Gunsmoke 60Th Anniversary Itinerary
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Junior Friends Groton Public Library
JUNIOR FRIENDS GROTON PUBLIC LIBRARY 52 Newtown Road Groton, CT 06340 860.441.6750 [email protected] grotonpl.org Who We Are How to be a Friend Join Today The Junior Friends of the Groton Becoming a member of the Junior Public Library is a group of young to the Library Friends is easy! Complete the form people who organize service projects Show Respect — take good care of below, detach and return it to the and fundraisers that benefit the the books, computers and toys in Groton Public Library. Library and the community. the Library Once you become a Junior Friend, Becoming a Junior Friend is a great Keep It Down — use a quiet voice in you will receive a membership card way to show your appreciation for the the Library and regular emails listing Junior Library and give something back to Say Thanks — show your Friends’ meetings and events. the community. appreciation for the Library staff and volunteers Name What We Do Spread the Word — tell your friends that the Groton Public Address The Junior Friends actively support Library is a great place to visit the Library through volunteering, fundraising and sponsoring events that involve and inspire young people. The Junior Friends: City / State / Zip Code Help clean and decorate the Library and outside play area Sponsor fundraisers that support Phone the purchase of supplies and special events Host movie and craft programs Email Take on projects that benefit charitable groups within the I give the Groton Public Library, its community r e p resentatives and employees permission to take photographs or videos of me at Junior Friends Events. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
The One with the Feminist Critique: Revisiting Millennial Postfeminism With
The One with the Feminist Critique: Revisiting Millennial Postfeminism with Friends In the years that followed the completion of its initial broadcast run, which came to an end on 6th (S10 E17 and 18), iconicMay millennial with USthe sitcom airing ofFriends the tenth (NBC season 1994-2004) finale The generated Last One only a moderate amount of scholarly writing. Most of it tended to deal with the series st- principally-- appointment in terms of its viewing institutional of the kindcontext, that and was to prevalent discuss it in as 1990s an example television of mu culture.see TV This, of course, was prior to the widespread normalization of time-shifted viewing practices to which the online era has since given rise (Lotz 2007, 261-274; Curtin and Shattuc 2009, 49; Gillan 2011, 181). Friends was also the subject of a small number of pieces of scholarship that entriesinterrogated that emerged the shows in thenegotiation mid-2000s of theincluded cultural politics of gender. Some noteworthy discussion of its liberal feminist individualism, and, for what example, she argued Naomi toRocklers be the postfeminist depoliticization of the hollow feminist rhetoric that intermittently rose to der, and in its treatment of prominence in the shows hierarchy of discourses of gen thatwomens interrogated issues . issues Theand sameproblems year arising also saw from the some publication of the limitationsof work by inherentKelly Kessler to ies (2006). The same year also sawthe shows acknowledgement depiction and in treatmenta piece by offeminist queer femininittelevision scholars Janet McCabe and Kim Akass of the significance of Friends as a key text of postfeminist television culture (2006). -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Cheers, Friends! the Story of Our Beer Zlatý Bažant 12° Tank
The story of our beer Zlatý Bažant 12° tank beer artfully brewed Superior ingredients are not enough when it comes to beer brewing. The thing that really counts is the craftsmanship of beer masters who keep an eye on the whole brewing process. They are experts who love their job and whose passion for beer and experience can’t be replaced by any modern machine. They brew Zlatý Bažant 12 artfully for you. Stored with care Zlatý Bažant is delivered to Klubovňa in a temperature stable tank right from the brewery. Afterwards it is pumped into smaller beer bags in our beautiful and modern stainless steel tanks. These beer bags are changed after each such filling in order to keep the beer in the best conditions. We keep beer chilled to ideal temperature of 7-10°C all the way. When your Bažant is draught from the tank, it is being pushed up by a compressor which pushes the air on the beer bag inside the tank. Doing it this way ensures that our artfully brewed Zlatý Bažant 12° tank beer will never get in touch with air, which guarantees the best beer quality on its way from brewery right into your glass. Artfully draught, served and enjoyed Brewing beer is a science. And drawing beer correctly is an art. Enjoy this premium lager beer of Pilsner type produced by traditional technology. It has a prominent well-balanced full taste, strong hops aroma and a pleasant bitter aftertaste. The malt from own malt plant provides it with the deep yellow color. -
Cheers, Friends!
CHEERS, FRIENDS! 7042 E. INDIAN SCHOOL RD. • SCOTTSDALE, AZ BLUECLOVERDISTILLERY.COM /BLUECLOVERDISTILLERY ENTRÉES ALWAYS HUNGRY SANDWICHES & BURGERS ALL SANDWICHES COME WITH YOUR CHOICE OF: SOUP • REGULAR FRIES • SWEET POTATO TOTS TACOS* $17 Served with 3 flour tortillas, creamed corn and black beans WE TAKE DIY LITERALLY. FISH — Grilled fish, cabbage, pineapple pico, From in-house distilled spirits to locally-sourced food salsa verde, green chili crema and cotija cheese, in our scratch kitchen, we are 100% hands-on. FARM EGG AND BACON GREEN CHILE GRILLED CHEESE* $14 CHEESEBURGER* $15 STEAK — Grilled steak, cabbage, tomato pico, salsa (V) 2 fried farm eggs with strips of bacon served 7-ounce chuck and brisket blend served on a verde, cilantro and queso blanco HOUSE VEGETARIAN on sourdough with melted pepper jack cheese, potato bun with green chile, pepper jack cheese, SPECIALTY ITEM arugula and truffle aioli mayonnaise, lettuce, onions and tomatoes CHICKEN — Grilled chicken, cabbage, cilantro, + BACON* $2 salsa verde and queso blanco BC PASTRAMI $14 STARTERS SOUPS Carnegie deli New York pastrami served on CLASSIC BURGER* $14 CLASSIC CHICKEN STRIPS* $14 sourdough with Havarti cheese, sauerkraut and 7-ounce chuck and brisket blend served on a 4 country-fried chicken strips, accompanied with a house Russian dressing potato bun with cheddar cheese, lettuce, onions, fries; with chorizo gravy and BBQ dipping sauce tomatoes and mayo HOUSE CHIPS AND SALSA $7 CHICKEN TORTILLA $5 BLUE CLOVER KICKER $15 + BACON* $2 SMOKED SALMON* $18 House-made -
Gunsmoke: an Investigation of Conversational Implicature and Guns & Ammo Magazine
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine Kerry Lynn Winn Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric and Composition Commons Recommended Citation Winn, Kerry Lynn, "Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine" (2002). Theses Digitization Project. 2069. https://scholarworks.lib.csusb.edu/etd-project/2069 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Kerry Lynn Winn March 2002 GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino by Kerry Lynn Winn March 2002 Approved by: Ph . D . , I Chair, Sunny Hyon English Date Rong Chen, Ph.D. ABSTRACT In the United States, numerous citizens fear that their Second Amendment right to bear arms will be obliterated. One text that discusses this issue is a popular gun enthusiast's magazine. Guns & Ammo. I will analyze this magazine's content through linguistics, particularly Grice's implicature. As a result I hope it will give me a better viewpoint of the gun community's perspective regarding firearms. -
Miriam Colón-Valle Doctor of Humane Letters As a Lifetime Advocate For
Miriam Colón-Valle Doctor of Humane Letters As a lifetime advocate for equitable access to the arts, the founder of the Puerto Rican Traveling Theater, and a trailblazing stage, film, and television actress, you, Miriam Colón-Valle, are a true Latina icon. Born and raised in Ponce, Puerto Rico, you started in the theater at the age of 12, and in just three short years, you landed your first feature film role, as Lolita in Los peloteros, or The Ball Players. The movie was a production of the civic-minded DIVEDCO, the Division of Community Education of Puerto Rico, a program that sought to stimulate artistic production. At the urging of your teachers and mentors, you moved to New York City to further your training and gained admission to the Actors Studio after a single audition before famed actor-directors Elia Kazan and Lee Strasberg. Your stage credits include performances on Broadway and at Minneapolis’s Guthrie Theater and Los Angeles’s Mark Taper Forum. Your long list of Hollywood credits includes the television series Bonanza, Gunsmoke, and NYPD Blue, as well as the films One-Eyed Jacks and The Appaloosa, both opposite Marlon Brando. You also played Mama Montana in Brian De Palma’s Scarface, starring Al Pacino, and had memorable roles in John Sayles’s Lone Star and City of Hope, Sydney Pollack’s Sabrina, and Billy Bob Thornton’s All the Pretty Horses. More recently, you were honored with the Imagen Award for your title role in 2013’s Bless Me, Última, Carl Franklin’s adaptation of the classic Chicano novel by Rudolfo Anaya. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
Bid Winners.Xlsx
Division Gym Name Team Name Type of Bid Mini Level 1 Extreme Allstars KY Blue Diamonds Paid Mini Level 1 Champion Cheer Starlight Paid Mini Level 1 Empire Cheerleading Lavish Paid Mini Level 1 Empire Cheerleading Lavish At Large Mini Level 1 Powersports Cheer Solar Mini At Large Mini Level 1 Louisiana Cheer Force Baby Blue At Large Mini Level 1 TexStar Athletics Static At Large Mini Level 1 Cheerville Hendersonville Ursula At Large Mini Level 1 Rival Athletics Mini Marvels At Large Mini Level 1 NEO Allstars Blush At Large Mini Level 1 Tiger Cheer Athletics Betas At Large Mini Level 1 Cats Cheerleading Sparkle Kitties At Large Mini Level 1 Spirit Authority Midnight At Large Mini Level 1 Cheeriffic Allstars Boss Ladies At Large Mini Level 1 Tribe Chieftains At Large Mini Level 1 Cheer FX Mini Blizzards At Large Mini Level 1 Legend Allstar Falcon At Large Mini Level 1 Tiger Cheer Athletics Betas At Large Mini Level 1 Zero Gravity Athletics Cosmos At Large Mini Level 1 Empire Cheerleading Lavish At Large Mini Level 1 Allstar Cheer Express Dynamites At Large Mini Level 1 Champion Cheer Sparklers At Large Mini Level 1 Arkansas Cheer Academy Commanders At Large Mini Level 1 Cheer Central Suns Starlites At Large Mini Level 1 Cheerville Catwoman At Large Mini Level 1 East Celebrity Elite Cherry Bombs At Large Mini Level 1 Rockstar Cheer Arizona Little Mix At Large Mini Level 1 Spirit Xtreme Mighty At Large Mini Level 1 Steel Elite Athletics Royal Rubies At Large Mini Level 1 Gem Revolution Mini Jewels At Large Mini Level 1 CFA Angels At Large Mini -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
“You're the Worst Gay Husband Ever!” Progress and Concession in Gay
Title P “You’re the Worst Gay Husband ever!” Progress and Concession in Gay Sitcom Representation A thesis presented by Alex Assaf To The Department of Communications Studies at the University of Michigan in partial fulfillment of the requirements for the degree of Bachelor of Arts (Honors) April 2012 Advisors: Prof. Shazia Iftkhar Prof. Nicholas Valentino ii Copyright ©Alex Assaf 2012 All Rights Reserved iii Dedication This thesis is dedicated to my Nana who has always motivated me to pursue my interests, and has served as one of the most inspirational figures in my life both personally and academically. iv Acknowledgments First of all, I would like to thank my incredible advisors Professor Shazia Iftkhar and Professor Nicholas Valentino for reading numerous drafts and keeping me on track (or better yet avoiding a nervous breakdown) over the past eight months. Additionally, I’d like to thank my parents and my friends for putting up with my incessant mentioning of how much work I always had to do when writing this thesis. Their patience and understanding was tremendous and helped motivate me to continue on at times when I felt uninspired. And lastly, I’d like to thank my brother for always calling me back whenever I needed help eloquently naming all the concepts and patterns that I could only describe in my head. Having a trusted ally to bounce ideas off and to help better express my observations was invaluable. Thanks, bro! v Abstract This research analyzes the implicit and explicit messages viewers receive about the LGBT community in primetime sitcoms.