow Over Interstate 80, Un Immaginario Album Di Canzoni Natalizie Registrato Da Bob Dylan a Metà Degli Anni '60
Nel 1975 il New Musical Express pubblicò, per ridere coi propri lettori, la finta recensione di Snow Over Interstate 80, un immaginario album di canzoni natalizie registrato da Bob Dylan a metà degli anni '60. Snow Over Interstate 80 Picture of the spoof 1975 The eventual 2009 'Twas The Night Before album cover from Wim album cover Christmas - 7" single B- van der Mark side [Home] [ Up ] The following spoof article appeared in the UK music magazine "New Musical Express" in 1975. I've included it here not only because it's pretty funny but also because the original list of unreleased Dylan songs that started this project off included three "mystery" names: FREEWHEELIN', NIGHTINGALE'S CODE and WOODSTOCK YULE. Somewhere along the line the fact that these were spoof titles had been lost, so I wanted to set the record straight. Remember, the article below is a hoax! Bob of course released a genuine Christmas album, Christmas In The Heart, in 2009. Alan Fraser DYLAN - the missing Christmas album At last, definite evidence has come to light that confirms that, in the autumn of 1965, Bob Dylan did record a Christmas Album. The existence of the Dylan Christmas Album has always been hotly denied by Dylan himself, his management, and his record company. Even the most determined bootleggers and Dylanologists have been unable to obtain extant copies of the record, the master tapes of which were allegedly destroyed when the project was suddenly nixed by Dylan himself at the eleventh hour. Now, "Thrills" has obtained a copy, rumoured to be one of only seven copies in the world, the other copies being in the possession of Dylan himself, his then manager Albert Grossman, ex-CBS president Clive Davis and an anonymous French collector said to have paid $100,000 for it in 1966.