Open Laporte (The Door) to Provence and More Pleasures by Paula Mchugh
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Second Circuit Fair Use Survey: Assessing the Impact of “Transformative Use” Theory, by Case (1982-2016)
Second Circuit Fair Use Survey: Assessing the Impact of “Transformative Use” Theory, by case (1982-2016) Authored by: The Council on Intellectual Property Reporting Subcommittee: Dale Cendali - Kirkland & Ellis LLP Claudia Ray - Kirkland & Ellis LLP Charles S. Sims - Proskauer Rose LLP Barry Werbin - Herrick, Feinstein LLP January 4, 2017 THE ASSOCIATION OF THE BAR OF THE CITY OF NEW YORK 42 West 44th Street, New York, NY 10036-6689 www.nycbar.org SECOND CIRCUIT SURVEY OF COPYRIGHT FAIR USE DECISIONS ASSESSING THE IMPACT OF “TRANSFORMATIVE USE” THEORY This three decade-plus survey project arose from an informal study of “transformative use” under Section 107 of the Copyright Act that the New York City Bar Association’s Copyright & Literary Property Committee conducted in 2012 -2013. That led to a City Bar “Great Hall” public program entitled Copyright Fair Use: The Importance of Being Transformative - Has Transformative Use Gone Too Far, held on March 11, 2014, which was co-sponsored by the Copyright & Literary Property, Art Law and Entertainment Law Committees. Having seen how dramatically Second Circuit Judge Pierre Leval’s transformative use theory— originally expounded in his 1990 Harvard Law Review commentary entitled “Toward a Fair Use Standard”—has impacted fair use jurisprudence, several current and former members of the IP Council, including former Chairs of the Copyright and Literary Property, Communications, Trademarks and Unfair Competition, and Media Law Committees, suggested that there might be value in conducting a detailed survey of all fair use decisions issued by the Second Circuit since the era of the Supreme Court’s seminal decision in Sony Corporation of America v. -
^Outli of the Fl^Joun Tu I N 5
^outli of the fl^joun tu i n 5 published by Tappan Zee Historical Society Rockland County, Orangeburg, New York Vol. 8 No. 4 October-December 1964 DUNDERBERG By J. R. Dunham Laird The Hudson River, one of the most beautiful and interesting of all the rivers in America, flows from the majestic Adirondacks southward to the Atlantic, guided in its course by several groups of mountains. One of these groups of mountains is known as the Hudson Highlands. Rising from the flatlands that enclose the Newburgh Bay area, they narrow the waters so that the river becomes deep; and they funnel the winds so that they become gusty and unpredictable, and often roar through the mountains, and the region is famous among boatmen and river people for the sudden onslaught of storms. Particularly is this true of the winds funneled and confined by that section of the Highlands be tween Anthony’s Nose on the east, Bear Mountain on the west, and a mountain to the south that our early Dutch forebears called Donder Berg, or Thunder Mountain. Here in summer one may often see the storm brooding. The Goblins Washington Irving in his legend of The Storm-Ship, poking fun at the early Dutch navigators, states: “The captains of the river craft talk of a little bulbous-bottomed Dutch goblin, in trunk hose and sugar- loafed hat, with a speaking trumpet in his hand, which, they say, keeps the Donder Berg. They declare that they have heard him, in stormy weather, in the midst of the turmoil, giving orders in Low Dutch, for the piping up of a fresh gust of wind, or the rattling off of another thunder clap. -
Evanston Life
evanston life community connections Spring/Summer 2017 Evanston Life Spring/Summer 2017 Evanston Life magazines are available online at www.cityofevanston.org and copies are available at community centers and at other city facilities. For more information, call/text 847-448-4311. Thank you for joining us in being environmentally friendly. Evanston Ecology Center Levy Senior Center Facilities 2024 McCormick Blvd. 300 Dodge Ave. Lorraine H. Morton Civic Center 847-448-8256 847-448-8250 2100 Ridge Ave. www.cityofevanston.org/ecology www.cityofevanston.org/levy www.evanstonenvironment.org 847-448-4311 Mason Park Fieldhouse www.cityofevanston.org Fleetwood-Jourdain Center Church St. at Florence Ave. Chandler-Newberger Center 1655 Foster St. 847-448-8254 847-448-8254 1028 Central St. Noyes Cultural Arts Center www.cityofevanston.org/fleetwood 847-448-8252 927 Noyes St. www.cityofevanston.org/chandler Fleetwood-Jourdain Theatre 847-448-4311 Clark St. Beach Office 927 Noyes St. www.cityofevanston.org/noyes 847-866-5915 Clark St. at the lake (seasonal) Robert Crown Center www.fjttheatre.com Dempster St. Beach Office 1701 Main St. Dempster St. at the lake (seasonal) Gibbs-Morrison Cultural Center 847-448-8258 847-866-4167 1823 Church St. www.cityofevanston.org/crown www.cityofevanston.org/beaches 847-448-8040 www.cityofevanston.org/gibbsmorrison Fee assistance is available to qualified Evanston Printed on recycled paper using soy-based inks residents for most City of Evanston programs. 2 Evanston life Spring/Summer 2017 Table of Contents Events -
Seinfeld Producers Remain Masters of the Copyright Domain: Castle Rock Entertainment, Inc
DePaul Journal of Art, Technology & Intellectual Property Law Volume 9 Issue 1 Fall 1998: Symposium - Privacy and Publicity in a Modern Age: A Cross-Media Article 4 Analysis of the First Amendment Seinfeld Producers Remain Masters of the Copyright Domain: Castle Rock Entertainment, Inc. v. Carol Publishing Group, Inc. Susan S. Blaha Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Susan S. Blaha, Seinfeld Producers Remain Masters of the Copyright Domain: Castle Rock Entertainment, Inc. v. Carol Publishing Group, Inc., 9 DePaul J. Art, Tech. & Intell. Prop. L. 83 (1998) Available at: https://via.library.depaul.edu/jatip/vol9/iss1/4 This Case Notes and Comments is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Blaha: Seinfeld Producers Remain Masters of the Copyright Domain: Castle CASE NOTES AND COMMENTS SEINFELD PRODUCERS REMAIN MASTERS OF THE COPYRIGHT DOMAIN: CASTLE ROCK ENTERTAINMENT, INC. V. CAROL PUBLISHING GROUP, INC.' INTRODUCTION On July 10, 1998, the Second Circuit ruled that one can in fact infringe a copyright of "nothing."2 In Castle Rock Entertainment, Inc. v. Carol Publishing Group, Inc., the Court of Appeals, in an opinion written by Judge John M. Walker, held that the Seinfeld Aptitude Test, a trivia test devoted exclusively to testing its readers' recollections of scenes and events from the highly successful television series Seinfeld, unlawfully copied from the original program The Castle Rock decision is noteworthy in several respects. -
Pennsylvania Folklife Vol. 34, No. 4 William A
Ursinus College Digital Commons @ Ursinus College Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection Summer 1985 Pennsylvania Folklife Vol. 34, No. 4 William A. Leinbach Patricia Tinsman David Gottshall Marvin A. Dourte Daniel T. Kohler See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/pafolklifemag Part of the American Art and Architecture Commons, American Material Culture Commons, Christian Denominations and Sects Commons, Cultural History Commons, Ethnic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Folklore Commons, Genealogy Commons, German Language and Literature Commons, Historic Preservation and Conservation Commons, History of Religion Commons, Linguistics Commons, and the Social and Cultural Anthropology Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Leinbach, William A.; Tinsman, Patricia; Gottshall, David; Dourte, Marvin A.; Kohler, Daniel T.; Blood, Sam; Layland, Charles; Layland, Margaret; Wilton, Brenda; Day, Stephen; Shaner, Richard; Longenecker, Donna; Weber, William; Horst, Mel; Jensen, Robert; and Dillon, Donald D., "Pennsylvania Folklife Vol. 34, No. 4" (1985). Pennsylvania Folklife Magazine. 109. https://digitalcommons.ursinus.edu/pafolklifemag/109 This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors William A. Leinbach, Patricia Tinsman, David Gottshall, Marvin A. Dourte, Daniel T. Kohler, Sam Blood, Charles Layland, Margaret Layland, Brenda Wilton, Stephen Day, Richard Shaner, Donna Longenecker, William Weber, Mel Horst, Robert Jensen, and Donald D. -
31 Août 2005 1,25$ + T.P.S
Une affaire de coeur avec nos lecteurs depuis 30 ans ! À L’INTÉRIEUR Nettoyage de la rivière.........HA2 «Poilu» en specta- cle.............HA10 Lodin l’emporte au golf.........HA28 Vol. 30 No 24 Hearst On ~ Le mercredi 31 août 2005 1,25$ + T.P.S. PenséePensée PenOpérationsée embellissement! Le bonheur n'est Ppas equelquens échosee que l'on vit, c'est quelquePen chosesé donte on se souvient. POscaren Levantsée Pensée Veuillez noter que les bureaux du journal Le Nord Dans une initiative bien particulière visant à assainir les et de la Librairie Le Nord eaux de la rivière Mattawishkwia, ces quatre jeunes filles seront fermés le lundi 5 ont retiré pas moins de 14 pneus dans le secteur communé- septembre, dans le ment appelé «Creek à Giroux». On reconnaît : Chloé cadre de la Fête du Travail. Gagnon et Alexa Fleury à l’avant du canot et Samantha Les heures de tombée pour la Fleury et Daphné Gagnon à l’arrière. (Voir texte et photo en publicité demeurent les page HA2) mêmes. Le dépotoir fermé pendant seulement quelques minutes MÉTÉO Les ours continuent d’envahir HEARST(AB) - Les ours conti- provoqués par des jeunes et cette tant de ne pas provoquer les bêtes ses rejetons. MERCREDI nuent de faire sentir leur présence dernière a fait un geste qui lais- lorsque les gens se rendent au D’autres ours ont été observés à l’intérieur des limites de la ville sait croire qu’elle semblait prête à dépotoir. dans divers secteurs de la muni- Ciel variable Min 12; Max 21 alors qu’encore la semaine attaquer», mentionne Réal «Mais ce n’est malheureuse- cipalité au cours des derniers PdP 20% dernière, plusieurs cas ont été Gagnon. -
Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media Virginia A
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2012 Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media Virginia A. Mclaurin University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the American Popular Culture Commons, Film and Media Studies Commons, Indigenous Studies Commons, and the Television Commons Mclaurin, Virginia A., "Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media" (2012). Masters Theses 1911 - February 2014. 830. Retrieved from https://scholarworks.umass.edu/theses/830 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media A Thesis Presented by Virginia A. McLaurin Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2012 Department of Anthropology Sociocultural Anthropology Stereotypes of Contemporary Native American Indian Characters in Recent Popular Media A Thesis Presented by Virginia A. McLaurin Approved as to style and content by: _________________________________________________ Jean Forward, Chair _________________________________________________ Robert Paynter, Member _________________________________________________ Jane Anderson, Member _________________________________________________ Elizabeth Chilton, Department Chair Anthropology Department DEDICATION To my wonderful fiancé Max, as well as my incredibly supportive parents, friends and entire family. ACKNOWLEDGEMENTS I would like to thank my advisor, Jean Forward, not only for her support and guidance but also for kindness and general character. -
The Barber (^Seinfeld) from Wikipedia, the Free Encyclopedia
:rhe Barber (Seinfeld) - Wikipedia, the free encyclopedia Page 1 of2 The Barber (^Seinfeld) From Wikipedia, the free encyclopedia "The Barber" is theT2nd episode of the NBC sitcom Seinfeld.It is the eighth episode of the fifth "The Barber" season, and first aired on November ll,1993. Seínfeld episode Plot Episode no. Season 5 Episode 8 The episode begins with George at ajob Directed by Tom Cherones interview. His future employer, Mr. Tuttle, is cut Written by Andy Robin off mid-sentence by an important telephone call, and sends George away without knowing whether Production code 508 he has been hired or not. Mr. Tuttle told George Original air date November ll,1993 that one of the things that make George such an Guest actors attractive hire is that he can "understand everything immediately", so this leaves apuzzling situation. In Jerry's words: "If you call and ask if Wayne Knight as Newman Antony Ponzini as Enzo you have the job, you might lose the job." But if David Ciminello as Gino George doesn't call, he might have been hired and Michael Fairman as Mr. Penske he never know. George will decides that the best Jack Shearer as Mr. Tuttle course of action is to not call at all and to just "show up", pretending that he has been hired and Season 5 episodes start "work", all while Mr. Tuttle is out of town. The thought behind this was that if George has the September 1993 -May 1994 job, then everything will be fine; and if George uThe was not hired, then by the time Tuttle returns, he 1. -
Aggregation Analysis in Copyright Infringement Claims: the Fate of Fictional Facts
NOTES AGGREGATION ANALYSIS IN COPYRIGHT INFRINGEMENT CLAIMS: THE FATE OF FICTIONAL FACTS Ariel M. Fox* In a copyright infringement dispute, when assessing whether a de- fendant’s work is substantially similar to, and therefore infringing, a plaintiff’s, a court must first determine which works to compare. A unique issue arises when a defendant has appropriated material from multiple works in a series or collection by a plaintiff. A court must decide whether to examine material taken from each of a plaintiff’s indi- vidual works (such as the individual episodes of a television show or each book in a series) or to analyze the body of works collectively. The latter approach has been referred to as “aggregation” analysis, ap- proach, or theory. This Note highlights the unpredictable application of aggregation analysis in copyright infringement disputes, examines how the analysis defies the language of the Copyright Act, and argues the unsettling discord that the analysis creates undermines the fundamen- tal goals of copyright law. It cites prominent cases involving fictional- fact reference works as examples that illuminate the risks of aggregation and discusses the issues that arise when a plaintiff elects to receive stat- utory damages. Ultimately, this Note offers alternatives to aggregation that aim to promote consistent interpretation of the Copyright Act and avoid a windfall for copyright owners when courts find infringement. INTRODUCTION No one likes a copycat, particularly not the law. Legally actionable copying—copyright infringement—holds the prospect of injunction against the distribution of infringing work1 and payment of damages and profits,2 in addition to reputational harm for the infringer. -
Sailing for a Cause Charitable Regattas Raise Funds
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Representations of Redface: Decolonizing the American Situation Comedy's "Indian"
REPRESENTATIONS OF REDFACE: DECOLONIZING THE AMERICAN SITUATION COMEDY'S "INDIAN" Dustin S. Tahmahkera A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Lynda Dixon, Advisor Bradford Clark Graduate Faculty Representative Don McQuarie Angela Nelson © 2007 Dustin Tahmahkera All Rights Reserved iii ABSTRACT Lynda Dixon, Advisor This study critically analyzes the thematic development of representations of redface, or of playing “Indian,” by non-Native characters in live-action and animated American sitcoms. Predominantly White characters have played “Indian” to reeenact nostalgic colonialist versions of historical events, to gain fame and fortune deceptively, to be honorary members of a tribe, to acknowledge heritage through a distant “Indian” relative, and to be in “Indian” clubs. This dissertation also discusses the dehumanizing roles of rare on-screen “Indians” as cultureless dupes or subservient, vanishing Natives who legitimize and authenticate non-Indigenes’ constructions of redface. Representations of redface in American sitcoms, from their appearance in the 1951 I Love Lucy “The Adagio” to the 2006 The Suite Life of Zack and Cody “Boston Tea Party,” have largely defined the sitcom’s “Indian.” The result is a redface collective that emphasizes the recurring visibility of (mis)leading “Indian” players that represent, or stand in for, the mostly invisible Indigenes. American sitcoms have set forth a restricted logic on how “Indians” in comedic television should appear. In turn, this limited logic of the sitcom’s “Indian” transmits a narrow, non-fully human view of real Indigenes to non-Indigenous and Indigenous audiences. -
Sailing Into New Adventure Sizing up Boat Projects Boat Smart: Never Put Your Guard Down ADA Regatta, Detroit Noods
Volume XVIII No. 6 July 2007 Sailing Into New Adventure Sizing Up Boat Projects Boat Smart: Never Put Your Guard Down ADA Regatta, Detroit NOODs ADA Regatta on Lake Minnetonka Over 500 New and Used Boats Two Great Lakes THREE GREAT MARINA SERVICE CENTERS LAKE SUPERIOR LAKE MICHIGAN LAKE SUPERIOR 715-392-7131 920-682-5117 218-834-6076 barkers-island-marina.com manitowoc-marina.com knife-river-marina.com 250 Marina Dr., Superior, WI 425 Maritime Dr., Manitowoc, WI 115 Marina Rd., Knife River, MN M ECHANICAL S ERVICES Custom Bow & Stern Diesel Propulsion Thruster Installations Systems Sales, for Power & Sail Service and Repair R EPAIR & REFINISHING 26 years of yacht refinishing experience using AWLGRIP® coating systems. Before After Custom wood working, Complete fiberglass/composite repairs fiberglass & composite repairs & refinishing. Cosmetic gelcoat repairs, blister prevention & repair. Structural hull, deck and core repairs. R IGGING &SAILING S YSTEMS Anchor handling systems, Experienced sailors and deck hardware upgrades: riggers ready to assist you with hatches, ports, winches. improvements to your boat’s Steering system upgrades rigging, sails & sail handling systems for cruising or racing N AVIGATION &ELECTRICAL S TORAGE &HANDLING • Indoor Heated & Authorized Service Outdoor Storage Expert advice, installation and • Marine Travelifts servicing of all electrical systems and navigation electronics. • Brownell Hydraulic Boat Handling Lifts & Trailers. Servicing and Outfitting Coastal and World Cruisers Since 1970 9 www.sailingbreezes.com 9 Sizing Up Boat Projects — The Five Basic Elements by Vern Hobbes 14 Sailing Into New Adventure by Scott Andrews 22 Race Results: 7th Annual ADA Regatta, Detroit NOODs, More Departments Good planning makes even the big jobs manageable.