FSAC 2009 Preliminary Schedule

Total Page:16

File Type:pdf, Size:1020Kb

FSAC 2009 Preliminary Schedule FILM STUDIES ASSOCIATION OF CANADA * * * ASSOCIATION CANADIENNE D’ÉTUDES CINÉMATOGRAPHIQUES * * * Annual Conference 2009 Held in conjunction with the Congress of the Humanities and Social Sciences Congress Theme Capital Connections: nation, terroir, territoire Carleton University, Ottawa May 28 – May 31 Executive 2008-09 President Marc Furstenau Carleton University Vice-President Zoë Druick Simon Fraser University Secretary Ernest Mathijs University of British Columbia Treasurer Liz Czach University of Alberta Members-at-Large Paul Moore JoAnne Stober Aaron Taylor Shana McGuire Graduate Student Representative Aimée Mitchell FSAC 2009 Special Thanks to André Loiselle & John Osborne, Dean, Faculty of Arts and Social Sciences, Carleton University Film Studies, School for the Study of Art and Culture, Carleton University Zuzana Pick, Charles O’Brien, Aboubakar Sanogo, Mark Langer * * * * * * PLEASE SEE THE ADS FROM OUR SPONSORS AT THE END OF THE PROGRAM * * * * * * HIGHLIGHTS AND SPECIAL EVENTS THURSDAY MAY 28 7:00-10:00pm ***Special Guest: Denys Arcand*** Screening of Le Déclin de l’empire Americain (Eng. subtitles) with Q&A Reception & Launch of U of Toronto Press “Canadian Cinema” Book Series MAYFAIR CINEMA 1074 Bank St. (See map at back of program) FRIDAY MAY 29 8:30-9:45am – Katie Quanz: Annual Gerald Pratley Lecture (TORY 360) 10:00am-12:00pm – “Scholars’ Screening Series”: Session I (MACODRUM LIBRARY 235) 12:00-1:00pm – “Orphan Films” Screening (SOUTHAM 518) 4:30-6:00pm – FSAC/CCA Reception (TORY 355) 6:00-7:30pm – Prof. Annette Kuhn: Annual Martin Walsh Lecture (TORY 360) SATURDAY MAY 30 12:30-1:30pm – Blu In You Screening, Dir. Michelle Mohabeer (SA 409) 1:30-3:30pm – “Scholars’ Screening Series”: Session II (SOUTHAM 406) 3:30-5:00pm – Professional Workshop: “Academic Publishing” Conveners: Charlie Keil, University of Toronto and Haidee Wasson, Concordia University (SOUTHAM 415) 5:15-6:45pm – Tom Perlmutter: NFB Plenary Session (TORY 360) (Reception to follow) 9:00pm – “Between a Rock and a Hard Place: Contemporary Filmmaking in Atlantic Canada” – Curated by Darrell Varga (Club SAW, 67 Nicholas Street) SUNDAY MAY 31 5:30-8:00pm – Closing Reception and FSAC Book Launch (CARLETON ART GALLERY – lower level, St. Patrick’s Bldg.) SCHEDULE AT A GLANCE Thursday May 28 Friday May 29 Saturday May 30 Sunday May 31 8:30-9:45 9:00-10:30 8:30-10:30 Katie Quanz Session B1 FSAC Annual General Annual Gerald Pratley Meeting Lecture Panels B1.1-B1.6 LOEB C164 TORY 360 Break Break Break 10:00-12:00 10:45-12:30 10:45-12:30 Session A1 Session B2 Session C1 Panels A1.1-A1.6 Panels B2.1-B2.6 Panels C1.1-C1.5 Lunch 12-1pm Lunch 12:30-1:30pm Lunch 12:30-1:30 Orphan Films / SA518 Blu In You / SA409 1:00-2:30 1:30-3:30 1:30-3:00 Session A2 Session B3 Session C2 Panels A2.1-A2.6 Panels B3.1-B3.6 Panels C2.1-C2.5 Break Break Break 2:45-4:15 3:30-5:00 3:15-5:00 Session A3 Session B4 Session C3 Panels A3.1-A3.6 Panels B4.1-B4.4 Panels C3.1-C3.5 5:00-7:00 4:30-6:00 5:15-6:45 5:30-8:00 Carleton University FSAC/CCA Reception Tom Perlmutter Closing Reception President’s Reception Chair, NFB & TORY 355 NFB Plenary Session FSAC Book Launch ALUMNI HALL TORY 360 CARLETON ART GALLERY 7:00-10:00 6:00-7:30 6:45-8:00 Bon voyage! Denys Arcand Prof. Annette Kuhn NFB Plenary Reception Screening Martin Walsh Lecture & TORY 355 Canadian Cinema TORY 360 --------------------------------- Series Launch 9:00 – Between a Rock and a Hard Place MAYFAIR CINEMA SAW GALLERY PANEL SESSION LOCATOR THURSDAY May 28 FRIDAY May 29 SATURDAY May 30 SUNDAY May 31 8:00-8:30 Tory 360 9:00-10:30 8:30-10:30 Breakfast B1.1 Southam 318 Loeb C164 B1.2 Southam 501 8:30-9:45 Tory 360 B1.3 Southam 415 FSAC AGM Pratley Lecture B1.4 Southam 409 B1.5 Southam 515 B1.6 Southam 406 10:00-12:00 10:45-12:30 10:45-12:30 A1.1.Southam 520 B2.1 Southam 409 C1.1 Southam 416 A1.2 Southam 501 B2.2 Southam 501 C1.2 Southam 409 A1.3 Southam 518 B2.3 Southam 415 C1.3 Southam 501 A1.4 Southam 318 B2.4 Southam 318 C1.4 Southam 316 A1.5 McOdLib 402 B2.5 Southam 515 C1.5 Southam 317 A1.6 McOdLib 235 B2.6 Southam 406 12:00-1:00 12:30-1:30 McOdrum Lib 235 Southam 409 Screening Screening 1:00-2:30 1:30-3:30 1:30-3:30 A2.1 Southam 316 B3.1 Southam 501 C2.1 Southam 409 A2.2 Southam 518 B3.2 Southam 409 C2.2 Southam 317 A2.3 Southam 501 B3.3 Southam 318 C2.3 Southam 501 A2.4 Southam 317 B3.4 Southam 415 C2.4 Southam 316 A2.5 Southam 520 B3.5 Southam 515 C2.5 Southam 318 A2.6 Southam 517 B3.6 Southam 406 Screening 2:45-4:15 3:30-5:00 3:15-5:00 A3.1 Southam 518 B4.1 Southam 415 C3.1 Southam 416 A3.2 Southam 317 B4.2 Southam 318 C3.2 Southam 409 A3.3 Southam 501 B4.3 Southam 409 C3.3 Southam 316 A3.4 Southam 316 B4.4 Southam 406 C3.4 Southam 318 A3.5 Southam 303 C3.5 Southam 317 A3.6 Southam 517 5:30-7:00 Alumni 4:30-6:00 Tory 360 5:15-6:45 Tory 360 5:30-8:00 Hall “Raven’s Nest” Reception NFB Plenary Carleton University President’s Art Gallery Reception Closing Reception and Book Launch 7:00-10:00 6:00-7:30 Tory 360 6:45-8:00 Tory 360 Mayfair Theater Martin Walsh Reception Opening Event Lecture Thursday May 28 5:00pm – 7:00pm President’s Reception Welcome Reception hosted by Carleton University President, Dr. Roseann Runte Location: ALUMNI HALL – “Raven’s Nest” Hors d’oeuvres and refreshments with Delegate’s Pass and Drink Coupon 7:00pm – 10:00pm Special Opening Event: An Evening with Denys Arcand Sponsored by FSAC, Carleton University, Canadian Federation of the Humanities and Social Sciences, and University of Toronto Press Screening: Denys Arcand, Le Déclin de l'empire américain / The Decline of the American Empire (1986, 101 mins., English Subtitles) Followed by Q&A with Denys Arcand Then join us in the Lobby for a Reception and the Launch of the new book series “Canadian Cinema,” published by U of Toronto Press Acclaimed director, Denys Arcand, will be in attendance to answer questions after the screening. The event will be followed by a reception, and the official launch of the new University of Toronto Press book series, “Canadian Cinema,” under the general editorship of Will Straw and Bart Beaty, and of the first two books in the series – André Loiselle, Denys Arcand’s Le Déclin de l’empire américain and Les Invasions barbares (U of T Press, 2008) and Bart Beaty, David Cronenberg’s A History of Violence (U of T Press, 2008). Join us to enjoy the historical ambiance of one of the oldest, still-operating movie theatres in Canada. Originally opened in 1932, the Mayfair Cinema is a rare cinema gem, with many original interior details still intact. It continues life as a vibrant repertory theatre in the heart of Old Ottawa South. Beer & wine (Cash Bar: $2/drink), soft drinks & snacks will be available at the Reception Location: MAYFAIR CINEMA 1074 Bank St. – Bank St., just north of Sunnyside Ave. – See map at end of Program (Admission free upon presentation of Congress Delegate’s Pass or if on FSAC Conference List) Friday May 29 Welcome / Annual Gerald Pratley Graduate Student Award Lecture Location: TORY 360 8:00 – 8:30 Breakfast Buffet (Coffee, Tea, Juice, Fruit and Pastries) 8:30 – 9:45 Welcome: Marc Furstenau, FSAC President Annual Gerald Pratley Lecture: Katherine Quanz PhD Candidate, English and Film Studies, Wilfrid Laurier University “Reclaiming Voices: Canadian Aboriginal Experimental Film and Video” 9:45 – 10:00 Break 10:00 – 12:00 SESSION A1 A1.1: SOUTHAM 520 Zero Patience: The Works of John Greyson Panel Conveners and Chairs: Brenda Longfellow (York University) and Scott MacKenzie (University of Toronto) Scott MacKenzie (University of Toronto) Archival Activism: The Role of the Archival in the Works of John Greyson Tom Waugh (Concordia University) Situating Fig Trees Tess Takahashi (York University) Reconstructing Documentary: John Greyson's 14.3 Seconds Brenda Longfellow (York University) Operatic Subversions in Fig Trees Friday, May 29 A1.2: SOUTHAM 501 Emergent Cinemas and the New Cinematic Strategies and Forms Panel Convener and Chair: Hudson Moura (Simon Fraser University) Patricia Gruben (Simon Fraser University) Who Wants to Be a Sceenwriter?: Screenwriting in Globalizing India Boulou Ebanda de B'béri (University of Ottawa) Multicultural, cultural, and racial representations in indy cinemas: A glimpse into three Australian, Canadian, and South African film's discourse Hudson Moura (Simon Fraser University) Filipino new wave of digital cinema: from telenovela to experimental video art Guillaume Lafleur (Northwestern University) Reflets d’occident : Légitimation critique du cinéma «non-occidental» A1.3: SOUTHAM 518 Orphan Films: Rethinking and Recovering Canada's National Cinema Panel Convener and Chair: Gerda Cammaer (Ryerson University) Screening of selected “Orphan Films” to follow, 12:00-1:00pm (Pack a lunch!) Gerda Cammaer (Ryerson University) Canadian Orphan Films Lost and Found: Decomposing and Recomposing Cultural Memories Joseph Clark (Brown University) The Films of James Smith: National History, Community Memory and Amateur Film in Canada’s North Zoë Druick (Simon Fraser University) Looking for Vancouver Cinema of the 1960s JoAnne Stober (Library and Archives Canada) Dunclaren Productions: Experimental Industrial Animation A1.4: SOUTHAM 318 Embodiment Chair: Aaron Taylor (University of Lethbridge) Rebecca Sullivan (University of Calgary) Natalie Wood, Embodied Performance and Post-Sexual Revolution Hollywood Lisa Funnell (Wilfrid Laurier University) Re-Visioning the Asian-American Female Body in Action: Maggie Q’s Transnational Performances in Hong Kong and Hollywood Sara Rodrigues (Ryerson
Recommended publications
  • Diaspora, Desire, and Identity
    LONGING AND BELONGING 1990S SOUTH ASIAN FILM AND VIDEO Rungh is a quarterly magazine of arts, BY ZOOL SULEMAN culture and ideas. Subscription is free. Join us at rungh.org/join 20 ESSAY 1990S SOUTH ASIAN FILM AND VIDEO ESSAY 21 21 The 1990s are the new “decade of the moment.” Driven in part by the nostal- Pardesh, a multi-disciplinary arts festival that emerged in Toronto and op- only a film. What harm can a film do?” In The Dreams of the Night Cleaners, PRESENTED BY gia of the baby boomer generation as they relive old memories, this cultural erated from 1988–2001 [2]. Desh Pardesh was the “scene” that influenced Sujir traverses a different cultural terrain, weaving together drama, a fable, throwback has reignited conversations which are also “new” once more — the foundation of Rungh and where the first issue of Rungh magazine was the story of a missing family member, and a look at the labour of racialized some of which include the very circuits of knowledge formation. launched in 1992 [3]. immigrant women. Banff, Alberta serves as the backdrop to this production, co-produced with the Banff Centre for the Arts and the National Film Board Identity politics, race, belonging, migration, empire, colonialism, class, reli- The Longing and Belonging program consists of three screenings, loosely of Canada. gion, LGBTQ2++ identities, Indigenous rights, and more are the topics that structured around themes of diaspora, desire, and identity. Diaspora: Shorts increasingly dominate conversations in the academy, the street, the home, Program includes two films, Ian Rashid’s Surviving Sabu (1998) and Leila Su- Desire is only a part of the thread stringing together the three films in the and the universes of media and social media.
    [Show full text]
  • Study Guide Michelle Mohabeer Spotlight Series
    Canadian Filmmakers Distribution Centre STUDY GUIDE MICHELLE MOHABEER SPOTLIGHT SERIES CONTENTS MICHELLE MOHABEER’S TRANSFORMATIONAL AESTHETICS Reading Michelle Mohabeer’s commentaries on her own films, one senses a recog- Essay 1 nizable reticence to be too reductively framed by the race-gender-sexuality politics References 3 that inspired and generated so much artistic creation around identity in the 1980s Questions 4 and early 1990s, and to which she herself contributed. Indeed, her first film, Filmography 4 EXPOSURE (1990) constituted an important contribution to the National Film Board’s About the Filmmaker 4 Five Feminist Minutes program out of the women’s Studio D, and EXPOSURE was About the Author 5 recently characterized as “the first NFB lesbian documentary in terms of both public authorial identity and explicit subject matter” (Waugh 155). Structured CREDITS 5 around a living-room conversation between writers Mona Oikawa and Leleti Tamu, contrasts and convergences between Japanese Canadian and Black communities are shared, and more particularly, lesbian community affiliations emerge through the evocation of the literatures (Audre Lord, Makeda Silvera), artworks (Grace Channer, Sharon Fernandez, Stephanie Martin) and music of women of colour (Ahdri Zhina Mandiela) that are woven through this short eight-minute film. Notwithstanding the pressures of such an auspicious career launch and moniker, what emerges from Mohabeer’s broader reflections is her desire for her films to be considered for their poetics, their experimental aural and visual strategies—what she has described as a “hybrid-pastiche blurring of experimental documentary and narrative forms” (Cooper 45). Indeed, in Mohabeer’s films, form and content are inextricable one from the other.
    [Show full text]
  • Celebrate 15! Caribbeantales International Film Festival Screens Award-Winning, Critically Acclaimed Feature Generation Lockdown
    Celebrate 15! CaribbeanTales International Film Festival Screens Award-Winning, Critically Acclaimed Feature Generation Lockdown Nine Nights of 30 Short and Feature Films Live Streamed on CaribbeanTales-TV For Immediate Release: (Toronto,ON) – Told through the eyes of an 11-year-old American boy, Generation Lockdown will have audiences rivetted on the second night of the CaribbeanTales International Film Festival (CTFF). “Truth to Power” Night takes place on Wednesday September 16th on the CaribbeanTales-TV (CT-TV) platform starting at 7:00pm EST. Directed by Sirad Balducci, this film sheds light on the gun epidemic in the United States and the effect it has on young children. Written by 11-year-old Caleb Brown, his story starts off as an average day that quickly turns into him trying to save his best friend’s life during a “Code Red Live Shooter Lockdown.” The Short Films for the night are: Life and Death (Sonja Dumas), Fear (Yoram Savion), K.I.N.G. (Rashad Frett) and Flight (Kia Moses) “We are very excited to screen Generation Lockdown. This is the Canadian Premiere. It has won several awards, including Best Social Awareness and Best Actor,” said Diana Webley, CTFF Festival Director. “The truth in this film is raw and the power is what emerges to encourage change after audiences watch what life has become for today’s children.” On September 23rd, “Love Regardless” (LGBTQ+ Night) heralds in Queer Coolie- tudes, an ethnographic documentary that examines the slur “coolie” through a powerful collection of testimonies. Directed by Michelle Mohabeer, this film embraces the complexities of Creole (mixed-race) identities, gender/genderqueer identity, age, and mobility which are portrayed in nuanced ways.
    [Show full text]
  • FILM 3301A/WGST 3812F: Analyzing Cinema, Gender, and Sexuality Fall 2018
    FILM 3301A/WGST 3812F: Analyzing Cinema, Gender, and Sexuality Fall 2018 Carleton University, School for the Study of Art and Cultures: Film Studies Last Updated: August 29, 2018 Professor Laura Horak Class Meetings 405 St. Patrick’s Building Thursdays 11:35-3:25 @ SP 417 (613) 520-2600 x4010 [email protected] Office hours: Make an appointment using https://calendly.com/laura-horak Film Studies webpage: https://carleton.ca/filmstudies/ Facebook group: https://www.facebook.com/groups/cufilm/ Kanopy: https://library.carleton.ca/find/databases/kanopy Course Description How do moving images participate in the production of gender and sexuality? In what ways is this process inflected by race, ethnicity, class, and national identity? This course will investigate the crucial role of normative and “deviant” genders and sexualities in the history of cinema production, distribution, and reception. We will investigate the way audiovisual texts use formal means to make gender visible and the display of gender difference pleasurable. We will also consider the gendered politics of labor in film industries and the ways that genre systems (like the romantic comedy) produce gendered meanings and forms of address. The course will also investigate the ways that feminist, Indigenous, transgender, and queer filmmakers have inventively rethought cinema and video for poetic and political ends. Learning Outcomes By the end of this term, students will be able to: Give a nuanced account of gender and sexuality that takes into account historically- and geographically-specific meanings and a wide array of gender expressions and identities. Notice the narrative and formal elements of an audiovisual text (e.g.
    [Show full text]
  • Council.Laps.Yorku.Ca York University 3
    NOTICE OF MEETING 86th Meeting of Faculty Council May 14, 2020 3:00 pm – 5:00 pm, Zoom Meeting Room AGENDA 1. Call to Order and Approval of the Agenda 2. Chair’s Remarks 3. Minutes of the April 9, 2020 meeting..……………..……………………...………………….…………………....2 4. Business Arising from the Minutes 5. Reports of Standing Committees of Council · Executive Committee o Item for Information: Election Results………………………………………………….…..…12 · Committee on Student Academic Petitions and Appeals o Item for Action: approval of a third person from the Department of Administrative Studies to serve on the Committee on Student Academic Petitions and Appeals · Committee on Curriculum Curricular Policy and Standards………………………………….……...17 o Item for Action: Major Modification: New Minor in English Language Studies o Item for Action: Minor Change to Existing Program: Department of Economics: Business Economics o Item for Action: Minor Change to Existing Program: Department of Economics Business Economics: Financial and Business Economics o Consent Agenda…………………………………………………………………………….…..20 6. Dean’s Report to Council and Update on COVID-19 7. Question Period 8. University Academic Plan: Draft Plan Discussion…………………………………………………………………21 9. Item for Information: Update on Discussions Regarding Amending the Non-Degree Studies Sub-Committee of the Committee on Curriculum, Curricular Policy and Standards………………….……….35 10. Item for Information: Senate Synopsis…………………………………………………………………………......42 11. Other Business 2019- 2020 Liberal Arts & Professional Studies Faculty Council Meetings are normally on the second Thursday of the month at 3:00pm in the Robert Everett Senate Chamber, N940 Ross. June 11, 2020 council.laps.yorku.ca York University 3. Minutes of the March 12, 2020 Faculty of Liberal Arts & Professional Studies Faculty Council It was moved, seconded, and carried to approve the minutes of the March 12, 2020 meeting.
    [Show full text]
  • 10, 1991 Euclid Theatre Noveml
    Sian Culture in the West Noveml 10, 1991 Euclid Theatre Five days of outspoken and challenging programs taking up i iWirg.nM Identity, Home, racism, lesbian and gay life, feminism and w om ens^ experience among South Asians in the West. Featuring the changing shape of South Asian cultural expression with' $ new and provocative films, videos, poetry, literature, theatre, music I and performance art by artists and activists living in Britain, The United States and Canada. W... Film + Video premieres: Feature Film Khash by Pratibha Parmar (U K.) Sneak Preview: Bolo Boln by Gila Saxena and lan Rashid (Cmoda) Masala by Srinivas Krishna fTumniu) lareeiu Portrait o f a Hidja by Prtm Kalliat (US.) Knowing her place by Indu Knshnan (US.) Appearing with their democracy in Crisis by Manjira Dana (India) film or video work: M lu ri and Coke by Rukltsana Mosani (U.K./Soutb Alrttci) Pratibha Parmara (U.K.). A NK M huigem ent Gurinder Chada (U.K.) Srinivas Krishna (Toronto), Gita Saxena (Toronto); Ian Rashid (Toronto/U K.). Manjira Datta (Indio). For more information (416) 97J-0SS4 Presented by Khnsh. The Eudid Theatre ■"' , l 1 Advance Passes S3S available at: Readings/Performance/Presentation: Bhangra + Dance Party Theatre performances: The Toronto Women’s Bookstore (Harbord St.) Sunil Gupta (U.K.), Moyez Vassanji (Toronto), Nayan Shah at the Rivoli, 332 Queen SL W. Bey ond The Kala Pani This Ain’t The Rosedale Library (Church Sc.) (U.S.), Sadhu Binning (Vancouver), Raj Pannu (Vancouver), Friday Nov. 8, 9:30pm Indo Caribbean women’s collective Ramabai Espinet (Toronto). Arnold Itwaru (Toronto), Malika Shameless/Baysharam Pages Bookstore (Queen St W) featuring British Bhangra DJ Riru Mendez (Toronto), Aruna Srivasuva (Vancouver), Ashok Mathur South Asian Sisters in solidarity + Toronto's CKLN DJ Michelle Mohabeer The Indian Record Shop (Gerrard St.
    [Show full text]
  • January Monthly News 2020
    January Monthly News 2020 Department of Communication Studies January 2020 Newsletter Welcome back to the winter semester! Here are this month's events and opportunities in the Communication Studies Department. In This Issue: • What’s Coming Up • What's Happened What’s Coming Up Professor Anne MacLennan will be hosting Peixin Hua, a Globalink Mitacs research intern from Sichuan University in China. She will work on work on her SSHRC-funded research project with Professor Katie Moylan of Leicester University in the UK. The research, Programming, Practices, Production & Policy: Canadian Community Radio will go beyond chronicling the challenges of Canadian community/campus radio stations to work in stages to identify the successes or best practices and challenges to provide a conduit of information on initiatives and innovations to help sustain and advance the growth of community/campus radio stations. Professor Michelle Mohabeer was just awarded/recognized by the Berlin Underground Film Festival, as best female filmmaker 2020 for her feature creative doc, Queer Coolie-tudes (2019). She will also have the US premiere of Queer Coolie-tudes at the Third Horizon Film Festival, in Miami February 6 - 9, 2020 Congratulations! COMN 3551: Advanced Issues in Digital Media and Culture (Winter 2020) Melodie Cardin, a PhD Candidate and an Instructor in the School of Journalism and Communication at Carleton University will be presenting The Biopolitics of Prenatal Testing on Tuesday Feb. 25, 8:30am- 11:30am in ACE 003. We're Hiring! The Department is hiring a Full Time Professorial Stream - Assistant Professor in Diasporic Media. The application deadline Feb. 14, 2020 and start date is July 1, 2020.
    [Show full text]
  • Conference Program
    2008 SCMS Conference Program AND SCREENING SYNOPSES Loews Philadelphia March 6–9, 2008 2008 SCMS Conference Program g ANDg SCREENING SYNOPSES Loews Philadelphia Architectures of the Moving Image Moving of the Architectures March 6–9, 2008 Letter from the SCMS President Welcome to Philadelphia, the 2008 SCMS conference, and the fabulous Loews Hotel! The Loews Hotel was designed by George Howe and William Lescaze and completed in 1932. It was the first skyscraper in the United States to represent the modernist, international style. To celebrate our unique conference site, this year’s theme is “Architectures of the Moving Image.” As you explore the conference program, you will find many papers that focus on issues of design in the media, from the center of the mainstream to the edges of the avant-garde, spanning pro- duction design in motion pictures, the construction of network television schedules, and the architecture of computer games and websites. In addition, you will see that we have organized an exciting plenary session for Saturday evening, featuring two outstanding scholars—Ackbar Abbas, comparativist and scholar of contemporary cultural globalization, and Anthony Vidler, architectural historian and theorist—who have written eloquently on issues directly related to our confer- ence theme. Please join me on Saturday evening in welcoming these distinguished scholars to the Society for Cinema and Media Studies. In advance of the plenary, I also encourage you to attend our annual Awards Ceremony on Thursday evening, which will be followed immediately by our opening reception. While the opening reception provides you with the opportunity to meet new friends and colleagues and reconnect with old ones, the Awards Ceremony showcases the outstanding achievements and contributions of members in our field.
    [Show full text]
  • Toronto Arts Council Report to Economic Development Committee
    Attachment TABLE OF CONTENTS Introduction and Grants Impact Analysis ........................................................................................... 3 Summary of Increased Funding, 2013-2016, chart ……………………………………………….……. 7 Operations Budget Allocation ……………………………………………………………………………….8 Grants Programs Overview Strategic Funding .................................................................................................................. 9 Arts Discipline Funding ......................................................................................................... 10 Assessment and Allocations Process ................................................................................... 11 Loan Fund ............................................................................................................................. 11 2016 Allocations Summary ................................................................................................................ 12 Income Statement & Program Balances for the year ended December 31, 2016............................. 13 Strategic Funding 2016 Partnership Programs .......................................................................................................... 14 Strategic Partnerships ........................................................................................................... 15 Strategic Allocations .............................................................................................................. 17 Recipient Details ..................................................................................................................
    [Show full text]
  • In the Presence of Absence: Invisibility, Black Canadian History, and Melinda Mollineaux’S Pinhole Photography
    In the Presence of Absence: Invisibility, Black Canadian History, and Melinda Mollineaux’s Pinhole Photography Andrea Fatona University of Toronto Abstract: In the official history of Canada, alternative Black narratives often erase the complexities of Black Canadian experiences. This article examines the pinhole photographic work of Canadian artist Melinda Mollineaux, Cadboro Bay: Index to an Incomplete History, to discuss Mollineaux’s performative act of commemorating the forgotten place of Cadboro Bay, where Black people gath- ered to celebrate Emancipation Day in the late nineteenth and early twentieth centuries. The photographs in the series act as material reminders of this artist’s attempt to resurrect public memories of a time and place that are intimately tied to slavery and the diasporic movement of Black people. In so doing, the article discusses the dynamics of presence and absence and the significance of what is not seen in Mollineaux’s pictures. This article features online (http://www.cjc- online.ca) photographs of Melinda Mollineaux’s pinhole photography. Résumé : Au sein de l’histoire officielle du Canada, les récits alternatifs des Noirs passent souvent sous silence la complexité de l’expérience canadienne Noire. Cette étude examine l’oeuvre photographique de l’artiste canadienne Melinda Mollineaux, intitulée Cadboro Bay : Index to an Incomplete History. Le but de cette analyse est de considérer la pratique performative de Mollineaux qui commémore le site oublié de Cadboro Bay, un endroit où certains membres de la communauté Noire se sont rassemblés pour célébrer Emancipation Day à la fin du 19e et au début du 20e siècles. Cette série de photos sert de rappel physique des gestes posés par l’artiste afin de remémorer une époque et un lieu qui sont intimement liés à l’esclavagisme et à la dispersion du peuple de race noire.
    [Show full text]
  • Affective Economies of Queer & Feminist Film
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace NETWORKS OF FEELING: AFFECTIVE ECONOMIES OF QUEER & FEMINIST FILM FESTIVALS ON THE CANADIAN PRAIRIES JONATHAN PETRYCHYN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION & CULTURE YORK UNIVERSITY TORONTO, ONTARIO August 2019 Ó Jonathan Petrychyn, 2019 ii ABSTRACT Film festivaLs are fulL of feeLing. As complex institutions, affective labour underpins the work of prograMMers and festivaL staff. As public events, fiLMs screened at festivaLs can be weLL- received pictures, poorly-reviewed flops, or events met with protest, controversy, and outbursts of public eMotion. The reLationship between these different types of eMotion, affect, and feeLing is a complex yet an often-overlooked aspect of fiLM festivaLs. This dissertation deveLops a theory of affect through the history of the queer and feMinist fiLM festivaLs on the Canadian Prairies from 1985 to 2005. Drawing on the vast colLection of public and private archives avaiLable on these festivaLs, as weLL as interviews and ethnography, I attend to the ways the region’s network of fiLM festivaLs have produced and have been produced by affect and how affects of dis/interest, disgust, shaMe, and happiness circulate within fiLM festivaL networks. The circulation and production of different affects at various points in these festivaL histories have had profound effects on how these festivaLs organize—from how organizers reLate to each other and to their publics, to the kinds of funding they accept and the politics of their prograMMing.
    [Show full text]
  • February Monthly News 2020
    February Monthly News 2020 Department of Communication Studies February 2020 Newsletter In This Issue: • What’s Coming Up • What's Happened Winter exams will be held April 7-25. For more information, go to the Registrar's website. We are starting our own Little Free Library! The full filing cabinet is near the CSSA at DB 3036, and the other filing cabinet that has fewer books, is in the alcove in between 3030 and 3040. What’s Coming Up Media & Communication in Canada Networks, Culture, Technology, Audience, Ninth Edition is being released this month! Written by Mike Gasher, and Communication Studies professors David Skinner and Natalie Coulter; the textbook is considered the gold standard for studying media and communication in Canada. Thoroughly revised and updated, this authoritative ninth edition explores the shifting nature of media and communication systems by examining traditional and new media and a wealth of current media issues and trends. With a stunning full-colour design and extensive updates throughout, Media and Communication in Canada is essential reading for anyone studying this constantly evolving field. In June, several professors will be presenting at the Canadian Communication Association (CCA) Congress 2020 at Western University. Professor Anne MacLennan is presenting Representations and rhetoric of poverty and working class on North American television. Professor Jonathan Obar is presenting Unpacking “The Biggest Lie on the Internet”: Assessing the Length and Readability of Internet Carrier and Loyalty Program Policies. Professor Estee Fresco will be co-presenting a paper with Dr. Nicole Neverson of Ryerson University titled We the North?: The Toronto Raptors and the Commercialization of Urban Culture.
    [Show full text]