Dublin, Ireland August 26Th-29Th Getting to Trinity College Dublin
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The New Link Easter 2013
Georgian 69 PeCarsel Setreaetn. Teel: r67s 1 0747 (We have moved 3 Doors Down) Dry Cleaning • Alterations • Launderette DRY CLEANING Cost per Item Tie . .€4.00 Cost per Item Shirt . .€4.50 Trousers . .€6.50 Service Wash Jacket . .€6.50 5kg . €11.00 Suit 2 Piece . .€13.00 8kg . €16.00 Suit 3 Piece . .€16.00 10kg . €20.00 Skirt . .€6.50 15kg . €30.00 Overcoat . .€12.00 Duvet (Double) . €18.00 Dress . .€12.00 Duvet (Single) . €14.00 Jumper . .€4.50 Duvet (King Size) . €22.00 Open: Monday to Friday 8.30 a.m. – 6 p.m. Saturday 8.30 a.m. – 5 p.m. DID YOU KNOW WE STOCK: Weschem Buster Cleaning Products – a guaranteed Irish Company. Ask Alan for details Wishing the Community a Very Happy Easter from Albert, Family and Staff New Link 2 THE NEW LINK CELEBRATING EASTER HOPE CONTENTS Page Celebrating Easter Hope .................................3 As you read this, Lent is drawing to a close and we look forward to the hope Ghosts of the Lancaster by and assurance of Easter. The name Lent comes from the old word to Denis Ranaghan ...........................................4-5 lengthen, because the approach to Easter is marked by longer days and The Accident by Tony Rooney ........................7 brighter evenings. As Easter comes early this year, the longer days are Dr. O’Cleirigh Medical Matters .......................8 particularly noticeable and welcome. Christy Bolton’s Retirement / Homelessness by Ann Curran .........................9 This year the post-Christmas gloom seemed longer and more miserable Horoscopes for Easter ...................................11 than usual. Apart from the dark mornings and evenings, the continuing South Docks Festival 2013 ............................12 economic and employment difficulties have been pressing down on many The Floating Chapel in Ringsend people. -
Conference Programme
@LIBERconference #LIBER2019 48th LIBER Annual Conference Research Libraries Trinityfor College Society Dublin, Ireland 26-28 June 2019 consortium of national & university libraries While the world benefits from what’s new, IEEE can focus you on what’s next. IEEE Xplore can power your research and help develop Esploro new ideas faster with access to trusted content: • Journals and Magazines • eLearning The Library at the • Conference Proceedings • Analytics Solutions • Standards • Plus content from Heart of Research • eBooks select partners LEVERAGE LIBRARY EXPERTISE FOR MANAGING IEEE Xplore® Digital Library Information Driving Innovation AND EXPOSING INSTITUTIONAL RESEARCH See how IEEE Xplore can add value to your institution’s research collection. Learn More innovate.ieee.org Connect with IEEE Xplore One place for all Intelligent capture of research output data from internal & and data, across all external sources disciplines Improve visitor experience by providing real-time occupancy data Metadata Automated Analysis & and booking services. enrichment for update of measurement improved researcher profiles of research discoverability performance 2 N°1 mobile services for libraries Learn More: http://bit.ly/EXLEsploro www.affluences.com 48th LIBER Annual Conference Research Libraries for Society Trinity College Dublin, the University of Dublin 26-28 June 2019 @LIBERconference #LIBER2019 5 Table of Contents 4 LIBER 2019 Main Programme at a Glance 6 Welcome from the President of LIBER 8 Welcome to Trinity College Dublin 10 Welcome to Ireland 11 Venue Information 14 Conference Essentials 15 Social Programme 22 Pre-Conference Programme 25 Annual Conference Programme 39 Exhibition and Posters 41 Workshops 59 Abstracts and Presenter Profiles 153 Invitation to LIBER 2020 154 LIBER Annual Conference Fund 155 LIBER Award for Library Innovation 160 Exhibition Floor Plan 162 LIBER Organisation 166 Acknowledgements & Thanks All contents (text and images), except where otherwise noted, are licenced under a Creative Commons Attribution (CC BY) licence. -
A Few Words from the Editor Welcome to Our Winter Issue of Irish Roots
Irish Roots 2015 Number 4 Irish Roots A few words from the editor Welcome to our Winter issue of Irish Roots. Where Issue No 4 2015 ISSN 0791-6329 on earth did that year disappear to? As the 1916 commemorations get ready to rumble CONTENTS we mark this centenary year with a new series by Sean Murphy who presents family histories of leaders of the 1916 Easter Rising, page 6. We 4 News introduce another fascinating series featuring sacred sites of Ireland and we begin with a visit to the Hill of Uisneach in County Westmeath, a place of great significance in 5 And Another Thing the history and folklore of Ireland, page 8. Patrick Roycroft fuses genealogy and geology on page 16 and Judith Eccles Wight helps to keep you on track with researching your railroad ancestors 6 1916 Leaders Family Histories in the US, page 22. We remember the Cullen brothers who journeyed from the small townland of Ballynastockan in Co. Wicklow to Minneapolis, US, 8 Sacred Sites Of Ireland bringing with them their remarkable stone cutting skills, their legacy lives on in beautiful sculptures to this day and for generations to come, page 24. Staying in Co. Wicklow we share the story of how the lost WW1 medals of a young 10 Tracing Your Roscommon Ancestors soldier were finally reunited with his granddaughter many years later, page 30. Our regular features include, ‘And another Thing’ with Steven Smyrl on the saga of the release of the Irish 1926 census, page 5. James Ryan helps us to 12 ACE Summer Schools trace our Roscommon ancestors, page 10 and Claire Santry keeps us posted with all the latest in Irish genealogy, page 18. -
Fun Summer Activity Guide
fun summer activity guide fun summer activity guide This week, we have a lucky-dip for you with our Luas activity guide. We found loads of great fun family activities happening close to Luas. It’s a real mixed bag from motor racing to food markets, so take your pick and let Luas take you there. Lunchtime Market Phoenix Park Motor Racing Stillorgan Luas Stop, Stillorgan, Phoenix Park, Dublin 8 Dublin 18 www.phoenixparkmotorraces.ie www.irishvillagemarkets.ie Storytelling Free Outdoor Music @ Tall Ships Inchicore Library, 34 Emmet Road, George’s Dock, IFSC, Dublin 1 Dublin 8 www.dublintallships.ie www.dublincity.ie TIPS 1. Plan your day – check venue opening hours before you go 2. Print the relevant part of the guide along with an activity sheet for the kids 3. Dress appropriately with comfortable shoes 4. Check weather forecast and bring sun cream/umbrella 5. Pack a picnic or snacks and drinks 6. Bring some baby wipes/change of clothes 7. Bring a camera 8. Check you have the correct Luas ticket for your journey fun summer activity guide LUNCHTIME MARKET What: Located at the Stillorgan Luas stop, this lunchtime market operates each and every Tuesday from 11:30 – 14:00. There is a great range of fresh international food on offer including Kanum Thai , German schnitzel, falafel, Chinese food, noodles, fajitas and gyros, steak sandwiches, and fresh fish and chips. When: Every Tues 14th/21st/28th August Cost: Free Getting there: Luas Green Line – Stillorgan Luas Red Line – Jervis Street + 15 min walk to St. Stephen’s Green Luas Stop Contact: -
10 Archaeology, Cultural Heritage and Architectural Heritage
Dublin City Council College Green Project EIS Chapter 10- Archaeology, Architectural and Cultural Heritage 10 Archaeology, Cultural Heritage and Architectural Heritage 10.1 Introduction Irish Archaeological Consultancy Ltd has prepared this report on behalf of Dublin City Council to assess the impact, if any, on the archaeological, architectural and cultural heritage resource of the Proposed Project at College Green, Dublin City Centre (OS Sheet 18). The Proposed Project occupies a city-centre location, c. 235m south of the River Liffey, adjacent to landmark buildings including Bank of Ireland and Trinity College. The study area falls within 1.4 hectares (including the block formed by St Andrew’s, Trinity, and Church Street). It is located at College Green which encompasses parts of Dame Street, Trinity Street, St Andrew’s Street and Church Lane, at the very northern end of Grafton Street. The Project is adjacent to the southern end of Anglesea Street and occupies the full area of Foster Place and College Green which includes the southernmost part of Westmoreland Street, the area south of Bank of Ireland (former House of Parliament) and immediate west of Trinity College. As part of the Proposed Project, it has been indicated that a large area of eastern College Green (170m x 40m) may be excavated to a depth of 2.5m to accommodate the main plaza. The Proposed Project is located within the zone of archaeological potential for the historic centre of Dublin City (DU018-020). It is located c. 270m outside of the medieval town walls of Dublin. The Proposed Project is also surrounded by numerous protected structures and partially located within Architectural Conservation Areas (ACAs) associated with O’Connell Street, The South City Retail Quarter and Grafton Street and Environs. -
“This Cemetery Is a Treacherous Place”. the Appropriation of Political, Cultural and Class Ownership of Glasnevin Cemetery, 1832 to 1909
Studi irlandesi. A Journal of Irish Studies, n. 9 (2019), pp. 251-270 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-25516 “This cemetery is a treacherous place”. The Appropriation of Political, Cultural and Class Ownership of Glasnevin Cemetery, 1832 to 1909 Patrick Callan Trinity College Dublin (<[email protected]>) Abstract: Dublin’s Glasnevin Cemetery became a focus of nationalist com- memoration after 1832. The Irish diaspora in America celebrated it as the resting place of nationalist heroes, including Parnell, O’Connell and others linked with Irish Catholicity or culture. American news- papers reported on commemorations for the Manchester Martyrs and Parnell. The Dublin Cemeteries Committee (DCC) managed the cemetery. In the early 1900s, the DCC lost a political battle over who should act as guardian of the republican tradition in a tiny ar- ea of political property within the cemetery. A critical sequence of Young Irelander or Fenian funerals (Charles Gavan Duffy, James Stephens, and John O’Leary) marked the transfer of authority from the DCC to advanced nationalists. The DCC’s public profile also suffered during the 1900s as Dublin city councillors severely criti- cised the fees charged for interments, rejecting the patriarchal au- thority of the cemetery’s governing body. Keywords: Commemoration, Diaspora, Glasnevin Cemetery, Parnell 1. Introduction Dublin’s Glasnevin Cemetery opened in 1832 as an ideal of the nine- teenth-century garden cemetery. Daniel O’Connell’s Catholic Association successfully worked to repeal the surviving Penal Laws against Irish Catho- lics, leading to Catholic Emancipation in 1829. In part, the campaign had focused on the need for new regulations to allow for the establishment of Catholic cemeteries such as Glasnevin, formally known as Prospect Cem- etery. -
Westland Row
Westland Row Origins of the Parish, Church and School In this section we set out a brief history of the origins and development of Westland Row:- The Parish The Church of Saint Andrew The School founded by The Christian Brothers 1 Table of Contents 1 THE PARISH ........................................................................................................................................... 4 1.1 Dublin - the walled city .............................................................................................................. 4 1.2 Outside the walls ......................................................................................................................... 5 1.3 The Parish takes shape ................................................................................................................. 8 1.4 The real property crash ................................................................................................................ 9 1.5 From Trinity to Ringsend ............................................................................................................ 12 1.6 Dublin to Kingstown Rail terminal ............................................................................................. 14 2 ST. ANDREW’S CHURCH ...................................................................................................................... 16 2.1 Townsend Street ........................................................................................................................ 16 2.2 New Home in Westland -
ITA/206 Turner Collection: Micheál Mac Liammóir Papers
Irish Theatre Archive: ITA/206 Turner Collection/Mac Liammoir Papers DUBLIN CITY ARCHIVES ITA/206 Turner Collection: Micheál Mac Liammóir Papers Irish Theatre Archive at Dublin City Archives Descriptive List by Dr. Mary Clarke Irish Theatre Archive @ Dublin City Archives Dublin City Library and Archive 138-144 Pearse Street, Dublin 2 1 Irish Theatre Archive: ITA/206 Turner Collection/Mac Liammoir Papers Tel: 00 353-1-674 4996/4997 Email: [email protected] 2 Irish Theatre Archive: ITA/206 Turner Collection/Mac Liammoir Papers CATALOGUING SYSTEM FOR TURNER COLLECTION/MAC LIAMMOIR ARCHIVES 01: Programmes/Gate 3 02: Programmes/not Gate 53 03: Playbills 57 04: Playscripts 61 05: Scripts in Irish language 63 06: Press cuttings 65 07: Photographs 68 08: Set designs 78 09: Costume designs 84 10: Graphic designs 89 11: Correspondence 91 12: Notes 102 13: Publications 107 14: Miscellaneous 110 3 Irish Theatre Archive: ITA/206 Turner Collection/Mac Liammoir Papers Irish Theatre Archive Turner Collection: Micheál Mac Liammóir Papers ITA/206/1: Programmes/ Dublin Gate Theatre 4 Irish Theatre Archive: ITA/206 Turner Collection/Mac Liammoir Papers Ref No: ITA/206/01/01 Document type: Programme Date: 28 October 1928 Production: The Hairy Ape Author: Eugene O’Neill Producer/Director: Hilton Edwards Stage Design: Micheal Mac Liammóir/executed by Dom Bowe Costume Design: Micheal Mac Liammóir Theatre: Peacock Inserts: Press cutting, Irish Times, 29 October 1928 AFH Ref: 2 Ref No: ITA/206/01/02 Document type: Programme Date: 18 November 1928 Production: -
TRINITY College
ake your way around Dublin city, stopping at our six great PARNELL SQUARE DORSET ST GARDINER STREET SEVILLE PLACE FUDIWEHHUEDUVDORQJWKHZD\2XUVWDIIORYHWRKHOS\RXŴQG AMIENS STREET M G PARNELL R DOMINICK ST. a beer that you’ll adore! All our bars serve great lunch, dinner and A N MARLBOROUGHCATHAL STREET BRUGHA ST. G CONNOLLY VQDFNV$QGZKHQ\RXŒUHŴQLVKHGWDNHDJURZOHUWRJR E FOLEY STREET G O’CONNELL STREET O DOMINICK R M A Come for the great Camden N O’CONNELL L Visit all our city centre bars! O UPPER Street buzz, stay for the craft BOLTON STREET W beer and simple, delicious E MOORE STREET CONNOLLY R PARNELL STREETO’Connell food. We have an amazing Street SHERIFF ST. LWR. selection of Irish and world BRUNSWICK ST. 1 MIN craft beers, while our chef REET TALBOT STREET SHERIFF STREET UPPER ING ST BUSARUS cooks up tasty fresh food. Play ORTH K GREEN STREET N ANNE N. ST. MA board games, watch the world BERESFORD STREET YO NORTH EARL STREET R S go by or make new friends at TREE T GEORGE’S DOCK MARLBOROUGH the bar! O’CONNELL MAYOR SQUARE (GPO) ESFORD PLAC Shopping District BER E SPENCER DOCK HENRY STREET GPO Custom MAYOR STREET (01) 470 5100 GalwayBayBrewery.com/AgainstTheGrain JERVIS ST. IFSC MARY ST. CAPEL STREET ABBEY STREET House CHURCH STREET Docklands CUSTOM HOUSE QUAY $OŴH%\UQHŒVLVDIDYRXULWH Jameson MAY LANE MARY’S LANE SMITHFIELD Distillery 22 MINS COMMONS ST. after-work venue amongst the QUEEN STREET JERVIS ABBEY STREET GUILD STREET LOWER LIFFEY ST. EDEN QUAY RIVER LIFFEY NORTH WALL QUAY local business community and SMITHFIELD Seán O’Casey Bridge NEW WAPPING STREET people attending the National SWIFT’S ROW NORTH LOTTS Bridge GEORGE’S QUAY FOUR COURTS BURGH QUAY Concert Hall. -
13 Westland Row, Dublin
13 Westland Row, Dublin Copyright Adrian J M Stevenson 2006 www.kintree.net 1847 (above), detail from Ordnance Survey map. This image is taken from 'The 1851 Dublin City Census' CD-ROM and online publication at www.irishorigins.com. It is reproduced with the permission of Eneclann Ltd and Origins.net. 2006 (below). This image is taken from online publication at www.tcd.ie. It is reproduced with the permission of Trinity College Dublin and ERA-Maptec Ltd. 13 Westland Row, Dublin: its occupants from 1842 to 2006 page 3 of 10 Introduction Westland Row was laid out as a street in 17731; maps of 17802 and 17973 show the Vice Provost’s Garden of Trinity College extending to the very carriageway of Westland Row. The freehold of No 13 Westland Row can be shown to belong to Trinity College from at least 19094; a history of the College suggests ownership by the College at an earlier date5. Possibly the property falls within the limits of the original grant of land to the College6. The street was first known as Westland’s Row, and was not recorded as Westland Row until 17927. Building is thought to have started at the southern end, at Westland Row’s junction with Lincoln Place (earlier Park Street, earlier Patricks Well Lane). Research into earlier years is complicated by a re-numbering of Westland Row in 1841, probably reflecting substantial reconstruction. This re-numbering appears to have remained unaltered in subsequent years: the western side of the street is numbered consecutively, odd and even, from 1 to 32, starting from the northern end (Pearse Street, earlier Great Brunswick Street, earlier Moll’s Lane, before drastic widening and extension by the Wide Streets Commission). -
Revolutionary Years
Des Byrne 1 Table of Contents THE REVOLUTIONARY YEARS .................................................................................. 4 1. FAMILY FOCUS ................................................................................................. 5 1.1 The Pearses and the Brennocks ................................................................................ 5 1.2 The Malones and the Fitzgeralds ............................................................................ 10 1.3 Broader links ........................................................................................................... 15 1.4 Social contacts ......................................................................................................... 16 2. THE IMPACT OF THE GREAT WAR IN THE PARISH ........................................... 17 2.1 The Old Contemptibles ........................................................................................... 19 2.2 The Pals .................................................................................................................... 20 2.3 Weapons of Mass Destruction ................................................................................ 22 2.4 The Senior Service ................................................................................................... 23 2.5 Those Magnificent Men in their Flying Machines .................................................. 26 2.6 An Officer and a Gentleman ................................................................................... 27 2.7 -
Reimagining Ireland, Volume 48 : Visualizing Dublin
REIR imagining 48 imagining ire land ire land VOLUME 48 Justin Carville (ed.) Dublin has held an important place throughout Ireland’s cultural history. The shifting configurations of the city’s streetscapes have been marked VISUALIZING DUBLIN VISUALIZING by the ideological frameworks of imperialism, its architecture embedded within the cultural politics of the nation, and its monuments and sculptures VISUALIZING DUBLIN mobilized to envision the economic ambitions of the state. This book examines the relationship of Dublin to Ireland’s social history through the VISUAL CULTURE, MODERNITY AND THE city’s visual culture. Through specific case studies of Dublin’s streetscapes, REPRESENTATION OF URBAN SPACE architecture and sculpture and its depiction in literature, photography and cinema, the contributors discuss the significance of visual experiences and representations of the city to our understanding of Irish cultural life, both past and present. Justin Carville (ed.) Drawing together scholars from across the arts, humanities and social sciences, the collection addresses two emerging themes in Irish studies: the intersection of the city with cultural politics, and the role of the visual in projecting Irish cultural identity. The essays not only ask new questions of existing cultural histories but also identify previously unexplored visual representations of the city. The book’s interdisciplinary approach seeks to broaden established understandings of visual culture within Irish studies to incorporate not only visual artefacts, but also textual descriptions and ocular experiences that contribute to how we come to look at, see and experience both Dublin and Ireland. Justin Carville teaches Historical and Theoretical Studies in Photography and Visual Culture at the Institute of Art, Design and Technology, Dun Laoghaire.