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Nancy Wilson Ross
Nancy Wilson Ross: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Ross, Nancy Wilson, 1901-1986 Title: Nancy Wilson Ross Papers Dates: 1913-1986 Extent: 261.5 document boxes, 12 flat boxes, 18 card boxes, 7 galley folders (138 linear feet) Abstract: The papers of this American writer encompass her entire literary career and include manuscript drafts, extensive correspondence, and subject files reflecting her interest in Eastern cultures. Call Number: Manuscript Collection MS-03616 Language: English Access Open for research Administrative Information Acquisition Purchase, 1972 (R5717) Provenance Ross's first shipment of materials to the Ransom Center accompanied her husband Stanley Young's papers, and consisted of Ross's literary output to 1975, including manuscripts, publications, and research materials. The second, posthumous shipment contained manuscripts created since 1974, and all her correspondence, personal, and financial files, as well as files concerning the estate of Stanley Young. Processed by Rufus Lund, 1992-93; completed by Joan Sibley, 1994 Processing note: Materials from the 1975 and 1986 shipments are grouped following Ross's original order, with the exception of pre-1970, special, and current correspondence which were interfiled during processing. An index of selected correspondents follows at the end of this inventory. Repository: Harry Ransom Center, The University of Texas at Austin Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 2 Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 Biographical Sketch Nancy Wilson was born in Olympia, Washington, on November 22, 1901. She graduated from the University of Oregon in 1924, and married Charles W. -
Diaspora, Desire, and Identity
LONGING AND BELONGING 1990S SOUTH ASIAN FILM AND VIDEO Rungh is a quarterly magazine of arts, BY ZOOL SULEMAN culture and ideas. Subscription is free. Join us at rungh.org/join 20 ESSAY 1990S SOUTH ASIAN FILM AND VIDEO ESSAY 21 21 The 1990s are the new “decade of the moment.” Driven in part by the nostal- Pardesh, a multi-disciplinary arts festival that emerged in Toronto and op- only a film. What harm can a film do?” In The Dreams of the Night Cleaners, PRESENTED BY gia of the baby boomer generation as they relive old memories, this cultural erated from 1988–2001 [2]. Desh Pardesh was the “scene” that influenced Sujir traverses a different cultural terrain, weaving together drama, a fable, throwback has reignited conversations which are also “new” once more — the foundation of Rungh and where the first issue of Rungh magazine was the story of a missing family member, and a look at the labour of racialized some of which include the very circuits of knowledge formation. launched in 1992 [3]. immigrant women. Banff, Alberta serves as the backdrop to this production, co-produced with the Banff Centre for the Arts and the National Film Board Identity politics, race, belonging, migration, empire, colonialism, class, reli- The Longing and Belonging program consists of three screenings, loosely of Canada. gion, LGBTQ2++ identities, Indigenous rights, and more are the topics that structured around themes of diaspora, desire, and identity. Diaspora: Shorts increasingly dominate conversations in the academy, the street, the home, Program includes two films, Ian Rashid’s Surviving Sabu (1998) and Leila Su- Desire is only a part of the thread stringing together the three films in the and the universes of media and social media. -
Study Guide Michelle Mohabeer Spotlight Series
Canadian Filmmakers Distribution Centre STUDY GUIDE MICHELLE MOHABEER SPOTLIGHT SERIES CONTENTS MICHELLE MOHABEER’S TRANSFORMATIONAL AESTHETICS Reading Michelle Mohabeer’s commentaries on her own films, one senses a recog- Essay 1 nizable reticence to be too reductively framed by the race-gender-sexuality politics References 3 that inspired and generated so much artistic creation around identity in the 1980s Questions 4 and early 1990s, and to which she herself contributed. Indeed, her first film, Filmography 4 EXPOSURE (1990) constituted an important contribution to the National Film Board’s About the Filmmaker 4 Five Feminist Minutes program out of the women’s Studio D, and EXPOSURE was About the Author 5 recently characterized as “the first NFB lesbian documentary in terms of both public authorial identity and explicit subject matter” (Waugh 155). Structured CREDITS 5 around a living-room conversation between writers Mona Oikawa and Leleti Tamu, contrasts and convergences between Japanese Canadian and Black communities are shared, and more particularly, lesbian community affiliations emerge through the evocation of the literatures (Audre Lord, Makeda Silvera), artworks (Grace Channer, Sharon Fernandez, Stephanie Martin) and music of women of colour (Ahdri Zhina Mandiela) that are woven through this short eight-minute film. Notwithstanding the pressures of such an auspicious career launch and moniker, what emerges from Mohabeer’s broader reflections is her desire for her films to be considered for their poetics, their experimental aural and visual strategies—what she has described as a “hybrid-pastiche blurring of experimental documentary and narrative forms” (Cooper 45). Indeed, in Mohabeer’s films, form and content are inextricable one from the other. -
Battle the Balkan·S
' - ) LET OFFIC There are two possibilities. One is a part and parcel of the democratic war itself South Slav Federation comp?sed of Serbs, and that they can be of help not only in Croats, Slovenes and Bulgarians with which shortening the war greatly but in solving the other Balkan nations-Rumania, Greece a variety of problems. and Albania - would collaborate. Russia, In the matter of the terrible devastatiqn The which qoes not look sympathetically on the wrought by fascist Italian troops in the Bal idea of any bloc federated on the basis of kans or by satellite Bulgarian fascist groups, regionalism, favors this possibility. The the round table has agreed it is vital that other solution is a Balkan Federation, with full restitution be made· for the devastated all the Balkan peoples participating and areas. You have concurred in recommend BATTLE renouncing their small nationalisms in .a ing that all resources (particularly those bf federated state within a democratic frame- the Axis nations) be po9led in order· to re work, each country ret.aining a ~ imited .establish prosperity and help·the victimized sovereignty. The great powers must' not peoples to cope with the problems of divide the Balkan community into spheres disease, ruined property and so forth. ·for of influence; a united democratic, inde- In the matter of boundary problems the pendent community of the Balkan peoples members of the round table were of the would constitute the firmest of links be- unanimous belief that those areas which tween Russia and the rest of Europe. have ·been occupied by the Axis countries THE BALKAN·S Dolivet - May I now submit the conclu- and which have suffered so terribly from sions we have reached? The round table the enemy should be returned immediately. -
Celebrate 15! Caribbeantales International Film Festival Screens Award-Winning, Critically Acclaimed Feature Generation Lockdown
Celebrate 15! CaribbeanTales International Film Festival Screens Award-Winning, Critically Acclaimed Feature Generation Lockdown Nine Nights of 30 Short and Feature Films Live Streamed on CaribbeanTales-TV For Immediate Release: (Toronto,ON) – Told through the eyes of an 11-year-old American boy, Generation Lockdown will have audiences rivetted on the second night of the CaribbeanTales International Film Festival (CTFF). “Truth to Power” Night takes place on Wednesday September 16th on the CaribbeanTales-TV (CT-TV) platform starting at 7:00pm EST. Directed by Sirad Balducci, this film sheds light on the gun epidemic in the United States and the effect it has on young children. Written by 11-year-old Caleb Brown, his story starts off as an average day that quickly turns into him trying to save his best friend’s life during a “Code Red Live Shooter Lockdown.” The Short Films for the night are: Life and Death (Sonja Dumas), Fear (Yoram Savion), K.I.N.G. (Rashad Frett) and Flight (Kia Moses) “We are very excited to screen Generation Lockdown. This is the Canadian Premiere. It has won several awards, including Best Social Awareness and Best Actor,” said Diana Webley, CTFF Festival Director. “The truth in this film is raw and the power is what emerges to encourage change after audiences watch what life has become for today’s children.” On September 23rd, “Love Regardless” (LGBTQ+ Night) heralds in Queer Coolie- tudes, an ethnographic documentary that examines the slur “coolie” through a powerful collection of testimonies. Directed by Michelle Mohabeer, this film embraces the complexities of Creole (mixed-race) identities, gender/genderqueer identity, age, and mobility which are portrayed in nuanced ways. -
FILM 3301A/WGST 3812F: Analyzing Cinema, Gender, and Sexuality Fall 2018
FILM 3301A/WGST 3812F: Analyzing Cinema, Gender, and Sexuality Fall 2018 Carleton University, School for the Study of Art and Cultures: Film Studies Last Updated: August 29, 2018 Professor Laura Horak Class Meetings 405 St. Patrick’s Building Thursdays 11:35-3:25 @ SP 417 (613) 520-2600 x4010 [email protected] Office hours: Make an appointment using https://calendly.com/laura-horak Film Studies webpage: https://carleton.ca/filmstudies/ Facebook group: https://www.facebook.com/groups/cufilm/ Kanopy: https://library.carleton.ca/find/databases/kanopy Course Description How do moving images participate in the production of gender and sexuality? In what ways is this process inflected by race, ethnicity, class, and national identity? This course will investigate the crucial role of normative and “deviant” genders and sexualities in the history of cinema production, distribution, and reception. We will investigate the way audiovisual texts use formal means to make gender visible and the display of gender difference pleasurable. We will also consider the gendered politics of labor in film industries and the ways that genre systems (like the romantic comedy) produce gendered meanings and forms of address. The course will also investigate the ways that feminist, Indigenous, transgender, and queer filmmakers have inventively rethought cinema and video for poetic and political ends. Learning Outcomes By the end of this term, students will be able to: Give a nuanced account of gender and sexuality that takes into account historically- and geographically-specific meanings and a wide array of gender expressions and identities. Notice the narrative and formal elements of an audiovisual text (e.g. -
Nota Bene-- C:\JEH\VASSIL~1\NOTEBO~1
White Notebook #3 1 Translation of original notes from KGB archival files by Alexander Vassiliev (1993-1996) Translated by Steve Shabad, reviewed and edited by Alexander Vassiliev and John Earl Haynes (2007) [Pagination and formatting track the handwritten original notebook. Phrases in English in the original are italicized. Phrases that were transliterated from English to Russian in the original are in Arial font. Marginal comments in the left margin are chiefly page numbers from the archival file while those in the right margin are Vassiliev’s topic designations, his own comments, or notes to himself. Endnotes were added in translation.] ******************************************************************************************************************* File 55298 “Robert” Undated report by Sound on Bruce Minton (“Informator”): Informator, p.20 Bruce’s primary contact – Gregory Silvermaster, an economist at the Treasury Dept. An expert Silvermaster on sociology, has a command of Russian. Lives with Ludwig Ullmann, who is a friend of his. the White trusts Silvermaster and often asks for his advice, especially on matters pertaining to the same S.U. p.21 9/X – 1940 A report on Bruce Minton was received from Sound. (Real name is Richard Informator Bransten1). Comes from a well-to-do California family; joined the CP during the Calif. strike of 1934. Moved to NY, worked at the mag. “New Masses.” Divorced Louise Bransten and married Ruth McKenney. p.22 On assignment from Browder, he issues the bulletin “In Fact” together with Seldes. At “New Masses” at the same time. Repetition. p.23 Bruce meets with S-ter on a daily basis; the latter informs him of Washinton news. p.29 Report by Sound from 31.03.42 [On the evening of 26.03, Sound met with Greg and his wife. -
UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Cold War Comrades: Left-Liberal Anticommunism and American Empire, 1941-1968 Permalink https://escholarship.org/uc/item/2z1041sr Author Cushner, Ari Nathan Publication Date 2017 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ COLD WAR COMRADES: LEFT-LIBERAL ANTICOMMUNISM AND AMERICAN EMPIRE, 1941-1968 A dissertation presented in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY OF CONSCIOUSNESS with an emphasis in AMERICAN STUDIES by Ari. N. Cushner September 2017 The dissertation of Ari Nathan Cushner is approved: _________________________________ Professor Barbara Epstein, chair _________________________________ Professor Eric Porter _________________________________ Matthew Lasar, Ph.D. _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Ari N. Cushner 2017 CONTENTS ACKNOWLEDGEMENTS vii INTRODUCTION Cold War Liberalism and the American Century 1 Midcentury Left-Liberal Anticommunism 6 Sources 14 Original Contributions 16 Methods 19 Literature Review 25 McCarthyism and Left-Liberal Anticommunism 28 New York Intellectuals and Neoconservatism 38 Cold War Anticommunism and American Empire 43 Chapter Outline 45 CHAPTER ONE Tragedy of Possibility: From a People’s Century to Cold War Empire 47 Henry Wallace and the Popular Front 51 Free World Association 56 Union for Democratic Action 65 Cold War (and Critics) 68 The 1948 Election 78 End of the People’s Century 90 CHAPTER TWO Following The New Leader: Left-Liberal Anticommunist Routes 95 “The Real Center of Anti-Communist Thought and Activity” 97 Norman Thomas (1884-1968) 113 Sidney Hook (1902-1989) 123 Arthur Schlesinger Jr. -
Council.Laps.Yorku.Ca York University 3
NOTICE OF MEETING 86th Meeting of Faculty Council May 14, 2020 3:00 pm – 5:00 pm, Zoom Meeting Room AGENDA 1. Call to Order and Approval of the Agenda 2. Chair’s Remarks 3. Minutes of the April 9, 2020 meeting..……………..……………………...………………….…………………....2 4. Business Arising from the Minutes 5. Reports of Standing Committees of Council · Executive Committee o Item for Information: Election Results………………………………………………….…..…12 · Committee on Student Academic Petitions and Appeals o Item for Action: approval of a third person from the Department of Administrative Studies to serve on the Committee on Student Academic Petitions and Appeals · Committee on Curriculum Curricular Policy and Standards………………………………….……...17 o Item for Action: Major Modification: New Minor in English Language Studies o Item for Action: Minor Change to Existing Program: Department of Economics: Business Economics o Item for Action: Minor Change to Existing Program: Department of Economics Business Economics: Financial and Business Economics o Consent Agenda…………………………………………………………………………….…..20 6. Dean’s Report to Council and Update on COVID-19 7. Question Period 8. University Academic Plan: Draft Plan Discussion…………………………………………………………………21 9. Item for Information: Update on Discussions Regarding Amending the Non-Degree Studies Sub-Committee of the Committee on Curriculum, Curricular Policy and Standards………………….……….35 10. Item for Information: Senate Synopsis…………………………………………………………………………......42 11. Other Business 2019- 2020 Liberal Arts & Professional Studies Faculty Council Meetings are normally on the second Thursday of the month at 3:00pm in the Robert Everett Senate Chamber, N940 Ross. June 11, 2020 council.laps.yorku.ca York University 3. Minutes of the March 12, 2020 Faculty of Liberal Arts & Professional Studies Faculty Council It was moved, seconded, and carried to approve the minutes of the March 12, 2020 meeting. -
The British Left Intelligentsia and France Perceptions and Interactions 1930-1944
ROYAL HOLLOWAY UNIVERSITY OF LONDON DEPARTMENT OF HISTORY The British Left Intelligentsia and France Perceptions and Interactions 1930-1944 Alison Eleanor Appleby September 2013 Thesis for the degree of Doctor of Philosophy 1 Declaration of Authorship I, Alison Appleby, confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged. Signed________________________________ Date__________________________________ 2 ABSTRACT This thesis is concerned with the ways in which the non-communist British left interacted with their French counterparts during the 1930s and the Second World War and described France in their writings and broadcasts. It challenges existing accounts that have described British attitudes to France as characterised by suspicion, ill-feeling or even contempt. It draws on a range of sources, including reportage, private papers, records of left-wing societies and other publications from the period, as well as relevant articles and books. The thesis explores the attitudes of British left-wing intellectuals, trade unionists and politicians and investigates their attempts to find common ground and formulate shared aspirations. The thesis takes a broadly chronological approach, looking first at the pre-1939 period, then at three phases of war and finally at British accounts of the Liberation of France. In the 1930s, British left-wing commentators sought to explain events in France and to work with French socialists and trade unionists in international forums in their search for an appropriate response to both fascism and Soviet communism. Following the defeat of France, networks that included figures from the British left and French socialists living in London in exile developed. -
10, 1991 Euclid Theatre Noveml
Sian Culture in the West Noveml 10, 1991 Euclid Theatre Five days of outspoken and challenging programs taking up i iWirg.nM Identity, Home, racism, lesbian and gay life, feminism and w om ens^ experience among South Asians in the West. Featuring the changing shape of South Asian cultural expression with' $ new and provocative films, videos, poetry, literature, theatre, music I and performance art by artists and activists living in Britain, The United States and Canada. W... Film + Video premieres: Feature Film Khash by Pratibha Parmar (U K.) Sneak Preview: Bolo Boln by Gila Saxena and lan Rashid (Cmoda) Masala by Srinivas Krishna fTumniu) lareeiu Portrait o f a Hidja by Prtm Kalliat (US.) Knowing her place by Indu Knshnan (US.) Appearing with their democracy in Crisis by Manjira Dana (India) film or video work: M lu ri and Coke by Rukltsana Mosani (U.K./Soutb Alrttci) Pratibha Parmara (U.K.). A NK M huigem ent Gurinder Chada (U.K.) Srinivas Krishna (Toronto), Gita Saxena (Toronto); Ian Rashid (Toronto/U K.). Manjira Datta (Indio). For more information (416) 97J-0SS4 Presented by Khnsh. The Eudid Theatre ■"' , l 1 Advance Passes S3S available at: Readings/Performance/Presentation: Bhangra + Dance Party Theatre performances: The Toronto Women’s Bookstore (Harbord St.) Sunil Gupta (U.K.), Moyez Vassanji (Toronto), Nayan Shah at the Rivoli, 332 Queen SL W. Bey ond The Kala Pani This Ain’t The Rosedale Library (Church Sc.) (U.S.), Sadhu Binning (Vancouver), Raj Pannu (Vancouver), Friday Nov. 8, 9:30pm Indo Caribbean women’s collective Ramabai Espinet (Toronto). Arnold Itwaru (Toronto), Malika Shameless/Baysharam Pages Bookstore (Queen St W) featuring British Bhangra DJ Riru Mendez (Toronto), Aruna Srivasuva (Vancouver), Ashok Mathur South Asian Sisters in solidarity + Toronto's CKLN DJ Michelle Mohabeer The Indian Record Shop (Gerrard St. -
The United Nations Dumbarton Oaks Proposals for a General International Organization
UN Secretariat Item Scan - Barcode - Record Title Page 3 Date 06/07/2006 Time 11:09:11 AM S-0981 -0002-03-0000 1 Expanded Number S-0981 -0002-03-00001 Title Items-i n-General files - miscellaneous background info on unofficial publications Date Created 01/10/1943 Record Type Archival Item Container S-0981 -0002: United Nations Conference on International Organization (UNCIO) subject files Print Name of Person Submit Image Signature of Person Submit I I I ESSENTIAL FACTS In regard to THE LEAGUE OF NATIONS, THE WORLD COURT and the INTERNATIONAL LABOR ORGANIZATION Education Committee THE LEAGUE OF NATIONS October, $1943 ASSOCIATION, Inc. Price, Ten Cents 45 E. 65th St., Now York 21, N. Y. TABLE OF CONTENTS Page THE LEAGUE OF NATIONS ASSOCIATION, Inc. THE LEAGUE OF NATIONS ....... ........ ...... 3 National Headquarters: ............. M em bership . ' ' ...................... 4 ............. 45 East 65th Street New York 21, N. Y. M achinery of the League .. _.............. .. 5 ........... Political Work of the League................ ........ .. .. .. .. 9 Settlem ent of Disputes ......- ...-.. I....... Reduction of Armaments ............ - JOHN H. CLARKE FRANK G. BOUDREAU, M.D. JAMES T. SHOTWELL President The Saar Plebiscite ........... Honorary Presidents M andates .,._........ ........ ...... ...... ........ 20 MRhs. EMMONS BLAINE JOHN W. DAVIS MRS. JAMES LEES LAIDLAW M inorities ..... .. 1 -............ ....... .. .. - 2 1 MICHAEL FRANCIS DOYLE Vice-Presidents The Leagýue's Technical Work .... .... .... .. 22 MANLEY 0. HUDSON HUGH MOORE Economic and Financial Problems.. ........ .. 23 ......... THEODORE MARBURG Chairman, Executive Committee Communications and Transit ......... 1 .....I.. .. .. 2 5 MRS. CARRIE CHAPMAN CArT FREDERICK C. MCKEE H e a lth ..- I......I. " '. ....-. ... ....... .. .. - 2 6 Honorary Vice-Presidents Treasurer Traffic in Opium......... ..... 28 .....